Then one of the dogs lying in a doorway sprang suddenly and omitted asharp bark. At the same moment a dark cloud apparently obscured thesun. In a short time it had passed unnoticed save for the dog. But hisowner--an old crone in a voluminous black hood--peered intently at theclear and vacant sky, and started chattering in an excited tone. Soonthe whole population was out of doors looking upwards at that whichcould not be seen yet which cast a deep shadow. Nothing was to beperceived in the expanse of blue, yet upon the square cobblestones ofthe quaint little village an irregular black form wavered back andforth. Then it grew larger. Whatever it may have been, it wassettling. The people drew back afrightened. Slowly the swinging motionceased, and the thing drew near. A deep, heavy panting was distinctlyaudible, much like that of a great beast, and with a dull impact asthough it was of great weight, it alighted upon a grassy plot beforethe Chancellor's house. For a long time it lay there, resting. Andstill nothing could be seen save the indentation of the grass noraught heard but the heavy breathing.

  Then, to the terror of the white-faced and nervous citizens, it roseon giant feet and tramped down a lane. Thud.... Thud.... Thud....Thud.... The sound grew monotonous in its deliberation. Before itspath lay a sleeping hound. It was lifted as if in a vast claw, andvanished among horrid rending sounds. A single drop of blood fleckedthe earth.... Its taste momentarily sated, the thing paused andturned.

  It took some moments for reason to replace the stark terror of thetownsfolk. Then there was a mad and frantic rush for the nearesthouses. Those to first gain entrance barred the doors upon theircomrades. In a moment the street was apparently bare--save for theunseen monster.

  All that afternoon and night it pried at doors, scratched at roofs,muzzled windows and upset fruits-carts inquiringly. But the people ofDroom had built well. It did not gain entrance during the night,although few slept, when they heard the constant breathing beforetheir homes, and the dull thumping sounds as it wreaked its maliceupon the shops of the marketplace.

  It was high noon before any dared unbar their doors and venture forth.Nothing unusual greeted their blanched faces, and silently,apprehensively they stole to their tasks. Soon all activity againcommenced.

  The horror had gone.

  * * * * *

  Come over to "Our Readers Say" and "The Boiling Point" and join in thecomment.

  THE BOILING POINT

  Herewith we continue the Ackerman-Smith debate, which is waxing hot.

  "The Ackerman-Smith controversy assumes all the aspects of a madcomedy. To assail and reprehend the writings of Clark Ashton Smith isas preposterous and futile as a dwarf transporting a huge mountainpeak upon the tip of his tiny finger. Either Forrest J. Ackerman isdaft or an imbecile or a notoriety-seeking clown and knave. ClarkAshton Smith stands alone in the realm of present-day weird andfantastic literature, and, therefore, above all his contemporaries. Heis still King: and has yet to be dethrone."--Robert Nelson.

  "Personally, I thought that 'The Light From Beyond' was very good, andI saw nothing weird about it. It was fantasy and not stf., but some ofthe greatest classics of so-called science fiction have been almostpure fantasy. Witness: Merritt's 'Snake Mother' and 'Moon Pool,' andTaine's 'Time Stream.' Ackerman's objections to this were particularlyobnoxious to me, as I thought it one of the best stories ever written.Certainly, there should be something more to science fiction thanrays, machines, villains, heroines (composed of lipstick and leg, asMr. Barlow rather bitterly expresses it), as has been stressed sogreatly of late. There should be an element of fantasy, strongcharacters, and a well-developed plot in addition. The lack of thoseis why so many weird story lovers (like Mr. Barlow) can find so muchfault with stf. I do not blame him. I, myself, as a reader, will stopreading stf when the fantasy element is dropped completely." WilliamCrawford.

  QUESTIONNAIRE

  Here are the answers to the questions we asked you in September. Howmany could you answer without looking them up?

  1. David H. Keller's first story was "The Revolt of the Pedestrians"in the February, 1928 issue of Amazing.

  2. Tom Jenkins was the leading character in "In 20,000 A.D." and "Backto 20,000 A.D." by Schachner and Zagat, in the Sept., 1930 and March,1931 issues of Wonder, respectively.

