“None of whom bothered to follow the trail,” Remi said.
“If they even knew about it,” Selma replied. “We’re still working on that part. Either way, it seems clear all the trouble Napoleon and Laurent went to was wasted. Until now, no one’s even been aware of their grand plan.”
“And now it’s just us and Bondaruk,” Sam said.
Remi said, “It’s all very sad. In the end Napoleon was just desperate, pathetic, and paranoid, waiting for someone to restore the family name. And to think at the height of his power this was a man who held a good chunk of Europe under his thumb.”
Sam said, “ ‘A tyrant is most tyrant to himself.’ ”
“Pardon?”
“It’s a quote from George Herbert. A Welsh poet. I don’t think he was talking about Napoleon, but it certainly fits. Selma, this ‘prize’ Laurent talked about . . . there was nothing else in the diary about it?”
“Nothing so far.”
“The safe bet would be on money,” Remi said. “Or something he could convert into money—a war chest the son could use to raise an army.”
Sam nodded. “Enough for a new Bonaparte emperor to reconquer France and maybe Europe.”
They signed off with Selma and headed back to the patio. They were halfway up the steps when Sam’s phone chimed. He checked the screen. It was Rube Haywood. Sam put it on speaker.
“I think I found the skeleton in Bondaruk’s closet,” Rube said.
“We’re all ears.”
“The guy I sent to talk to Bondaruk’s old Iranian handler—”
“Aref Ghasemi,” Remi said.
“Right. At first Ghasemi was a little cagey, but he finally opened up. He pretty much confirmed he handled Bondaruk all through the border war with the Russians. The details are sketchy on this part, but somewhere along the way Bondaruk got the idea that he’s a direct descendant of some ancient Persian king, a guy named—”
“Xerxes I,” Sam finished.
“Yeah, that’s it, how’d you know?”
Without going into too much detail Sam described the private Achaemenid Dynasty museum they’d found in the bowels of Bondaruk’s estate.
“Well, there’s your confirmation,” Rube said.
“What was Ghasemi’s take on this?” Sam asked. “Does he think Bondaruk could be from the Xerxes line?”
“He thought it was possible, but the thing you have to understand about Ghasemi is he’s a slippery fish. The Brits don’t buy anything he says without triple- or quadruple-checking it.”
“That seems like an odd story to make up,” Remi said.
“I thought so, too,” Rube replied. “Either way, Bondaruk’s spent millions researching this, so unless he’s certifiably insane he may have found proof to support his claim—at least in his own mind.”
Sam said, “Remi, remember what Kholkov told us in Marseille? About Bondaruk’s goal?”
Remi closed her eyes, recalling the conversation, and Kholkov’s words: “ ‘. . . the items involve a family legacy. He’s simply trying to finish what was begun a long time ago. . . . ’ ”
“This Xerxes angle could be the key,” Sam replied. “But what are the ‘items’? Something Xerxes lost long ago?”
“Another project for Selma and the gang.”
Rube said, “Whether his claim is true is irrelevant. He believes it, and it’s driving everything he does. What he’s after is a different story. Figure that out and you could be halfway home.”
“So we’re back to square one,” Sam said. “What in the world do Xerxes and the Achaemenid Dynasty have to do with Napoleon’s Lost Cellar?”
Sam awoke to the trilling of his iPhone. He rolled over. The red numerals of the LED display said 3:12 A.M. Sam grabbed the phone and checked the caller ID: BLOCKED.
He answered. “Hello?”
“I thought it was time we talked directly,” a voice said. “Without intermediaries.”
Still waking up, it took Sam a moment to place the voice. “You woke me up, Bondaruk. That’s just bad manners. I don’t suppose you’d like to tell me how you got my number?”
“Money is the great equalizer, Mr. Fargo.”
“Money is just money. It’s what you do with it that counts.”
“Spoken like a true do-gooder.”
Remi rolled over and sat up beside Sam. In answer to her questioning expression he mouthed, Bondaruk.
“What do you want?” Sam said.
“I’m curious: You were among the guests at my party, weren’t you?”
“We were standing right behind you during your lecture in the Sword Room. We got the distinct impression you like to hear yourself talk.”
