Her thoughts raced. She didn’t want to hurt Frank but she didn’t want to lie to him either, and she had kept so much from him. Finding the junked truck. The accident expert. The useless report. If the truck accident was murder, it couldn’t be proved. It could only drive Frank crazy, for the rest of his life. He would become another Pigeon Tony, haunted by sorrow and rage. But she owed Frank an honest answer, so she gave it to him.
“I told you when we first met that I was your grandfather’s lawyer. The fact that I am now your lover doesn’t change that. If you want the answer to your question, you have to ask him.”
Frank nodded, but it was a jerky movement, almost a spasm, as if the very notion that it could be true was a shock to his senses. “If it’s true, I have a right to know.”
“You should talk to him.”
“But I’m talking to you. They were my parents, not his. And not yours either.” Frank’s tone went bitter, and Judy could taste the sourness in her own mouth, like a kiss at the end of an affair.
She rose, her knees weak, because if she stayed sitting a moment longer she would tell him. And she didn’t want them to end before they had even started. “You really should go, Frank. Your grandfather needs to sleep.”
Frank stood up and straightened with some difficulty, and Judy could tell from the way he moved that he knew he had heard right, that Coluzzi had killed his parents.
“Frank—” she said, but she caught herself before she finished the sentence. Because she both did and didn’t want to tell.
“Judy, my love,” Frank said, but his tone wasn’t loving. He walked to the conference room door, then paused. “Someday it won’t be about my grandfather anymore, or about his case. Someday it will be about you and me. And I hope we’re still together when that happens.”
Judy was left standing, jelly-kneed, long after he had gone.
Judy spent her last few hours of alertness at the office laying out her cross-examination of the Commonwealth’s witnesses, then working on her own defense case. Her strategy taxed her brain and her talk with Frank tugged at her heart, and long after coffee had stopped working, fear wasn’t even doing the trick. The security guards rested in the firm’s reception area, awake because they were the night shift, and protecting her and Bennie. She checked her watch.
Midnight.
As tired as Judy was, there was something she liked about being at work at this hour. The city was so still outside, the night so dense it was hard to believe it would ever fade to light, setting cars cruising onto highways, coffee dripping into glass pots, and jurors coming to court to decide if another human being should live or die.
She got up, stretched, and made her way to Bennie’s office. She took it as a measure of some sort of personal growth that she had stopped thinking of Bennie as the boss. The only boss Judy had ever known was her father, and she suspected that every boss after that was just a stand-in for him. But at some point, when she wasn’t looking, Judy had become her own boss. Maybe it happened when someone had entrusted his life to her.
“Hey,” Judy said from the threshold, and Bennie looked up from the brief she was editing, her hair falling across one eye. She pushed it away.
“Hey back at you.”
“I forget what my dog looks like. Do you remember?” Judy sat down in the cushy chair across from Bennie’s desk.
“It’s yellow. That’s why they call them goldens. Is your puppy still with Tony Two Feet?”
“Si, si. The hotel isn’t having her.” Judy sighed. “Boy, do I feel sorry for myself tonight. My case is in trouble, my client freaked in open court, and I just lost a boyfriend I didn’t have.”
“Count your blessings. Your best friend is alive and well.”
“But still not back at work”
“You’ve survived the Coluzzis.”
“Only so far.”
“You’re suing the Coluzzis.”
“We’re bogged down in paper.”
“Also you know your client is innocent, even though he did it. Which is a neat trick.”
“The neatest.” Judy nodded in agreement. “I am Cleopatra, queen of denial.”
Bennie sipped undoubtedly cold coffee. “Also you can win this case.”
Judy blinked. Had she heard her right? It was late. Her Italian was poor. “What did you say?”
“Or more accurately, you can win this case if you figure out how.”
“What do you mean? Why do you say that?” Judy edged forward, and Bennie leaned back in her chair, which creaked in the silent office.
“I’ve tried lots of murder cases, back in the day, as you know. And there’s one thing that I have learned, and every criminal defense lawyer should know it.”