  3. A. Hyatt Verrill lays most of his plots in Central and SouthAmerica.

  4. "Through the Veil" by Leslie F. Stone in May, 1930 Amazing, gave ascientific explanation of the fairy myth.

  5. Clement Fezandie wrote the "Dr. Hackensaw's Secrets" stories, aseries in the old Electrical Experimenter, and early issues of Scienceand Invention.

  * * * * *

  Not so much in rebuttal to Mr. Ackerman as to toss another stickonto the fire, let me confess that the scientific fiction type ofliterature seems to me among the dullest written. I avoid wheneverpossible, except in such cases where it passes the boundaries intothe weird and horrible. Of course, the work of Wells is an exception.This may be blasphemy to most of your readers, but there it is. Toreturn to Mr. Ackerman's complaint: I fail to see why it is any moredeplorable for Wonder Stories to publish Clark Ashton Smith'shorror story than for Weird Tales to publish Edmond Hamilton'spseudo-scientific effusions. And it was Amazing Stories that had thehonor to publish "The Colour Out of Space" by America's master of theweird, Lovecraft. Richard E. Morse.

  A DREAM OF THE ABYSS

  by Clark Ashton Smith

  I seemed at the sheer end: Albeit mine eyes, in mystery and night Shrouded as with the thick profundity of death, Or as if underneath Lethean lentors drowned, Saw never lamp nor star nor dead star's wraith of light, Yet seemed I at the world's sheer end; And fearfully and slowly I drew breath From silent gulfs of all uncertainty and dread, Precipitate to Nadir from around; Nor trusted I on any side to tread One pace, lest I should overstep the brink And infinitely and forever sink Past eye-shot of the Cyclopean sun, When from the bulwark of the world adown oblivion, He on the morrow should stare after me.

  Swift from infinity, The black, unformed, enormous Fear that lives between the stars, Clutched with the cold, great darkness at my heart. Then from the gulf arose a whispering, And rustle as of Silence on the wing, To stay and stand Anear at my right hand: What Powers abysmal, born o' the blind black air, What nameless demons of the nether deep That 'scape the sun and from the moonlight live apart, Came and conspired against me there I heard not, ere the whispering Ceased, and a heavier darkness seemed to spring Upon me, and I felt the silence leap And clasp me closer, and the sweep Of all the abyss reach up and drag Body and feet from the crumbling uttermost crag To the plumb and infinite emptiness unknown: Nor knew I, in tumult of the rapid air, If me did Azrael or Abaddon bear, Or if I fell alone.

  HOW TO COLLECT FANTASY FICTION

  by Julius Schwartz

  Part Three

  Volume one number one of Mind Magic, a magazine dealing with theoccult, was June, 1931. It lasted until the end of the year, December,1931 issue. (The last two issues were published under the title of MySelf Magazine.) Another science fiction magazine, Miracle, Science andFantasy Stories, disappeared after issuing two numbers, the April-Mayand June-July, 1931. The same publisher of this magazine, HarryHershey, printed some good fantasies in Ghost Stories. Exact dates ofthis magazine are unknown to the writer, but the magazine gave up itsghost sometime in 1932.

  Hugo Gernsback, editor of Wonder Stories, put out two magazines thatexpired within a year. The first, Air Wonder Stories (July, 1929 toMay, 1930) dealt with aviation of the future, mostly. It combined withScience and Wonder Stories in June, 1930 to form the present WonderStories. The other, Scientific Detective Monthly, appeared in January,1930, and after changing its name to Amazing Detective Tales in Junecollapsed with the October, 1930 issue.

  Oriental Stories, companion magazine to Weird Tales, burst forth onthe stands September 15, 1930. Some excelle
nt weird and oriental talesmade their appearance in this magazine, which afterwards, in January,1933, became Magic Carpet. Black Cat magazine (published around 1924)had some weird and scientifiction stories. These issues areparticularly hard to obtain.

  CLUB NEWS

  The Fantasy Fan Fraternity, announced in our September issue, is nowwell under way, with members in nine different states. The purpose ofthe organization is to foster fellowship among science-fiction fans bymeans of correspondence, or where possible, by personal contact inlocal groups or chapters.

