As they advanced into the Tiepolo room, Shuckerly made for Dr Brightman, Ada for Pamela. She seemed very surprised to find her old friend in the Bragadin palace. As Ada passed him, Glober shot out an appraising glance, reminiscent of those Peter Templer used to give ladies he did not know, Glober’s all-inclusive survey suggesting recognition of Ada’s valuable qualities, additional to her good looks. Always a shade on the plump side (even when she had worked for Sillery), she was no thinner, but carried herself well, retaining that air of bright, blonde, efficient, self-possessed secretary, who knows the whereabouts of everything required in a properly run office, much too sensible to allow more than just the right minimum of flirtatious behaviour to pervade business hours. No doubt Ada had learnt a lot from contact with Sillery. At the ninetieth birthday celebrations mentioned by Dr Brightman, the names of both the Quiggins had appeared as present, Quiggin himself reported as having delivered one of the many speeches.
Ada hurried up to Pamela, and embraced her warmly. It looked as if they had not met for some time. Pamela’s reception of this greeting was less obviously approving of reunion, though her accustomed coldness of manner was not to be constructed as pointer in one direction more than another. Ten years ago they had been on good terms. Since then they might well have quarrelled, moved apart, made friends again, never ceased to be friends. It was impossible to judge from outward signs. Pamela allowed herself to be kissed. She made no attempt to return the ardent flow of words from Ada that followed. No such display of sentiment was to be expected, even if Ada could claim, in the past, to have been Pamela’s sole female friend and confidante. No doubt mere acceptance of Ada’s continued devotion confirmed no rift had taken place.
‘Pam, what are you doing here? You’re the last person I’d expected to see. You can’t be a member of the Conference?’
Pamela made a face of disgust at the thought.
‘What are you doing then?’
‘I’m staying here.’
‘In the Palazzo – with Mr Bragadin?’
‘Of course.’
‘Both of you?’
Ada allowed too much unconcealed curiosity to echo in that question for Pamela’s taste. Her face hardened. She began to frown. As it turned out, that seemed more from contempt for Ada’s crude inquisitiveness, than from displeasure at what she wanted to know. Whatever Pamela’s feelings about her husband, she was not prepared to plunge into the heart-to-heart talk about him which Ada’s question posed. Ada’s tone sounded as if she too had heard Pamela’s name connected with the Ferrand-Sénéschal affair. It was more than a conventional enquiry to a wife about her husband. The conventional assumption would in any case have been that Pamela was not accompanied by Widmerpool. Ada was no doubt dying to learn how he was taking this new scandal involving his wife’s name; Pamela, perfectly grasping what her friend was after, not at all inclined, there and then, to make a present of the latest news. Instead, she gave Ada a look, hard, understanding, half-threatening, which declared for the present a policy of adjournment in relation to more exciting items.
‘He’s arriving today.’
‘In Venice?’
‘Yes.’
This manner of stating Widmerpool’s movements recalled the habit of referring always to ‘him’, rather than using a name. Ada’s question was at least answered.
‘That awful night-flight? I was a wreck when I arrived at four in the morning.’
Pamela laughed derisively.
‘He wasn’t man enough to take the night-flight this time. He’s on a plane as far as Milan, from there by train.’
Ada was persistent.
‘Is he feeling worried then?’
‘Why should he be?’
‘I don’t know. I just wondered. He always has such a lot on his plate, as he himself always says. I must congratulate him on becoming a lord – and you too, darling.’
‘Oh, that?’
‘Aren’t you pleased?’
Pamela did not bother to answer.
‘I’m longing for a talk.’
Pamela did not answer that either. She began to frown again. It did not look as if she herself were longing for a talk at all. Her bearing suggested quite the contrary. In spite of such discouragement, Ada rattled on. She was, after all, used to Pamela and her ways. An affection of simplicity was simply part of Ada’s tactic. She judged, probably rightly, that even if Pamela’s prevailing aspect did not at present show a good disposition towards old acquaintance, that could in due course be overcome.
‘How long are you both staying in Venice?’
