"In this life, everything comes with a price," he said after thinking for a
moment. "Some pay in advance, others during, and still others afterward
In the case of the Mexicana, she paid in advance.
She had nothing to lose, and everything to gain. And that's what she did."
"People say that you abandoned her in prison. Without a penny."
He looked truly offended. Although in a guy like him, with his background—I had taken the trouble to look into it—that meant absolutely nothing.
"I don't know what these 'people' might have told you, but that's not quite accurate. I can be as practical as the next man, understand?... It's perfectly normal in my profession. But that's not the point. I didn't abandon her."
With that out of the way, he gave a series of more or less reasonable justifications. Teresa Mendoza and Santiago Fisterra had, in fact, entrusted a certain amount of money to him. Not an extraordinary amount, just some funds that he proceeded to discreetly launder. The problem was that he invested almost all of it in paintings: landscapes, seascapes, and so on. A couple of nice portraits. Yes. And this happened to be just after the Gallego's death, when Teresa was in prison. And the painters were not very well known. Their parents may not even have claimed them—he smiled—which was why he invested in them. Appreciation, of course. But then the crisis came along and he'd had to sell off everything, to the last canvas, plus their small interest in a bar on Main Street and a few other things. From all that he deducted his fees—there were late payments and other matters—and the rest of the money went toward Teresa's defense. That entailed a considerable amount of money in expenses, of course—an arm and a leg, you might say. And after all was said and done, she'd spent only a year in prison.
"They say," I told him, "that that was thanks to Patricia O'Farrell, because it was her lawyers who did the paperwork."
He started to put a hand over his heart, once again offended. But he stopped in mid-gesture.
"They say a lot of things. The fact is, there came a moment when, well..." He looked at me the way a Jehovah's Witness looks at a doorbell. "... I had other concerns. The Mexicana's case was at a standstill."
"You mean the money had run out."
"The little there was, yes. Run out."
"And so you stopped representing her."
"Look ..." He showed me the palms of his hands, raising them slightly, as though that were a guarantee. "This is how I earn my living. I couldn't afford to work for free—that's what court-appointed lawyers are for. Besides, I repeat that it was simply not possible to know .. ."
"I understand. She didn't come around to settle the score later?"
He became lost in the contemplation of his glass on the glass top of the table. My question did not seem to call up pleasant memories. Finally he shrugged in reply, and sat looking at me.
"But later," I insisted, "you did work for her again."
Once more he put his hands in his jacket pockets and took them out again. A sip from the glass, and the hands again.
"Maybe I did," he finally admitted. "For a short period of time, and a long time ago. Then I refused to go on. I'm clean."
My information said otherwise, but I didn't argue. What I'd been told was that when she got out of prison, the Mexicana had grabbed him by the balls and squeezed them till Eddie did what she wanted him to do, and then she threw him out once he was no longer useful. Those were the words of the police chief of Torremolinos, Pepe Cabrera. "Mendoza had that bastard shitting bricks. To the last." And that phrase fit Eddie Alvarez like a glove. You could perfectly imagine him so scared he was shitting bricks, or anything else Teresa Mendoza told him to shit. "Tell him I sent you," Cabrera had said while we were eating in the sporty port city of Benalmadena. "That piece of shit owes me big-time, and he won't be able to say no. That affair of the container from London and the robbery at Heathrow, for example—just mention that and he'll be eating out of your hand. What you get out of him is your business."
"She wasn't upset or anything, then," I persisted.
He looked at me with professional caution. "Why do you say that?" he asked.
"Punta Castor."
I figured he was calculating exactly how much I knew about what had happened. I didn't want to disappoint him. "The famous trap," I prodded. The word seemed to have a laxative effect.
"Bullshit," he said, squirming in his rattan-and-wicker chair, making it creak. "What do you know about traps?... That word is an exaggeration."
"That's why I'm here. So you can set the record straight."