  The first such chapter has been established in New York City, wherethe Scienceers, first fan club of its kind, is functioning as thelocal Fraternity branch. Meetings are held every week; and membershipis open to all metropolitan fans. Further information about this groupmay be obtained from the secretary, Allen Glasser, 1610 UniversityAvenue, Bronx, New York.

  Any reader wishing to join the national F.F.F., or to found a branchin his community, should send six cents in stamps to Mr. Glasser, atthe above address, for a membership card and a list of other memberswith whom to correspond. This small charge, to cover necessaryexpenses, is the only cost of enrollment into the Fraternity--anation-wide association devoted solely to the interests of fantasyfans. Why not be one of us?

  * * * * *

  Next month Mr. Schwartz, in "How to Collect Fantasy Fiction," takes upthe seven Munsey magazines and the English periodicals containingfantastic fiction. Don't miss part four.

  * * * * *

  'The Fantasy Fan' is the ONLY fan magazine for the readers of weirdfiction. Tell your friends about it, and urge them to subscribe.

  TRUE GHOST STORIES

  (Part Two--Conclusion)

  At one time there was a woman of rank living in London who was hatedby everyone. When she died, she was not missed, but her spirit hauntedher home every night. After a number of years someone saw her approachone side of a room and paw at a wall. Then she disappeared. The wallwas removed and many valuable papers were discovered, including onethat proved she had murdered her husband. Her ghost never appearedafter that. It seemed that at last she had repented her evilexistence, and was trying to redeem her soul.

  The guard of the London prison tower was making one of his nightlyrounds when he discovered a peculiar light emanating from the utmosttower. Upon climbing up he noticed that it was an unearthly blue-whitelight which permeated everything within, but seemed to have no pointof origin. Within this baleful gleam he saw the spirits of those thathad died in the London tower through the ages--warriors of the time ofHenry the Eighth--and noblemen of all periods. They were marching in asolemn procession. Suddenly everything faded and the guard foundhimself in utter darkness.

  There are many other ghost stories of London--such as phantom handsappearing above the water of the Thames, sworn to by witnesses to begospel truth--but our reason forces us to reject them.

  Recently, the noted Weird Tales author, Elliott O'Donnell, releasedhis book, "Ghosts of London," which relates further tales of thisnature.

  THE END

  SCIENCE FICTION IN ENGLISH MAGAZINES

  by Bob Tucker

  (Series Three)

  An all-science-weird magazine started in England to last for just oneissue. The title was "Argo Weekly." The number contained various stfstories concerning everything from prehistoric animals to the "End ofthe World."

  A late September number of "The Wizard" carried a fair story ofanother Martian invasion entitled "Raiders from the Red World." Theinvaders landed among the native tribes of Africa, instead of New YorkCity, the usual landing place. And, incidentally, they were not slugs,giants, or etc., but just ordinary human beings.

  "The Skipper" published a humorous story named "Ginger Snapp." In thistale, an old professor invents a contrivance that emits a ray whichdisintegrates metal by the push of a button. More rays! Theprofessor's son is surprised to see his dinner disappear whilemonkeying with the mechanism.

  As a rule, English magazines have covers that would make Buffalo Billor Nick Carter quit work. They are very "dime novelish" at times, andgo to extremes to amaze the reader.

  A request has come in for a female stf enthusiast, who wouldcorrespond with American readers, so here she is, to you who wish aforeign penpal: Miss Molly Upchurch, 139 Byron Rd., Small Heath,Birmingham, 10, England.

  * * * * *

  Join "The Fantasy Fan Fraternity." See the "Club News" in this issuefor complete information.

  MY SCIENCE FICTION COLLECTION

  by Forrest J. Ackerman

  Part Three

  Reposing in a futuristic box are ninety-six autographs. Cummings,Flagg, Olsen, Repp, the three Smiths, Taine, Keller, Breuer, Hamilton,Merritt, Coblentz, Burks, Williamson, Farley, Meek, Paul, Morey,Wesso, Verrill, Leinster--and half a hundred more. Also, there is aspecial collection of scientifilm actors' autographs. These are moredifficult to obtain, and some necessitate writing abroad, but to dateI have "The Frankenstein Monster," the heroine of "Tarzan," J-21 andLN-18 of "Just Imagine," the director of "By Rocket to the Moon" and"Metropolis," "Dracula," Roxor of "Chandu," and many others toonumerous to mention. Tho not a part of the collection, it may proveinteresting to readers that I have seen in person "Dr. Jekyll and Mr.Hyde," "Dracula," "Dr. Moreau," and "Chandu" (Frederic March, BelaLugosi, Charles Laughton and Edmund Lowe).