“You’re brave, both of you, I’ll give you that much. You invaded my home, Mr. Fargo. If you were anyone else you’d—”
“Already be dead. Skip the threats and make your point. I’d like to get back to sleep.”
“I’m giving you one last chance. We work together. When it’s over, you get the bottles, I get what I’m after, and we part company. No harm done.”
“Speaking of what you’re after . . . It wouldn’t have anything to do with your private Persian funland below the laboratories, would it?”
Bondaruk didn’t answer.
“I thought so,” Sam said. “Bondaruk, don’t you think you’re taking your Xerxes infatuation a little too far? It’s not healthy.”
“You’re making a mistake, Mr. Fargo.”
“It seems to us that you’ve been making all the mistakes. By the way, we know your people have been casing our house in San Diego. If any of them so much as touch a newspaper in the driveway half the San Diego County Sheriff’s Department will fall on them like an avalanche.”
“So noted. This is the last time I’ll ask nicely.”
“Thanks for the warning.”
Sam hung up.
Remi said, “‘Private Persian funland’? Very imaginative.”
“I have my moments.”
CHAPTER 44
Armed with the next lines of the riddle and Yvette’s broadband Internet connection, Sam and Remi locked themselves in the study and went to work. Yvette, ever the gracious host, ordered Langdon to supply them with snacks and beverages, pens and paper, a second laptop, dry-erase markers, and a four-by-six-foot dry-erase board. On this they wrote the riddle in huge block letters:
Anguished House Fellows in amber trapped;
Tassilo and Pepere Gibbous Baia keep safe the place of Hajj;
The Genius of Ionia, his stride a battle of rivals;
A trio of Quoins, their fourth lost, shall point the way to Frigisinga.
They began by compiling a list of synonyms for each word that easily lent itself multiple meanings. They counted sixteen: “anguished,” “House,” “Fellows,” “trapped,” “Gibbous,” “keep,” “safe,” “place,” “Hajj,” “Genius,” “stride,” “battle,” “rivals,” “trio,” “point,” “way.”
From these they generated a list of dozens of words. Those they wrote on the board’s opposite side in a spiderweb-like chart, branch leading to thread leading to question marks.
Next they turned their attention to words they felt had clear links to history—“amber,” “Tassilo,” “Baia,” “Hajj,” “Genius,” “Ionia,” “Quoins”—which they also placed on the board, in their own separate columns and lists. Once done they divided up the words and began scouring the Internet for historical references, which they plugged into briefs of each word.
Five of the words—“amber,” “Tassilo,” “Baia,” “Hajj,” “Ionia”—had links to well-known places, peoples, or things. Amber was a fossil resin used for jewelry; Tassilo was the given name of a long line of Bavarian kings; Hajj was the name of the yearly Islamic pilgrimage to the holy site of Mecca; Baia, which meant “mine,” was the name of a commune in Romania on the Moldova River; and Ionia was a Greek island in the North Aegean Sea.
Unfortunately, like their list of synonyms, each of these historical referen
ces was in itself a web of facts and double meanings and cross connections.
Breaking only to eat and drink and refresh themselves in the study’s attached bathroom, Sam and Remi kept at it through the morning into late afternoon until finally they decided on a different tack: to focus their attention on a single line of the riddle, hoping its solution would start a domino effect. They decided to try the second line.
“ ‘Tassilo and Pepere Gibbous Baia keep safe the place of Hajj,’ ” Remi recited, absently tapping her temple with a pencil. “Pepere is easy. It’s a French nickname for ‘grandfather.’”
“Right. And unless we’re missing some other significant reference to Tassilo, we can assume it’s a reference to Bavaria—its history, its landmarks, its culture. Something Bavarian.”
“Agreed. How about ‘Gibbous Baia’?”
They’d already devoted two fruitless hours to Romanian history in hopes of stumbling across an epiphany about the Baia area.
“ ‘Gibbous’ means a moon that’s between half and completely full.”
“Are we sure about that part?”
“Yes, a gibbous moon is—”
“No, I’m asking if that’s the only meaning.”