"At this late stage of things, it can hardly matter," he replied, picking up his glass. "In that mess at Punta Castor, Teresa knew I had nothing to do with what Canabota and that sergeant in the Guardia Civil were planning. Afterward, she took the trouble to find all that out. And when my turn came . . . Well, I convinced her that I'd been an innocent bystander. And the fact that I'm still alive proves that I convinced her."
He turned thoughtful, tinkling the ice in his glass. He took a drink. "Despite the money lost on the paintings, Punta Castor, and all the rest..." he insisted, and he himself seemed surprised, "I'm still alive."
He took another drink. And then another. Apparently, all this remembering made him thirsty.
"Actually," he said, "no one ever went specifically after Santiago Fisterra. No one. Canabota just needed somebody to use as a decoy while the real cargo was unloaded someplace else. That was standard practice: they used the Gallego the way they might have used anybody else. Bad luck is all it was. He wasn't the type to flip if somebody slapped a pair of handcuffs on him. Plus he was from outside, he had that attitude of his, and he had very few friends in the Strait.... And there was that sergeant in the Guardia Civil that had got the idea in his head of doing the Gallego in. So they picked him." "And her," I suggested.
He squirmed and made the chair creak again, looking at the stairs to the terrace as though Teresa Mendoza were about to appear on them. A silence. Another drink. Then he straightened his glasses and said, "Unfortunately." Then he fell silent again. Another drink. Unfortunately, no one could have imagined the Mexicana would get where she got.
"So what happened to them afterward?... To Canabota and this Sergeant Velasco?"
The defiance lasted three seconds. He folded. You know as well as I do, his eyes said distrustfully. Anybody that reads the newspapers knows. But if you think it's me that's going to explain it to you, you've got another think coming.
"I don't know anything about that." He made the gesture of zipping his mouth closed, looking mischievous and self-satisfied—the expression of a man who has remained standing longer than others of his acquaintance. I ordered coffee for me and another chocolate-colored whisky for him. From the city and the port came sounds muted by distance. An automobile was climbing the highway below the terrace, with a great deal of noise from its muffler, toward the peak of the Rock. I thought I saw a blond woman at the wheel, and a man in a sailor's jacket.
"Anyway," Eddie Alvarez went on, after considering the matter for a while, "all of that was later, when things changed and she decided to collect on her outstanding debts. .. . And listen, when she got out of El Puerto de Santa Maria, I figure all she was thinking about was disappearing from the world. I don't think she was ever ambitious, or a dreamer. . . . I'll wager she was never even truly vengeful. She just wanted to stay alive, that's all. Thing is, sometimes luck, after slapping you around for a while, decides to smile on you."
A group of men and women from Gibraltar occupied a neighboring table. Alvarez knew them, and he went over to say hello. That gave me the opportunity to study him from some remove: the obsequious way he smiled, shook hands, listened—like a man listening for clues to what he ought to say. A survivor, I told myself. The kind of slimy son of a bitch who survives, as another Eddie had described him—in this case Eddie Campello, also from Gibraltar, an old friend of mine and publisher of the local weekly Vox. "Doesn't even have the balls to d
ouble-cross you, our friend," said Campello when I asked about the relationship between the lawyer and Teresa Mendoza. "What happened at Punta Castor was Canabota and that sergeant from the Guardia Civil—Alvarez wasn't involved. He just pocketed the Gallego's money, and money didn't mean shit to that woman. The fact that she rescued that asshole and put him to work for her again is proof of that."
"And let me tell you"—Eddie Alvarez was back at our table—"I'd say that the Mexicana is still not vengeful. She's more ... I don't know. Maybe just practical, you see?... In her world, you don't leave loose ends."
Then he told me something interesting. "When they threw her into El Puerto, I went to the house that she and the Gallego had in Palmones, to liquidate everything and close it up. And you know what? She had gone to sea that night like so many other times, not knowing that it would be the last time. But she had everything all in order, in boxes, drawers, everything in its place. Even in the closets. That house could have passed an army inspection.
"More than cold-blooded calculation, ambition, or thirst for revenge"— Alvarez nodded, looking at me as though the drawers and boxes and closets explained everything—"I think it was a sense of symmetry."