“Hit me.” It reminded Judy of Santoro. Every murder case is a simple story. If Judy were going to try murder cases for a living, she had to get a generalization of her own.
“Every murder case is about two questions.” Bennie held up an index finger. “One, did the guy who got killed deserve to die?” She added another finger. “And two, was the defendant the man for the job? If the answer to both questions is yes, then the defense has a shot. Which is the most you can ask, especially in this case.”
Judy blinked. It was a helluva theory. Better than Santoro’s. But so was Bennie.
“In this case, the answer to both questions is yes, but you have to give the jury something to go on. Hand them a defense they can talk themselves into believing. You’re all set up for it. You did a great job with the neighbors today. The jury will go for you if you just give them the chance.”
Judy frowned. “Think I can do it?”
“I know you can.”
“Think I can fail?”
“Of course.”
Judy blinked. “Ouch.”
“I’m a lawyer, not a cheerleader,” Bennie said, but Judy couldn’t manage a smile.
41
“No comment!” Judy shouted, putting her head down and plowing through the press outside the Criminal Justice Center. Two musclemen in suits flanked her, serving double duty against bad guys and reporters. Umbrellas covered the TV anchors, and videocameras whirred through thick plastic bags. Despite the rain, there were more reporters than yesterday, attracted by Pigeon Tony’s courtroom tarantella. The morning headlines had made her shudder: TONY’S TIRADE. ITALIAN CURSES COP. GRUMPY OLD MAN. THE DIATRIBE AND THE DETECTIVE.
“Ms. Carrier, just one picture!” “Ms. Carrier, you gonna put him on the stand?” “Judy, any comment on Judge Vaughn’s ruling against you?” “Ms. Carrier, what happened in chambers? Did he read you the riot act?”
Judy ignored them and climbed the slick curb to the courthouse entrance, almost tripping over wet TV cables that snaked along like pythons. If the Coluzzis didn’t kill her, the press would. The newspapers had reported Pigeon Tony’s outburst, but nobody could translate it, and the courtroom stenographer hadn’t transcribed the Italian. Judy could only hope that Frank remained as uncertain as everybody else. He hadn’t called to say good night last night and wasn’t answering his cell phone. She’d be meeting them upstairs in court, since they entered through the secured entrance.
“Judy, what are you gonna do to Jimmy Bello on the stand?” shouted one of the reporters just as Judy reached the revolving door, where she stopped.
“Best question of the morning,” she called back, and entered the courthouse.
Judge Vaughn was wearing a light blue shirt under his robes, with a dark blue tie whose knot peeked through the V at the neck, and he spent most of Detective Wilkins’s routine testimony glaring at Pigeon Tony from the dais, which worked for Judy. Pigeon Tony fidgeted a little but, as promised, didn’t make a peep, so Judy didn’t have to kill him. The courtroom was over-air-conditioned, to keep the humidity low on this rainy day, and Judy felt chilled even in her navy blazer and skirt. Or maybe it was the way Frank had looked this morning that left her cold. She glanced back at the gallery through the bulletproof shield.
Frank met
her eye only briefly, then focused again on the witness. His face was pale beneath his fresh shave, and there were circles under his large eyes, emphasized by the darkness of his corduroy suit and knit tie. He kept stealing looks at John Coluzzi. Obviously Pigeon Tony had told Frank about his parents. Judy didn’t know what would happen next, but she had to put him out of her mind. She was trying to save his grandfather’s life. She returned to the testimony, taking notes while Detective Wilkins spoke, but it concluded quickly, with Santoro taking his seat at counsel table.
“Ms. Carrier, your witness.” Judge Vaughn shifted his icy gaze from Pigeon Tony to Judy, and she stood up and went to the podium.
“Thank you, Your Honor.” She faced Detective Wilkins, who eyed her with remoteness. If he remembered that day in her apartment, when he was so nice to her, it didn’t show. Today they were adversaries and they both knew it. “Detective Wilkins, we have met, haven’t we?”
