Page 28 of Deuces Down


  Sam heartily approved of the outfit, and the woman in it, and not just because his was almost the same, except he had the cobweb lace as cravat and cuffs, jeans instead of short-shorts, Does in place of stilettos, and slightly more gothic taste in nailpolish. And black velvet gloves, at least on his left hand. He tapped it to the brim of his own top hat. “No, just picked it up.” Sam felt a grin steal across his face as he took in the sights, since up close she looked even better than when he’d first noticed her an hour ago. “Nice threads yourself. Columbia, or Sally from Cabaret?”

  She paused for a moment. “No, Topper.”

  “She was one of the SCARE aces, right?” Now that she mentioned the name, Sam could see the likeness. “’Cause if you’re supposed to be the guy from the old ghost movies, I never would have gotten it. But speaking of spirits, can I buy you a drink?”

  She raised an eyebrow. “Are you old enough to drink?”

  Sam grinned. “ID’s are not a problem.” He chuckled then. “Of course, if you’re Topper, you’d just pull whatever you want out of your hat, right? Get me a Long Island?”

  She gave a strained smile. “I’d be happy to, assuming I had the right hat. . . .”

  Sam shook his head. “Nice try, but wrong answer. You got the costume perfect, but the real Topper can use any hat—top hats, bowlers, sombreros. And she never does requests.” Sam grinned further. “Besides, she retired that outfit when she quit the Justice Department.”

  “Aces High is having a costume party. So sue me.” She put her hands on her hips. “So, how do you know so much about the ‘real’ Topper? Ace groupie?”

  “Nah,” Sam shook his head, “someone donated a bunch of back issues of Aces! to the J-town orphanage. Topper was on the cover in the eighties. Had a pinup and everything.” Sam shrugged. “Haven’t made the cover yet myself, but we aces like to keep tabs on each other.”

  She arched the same eyebrow. “New ace, huh?” Her eyes flicked over him. “So who are you then, the Artful Dodger?”

  “That’s sort of the look I was going for,” Sam said, still smiling, “but actually, you can call me Swash.”

  “Swash?”

  “Well, it’s either that or ‘His Nibs,’ but even a goth can only be so pretentious.” He held up his ungloved right hand, which had been hidden behind his sketchbook. “Pardon me if I don’t shake, but I’m a little inky right now.”

  He watched her eyes start, a pretty cerulean blue, as she took note of his hand, which was stained with that shade and several others beneath his hooked black-enameled Fu Manchu manicure. It wasn’t a joker, but it still had shock value, like an unexpected tongue-stud.

  Sam laid his sketchbook flat, displaying the Art Nouveau letters and dancing pumpkins of the menu he’d been re-illuminating. He flexed his fingers, letting a drop of ink come to the tip of each split sharpened crow-quill pointed nail, glanced to Hastet’s nameless appetizer, then flipped to a fresh page and clawed down it. A twitch here, a slash there, a drop of the chartreuse of revulsion and the pale lavender of disquiet, and he’d pretty accurately captured his impression of the tentacular delight. He tossed in a few word balloons with the squidlets saying, “Eat me!” instead of “Help me!” then added a banner borne aloft by Cupidthulhu putti with a caption in dramatically dripping Salamanca script: “Dare you partake of LOVECRAFT’S MADNESS?”

  With one more jig of his thumb, he signed it Swash. “See?” He used his gloved left hand to turn the book around. “Not just my ace name, but my artist’s signature too.” He blotted the nails of his right on one of Hastet’s no-longer-immaculately-white napkins. “Like I said, ID’s are not a problem.”

  The woman applauded lightly. “Nice trick.”

  “Thanks.” Sam grinned.

  “Can I have my hat back now?”

  He picked up his spare glove and slipped it on, sliding his fingertips into the special pencap sheathes. “Uh, you’re wearing it.” He shook his cuff so the lace fell properly, black cobwebs on black, stealing a glance up from beneath the brim of his own top hat.

  “No, I think you’re wearing it.” She gestured to the bar. “About a half hour ago, when the waiter dropped his tray? Someone bumped into me and knocked my hat off.”

  Sam remembered the loud and spectacular crash, which had not only made him jump and squirt ink all over a page, ruining one of his sketches, but had also had caused him to dig in his nails, injecting pigment into several pages previous, destroying hours of work. Which in fact was why he was still here, recopying pages and hitting up Hastet for snacks to refill his ink reservoirs. “And . . . ?”

  “And my grandfather was a stage magician. I know all about misdirection.” She looked pointedly at a spot a few inches above his eyes. “Likewise the bump-and-switch.” She reached up and tapped her hat. “And while this is the same size and vintage as the one I came in with—even the same haberdasher’s mark—it’s not the same hat.”

  Sam grimaced. He should have known it was something more than just mutual admiration of gothic finery. “If you wanted to look at my hat . . .” He doffed it, stray bits of blond mane falling into his face, “. . . all you had to do was ask.” He extended it to her. “Was yours a rental prop?”

