Ten minutes later he was swallowing the last of what he thought was more than likely lunch, tongue probing optimistically in the mysterious ditches of his mouth for any lingering mince, tenacious pastry or recalcitrant potato. Blotting his lips in what he thought might well be the manner of a nineteenth-century dandy on the serviette the snack had come with, Benedict screwed up the tissue with its gravy kiss-print, dropping it into one of the litter bins in Abington Street, which he’d by now reached and was ascending. He was roughly level with the photographic shop close to the mouth of the most recent shopping arcade, Peacock Place. This crystal palace had taken the place of Peacock Way, an open precinct leading to the Market that had cake-shops and cafés where he’d munch gloomily through teenage comfort teacakes, mooning over whichever heart-stopping Notre Dame or Derngate schoolgirl had just told Ben that she liked him as a friend. Originally, this had been the Peacock Hotel, inn or coach-house for five hundred years. People still talked about the lovely stained-glass peacock, one of the establishment’s interior decorations, which had more than likely fallen prey to salvage men during the hotel’s senseless demolition in November 1959. Up on the glasswork of the arcade’s entrance these days was a pallid stick-on imitation, stylised craft-kit product from an overpaid design team.
Passing Jessop’s, the photography equipment shop, he wondered if they still had Pete Corr’s photograph of Benedict, framed and for sale up on their wall. Corr was a local shutterbug now married, living somewhere out in Canada by all accounts, under the mock-Dutch moniker of Piet de Snapp. Formerly just plain Pete the Snap, he’d specialised in portraits of the town’s outlandish fauna: Ben’s old Spring Lane schoolmate Alma Warren, posing moodily in sunglasses and leather jacket, mutton dressed up as Olivia Newton-John; the Jovian mass and gravity of much-missed local minstrel-god Tom Hall in customary daywear, individually-engineered playschool pyjamas and a tasselled hat swiped from the Ottomans; Benedict Perrit sat in state amongst the snaking roots of the eight-hundred-year-old beech in Sheep Street, smiling ruefully. As if there were another way to smile. Ah ha ha ha.
He carried on through Abington Street’s pink, pedestrianised meander. Without curbs to bound and shape all the frenetic motion that had poured along this main drag for at least five hundred years, it seemed as if these days the street mainly attracted those who were themselves similarly unfocussed and directionless. As Benedict himself was, come to think of it. He’d no idea where he thought he was going, not with only twenty-seven pence remaining in the wake of his impulsive pasty, gone now save for the occasional flavour-haunted burp. Perhaps a long walk up the Wellingborough Road to Abington would do him good, or would at any rate not cost him anything.
Continuing uphill, pleasantly numbed against existence in a warm cocooning fog, the entrance to the Grosvenor Centre crawled past on his left. He tried to conjure the thin mouth of Wood Street, which had occupied the spot some thirty years before, but found his powers of evocation blunted by the beer. The half-forgotten terraced aperture was too feeble a spectre to prevail against the glass wall of swing doors, the sparkling covered boulevard beyond where the somnambulists somnambled, lit like ornamental crystal animals by the commercial aura-fields they passed through. Everyone looked decorative in the all-round illumination. Everyone looked brittle.
Twenty-seven pence. He wasn’t even sure that would still buy a Mars Bar, though he could still savour the self-pity. Benedict picked up his pace a little passing by top Woolworth’s, these days more precisely only Woolworth’s, hoping the increased velocity would straighten out his veer. He gave this up for lack of a result after approximately thirty seconds, lapsing to a melancholy trudge. What was the point in walking faster when he wasn’t going anywhere? More speed would only bring him to his problems quicker, and in his state might lead inadvertently to crossing the blurred line between a drunken stumble and a drunken rampage. The unbidden vision of Ben gone berserk in Marks & Spencer’s, running nude and screaming through a hail of melting-middle chocolate puddings, should have been a sobering one but only made him giggle to himself. The giggling didn’t help, he realised, with his tactic of not looking pissed. This still made only four things he was useless at, namely escape, finding a job, explaining himself adequately and not looking pissed. Four trivial deficiencies, Ben reassured himself, and as naught in the sweep of a man’s life.
