that looked like a dancing flame, which dwarfed the others by a significant margin. Whatever force impelled me guided me to the flame building.
Inside, the flame building’s lobby gave evidence of a monumental struggle—bullet holes riddled the walls, blood stained the front desk, the walls and the floor.
In design the lobby was triangular. There were elevators to my right—three of them. The lights—the ones that weren’t broken—were still on. Although I did not know for how long this city had been dead, I was surprised to see that this building still had power. This meant that it had either been well designed or that the vampire had somehow maintained it, which seemed unlikely given the condition of the lobby and of everything else I had seen so far.
I walked up to one of the elevators, and even though I did not understand the language of this strange place, I pressed a button to call it. In a few seconds the elevator doors opened. A smell like metallic vomit assaulted my nose. I felt bile rising up my throat, and I tried to pull away, but the force that held me pressed me forward into the elevator and its suffocating confines. I pushed the top button, and the elevator began its slow ascent.
When the doors opened, I stepped into a mess I could not understand. The entire floor appeared as if a tornado had passed through it—the carpet had large patches ripped out, furniture was scattered everywhere, the walls had been savagely brought down, and pieces of the ceiling were missing. I walked over to a broken window and looked outside. I was so high up that I could not see the streets below.
For a long time, I stared out the window, feeling alone and lost, as dead as the world beneath me. Then I felt a presence behind me. I turned around. The girl from the terrible night of madness stood before me. She was still wearing jeans and a pretty white blouse, now stained badly with blood. The girl now looked deformed, her face strangely stretched to one side and her mouth filled with more teeth than was natural. Her eyes were black pupils in a red sclera; her face was completely white, drained, and showing the signs of an odd decomposition—it looked pulled, dehydrated, and almost mummified; but also as if insects and bacteria refused to feed upon it. Her teeth were all sharp—I got the impression that she could not fully close her mouth. She did not speak, but beckoned me to follow her. I did not want to. I did anyway.
She led me to the other side of the building, stepping over rubble and broken glass. There we found the grotesque vampire with the incomprehensible face. He was standing on a balcony that did not seem to be an original part of the building but something that had been forcefully added. For all that, and for how grotesque it appeared, it was an impressive oval shaped structure with railing that was made from thin bones wrapped in viscera. The stench coming from the balcony was overpowering, like sour milk mixed with rotting blood.
“My name is Abridgorine,” said the vampire, approaching me. “I am the bringer of woe, the descent of madness, the creator of beautiful suffering. You are my vassal and will assist me in creating a bridge between this world and yours.”
“No,” I said, stunned, “I will do no such thing.”
“As you resisted my summoning, you will resist my will,” Abridgorine smiled at me. His eyes were malevolent pits, threatening to drain the world of all that is good and kind.
Although a terrible fear constricted my chest, making it hard to breathe, I spoke what was in my heart. “You’re evil!” I said, my voice betraying both my horror and disgust.
“There’s no such thing as evil,” Abridgorine retorted. “The vanquished are always the evil as the conquerors are always the good. I am no more evil than you are, or than life is, for the matter. What is evil? Evil is what we call those who behave exactly like us but are not us.”
“You’re a vampire,” I blurted out, sounding stupid even to myself.
“All of life is a cannibal vampire,” said Abridgorine, turning his back on me, clasping his long strangely deformed hands behind his back, and staring out at the night sky. “Everything that lives must devour life to sustain itself. In a way (he twisted his head slightly to look at me) it can be said that we, vampires as you would call us, are much more merciful than the entirety of life, for we not only devour life but give back a kind of unlife, which is forever.”
Fear had me in its power, seeming to travel from the floor into my feet, travelling up my calves, forcing them to tremble violently, and then climbing and establishing residence in my stomach, making me feel nauseous. However, I could not keep silent. I had the unmistakable feeling that I would not be leaving this place alive and that my remaining silent would not alter this.