She finished sweeping the wooden walkway, poured herself half a glass of tequila and filled the rest with orange juice, and then went to smoke a cigarette out on the end of the walk, shoeless, her feet half buried in the warm sand. The sun was still low, and its diagonal rays covered the beach with shadows from each wave or footprint, making the sandy expanse look like a landscape on the moon. Between the kiosk and the shoreline everything was clean and neat, awaiting the swimmers who would begin to arrive at mid-morning: two lounge chairs under each umbrella, carefully aligned by Teresa, with their blue-and-white-striped cushions shaken out and straightened. The air was calm, the sea was quiet, the water at the shore silent, and the early-morning sun shimmered with metallic orange splendor between the black silhouettes of the few passersby: retirees on their morning walks; a young couple with a dog; a solitary man looking out at the ocean, a fishing pole stuck into the sand beside him. And down toward the end of the beach and the orange glow, toward the east, behind the pines and the palm trees and the magnolias, Marbella, with the red-tile rooftops of its villas and its concrete-and-glass towers rising in the golden haze.
She savored her cigarette, undone and rerolled, as usual, with a little hashish. Tony, the manager of the stall, didn't like her to smoke anything but tobacco when he was around, but at this hour Tony hadn't arrived and the swimmers would be a while yet—it was the first few days of the season—so she could smoke in peace. And that tequila with orange juice, or vice versa, was terrific. She'd been here since eight this morning—coffee, no sugar, a piece of bread with olive oil, a donut—setting out the lounge chairs, sweeping the walkway, straightening tables and chairs, and ahead of her she still had a day of work identical to yesterday's and the day before's: dirty glasses behind the counter, and at the bar and the tables lemon slushes, juices, iced coffees, Cuba fibres, mineral waters, her head splitting and her shirt drenched with sweat, under the palm-thatch roof the sun filtered through. The heavy, humid atmosphere reminded her of Altata in the summer, but with more people and more smell of suntan lotion.
And she had to be alert, too, to the demands of the customers: I ordered this with no ice, Listen, hey, I ordered this with lemon and ice, Don't tell me you don't have any Fanta, You gave it to me sparkling and I ordered it still. Chingale. These fucking Spaniards and gringos summering here with their flowered shorts and red greasy skins and sunglasses, their screaming kids and their bodies spilling out of their bathing suits and T-shirts and pareos— they were much worse, much more self-centered and inconsiderate, than the customers that frequented Dris Larbi's puti-clubs. Teresa spent twelve hours a day with these people, back and forth, with no time even to sit down for ten minutes, the recently healed fracture in her arm aching from the weight of the drink-laden tray, her hair in two braids and a kerchief around her forehead to keep the sweat out of her eyes. And always with Tony watching her suspiciously.
But it wasn't all bad. There was that period in the morning when she'd finished straightening the kiosk and lining up the lounge chairs and could sit quietly and look out at the ocean, waiting, at peace. Or at night when she walked down the shore toward the modest pension in the old part of Marbella, just like in the old days—centuries ago—in Melilla, when she closed up the Yamila. The hardest thing to get used to when she got out of El Puerto had been the bustle of the outside world, the noises, the traffic, the beaches full of people, the deafening music from the bars and discotheques, the flocks of people all along the coast from Torremolinos to Sotogrande. After a year and a half of strict routine and order, Teresa sometimes felt more uncomfortable on the outside than she'd felt behind bars. In prison, they told stories about inmates with long sentences who got out and then tried to find a way—that is, a crime—to get back into that single place in the world where they felt at home. Teresa never believed that, until one day, sitting in the same place where she was sitting now, smoking, she was suddenly swept by homesickness, if it could be called that, for the order and routine and silence of the life behind bars. Jail is home for nobody but the unfortunate of the earth, Patty had said once. For people who don't have any dreams.