Sam thought for a moment, then frowned. “I’d assumed so. Maybe I shouldn’t have.” He picked up and shoved books around the desk until he found the dictionary. He found the correct page, scanned the entry, then clicked his tongue. “Dumb, Sam. . . .”
“What?”
“ ‘Gibbous’ also means ‘humpbacked.’ So Gibbous and Baia . . .”
Remi was already typing on the laptop. Though much of their in-depth references had come from library sites, their default starting point was good old Google. “Here . . . got something,” she said after a few minutes of reading. “Put the two together and you get this: Baia is part of a phrase—‘men of Baia.’ It’s a rough translation for the word ‘Bavaria.’ ”
“So, the Humpback of Bavaria?” Sam asked.
“No, no . . .” Remi tapped the keyboard again and scanned the search results. “Gotcha! Okay, Tassilo III, the king of Bavaria from 748 to 787, was installed on the throne by Pepin the Short, father of Charlemagne and grandfather of Pepin the Hunchback.”
“Now we’re talking,” Sam replied. “So Tassilo and the hunchback’s grandfather, Pepin the Short, ‘keep safe the place of Hajj.’ ”
“Problem is I can’t find any connection between either of them, or Bavaria, to Mecca.”
“It has to be a metaphor or a synonym,” Sam replied.
“Yes, or maybe an Islamic artifact somewhere in Bavaria.”
Sam, now on his own laptop, did a quick search. “Nope, nothing jumps out. Let’s keep going. Try another line.”
“We’ll go back to the beginning: ‘Anguished House Fellows in amber trapped.’ We’ve already got the etymology and synonyms for ‘anguished,’ ‘House,’ ‘Fellows,’ ‘amber,’ and ‘trapped.’ So how do they all intersect?”
Sam plopped down in a chair and leaned his head back, squeezing the bridge of his nose between his index finger and thumb. “I don’t know. . . . Something about the line is familiar, though.”
“Which part?”
“I don’t know. It’s right there. I can almost see it.”
They sat in silence for nearly a half hour, each wrapped in thought, their minds swirling with connections and possible connections.
Finally Remi looked at her watch. “It’s almost midnight. Let’s get some sleep and come back to it fresh in the morning.”
“Okay. It’s frustrating. I know I’m missing something, I just can’t put my finger on it.”
Four hours later as they lay asleep in Yvette’s guest suite Sam bolted upright in bed and muttered, “There you are!” Remi, a light sleeper, was instantly awake: “What? What’s wrong, Sam?”
“Nothing. I think I’ve got it.”
In their pajamas they returned to the study, turned on the lights, and powered up their laptops. For twenty minutes Sam sat at the keyboard, typing and following links as Remi watched from the corner chair. At last Sam turned around and smiled.
“It’s from a book I read in college—The Days of the Upright by a guy named . . . Roche. He talks about the origin of the word ‘Huguenot.’ ”
“French Calvinists, right?” Remi asked. “Protestants.”
“Right. Pretty big group from the sixteenth to eighteenth century. Anyway, there are a lot of explanations for where the word ‘Huguenot’ comes from. Some think it’s a hybrid—from the German word Eidgenosse, meaning ‘confederate,’ and the name Besan çon Hugues, who was involved in early Calvinist history.
“The etymology most historians subscribe to comes from the Flemish word huisgenooten, which was what some Bible students in Flemish France were nicknamed. Huisgenooten would gather secretly in one another’s homes to study scripture. The name translates as ‘House Fellows.’
Remi stared at him for ten seconds before murmuring, “Sam, that’s brilliant.”
“What would have been brilliant is if I’d come up with it eighteen hours ago.”
“Better late than never. Okay, so we’re talking about Huguenots.”
“Anguished Huguenots,” Sam corrected.
Remi stood up and went to their whiteboard and used the dry-erase marker to circle their list of synonyms for ‘anguished.’ There were dozens. No obvious connection between them and Huguenots jumped out at them.
“So, let’s talk about amber,” Sam said, turning to the second part of the line. “ ‘In amber trapped.’ How do you get trapped in amber?”
They brainstormed this for a few minutes before Remi said, “Let’s try this: What happens when something gets trapped in amber?”
“You die,” Sam offered.
“Before that . . . Immobilized.”