‘I don’t know.’
‘I’ve a story I must tell you.’
Ada lowered her voice. Gwinnett, finished with the Longhis, had proceeded on to examination of the Tiepolo. He was moving steadily in our direction. At any moment now opportunity would be offered for putting him in touch with Pamela. Obligation to effect an introduction, so that he could relate her to his work on Trapnel, was not to be ignored. On the other hand, was this the right moment? From Gwinnett’s point of view the risk was considerable. Head-on presentation might – almost certainly would – result in one of Pamela’s sudden capricious antagonisms, possibly aversion so keen that all further enquiry in her direction would be at an end. Nevertheless, in whatever manner Gwinnett were to approach her, that eventuality had to be faced. There was no way of guarding against their temperaments proving mutually antipathetic. This was as good a chance as likely to occur. In the case of flat refusal to cooperate, he would have to do the best he could. To bring them together in this neutral spot, even if Gwinnett did not, here and now, speak of Trapnel – an awkward subject to broach in the first few seconds after introduction – circumstances would at least allow him to absorb something of Pamela’s personality, useful material for his book he might never secure again, if opportunity were missed. Before I could make up my mind how best to act, Glober, left on his own by Ada’s monopoly of Pamela, Shuckerly’s of Dr Brightman, began to speak of the ceiling again.
‘The way the painter’s contrived to illuminate those locations of dark pigmentation is just great. Dwell on that multi-coloured luminosity of cloud effect. To think I spent twenty-four hours in Jacky’s Palazzo before stepping over to gaze.’
Continuous companionship, with the conversation that brought, was necessary to Glober all the time. His manner made one feel even momentary isolation of himself required ending instantly, if he were not to risk grave nervous strain. His words postponed need for decision about bringing together Gwinnett and Pamela. Gwinnett himself came up at that moment, and started off an enquiry of his own.
‘Do you know the legend depicted up there? It’s not familiar to me.’
Glober, recognizing another American, but taking charge probably more from instinct to speak authoritatively, than because a fellow-countryman had asked the question, stepped in with an answer.
‘We’ve just been told the story by Dr Brightman. It’s a great one.’
He preceded to recapitulate, briefly and proficiently. Gwinnett listened with attention. I did not know whether he recognized Glober, nor, if so, whether he wanted to meet him. His own vague manner almost suggested unawareness that Glober and I had been talking together; that nothing was further from his mind than that Glober should reply to his question. At the same time, one never quite knew with Gwinnett; what he was thinking, how he would behave. That his action in approaching us at that moment was deliberate, premeditated, could not be entirely ruled out.
‘Thanks a lot. That’s an interesting story.’
Gwinnett evidently meant what he said. Although I was aware of hazards incident on introducing to each other nationals of the same country (Americans not least), without carefully reconnoitring the ground, no alternative was offered. I spoke their names, coupled with that of the college where Gwinnett taught English. He smiled faintly when this was done, but with an impassivity that gave nothing away, least of all any hint that he was already conversant with Glober’s reputa
tion. If interested in making this encounter, Gwinnett did not show it, holding his cards to his chest in a manner, to the popular European view, ‘un-American’. Anyway, it was in contrast with Glober’s exuberance, intact from younger days, tempered with that unnoisy manner which so well suited him. There was nothing in the least forced about Glober’s friendliness, none of that sense of inadequacy sometimes noticeable after a gushing approach has lacked basic vitality to sustain its first impact. Glober possessed that inner strength. When he caught Gwinnett’s two hands, the gesture managed to be warm, amusing, not at all reckless or overdone.
‘One of the rarest signatures too,’ he said.
Although he spoke in that quiet way, he might just as well have shouted, from the punch he put into this piece of banter, for, even if complimentary, banter was what it turned out to be. At the time, the bearing was obscure to me, unconnected with Dr Brightman’s reference to the surname’s link with a ‘Signer’ family; though I noted inwardly the odd coincidence of Gwinnett himself speaking ironically of Glober being ‘able to sign his name’. The conjunction of phrase, a mere chance, made Gwinnett’s reply seem the more enigmatic. Later, I wondered whether, in fact, he ever signed his own name without thinking of his ancestor. That was not impossible. At the moment he appeared a little put out, laughing in a deprecatory manner, as he tried to withdraw his fingers from Glober’s grip.