“Yes, we have, Ms. Carrier.” The detective’s blue-eyed gaze met Judy’s levelly, and his demeanor remained steady. He even wore the same suit as yesterday; the jury would like that, Judy knew. And they’d already be on his side, after Pigeon Tony’s display. She had to defuse it.
“Detective, you have my client’s apologies for his conduct yesterday, as well as my own apology,” she said, meaning it, even though she could see two jurors in the front row smile.
Detective Wilkins nodded graciously. “All in a day’s work.”
Judy laughed. Touché. Maybe it would help put the incident behind them. “Now, as you have testified, you were the detective on the scene the morning Angelo Coluzzi was killed, right?”
“Yes.”
“And you were called to the pigeon-racing club?”
“Yes.”
“And you examined the back room carefully, where the killing occurred?”
“Yes.”
“And you testified there were signs of only a brief struggle?”
“I did.”
“Excuse me a moment.” Judy turned to counsel table, grabbed the exhibit mounted on foamcore, brought it to the witness stand, and placed it on a metal easel. The jury looked at the exhibit while she moved it into evidence, without objection. “Let the record show that the exhibit is a black-line diagram of the first floor of the pigeon-racing club, including the back room.” Judy had reconstructed it from her memory and with the help of The Two Tonys. “Detective Wilkins, does this depict the first floor as you remember it, including the back room and the furniture?”
Detective Wilkins scanned the exhibit. “It does.”
“The exhibit shows a large entrance room, let’s call it, with a bar on the west side of the room, the left-hand side. The entrance to the back room is on the north wall, through a wooden door. Correct?”
The detective nodded. “Yes.”
“The back room contained a blue card table in the middle of the room, with four chairs around it. Referring again to brief signs of a struggle, didn’t you notice that the table had been out of square?”
Detective Wilkins thought about it. “I did.”
“So the table had been moved,” Judy summarized for the jury’s benefit. “Would you say it was clearly out of square?”
“Slightly.” Detective Wilkins knew just where Judy was going, and he wasn’t going with her, which was to be expected.
“But clearly, correct?”
“Correct.”
“Thank you.” Judy pointed to the black-line chair in the diagram. She could have proved this easily through use of police photos, but they showed Angelo Coluzzi dead in the center of the picture. “Now, Detective Wilkins, there were four chairs around the table, all of which are brown metal folding chairs. Do you recall them?”
“Yes.”
“Isn’t it true that the chair on the east side of the table was knocked over?”
“Yes, but it was on the path of travel, from the door to the bookshelves.”
Judy held up a firm hand. “I’m not asking why or how you think it was knocked over, only that it had been knocked over. And it had, hadn’t it?”
“Yes.” Detective Wilkins’s mouth became a hard line.
Judy pointed to the exhibit again. “Now, the metal shelves we have been talking about that you said had been pulled down, they had been standing against the east side of the room, opposite the table, correct?”
“Yes.”
“And they had been pulled down. To the floor, correct?”
“Yes.”
“And the contents, which were pigeon supplies, had fallen to the ground. Had bottles broken?”
“Yes.”
“Pills spilled out?”
“Yes.”
“Bands for pigeons’ legs had fallen from their boxes?”
Detective Wilkins thought a minute. “Yes.”
Judy collected her thoughts. She had almost accomplished what she needed to, setting up her closing. She couldn’t get much more out of a hostile witness. But she needed to make her point. “Detective Wilkins, your credentials are very impressive, your having worked for twenty-three years as a homicide detective. How many crime scenes do you think you have examined in that time?”
Detective Wilkins sighed. “Thousands, unfortunately.”
Judy let it be. There were roughly two hundred murders in the city in a year, and she didn’t want to do the grisly multiplication either. “I would gather that most of those murders involve a weapon—a knife or a gun—am I correct?”
“For the most part, yes. That is the typical situation.”
“So you are very familiar with the signs of a struggle that occur in such situations?”