“Frozen in place.”
“R ight . . .” Head down, eyes closed, she paced back and forth. “Frozen in place . . . Like a snapshot.”
Sam, his head resting against the chair’s headrest, leaned forward. “Like a painting.”
“Yes!”
He spun around in his chair and started typing on the laptop. “Painting . . . Huguenots . . .” He scanned the search results.
“Anything?”
“Massacre,” he muttered.
“What?”
“ ‘Massacre’ could be, in a stretch, synonymous with ‘anguished,’ couldn’t it?”
“Sure.”
“Then how about this: a painting by François Dubois called The Saint Bartholomew’s Day Massacre.”
“What’s the context?”
Sam scanned the article, then summarized: “France, in 1572 . . . from August to October of that year Catholic mobs attacked minority Huguenots throughout the country . . .” Sam leaned back in his chair and frowned. “Anywhere between ten thousand and a hundred thousand were killed.”
“If that isn’t anguish I don’t know what is,” Remi murmured. “Okay, so combine that with Bavaria. . . .”
Sam leaned forward and began typing again, this time using for his major search terms “Dubois,” “Saint Bartholomew,” and “Bavaria,” in combination with “day” and “massacre.”
“Might as well throw in our synonyms for ‘Hajj,’” Remi said, then dictated from the whiteboard: “ ‘Mecca,’ ‘pilgrimage,’ ‘Islam,’ ‘pilgrim’ . . .”
Sam finished typing and hit Enter. “A lot of results,” he whispered, scrolling through the page. “Nothing obvious, though.”
“Let’s start subtracting and mixing words from the search.”
For the next hour they did just that, trying permutations of their search terms until finally, near sunrise, Sam found something interesting with the combination of “Saint Bartholomew,” “Bavaria,” and “pilgrim.” He said with a grin, “Lightbulb just popped on.”
“What?” Remi said, then leaned in and read from the screen:
“Saint Bartholomae’s Pilgrim Church, Bavaria, Germany.”
&
nbsp; CHAPTER 45
SCHÖNAU, BAVARIA
Unbelievable,” Sam whispered.
He and Remi stepped to the wooden railing of the overlook and stared at the vista below. Finally Remi murmured, “I don’t think the word ‘beautiful’ even begins to capture this, Sam. Why did it take us this long to come here?”
“I have no idea,” he whispered back, then lifted his Canon EOS digital camera and took a picture. They’d been to Bavaria before, but never this area. “Even ‘breathtaking’ doesn’t seem to fit, does it?”
“Not even close. I can almost hear ‘The Sound of Music.’ ”
Below them lay the emerald waters of the Königssee (King’s Lake) Fjord. Measuring just over half a mile at its widest point and bracketed on both sides by thickly forested granite escarpments and jagged snowcapped peaks, the Königssee meandered its way from the village of Schönau in the north down to the Obersee, or Upper Lake, five miles to the south. Long ago severed from the Königssee by a landslide, the Obersee sat tucked away in its own oval valley surrounded by alpine meadows bursting with wildflowers and encircled by tumbling waterfalls, sights that attracted nature lovers and photography buffs the world over. A special boat service ran from Schönau to the Obersee’s Salet docks.
Aside from the occasional wake from the handful of electric tour boats that soundlessly plied the Königssee, the lake’s surface was perfectly calm, a sun-dappled mirror reflecting the greens and grays and ochers of the surrounding forests and cliffs. Everywhere Sam and Remi turned lay yet another perfectly composed alpine postcard.
Two-thirds of the way down the Königssee, where it narrowed to only a few hundred yards before widening again and curving southeast toward the Obersee, Saint Bartholomae’s Pilgrim Church sat in a clearing of trees on the Hirschau Peninsula.
An architectural hybrid of sorts, half of Saint Bartholomae’s Church was an old Bavarian ski lodge with white stucco exterior walls, steeply sloped gray shingle roof, and heavy wooden shutters painted in greens and yellows, while the other half was made up of a cluster of three red-roofed onion domes atop of which further rose two spires: one a windowless dome, the other, sitting nearer the water’s edge, a more traditional steeple, with a sloped hip roof and shuttered slit windows.