‘I take care my own signature’s a rare one too,’ he said. ‘Anyway on cheques.’
There was a touch of reproof in this rather knockabout rejoinder. Gwinnett was probably flattered too. How much flattered was hard to assess, the incident not immediately explicable, its implications only subsequently revealed. Gwinnett was in any case, so it seemed to me, too good an American to persist, after all that, in his earlier, more distant air; to make absolutely unambiguous a preference for different, less overpowering, modes of address between strangers. There was no question of ‘putting Glober in his place’, an inclination that might easily have emerged in England from a personality of Gwinnett’s type. At the same time, to the extent of showing the smallest spark of exuberance himself, he did not at all retreat from his own chosen position, just keeping a dead level of civility, to which exception could not possibly be taken.
In due course, Dr Brightman explained that, among endorsements of the Declaration of Independence, Button Gwinnett’s signature happened to be much prized among collectors purposing to possess an example of each. In Gwinnett’s light dismissal, as an individual, of Glober’s commendatory teasing, in quite another form, something was reminiscent of Pamela’s neutralization of Ada’s affectionate embrace. Neutralization was the process Gwinnett’s manner often called to mind. Pamela’s exterior, to the uninformed observer, could have been interpreted as hostile. No hostility was present in Gwinnett’s reply, just unspoken announcement of another way of life. If that were hostility, it was to be detected by only the most delicate instrument. Glober himself showed not the smallest awareness of even that antithesis. Constitutionally habituated, simply as a man, to being liked by people, he could have become insensitive to antipathy, unless explicit; alternatively, so intensely conscious of any attitude towards himself short of total surrender, that he was conditioned utterly to conceal any such awareness.
The dissimilarities of these two Americans seemed to put them into almost every direct opposition in relation to one another: Gwinnett, much the younger, a disturbed background, chancy fortunes, a small but appreciable stake in American history: Glober, of mature age, easy manner, worldly success, recent – not necessarily easy – family origins. One thought of the gladiator with the sword and shield; the one with the net and trident. No doubt gladiators too had in common the typical characteristics of their trade, and something bound Gwinnett and Glober together, perhaps merely their ‘Americanness’. One struggled for a phrase to define this characteristic in common, if indeed it existed. An appropriate term warbled across the room from the lips of Quentin Shuckerly.
‘So I told Bernard he was just like the lame boy in the Pied Piper, getting left behind as a critic, whenever a fashionable tune was played. I clinched my argument by using a word he didn’t know – allotropic – a variation of properties that doesn’t change the substance. My dear, the poor man was completely crushed.’
That seemed the term for Glober and Gwinnett, at least how they looked to one across the abyss of uncertainty that precluded definition, with any subtlety, of American types and ways. Meanwhile, the question of whether or not to introduce Gwinnett to Pamela, without saying some preliminary word first, was becoming more urgent than ever. Thinking about allotropy was no help. Then all at once, in a flash, the problem was solved, the Gordian Knot cut, possibly in interplay of that allotropic element. Personal responsibility was all at once removed. Glober, taking Gwinnett by the arm, broke in between Pamela and Ada.
‘I want you to meet Professor Gwinnett, Pam. This is Lady Widmerpool, who’s stopping in the Palazzo.’
