Page 12 of Babbit


  The dinner was in the best style of women's-magazine art, whereby the salad was served in hollowed apples, and everything but the invincible fried chicken resembled something else. Ordinarily the men found it hard to talk to the women; flirtation was an art unknown on Floral Heights, and the realms of offices and of kitchens had no alliances. But under the inspiration of the cocktails, conversation was violent. Each of the men still had a number of important things to say about prohibition, and now that each had a loyal listener in his dinner-partner he burst out:

  "I found a place where I can get all the hootch I want at eight a quart - "

  "Did you read about this fellow that went and paid a thousand dollars for ten cases of red-eye that proved to be nothing but water? Seems this fellow was standing on the corner and fellow comes up to him - "

  "They say there's a whole raft of stuff being smuggled across at Detroit - "

  "What I always say is - what a lot of folks don't realize about prohibition - "

  "And then you get all this awful poison stuff - wood alcohol and everything - "

  "Course I believe in it on principle, but I don't propose to have anybody telling me what I got to think and do. No American 'll ever stand for that!"

  But they all felt that it was rather in bad taste for Orville Jones - and he not recognized as one of the wits of the occasion anyway - to say, "In fact, the whole thing about prohibition is this: it isn't the initial cost, it's the humidity."

  Not till the one required topic had been dealt with did the conversation become general.

  It was often and admiringly said of Vergil Gunch, "Gee, that fellow can get away with murder! Why, he can pull a Raw One in mixed company and all the ladies 'll laugh their heads off, but me, gosh, if I crack anything that's just the least bit off color I get the razz for fair!" Now Gunch delighted them by crying to Mrs. Eddie Swanson, youngest of the women, "Louetta! I managed to pinch Eddie's doorkey out of his pocket, and what say you and me sneak across the street when the folks aren't looking? Got something," with a gorgeous leer, "awful important to tell you!"

  The women wriggled, and Babbitt was stirred to like naughtiness. "Say, folks, I wished I dared show you a book I borrowed from Doc Patten!"

  "Now, George! The idea!" Mrs. Babbitt warned him.

  "This book - racy isn't the word! It's some kind of an anthropological report about - about Customs, in the South Seas, and what it doesn't SAY! It's a book you can't buy. Verg, I'll lend it to you."

  "Me first!" insisted Eddie Swanson. "Sounds spicy!"

  Orville Jones announced, "Say, I heard a Good One the other day about a coupla Swedes and their wives," and, in the best Jewish accent, he resolutely carried the Good One to a slightly disinfected ending. Gunch capped it. But the cocktails waned, the seekers dropped back into cautious reality.

  Chum Frink had recently been on a lecture-tour among the small towns, and he chuckled, "Awful good to get back to civilization! I certainly been seeing some hick towns! I mean - Course the folks there are the best on earth, but, gee whiz, those Main Street burgs are slow, and you fellows can't hardly appreciate what it means to be here with a bunch of live ones!"

  "You bet!" exulted Orville Jones. "They're the best folks on earth, those small-town folks, but, oh, mama! what conversation! Why, say, they can't talk about anything but the weather and the ne-oo Ford, by heckalorum!"

  "That's right. They all talk about just the same things," said Eddie Swanson.

  "Don't they, though! They just say the same things over and over," said Vergil Gunch.

  "Yes, it's really remarkable. They seem to lack all power of looking at things impersonally. They simply go over and over the same talk about Fords and the weather and so on." said Howard Littlefield.

  "Still, at that, you can't blame 'em. They haven't got any intellectual stimulus such as you get up here in the city," said Chum Frink.

  "Gosh, that's right," said Babbitt. "I don't want you highbrows to get stuck on yourselves but I must say it keeps a fellow right up on his toes to sit in with a poet and with Howard, the guy that put the con in economics! But these small-town boobs, with nobody but each other to talk to, no wonder they get so sloppy and uncultured in their speech, and so balled-up in their thinking!"

  Orville Jones commented, "And, then take our other advantages - the movies, frinstance. These Yapville sports think they're all-get-out if they have one change of bill a week, where here in the city you got your choice of a dozen diff'rent movies any evening you want to name!"

  "Sure, and the inspiration we get from rubbing up against high-class hustlers every day and getting jam full of ginger," said Eddie Swanson.