  I have autographed photographs from Leslie F. Stone, "Doc" Smith, EdEarl Repp, Capt. S. P. Meek, Miles J. Breuer, Victor Rousseau, SewellPeaslee, Charles Willard Diffin, Edmond Hamilton and others. Mr.Wright presented me with a personal sketch of his "Retired CommanderHanson."

  I also have photos from the heroine of "High Treason,"Frankenstein--the creator, and Fritz Lang, director of Germanscientifilms.

  (Next month Mr. Ackerman tells of his collection of originalmanuscripts.)

  CONGLAMITORIAL

  Second in the series.... And speaking of the April 1933 Amazing,"Martian and Troglodyte," by Neil R. Jones was printed on the cover,but the story did not appear in the issue. The printing of theeditorial, which took two more pages than hitherto, and some of theDiscussions were increased in size.... The May 1933 Amazing was thefirst one of 86 not to contain part of a serial. The August-Septemberhad none either.... Have you ever wondered what letter of the alphabetauthors pick on most as the first one in the title of their stories(omitting articles 'a,' 'the,' and 'an,')? Of course you haven't.Well, I'll tell you, anyway. An average of one-tenth of all thestories written begin with the letter "M," and another tenth with "S."That is their rating in a collection of over 2000 stories.... So,Amazing is trying to get rid of the word "scientifiction" thatGernsback coined, eh?... By the looks of the contents page of the May1933 Weird, you would think that every story was complete.... The May,1926 Amazing contains two stories by Jules Verne.... And the March1930 Science Wonder had two stories by Frank J. Brueckel.... And youcan find other similar cases, such as the Amazing Annual containingtwo stories by A. Merritt, and the June, 1930 Astounding with two ofDiffin's yarns (one under the pseudonym of C. D. Willard).

  * * * * *

  If you have any original fan material on hand, we would be pleased tohave you submit it for our serious consideration.

  HOW TO WRITE A STF STORY

  by Hoy Ping Pong

  The first thing to remember in writing a science story is originality.You must have that, so the first things to select for your brain-childis a hero, heroine, and villain. No plot is needed. Or, if you desireone, that can be thot up after the story is finished.

  Have your hero a tall, slim, cold, grey-eyed chap, with an iron jaw,and a sturdy body. He also must know all there is to know abouteverything. Now for the heroine; she must be a small, slim blond,blue-eyed, and be a scientist's daughter. That's the big point inoriginality. Nobody has ever thought of her being a scientist'sdaughter before. Now next comes the villain. He must be ta
ll, dark,with snapping black eyes, and a brush across his upper lip. He musthave an impossible name that no one can pronounce, including yourself.I would suggest someone who desires to have world domination. That,also, is original.

  The big surprise of your story is this: Your villain must desire theheroine for himself. That is something that is new to STF readers.And, of course, I would politely suggest that the hero also want thegirl. That would make a triangle out of it. The hero must chase thevillain all over the universe, because the villain has the heroine inhis vile clutches. Don't forget the word vile. Nobody has ever usedthat.

  Of course, the invaders from Mars arrive on the scene about this time,also desiring world conquest. It would be a nice point of originalityhere to have the villain throw in with the Martians. It wouldn't do tohave the whole army overthrow the enemy. The hero must do it himself,singlehanded.

  And, a few death rays can be used in the story. Select a fittingcolor, (some authors prefer pink). I would suggest lavender, whichwould just match the heroine's pocketbook, and have it wipe outmillions by merely a few puffs. However, if you could do it all in apuff and a half, that would merit you another point. Then you musthave the hero invent a ray that stops the lavender death rays. Yellowwould be best for this. It makes such an excellent color scheme.