Why Glober did that I could not guess at the time, have never since quite decided. The step may have been due to a compulsive, all-embracing need to arrange, in a manner satisfactory to himself, everyone within orbit – creating an instant court, as Dr Brightman might have said – the spirit in Glober that brought together the Mopsy Pontner dinner party. He may, on the other hand, having favourably marked down Ada, grasped that the simplest way to talk with her for a minute or two would be to occupy Pamela with Gwinnett. Alternatively, the consigning of Gwinnett to Pamela might have appealed to him as a delicate revenge for Gwinnett’s latent superciliousness, at least refusal to fall in more amicably with Glober’s own more effusive mood. To introduce Gwinnett to Pamela was as likely as not to cause a clash. That clash might be what Glober wished, not necessarily in a mood of retaliation, but with the object of bringing the two of them together for the spectacle, the sheer fun, mildly sadistic, of watching what was likely to be a ‘scene’ – any scene – in which Pamela was involved. What he certainly did not know was that Gwinnett’s highest ambition at that moment was just what had taken place through Glober’s own instrumentality.
If Glober sought drama, he was disappointed. At least he was disappointed if he wanted fireworks in the form of violent opposition or bad temper. In another sense – for anyone who knew the stakes for which Gwinnett was playing – the reception he received was intensely dramatic, more so than any brush-off could have been, however defiant. The mere fact that Gwinnett himself, not Pamela, took the offensive was in itself impressive.
‘I’d hoped very much to meet you while I was in Venice, Lady Widmerpool. I didn’t know I’d have this luck.’
He spoke very simply. Pamela gave him one of her blank stares. She did not speak. At that stage of their meeting it looked as if Gwinnett were going to get, if nothing worse, a characteristic rejection. She allowed him to take her hand, withdrawing it quickly.
‘I’m writing a book on X. Trapnel,’ Gwinnett said.
He paused. This frontal attack, taking over an active role, thrusting Pamela even momentarily into the passive, suggested something of Gwinnett’s potential. He said the words quietly, quite a different quietness from Glober’s, though suggesting something of the same muted strength. They were spoken almost casually, a statement just given for information, no more, before going on to speak of other things. There was no question of blurting out in an uncontrolled manner the nature of his ‘project’, what he wanted for it from her. To use such a tone was to tackle the approach in an effective, possibly the only effective, manner. It exhibited a fine appreciation of the fact that to gain Pamela’s cooperation with regard to the biography was a matter of now or never. He must sink or swim. Gwinnett undoubtedly saw that. I admired him for attempting no compromise. There was again a parallel between Gwinnett’s tone with Pamela, and the way he had replied to Glober, the one conveying only the merest atom of overt friendliness, just as the other conveyed possibly the reverse, difference between the two almost imperceptible. Whi
le this had been taking place, Glober had transferred his attention to Ada. They were chattering away together as if friends for years.
‘I think you knew him,’ said Gwinnett. ‘Trapnel, I mean.’
Pamela, who had as usual registered no immediate outward reaction to his first statement, still remained silent. Gwinnett was silent too. In that, he showed his strength. After making the initial announcement of his position, he made no effort to develop the situation. They stood looking at each other. There was a long pause during which one felt anything might happen: Pamela walk away: burst out laughing: overwhelm Gwinnett with abuse: strike him in the face. After what seemed several minutes, but could only have been a second or two, Pamela spoke. Her voice was low.
‘Poor X,’ she said.
She sounded deeply moved, not far from tears. Gwinnett inclined his head a little. That movement was no more than a quiver, quick, awkward, at the same time reverential in its way, wholly without affectation. He too seemed to feel strong emotion. Something had been achieved between them.
‘Yes – Trapnel wasn’t always a lucky guy it seems.’
Now, it had become Trapnel’s turn to join the dynasty of Pamela’s dead lovers. Emotional warmth in her was directed only towards the dead, men who had played some part in her life, but were no more there to do so. That was how it looked. The first time we had ever talked together, she had described herself as ‘close’ to her uncle, Charles Stringham, almost suggesting a sexual relationship. Stringham’s circumstances made nothing more unlikely, in any physical form, although, in the last resort, close relationship of a sexual kind does not perhaps necessarily require such expression, something even undesired, except in infinitely sublimated shape. When, for example, Pamela had been racketing round during the war, with all sorts of lovers, from all sorts of nations, she had refused to give herself to Peter Templer (in his own words ‘mad about her’); after he was killed calling him the ‘nicest man I ever knew’.