  "Same time," said Babbitt, "no sense excusing these rube burgs too easy. Fellow's own fault if he doesn't show the initiative to up and beat it to the city, like we done - did. And, just speaking in confidence among friends, they're jealous as the devil of a city man. Every time I go up to Catawba I have to go around apologizing to the fellows I was brought up with because I've more or less succeeded and they haven't. And if you talk natural to 'em, way we do here, and show finesse and what you might call a broad point of view, why, they think you're putting on side. There's my own half-brother Martin - runs the little ole general store my Dad used to keep. Say, I'll bet he don't know there is such a thing as a Tux - as a dinner-jacket. If he was to come in here now, he'd think we were a bunch of - of - Why, gosh, I swear, he wouldn't know what to think! Yes, sir, they're jealous!"

  Chum Frink agreed, "That's so. But what I mind is their lack of culture and appreciation of the Beautiful - if you'll excuse me for being highbrow. Now, I like to give a high-class lecture, and read some of my best poetry - not the newspaper stuff but the magazine things. But say, when I get out in the tall grass, there's nothing will take but a lot of cheesy old stories and slang and junk that if any of us were to indulge in it here, he'd get the gate so fast it would make his head swim."

  Vergil Gunch summed it up: "Fact is, we're mighty lucky to be living among a bunch of city-folks, that recognize artistic things and business-punch equally. We'd feel pretty glum if we got stuck in some Main Street burg and tried to wise up the old codgers to the kind of life we're used to here. But, by golly, there's this you got to say for 'em: Every small American town is trying to get population and modern ideals. And darn if a lot of 'em don't put it across! Somebody starts panning a rube crossroads, telling how he was there in 1900 and it consisted of one muddy street, count 'em, one, and nine hundred human clams. Well, you go back there in 1920, and you find pavements and a swell little hotel and a first-class ladies' ready-to-wear shop-real perfection, in fact! You don't want to just look at what these small towns are, you want to look at what they're aiming to become, and they all got an ambition that in the long run is going to make 'em the finest spots on earth - they all want to be just like Zenith!"

  III

  However intimate they might be with T. Cholmondeley Frink as a neighbor, as a borrower of lawn-mowers and monkey-wrenches, they knew that he was also a Famous Poet and a distinguished advertising-agent; that behind his easiness were sultry literary mysteries which they could not penetrate. But to-night, in the gin-evolved confidence, he admitted them to the arcanum:

  "I've got a literary problem that's worrying me to death. I'm doing a series of ads for the Zeeco Car and I want to make each of 'em a real little gem - reg'lar stylistic stuff. I'm all for this theory that perfection is the stunt, or nothing at all, and these are as tough things as I ever tackled. You might think it'd be harder to do my poems - all these Heart Topics: home and fireside and happiness - but they're cinches. You can't go wrong on 'em; you know what sentiments any decent go-ahead fellow must have if he plays the game, and you stick right to 'em. But the poetry of industrialism, now there's a literary line where you got to open up new territory. Do you know the fellow who's really THE American genius? The fellow who you don't know his name and I don't either, but his work ought to be preserved so's future generations can judge our Ame
rican thought and originality to-day? Why, the fellow that writes the Prince Albert Tobacco ads! Just listen to this:

  It's P.A. that jams such joy in jimmy pipes. Say - bet you've often bent-an-ear to that spill-of-speech about hopping from five to f-i-f-t-y p-e-r by "stepping on her a bit!" Guess that's going some, all right - BUT just among ourselves, you better start a rapidwhiz system to keep tabs as to how fast you'll buzz from low smoke spirits to TIP-TOP-HIGH - once you line up behind a jimmy pipe that's all aglow with that peach-of-a-pal, Prince Albert.

  Prince Albert is john-on-the-job - always joy'usly more-ISH in flavor; always delightfully cool and fragrant! For a fact, you never hooked such double-decked, copper-riveted. two-fisted smoke enjoyment!

  Go to a pipe - speed-o-quick like you light on a good thing! Why - packed with Prince Albert you can play a joy'us jimmy straight across the boards! AND YOU KNOW WHAT THAT MEANS!"