  “No,” she said coldly, grasping the brim, “but it had a lot of sentimental value.” She then thrust her arm inside his hat, up to the elbow. Her hand came out the other end, where the crown was partially detached, becoming even more detached as she did so, and Sam watched as her expression changed, from a look of smug satisfaction, to puzzlement, then to worry as her painted nails fumbled at the air, to red-faced embarrassment as she caught sight of them over the brim of the hat. “Wha—?”

  Something in her expression made him flash back to the teenage girl on the cover of Aces! and he realized that, with the exception of Golden Boy, most aces didn’t stay unchanged since the early eighties. “Wait a second,” Sam said, “you really are Topper, aren’t you?” She looked at him and that look cinched it. “That article, it was wrong, right? SCARE disinformation. Your ace crutch isn’t just any hat, or a top hat, it’s one top hat in particular, the one you got from your grandfather. You hid it inside that sombrero and—”

  “Not so loud!” she hissed, withdrawing her arm from his hat and abruptly sitting next to him. “I don’t want everyone to— What’s the matter?”

  Sam gritted his teeth to keep from screaming. “You’re sitting on my tail!”

  She looked. “Uh, it’s a nice tail coat but . . .”

  Sam twitched his real tail, hidden down the sheath in the left-hand train of his own swallowtail coat where it had been stretched out in the booth, and Topper’s eyes started. She abruptly raised back up so he could yank it under himself, having a moment of trouble as it got tangled with the tails of her coat and the velvet of the upholstery, but at last he got it situated. “My Jokertown membership card, a little joker to go with my deuce.” He blinked back the pain, even though his tail was still smarting. “Okay, now you know my secret too.”

  She sighed. “I’m sorry. I won’t tell if you won’t tell.” She grimaced and covered her eyes with one hand, shaking her head softly. “Good god, if Jay ever finds out that I’ve lost my hat, I’ll never hear the end of it. . . .”

  “Hastet’s Jay?”

  She dropped her hand and nodded. “I work for his agency.”

  Sam glanced down at her fishnets through the hole in his hat. “What sort of agency . . . ?”

  She follow his gaze, then muttered, “There was a reason I retired this costume. . . .” Then she glared at him. “Detective agency. Gads, I work for Popinjay, not Fortunato.” She looked then at Sam’s top hat, with its crown falling out, and gave a sheepish grin that made her look years younger. “Sorry about that. . . .” She glanced around the restaurant. “Do you see any other top hats?”

  Sam looked himself. Starfields was packed, and given the night, he saw every sort of hat imaginable, from the odd dozen ostrich-plumed cavalier hats worn by the Dr. Tachyon
lookalike waiters to representational foam rubber creations liberated from the Theatre District, looking to be cast-offs from last month’s Wild Card Follies everything from the Great Ape climbing the Empire State Building to Dr. Tod’s flaming blimp. But no top hats.

  “Right now?” He smoothed his hair back with one velvet glove and replaced his battered hat with the other, pushing the crown inside. “Excepting mine and the one you’re wearing, no.”

  She bit her lower lip. “Earlier?”

  Sam thought back. “Several. Let me look. . . .” He picked up his sketchbook, blowing once across it so that the snot-trails from the Salamanca script would be dry, then flipped back past the buffer of blank pages he’d left to protect from bleed-through until he got to the ruined section. He pried open the last two sheets, still damp from the accident, revealing a giant multicolored Rorschach blot of sprayed ink, one hue bleeding into the next, predominantly the shocking pink of surprise. But underneath that, still visible on the lefthand page, were a series of sketches, including an image of the Starfields bar just minutes before the crash. Counting top hats, there were seven individuals of note, the first six wearing tail coats, the last without.

  First was Topper, holding a martini, perched at the edge of the bar in her fishnets. Next, a short ways down, was a crippled boy with polio crutches. Then came a young man with a blond mane and velvet gloves, the very image of Sam himself, turned and talking to a darkly handsome man with black hair and a permanent five-o’-clock shadow, fiddling with a small hand-held black box. Then there was a set of improbably wide shoulders, facing the bar and taking up at least three seats, the top hat worn atop a perfectly average, even narrow, head. Next a pale horse-faced giant with a long white goatee and a spiked and spiraled Mohawk, his top hat artfully and absurdly impaled on the twisted spikes. Then, finally, there was a fetish girl, a long, lithe, willowy woman, thin as a supermodel and almost as tall, dressed head to toe in latex. Her catsuit and platform-soled dominatrix boots were all of a piece, broken only by buckles and straps, and her face was hidden by a pantomime mask, a single tear on one cheek. This was backed by long honey blond tresses and topped with a vintage silk top hat.

  “Here.” Sam handed the book to Topper.

  She scrutinized the page like a rogues gallery. “Do you know any of these people?”

  “Everyone except the women on the ends.” Sam paused. “Though I’m getting to know the one of them.”

  Topper looked at him, and their proximity, and smirked. “Don’t push it. I’m old enough to be your babysitter.”

  Sam shrugged. “I grew up in an orphanage. I never had a babysitter.” He paused. “Though I did have fantasies.”