He tacked against the east wind, chortling only intermittently as he traversed the wide-angle Art Deco front of the Co-op Arcade, abandoned and deserted, windows emptied of displays that stared unseeing, still stunned by the news of their redundancy. The retail parks outside the town had drained the commerce from Northampton’s centre, which had been an increasingly ugly proposition for some years now, anyway. Rather than try to stop the rot, the council had allowed the town’s main veins to atrophy and wither. Spinadisc, the long-established independent record shop that Benedict was now approaching on the street’s far side, had been closed down to make way for a rehab centre, something of that kind. Predictably, there were considerably less substance-users on the premises now that the music and ephemera were gone.
Around the public seating outside the dead jukebox of the former pop emporium, small crowds of black-clad teenagers still congregated in school holidays and at weekends. Ben thought they might be skate-goths or gangsta-romantics. Happy-stabbers or whatever. He had difficulty keeping up. Shifting his doleful gaze from the murder of hoodies flocked on Abington Street’s further edge, he looked back to the side along which he was walking. A vague drift of people flowed towards him past the still-magnificent façade of the town library, and there came a synaptic jolt, a minor judder and resettling of reality as Benedict realised that one of them was Alma Warren. Ah ha ha.
Alma. She always took him back, a walking memory-prompt of all the years they’d known each other, since they’d been together in Miss Corrier’s class at Spring Lane School when they were four. Even back then, you’d never have confused her with a girl. Or with a boy, for that matter. She was too big, too single minded, too alarming to be anything but Alma, in a gender of her own. Both of them sideshow novelties in their own ways, they’d been inseparable throughout long stretches of childhood and adolescence. Winter evenings shivering in the attic up above the barn in his dad’s wood-yard down in Freeschool Street, Ben’s telescope poking into the starlight through an absent windowpane when they were both on flying saucer watch. The tricky post-pubertal stretch when he began his poetry and she her painting, and when Alma would get furiously angry and stop speaking to him every other fortnight, over their artistic differences as she insisted, but most probably when she’d just fallen to the communists. They’d both made idiots of themselves in the same pubs, in the same stencil-duplicated arts-group magazines, but then she’d somehow managed to talk up her monomania into a prosperous career and reputation, while Ben hadn’t. Now he didn’t run into her much, nobody did, except upon occasions such as this when she came flouncing into town dressed like a biker or, if she were wearing her pretentious cloak, a fifteenth-century nun who’d been defrocked for masturbation, more rings underneath her eyes than on her ostentatiously embellished fingers.
These were currently raised up in an arterial spatter of nail gloss and gemstones, pulling the distressed fire-curtain of her hair back from the pantomime that was her face. Her kohl-ringed and apparently disdainful gaze described a measured arc across the precinct as if Alma were pretending to be a surveillance camera, dredging Abington Street’s fast-deteriorating stock of imagery in search of inspiration for some future monsterpiece. When the slow swivel of her so-unblinking-they-seemed-lidless fog lamps got to Benedict, there was an anthracite glint suddenly alight deep in the makeup-crusted sockets. Carmine lips drew taut into a smile most probably intended to look fond rather than predatory. Ah ha ha ha. Good old Alma.
Benedict went into a routine the moment that their eyes met, first adopting an expression of appalled dismay then turning sharply in his tracks to walk away down Abington St
reet, as if frantically pretending that he hadn’t seen her. He turned this into a circular trajectory that took him back towards her, this time doubling up with silent laughter so she’d know his terrified attempt at flight had been a gag. He wouldn’t want her thinking he was really trying to run away, not least in case she went for him and brought him down before he’d got five paces.
Their paths met outside the library portico. He stuck his hand out, but Alma surprised him with a sudden lunge, planting a bloody pucker on his cheek, spraining his neck with her brief one-armed hug. This was some affectation, he concluded, that she’d picked up from Americans with galleries who put on exhibitions. Exhibitionists. She hadn’t learned it in the Boroughs, of that Benedict was certain. In the district where they’d both grown up, affectionate displays were never physical. Or verbal, or in any way apparent to the five traditional senses. Love and friendship in the Boroughs were subliminal. He flinched back from her, wiping at his stained cheek with the back of one long-fingered hand like an embarrassed cat.