  "Now that," caroled the motor agent, Eddie Swanson, "that's what I call he-literature! That Prince Albert fellow - though, gosh, there can't be just one fellow that writes 'em; must be a big board of classy ink-slingers in conference, but anyway: now, him, he doesn't write for long-haired pikers, he writes for Regular Guys, he writes for ME, and I tip my benny to him! The only thing is: I wonder if it sells the goods? Course, like all these poets, this Prince Albert fellow lets his idea run away with him. It makes elegant reading, but it don't say nothing. I'd never go out and buy Prince Albert Tobacco after reading it, because it doesn't tell me anything about the stuff. It's just a bunch of fluff."

  Frink faced him: "Oh, you're crazy! Have I got to sell you the idea of Style? Anyway that's the kind of stuff I'd like to do for the Zeeco. But I simply can't. So I decided to stick to the straight poetic, and I took a shot at a highbrow ad for the Zeeco. How do you like this:

  The long white trail is calling - calling-and it's over the hills and far away for every man or woman that has red blood in his veins and on his lips the ancient song of the buccaneers. It's away with dull drudging, and a fig for care. Speed - glorious Speed - it's more than just a moment's exhilaration - it's Life for you and me! This great new truth the makers of the Zeeco Car have considered as much as price and style. It's fleet as the antelope, smooth as the glide of a swallow, yet powerful as the charge of a bull-elephant. Class breathes in every line. Listen, brother! You'll never know what the high art of hiking is till you TRY LIFE'S ZIPPINGEST ZEST - THE ZEECO!

  "Yes," Frink mused, "that's got an elegant color to it, if I do say so, but it ain't got the originality of 'spill-of-speech!'" The whole company sighed with sympathy and admiration.

  CHAPTER IX

  I

  BABBITT was fond of his friends, he loved the importance of being host and shouting, "Certainly, you're going to have smore chicken - the idea!" and he appreciated the genius of T. Cholmondeley Frink, but the vigor of the cocktails was gone, and the more he ate the less joyful he felt. Then the amity of the dinner was destroyed by the nagging of the Swansons.

  In Floral Heights and the other prosperous sections of Zenith, especially in the "young married set," there were many women who had nothing to do. Though they had few servants, yet with gas stoves, electric ranges and dish-washers and vacuum cleaners, and tiled kitchen walls, their houses were so convenient that they had little housework, and much of their food came from bakeries and delicatessens. They had but two, one, or no children; and despite the myth that the Great War had made work respectable, their husbands objected to their "wasting time and getting a lot of crank ideas" in unpaid social work, and still more to their causing a rumor, by earning money, that they were not adequately supported. They worked perhaps two hours a day, and the rest of the time they ate chocolates, went to the motion-pictures, went window-shopping, went in gossiping twos and threes to card-parties, read magazines, thought timorously of the lovers who never appeared, and accumulated a splendid restlessness which they got rid of by nagging their husbands. The husbands nagged back.

  Of these naggers the Swansons were perfect specimens.

  Throughout the dinner Eddie Swanson had been complaining, publicly, about his wife's new frock. It was, he submitted, too short, too low, too immodestly thin, and much too expensive. He appealed to Babbitt:

  "Honest, George, what do you think of that rag Louetta went and bought? Don't you think it's the limit?"

  "What's eating you, Eddie? I call it a swell little dress."

  "Oh, it is, Mr. Swanson. It's a sweet frock," Mrs. Babbitt protested.

  "There now, do you see, smarty! You're such an authority on clothes!" Louetta raged, while the guests ruminated and peeped at her shoulders.

  "That's all right now," said Swanson. "I'm authority enough so I know it was a waste of money, and it makes me tired to see you not wearing out a whole closetful of clothes you got already. I've expressed my idea about this before, and you know good and well you didn't pay the least bit of attention. I have to camp on your trail to get you to do anything - "

  There was much more of it, and they all assisted, all but Babbitt. Everything about him was dim except his stomach, and that was a bright scarlet disturbance. "Had too much grub; oughtn't to eat this stuff," he groaned - while he went on eating, while he gulped down a chill and glutinous slice of the ice-cream brick, and cocoanut cake as oozy as shaving-cream. He felt as though he had been stuffed with clay; his body was bursting, his throat was bursting, his brain was hot mud; and only with agony did he continue to smile and shout as became a host on Floral Heights.