“No,” I said, “nature is neither good nor evil but follows its own rules of necessity; it appears to be cruel but is really just mindless. Maybe there was a time when people called evil all that was harmful to them, and now, with the cultural relativist, the moral relativist, and the religious mystery thinkers, evil has either become an obsolete and meaningless concept or a magical, mystical contagion coming from the outside, but I think I see evil clearly now because I see you.”
“Oh?” asked Abridgorine, subtly inching his way towards me. “What exactly do you think you see, vassal?”
I reached into my pockets and drew both the crucifix and the bible, aiming them at the vampire like magical wards.
“What trinkets do you bring me?” asked Abridgorine, amused.
“Trinkets!” I said, stunned. “This is a holy cross, and this a holy bible, symbols of the highest good!”
The vampire laughed and seized the cross from me. “Curious,” he said, “in long gone times this was the symbol of the greatest evil. Ah, but good and evil are just interchangeable names. What is called good today will be called evil tomorrow, as it always has.”
I slowly walked to the balcony, at the opposite end of Abridgorine. He gave me a quizzical look.
“People have always understood good and evil,” I said, “and while we remain human this will never change. If there is any confusion, it arises out of human vanity. We refuse to see evil for fear of seeing ourselves, so we pretend that there is no evil.”
“Tell me, then, what is evil?”
“Good and evil are not things. We become confused because we can oftentimes see others clearly but our vanity will not allow us to see ourselves with the same clarity. More, I think religion has really blinded us, though probably not as much as the nonsense of psychology and whatever else is spurting out of Universities these days. When we step away from our own societies and egos, we can see clearly.”
Abridgorine was now openly salivating and again started to inch his way towards me. “What is evil?” he asked.
I knew my time had expired. I looked down, over the railing of the balcony. There comes a time in life when we are truly free because we are aware of the choices before us. My choice was a hard one, between suicide and damnation.
“Evil is the name we give to the behavior that emanates from a negative emotional-matrix,” I said. “You’re evil because what motivate you are hatred, anger, jealousy, envy, and outright malice.”
Abridgorine stopped moving towards me, intently stared at me, and said, “I did not choose to be this way.”
“It doesn’t really matter, does it? Free will is a bit of a deceit. If someone could build a machine capable of only feeling intense hatred, it would be an evil machine, even though it would be blameless. Perhaps you are blameless; however, that does not change the fact that you are evil. Tell me, when was the last time you felt mercy or kindness?”
“Who are you?” Abridgorine blared in a very disdainful fashion. “Who are you to know anything? You are not even one of the great minds of your people. You are just a stupid nobody, without credentials and anonymous even among your own kind. I am a servant of the Nameless God, who is power beyond power. He will determine what is right and what is wrong. He will declare what is good and what evil!”
“No,” I whispered, turning to face Abridgorine, looking him straight in those dead eyes that threatened to sink me into a never end
ing pit of despair. “Power does not determine good and evil, right or wrong. If it did, then these would truly be irrelevant concepts, since what is a crime today could easily become tomorrow what is praiseworthy, depending upon the whim of power. Good and evil are names we give to what people do based on what they feel, what emotions they’re capable of feeling and indulge. A world of hatred, bitterness, resentment, jealousy and envy is a dead world, a form of hell, where only death and the undead reign. That is not a world for me.”
“Life is an exercise in futility, ending in death,” said Abridgorine. “What I offer is freedom from death, life eternal.”
“Neither life nor death, what you offer is undeath, and thus unlife.”
“You have no choice in the matter; you will serve me.”
“Evil is the spirit negating itself. I do have a choice. I see it clearly now.”
“What leads you into believing that you have a choice?” Abridgorine asked, his patience now fading.
“In life we rarely have a choice,” I said, grasping the sick, gooey railing and placing my right foot on the mid-part of it, bracing myself, “but there comes a time—maybe only once in a lifetime—when we really, truly have a choice. And that choice is not always a good one—usually it’s downright rotten—but we do have a choice.”
“What choice do