“Get off! Ah ha ha ha ha ha!”
Alma grinned, apparently pleased at just how easily she had unsettled him. She ducked her head and leaned a little forward when she spoke, as if to best facilitate their conversation, although really she was just reminding him how tall she was, the way she did with everyone. It was one of what only Alma thought of as her range of subtly intimidating mannerisms.
“Benedict, you suave Lothario. This is an unexpected treat. How’s things? Are you still writing?”
Alma’s voice wasn’t just deep brown, it was infra-brown. Ben laughed at her query on his output, at the sheer preposterousness of her even asking.
“Always, Alma. You know me. Ah ha ha. Always scribbling away.”
He’d not written a line in years. He was a published poet in the transitive and not the current sense. He wasn’t sure that he was any sort of poet in the current sense, that was his secret dread. Alma was nodding amiably now, pleased with his answer.
“Good. That’s good to hear. I was just reading ‘Clearance Area’ the other day and thinking what a smashing poem it was.”
Hum. “Clearance Area”. He’d been quite pleased with that himself. “Who can say now/ That anything was here/ Other than open land/ Used only by stray dogs/ And children breaking bottles on stones?” With a start he realised that had been almost two decades back, those writings. “Weeds, stray dogs and children/ Waited patiently/ For them to leave./ The weed beneath;/ The dog and child/ Unborn inside.” He tipped his head back, unsure how he should receive the compliment except with an uncertain smile, as if expecting her at any moment to retract her praise, expose it for the cruel post-modern joke it doubtless was. Eventually, he risked a tentative response.
“I weren’t bad, was I? Ah ha ha.”
He’d meant to say It weren’t bad, as a reference to the poem, but it had come out wrong. Now it sounded as though Benedict thought of himself in the past tense, which wasn’t what he’d meant at all. At least, he didn’t think that it was what he’d meant. Alma was frowning now, it seemed reproachfully.
“Ben, you were always a considerable way beyond ‘not bad’. You know you were. You’re a good writer, mate. I’m serious.”
This last was offered in reply to Benedict’s plainly embarrassed giggling. He really didn’t know what he should say. Alma was at least Z-list famous and successful, and Ben couldn’t help but feel as though in some way he were being patronised. It was as if she thought that a kind word from her could mend him, could inspire him, raise him from the dead and make him whole with just the least brush of her hem. She acted as though all his problems could be solved if he were just to write, which only showed, in Benedict’s opinion, just how shallow Alma’s understanding of his problems really was. Did she have any idea, standing there with all her money and her write-ups in The Independent, what it was like having only twenty-seven pence? Well, actually, of course she did. She’d come from the same background he had, so that wasn’t fair, but even so. The troubling notion of his present finances, or at least relative to Alma’s, had bobbed up from the beer sediments currently settled at the bottom of Ben’s mind, and wouldn’t bob back down again. Before he even knew that he was going to do it, he’d broken the habit of a lifetime and tapped Alma up for cash.
“ ’Ere, you ain’t got a couple o’ quid spare, ’ave yer?”
It felt wrong as soon as the words left his mouth, a terrible transgression. He immediately wished that he could take it back, but it was too late. Now it was in Alma’s hands, and she would almost certainly find some way she could make it worse. Surprised, her flue-brush lashes widened almost imperceptibly, but she recovered with a deadpan look of generalised concern.
“Of course I have. I’m fucking loaded. Here.”
She pulled a note … a note … out of her drainpipe jeans and, pointedly not looking to determine its denomination, pressed it hard into Ben’s open palm. See, this was what he’d meant, about how Alma always made things more uncomfortable, but in a manner that obliged you to be grateful to her. Since she hadn’t looked to see how much cash she was giving him, Ben felt that it would be déclassé for him to do otherwise, slipping the crumpled note without a glance into his trouser pocket. He was feeling genuinely guilty now. The centres of his beetling eyebrows had crept up involuntarily towards his widow’s peak as he protested her undue beneficence.