  He would, except for his guests, have fled outdoors and walked off the intoxication of food, but in the haze which filled the room they sat forever, talking, talking, while he agonized, "Darn fool to be eating all this - not 'nother mouthful," and discovered that he was again tasting the sickly welter of melted ice cream on his plate. There was no magic in his friends; he was not uplifted when Howard Littlefield produced from his treasure-house of scholarship the information that the chemical symbol for raw rubber is C10H16, which turns into isoprene, or 2C5H8. Suddenly, without precedent, Babbitt was not merely bored but admitting that he was bored. It was ecstasy to escape from the table, from the torture of a straight chair, and loll on the davenport in the living-room.

  The others, from their fitful unconvincing talk, their expressions of being slowly and painfully smothered, seemed to be suffering from the toil of social life and the horror of good food as much as himself. All of them accepted with relief the suggestion of bridge.

  Babbitt recovered from the feeling of being boiled. He won at bridge. He was again able to endure Vergil Gunch's inexorable heartiness. But he pictured loafing with Paul Riesling beside a lake in Maine. It was as overpowering and imaginative as homesickness. He had never seen Maine, yet he beheld the shrouded mountains, the tranquil lake of evening. "That boy Paul's worth all these ballyhooing highbrows put together," he muttered; and, "I'd like to get away from - everything."

  Even Louetta Swanson did not rouse him.

  Mrs. Swanson was pretty and pliant. Babbitt was not an analyst of women, except as to their tastes in Furnished Houses to Rent. He divided them into Real Ladies, Working Women, Old Cranks, and Fly Chickens. He mooned over their charms but he was of opinion that all of them (save the women of his own family) were "different" and "mysterious." Yet he had known by instinct that Louetta Swanson could be approached. Her eyes and lips were moist. Her face tapered from a broad forehead to a pointed chin, her mouth was thin but strong and avid, and between her brows were two outcurving and passionate wrinkles. She was thirty, perhaps, or younger. Gossip had never touched her, but every man naturally and instantly rose to flirtatiousness when he spoke to her, and every woman watched her with stilled blankness.

  Between games, sitting on the davenport, Babbitt spoke to her with the requisite gallantry, that sonorous Floral Heights gallantry which is not flirtation but a terrified flight from it: "You're looking like a new soda-fountain to night, Louetta."

  "Am I?"

  "Ole Eddie kind
of on the rampage."

  "Yes. I get so sick of it."

  "Well, when you get tired of hubby, you can run off with Uncle George."

  "If I ran away - Oh, well - "

  "Anybody ever tell you your hands are awful pretty?"

  She looked down at them, she pulled the lace of her sleeves over them, but otherwise she did not heed him. She was lost in unexpressed imaginings.

  Babbitt was too languid this evening to pursue his duty of being a captivating (though strictly moral) male. He ambled back to the bridge-tables. He was not much thrilled when Mrs. Frink, a small twittering woman, proposed that they "try and do some spiritualism and table-tipping - you know Chum can make the spirits come - honest, he just scares me!"

  The ladies of the party had not emerged all evening, but now, as the sex given to things of the spirit while the men warred against base things material, they took command and cried, "Oh, let's!" In the dimness the men were rather solemn and foolish, but the goodwives quivered and adored as they sat about the table. They laughed, "Now, you be good or I'll tell!" when the men took their hands in the circle.

  Babbitt tingled with a slight return of interest in life as Louetta Swanson's hand closed on his with quiet firmness.

  All of them hunched over, intent. They startled as some one drew a strained breath. In the dusty light from the hall they looked unreal, they felt disembodied. Mrs. Gunch squeaked, and they jumped with unnatural jocularity, but at Frink's hiss they sank into subdued awe. Suddenly, incredibly, they heard a knocking. They stared at Frink's half-revealed hands and found them lying still. They wriggled, and pretended not to be impressed.

  Frink spoke with gravity: "Is some one there?" A thud. "Is one knock to be the sign for 'yes'?" A thud. "And two for 'no'?" A thud.

  "Now, ladies and gentlemen, shall we ask the guide to put us into communication with the spirit of some great one passed over?" Frink mumbled.

 
Sinclair Lewis's Novels