Abbe Faria—Teresa had finished The Count of Monte Cristo and many other novels, and she was still buying books, which sat in piles around her room in the pension—was not one of those who considered prison home. On the contrary: the old prisoner had yearned to get out so that he could recover the life that had been stolen from him. Like Edmond Dantes, but too late. After thinking a lot about this, Teresa had come to the conclusion that the treasure that belonged to the two men was simply a pretext for staying alive, dreaming of escape, feeling that they were free despite the locks and bars and chains and walls of the Chateau d'If. And in the case of Lieutenant O'Farrell, the story of the cache of lost coca was also, in its way, a means of staying free—which may have been why Teresa never entirely believed it. Although now, when she was finally living in a world with real days, not just numbers on a calendar, she found that she wanted to believe in something. She wanted to have something just that clear-cut to live for.
Now what? she had asked herself as she'd stepped into the street outside the prison. The answer had come from O'Farrell, who sent her to some friends who owned kiosks on the beaches at Marbella. "They won't ask questions or exploit you too much," she'd said. "Or fuck you if you don't want them to." The job made Teresa's parole possible—she still had more than a year of her debt to society to pay off, and the only limitation on her was that she stay in one place and make an appearance once a week at the local police station. The job also paid enough for a room in a pension on Calle San Lazaro, some books and clothes, food, tobacco, a few sniffs of coke from time to time—and the packages of Moroccan chocolate for spiking the Bisontes she smoked in her room at night or during slow hours on the beach, like now.
A seagull dropped down, watchfully gliding near the shore. It skimmed the surface of the water and flew out seaward without finding anything. Fuck you, thought Teresa, inhaling, as she watched it fly away. Fucking wolf with wings. She'd once liked seagulls; she had considered them romantic, until she got to know them on the trips back and forth across the Strait in the Phantom, and especially one afternoon, in the early days, when something went wrong with the engine in the middle of the ocean. They had both tried to get the engine started, and Santiago stayed at it while she lay down to rest, watching the gulls circle lazily nearby. He warned her to cover her face, because gulls were known, he said, to peck at people if they fell asleep. The memory came back with crystal-clear images: the quiet water, the seagulls floating on the water around the drifting speedboat or gliding and fluttering above it, and Santiago aft, working on the engine, covered with grease to his elbows, his naked torso with the tattoo of Christ on one arm, on the other those initials—whose, she never found out.
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She inhaled several times more, letting the hash spread slowly through her veins, toward her heart and brain. She tried not to think much about
Santiago, just as she tried to keep her headaches at bay by taking a couple of aspirin before it was too late and the pain moved in for hours, shrouding her in an exhausting cloud of queasiness and unreality.
Generally she managed not to think too much, period, about Santiago or anybody or anything. She had discovered too many uncertainties and horrors lurking in every thought that went beyond the here and now, or the practical. Sometimes, especially when she was lying awake at night, she couldn't keep herself from remembering. But as long as she didn't actually think, the remembering would give her no more than a sensation of movement toward nowhere, like a boat adrift. That was why she now smoked hashish. The smoke in her lungs—which may have traveled with me in twenty-kilo bundles from Morocco, she sometimes thought, amused by the paradox, when she scraped around in her pocket to pay for a miserable little bag of it—accentuated that sense she had of drifting off, drifting away. It brought with it not consolation or indifference, but rather a gentle stupor. It made her unsure that it was she herself she was remembering, as though there were several Teresas lurking in her memory, none with any direct relation to the Teresa of today.
Maybe it's that this is life, she would tell herself, confused and puzzled. Maybe old age, when it comes, is about looking back and seeing the many strangers that you have been and in whom you can't quite recognize yourself. With that idea in her head, sometimes she took out the torn photograph and looked at it, realizing that the features of the man that had been torn from the photo mixed in her memory with those of Santiago Fisterra, as though the two of them had been one. It was the opposite of what happened with the girl in the photo, the one with the big black eyes, who had shattered into so many different women that it was no longer possible to re-compose her into just one.
These were Teresa's thoughts from time to time, until she realized that they were, or could be, the trap. So from then on she seized at the recourse of keeping her mind blank—allowing the smoke to run slowly through her blood and the tequila to calm her with its familiar taste. Those women who resembled her, those other Teresas, were falling into the past, floating like dead leaves on water.