  Topper didn’t touch this, focusing instead on the mystery woman. “So, the Vinyl Vixen here—any idea who she is? Is that an ace uniform? A joker disguise? A Halloween costume? A really kinky fashion statement?”

  Sam shrugged. “All of the above? Go to bondage night at the Dead Nicholas and that’s a pretty common look.” Then he added, “I do their club flyers.”

  “Is it just me, or does it look like she has an Adam’s apple under the latex?” Topper looked closer at the illustration. “Or is that an inkblot?”

  “Hard to tell. When I sketch fast, I just—” He caught a flicker of movement out of the corner of one eye, a flash of silver buckles and golden hair. “Though maybe you could just ask Latex Lass yourself.” He pointed across the restaurant to where the same woman was coming out of the ladies room.

  Topper looked, then shoved his sketchbook into his hands, standing up and rushing from the booth. Or really, attempting to. Sam felt a tug on his tail, and realized that when he’d tucked it under himself for safe keeping, he’d taken Topper’s along with it, the cloth ones on her coat. The antique wool snapped back like a pair of suspenders in a vaudeville act, and Topper screeched, over-balancing on her stiletto heels, clawing to save herself, grabbing the tablecloth. Silverware, glassware, and the prodigious greenness of Hastet’s tentacled appetizer clattered down atop her as Sam forewent chivalry to protect his sketchbook, springing back out of the way and halfway atop the booth.

  There was, as with all such accidents, a swift silence, followed by even swifter sarcastic applause. Then Takisian Three Musketeers extras were helping Topper to her feet and offering words of solicitous concern while Fetish Girl crossed Starfields’ star-spangled foyer, pushed open the nebula-frosted glass panels of the entrance, and made her exit. Topper gave a strangled shriek of protest, attempting to evade the well meaning interference of the wait staff, and sprinted for the crack in the stars as fast as petite legs in stiletto heels could carry her.

  Sam struggled across the wreckage of tablecloth and hors d’oeuvres and was faced with a snap decision: He could stay, finish his work, and try to explain the mess to Hastet, or he could follow Topper. It was an easy choice. Besides which, Hastet was Takisian, and as such, she knew that chivalry had its demands, as did attractive women in fishnet stockings. And while Sam wasn’t tall, he was taller than Topper, and he caught up with her just as she passed through the doors. He leapt through the gap in the nebula after her, his tail pinging the edge of the glass, then it was down the stairs, no waiting for the elevator, and out to the sidewalk.

  Topper took three steps outside and looked up and down the street, then back at him. “Where is she?”

  Sam looked too, taking in the bustle of Park Row and trying to spot a latex-clad supermodel in a vintage top hat, then shook his head. “Gone. I’m sorry, I—”

  “Do you have any idea where she went?”

  Sam shook his head again. “No.” Then he paused. “Or actually, yes. I’m pretty certain I do. Follow me.” Topper looked ready to grasp at the slimmest hope, and Sam gave it to her. “Taxi!” he shouted, jumping out into the street and flagging one down.

  Sam went into chivalry overdrive, opening the door for Topper, who piled in, with him following.

  The driver had a beard and a turban and a wide smile. “What is your destination on this fine night, oh most—” The man stopped, goggling in horror at Topper, as if she’d just sprouted an extra head.

  Sam looked. She had. Well, actually no, but the effect was remarkably similar, one of the cephalopod confections caught in her curls, staring at the driver with the same wide-eyed expression, like Father Squid being subjected to an unexpected proctology exam.

  It was against Sam’s better judgement, but if he’d learned one thing growing up in Jokertown, it was this: Sometimes you had to freak the nats. Plus Hastet expected him to taste her creations, not just draw them, so the time had come to bite the bullet, or at least the squid.

  Sam removed it from Topper’s curls and popped the pirouline into his mouth, biting down. It was crunchy and spicy-sweet, a little like Japanese spider roll, mixed with the dry caraway flavor of kimmel cracker. Then his eyes began to water. Takisian Surprise was right! Hastet had spiked the guacamole with wasabi or some otherworldly equivalent.

  Topper looked at him. “Edible?”

  Sam swallowed and thumped his chest. “Like Candy Mandy’s fingers.” He wiped the tears with the back of his glove. “Girl I knew back at Jokertown High. Edible fingers. Really.”

  There was really no response to this, and Topper didn’t try to make one. Half the Jokertown stories were ‘No, really’ bullshit, and the other were unbelievable, but still true.

  The driver was still staring his own rectal-examination stare, and Sam had a bad feeling in his own tail, but pressed ahead anyway, smiling as if nothing could be more natural. “Jokertown, please. Club Chaos.”

  At last the cabby’s expression changed, going from a mask of shocked horror to righteous indignation. “This cab, by the Light of Allah, does not go to the abode of the unclean!”

  “What if we gave you some unclean money?”

  The mask faltered for a moment. “How much?”

  “Five hundred bucks,” said Topper.

  “Let me see it.”

  “Fine.