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General and Miscellaneous Works
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d Antiquities of the Abbey Church of Westminster (2 vols, 1723)
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For Richard III
Cheetham, Anthony: The Life and Times of Richard III (Weidenfeld and Nicolson, 1972) (revisionist)
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Given-Wilson, Chris and Curteis, Alice: The Royal Bastards of Mediaeval England (Routledge and Kegan Paul, 1984) (for details of Richard Ill's bastard children)
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The Princes in the Tower
Crawford, A.: 'The Mowbray Inheritance* (The Ricardian, June, 1981)
Jenkins, Elizabeth: The Princes in the Tower (Hamish Hamilton, 1978)
Molleson, Theya: 'Anne Mowbray and the Princes in the Tower: a Study in Identity* (The London Archaeologist, Vol. 5, no. 10, Spring 1987)
Richard III and the Princes in the Tower (ed. Langdon-Davies, Jackdaw Series, 1965)
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The Tower of London
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Henry VII
Chrimes, S. B.: Henry VII (Eyre Methuen, 1972)
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The Tudor Period
Bennett, Michael: Lambert Simnel and the Battle of Stoke (Alan Sutton, 1987)
Durant, Horatia: Sorrowful Captives: The Tudor Earls of Devon (Griffin Press, 1960)
Elton, G. R.: England under the Tudors (Methuen, 1955)
Mackie, J. D.: The Earlier Tudors, 1485-1558 (Oxford University Press, Oxford, 1952, 1966)
Morris, Christopher: The Tudors (Batsford, 1955)
Plowden, Alison: The House of Tudors (Weidenfeld and Nicolson, 1976)
Routh, C. R. N.: Who's Who in History, Vol. II, England 1485-1603 (Blackwell, Oxford, 1964)
 
; Sir Thomas More
Marius, Richard: Thomas More (Dent, 1984)
Ridley, Jasper: The Statesman and the Fanatic: Thomas Wolsey and Thomas More (Constable, 1982)
Strong, Sir Roy: Tudor and Jacobean Portraits (2 vols, National Portrait Gallery, 1969) (for a discussion on paintings of the More family group)
Trapp, J. B. and Herbrüggen, H. S.: The King's Good Servant: Sir Thomas More, 1477/8-1535 (National Portrait Gallery, 1977)
Wilson, D.: England in the Age of Thomas More (1978)
About the Author
Alison Weiris the author of The Six Wives of Henry VIII, Britain's Royal Families: The Complete Genealogy, The Wars of the Roses, The Children of Henry VIII, The Life of Elizabeth I, and Eleanor of Aquitaine. She lives in Surrey with her husband and two children.
[Captions on removed pictures from the middle of the book]
1 above Richard III: early 17th century (?) copy of a portrait by an anonymous artist of c. 1518-23 in the Royal Collection. When this picture was painted the legend of the villainous 'crookbacked king' with one shoulder higher than the other was firmly established.
2 above right The earliest surviving portrait of Richard, dating from c. 1516-22 and almost certainly a copy of a lost original painted from life, shows no apparent deformity.
3 right The 'Broken Sword' portrait by an unknown artist, f.1533-43. X-rays show that drastic alterations were made later on, when Richard's reputation was rehabilitated, to give the deformed-looking king a more normal appearance.
4 Edward IV: his son Edward. the elder of the two Princes, was 'his greatest joy'.
5 Elizabeth Wydville: 'everyone, as he was nearest of kin unto the Queen, was so planted next about the Prince, whereby her blood might of youth be rooted in the Prince's favour' (Sir Thomas More).
6 opposite page Illustration from The York Roll: at the top is Richard Neville, Earl of Warwick, 'the Kingmaker', and his wife, Anne Beauchamp, the mother-in-law whom Richard III treated so callously. To the left is Warwick's daughter Anne Neville with her two husbands, Edward of Lancaster and Richard III, with Edward of Middleham, Prince of Wales, her son by Richard, below. To the right is Anne's sister Isabella Neville with her husband, George, Duke of Clarence, and their children Edward, Earl of Warwick, and Margaret, later Countess of Salisbury.