“Are you sure, Alma? Are you sure?”
She grinned, dismissing the uneasy moment.
“ ’Course I’m sure. Forget it. How are you, mate, anyway? What are you doing these days?”
Benedict was grateful for the change of subject, though it left him grasping hopelessly for something that he could legitimately claim he’d done.
“Oh, this and that. Went for an interview the other day.”
Alma looked interested, although only politely so.
“Oh yeah? How did it go?”
“I don’t know. I’ve not heard yet. When they interviewed me, I kept wanting to come out and tell them ‘I’m a published poet’, but I held it in.”
Alma was trying to nod sagely, but was also clearly trying not to laugh, with the result that neither effort was what you’d call an unqualified success.
“You did the right thing. There’s a time and place for everything.” She cocked her head on one side, narrowing her black bird-eating eyes as if she’d just remembered something.
“Listen, Ben, I’ve just thought. There’s these paintings I’ve been doing, all about the Boroughs, and I’m having a preliminary viewing of them down at Castle Hill tomorrow lunchtime, in the nursery that used to be Pitt-Draffen’s dance school. Why don’t you come down? It’d be great to see you.”
“Perhaps I will. Perhaps I will. Ah ha ha ha.” Deep in his bitter-sodden heart, he knew he almost definitely wouldn’t. To be honest he was barely listening to her, still trying to think of things he’d done, beside the interview, that he could mention. Suddenly he thought about his visits to the cyber café and perked up. Alma was widely known to never venture near the Internet, which meant, astoundingly, that here was someone who, at least in this one area, was less adapted to the present day than Benedict. He beamed at her, triumphantly.
“Do you know, I’ve been going on the Internet?” He ran one preening hand back over his dark curls, while with the other he adjusted an imaginary bow tie.
Alma was now laughing openly. By mutual consent they seemed to both be disengaging from the conversation, starting to move slowly off, him uphill, Alma down. It was as if they’d come to the predestined end of their encounter and must both now walk away, whether they’d finished talking yet or not. They had to hurry if they wanted to remain on schedule, occupying all the empty spaces in their futures they had yet to fill, all at the proper predetermined times. Still visibly amused, she called back to him over the increasing gap between them.
“You’re a twenty-first-century boy, Ben.”
Laughter tipped his head back like
a well-slapped punch-bag. Several paces off, he was half turned away from her, towards the upper end of Abington Street.
“I’m a Cyberman. Ah ha ha ha.”
Their brief knot of hilarity and mutual incomprehension was unravelled into two loose, snickering ends that trailed away in opposite directions. Benedict had reached the precinct’s topmost limit and was crossing York Road at the lights before he thought to reach into his pocket and retrieve the screwed-up currency that Alma had bequeathed him. Pink and plum and violet, the note sported a blue angel from whose trumpet fell a radiating shower of notes. Worcester Cathedral was bombarded by them in a joyous cosmic ray-storm, St. Cecilia reclining in the foreground as she soaked up the UV. A twenty. Welcome to my humble pants, Sir Edward Elgar. We’ve been only fleetingly acquainted previously, and you wouldn’t remember, but can I just say that The Dream of Gerontius is an outstanding work of pastoral vision? Ah ha ha.
This was a gift from God. Thanks, God, and do pass on my thanks to Alma who you’ve clearly made your representative on Earth. I hope to God that … well, I hope to You that you know what you’re doing there on that one, so be warned. But still, this was fantastic. He resolved he’d take his healthy walk up Wellingborough Road to Abington Park anyway, despite the fact that he no longer needed to, having sufficient funds to dally where he wanted. Benedict could dally with a vengeance when the mood was on him, but for now he stuffed the note back in his pocket and began to whistle as he walked towards Abington Square, only relenting when he realised he was giving a rendition of the theme music from Emmerdale. Luckily, nobody seemed to have noticed.