“Yes.”
Judy took a breath—and a risk. “Have you ever investigated a killing that took place without a weapon, between two men over the age of seventy-five?”
Surprised, Detective Wilkins reacted with a short laugh. “No.”
“So how much of a struggle do you want?” she asked with a throwaway smile, and Wilkins smiled, too. “Thank you, I have no further questions.” Judy grabbed her exhibit and sat down before Santoro could object. That had gone as well as it could, and Santoro stood up and approached the podium.
“Your Honor, I have redirect,” Santoro called out, but Judge Vaughn was already nodding over his half-glasses. Santoro addressed his witness. “Detective Wilkins, you said you have investigated thousands of murder scenes, is that right?”
“Yes.”
“And you have a set of skills and experiences that you bring to bear in every murder scene you investigate, is that right?”
“I like to think so.”
“And so you can be presented with a new situation in a murder scene and you can bring to bear your skills, experience, and instincts, honed over twenty-three years?”
Judy thought about objecting but let it go. The jury could see how self-serving it was, and she wouldn’t get points by tearing down Detective Wilkins.
Detective Wilkins nodded slowly. “Yes, I think so.”
Santoro rocked on his loafers a minute, evidently thinking about pressing it, and Judy shifted in her chair. If he went too far, she would object and she would have to be sustained. It was the lawyer’s equivalent of the cowboy’s hand hovering at his hip holster. Santoro made a decision. “I have no further questions. Thank you very much, Detective,” he said, and sat down.
It was always high noon in a murder trial, but only one man took the risk of getting dead.
Santoro’s next witness was a woman from Mobile Crime, a tall brunette with a black suit, a severe ponytail, and thick glasses, who testified that she had collected fibers from the clothes of Angelo Coluzzi that came from Pigeon Tony’s clothes. She was absolutely credible, and Judy barely objected, since it wasn’t inconsistent with her case for the defense. And her thoughts were elsewhere, as she tried to figure out what Santoro was doing and ways she could meet whatever it was in her case.
It was clearly the morning for police testimony, because his next witne
ss was another crime tech, a red-haired young man who had taken photographs of the scene. Santoro’s only purpose was to show the photographs of Coluzzi’s body to the jury, over Judy’s objection. She could do little but watch them as they looked uncomfortably at the grim photos, which Santoro had enlarged on a projection screen in the front of the courtroom. They swallowed hard at the sad sight, and Coluzzi looked horrible in photo after photo, his dark eyes sunken, his body as small and frail as Judy had remembered. The slides weren’t bloody, but somehow their very ordinariness spoke with a more subtle eloquence. Two jurors looked away, and even Pigeon Tony blinked.
But Judy was suddenly grateful for the bulletproof sheet muting the reaction of the gallery. Out of the corner of her eye, she could see Coluzzi’s widow crying and John Coluzzi holding her as she sobbed. The entire Coluzzi side of the courtroom was red-faced and teary, but the Lucia side remained still. Sketch artists drew madly, kept busy not only by the scene in the courtroom but by the one in the gallery, and the reporters scribbled their squiggles of old-fashioned shorthand. The Tonys had no reaction, and Frank kept eyeing the Coluzzis. Judy would have to talk to him at the noon recess and find out what he knew.
For the first time in her life, she wasn’t looking forward to lunch.
42
The courthouse conference room suddenly felt smaller than Judy remembered, but maybe that was because she was facing off against her lover. She stood on one side of the table and Frank on the other. The fluorescent lights were harsh and glaring. An uneaten pizza sat steaming in its box on the table. In two swivel chairs sat Pigeon Tony and Bennie, reduced to a captive audience.
“You didn’t tell me, Judy,” Frank said, his tone an accusation and his mouth tight with hurt. Pain filled his eyes, which looked bloodshot from a night without sleep. “You knew Coluzzi killed my parents and you didn’t tell me.”
Judy felt her face flush. “Your grandfather told you what Coluzzi said.”