Tally nodded and told them what had happened.
“Matteo’s with him. But we have to get him down from the hill and into our tent. And then smuggle him back to England. We’re going to pretend he’s one of us.”
Magda frowned. “Does Matteo agree to this?” she asked.
“He didn’t like it, but there’s no other way. Matteo wanted to take him alone over the mountains, but they’ll already be watching the borders.”
“There have been announcements the whole time on the loudspeakers,” said Barney. “Everybody is to keep off the streets.”
“But do they say anything about keeping off the mountains?” asked Tally.
“How are we going to bring him down without being seen?” Julia was very worried. “I suppose in the dark—”
“No, we’re not going to wait for the dark. And we’re not going to creep about or slink. I’ve had an idea.”
Julia sighed. “I wish you’d stop having ideas.”
“This one is about trust. Karil said he’ll trust Matteo, and I told Matteo he’ll have to trust us. And we’ll have to trust the other children here. We’ll have to tell them what we’re doing so that they can help us and know what to do.”
“And what are we going to do?” asked Borro.
“We’re going to do what we came to Bergania to do. We’re going to dance.”
There was a pause while the others stared at her.
“All of us,” Tally went on. “In full costume. And we’re going to sing, too, and maybe recite—I don’t know exactly; we may have to improvise. It’ll be a sort of homage to the king, a . . . a rite for his passing. Only the point is, there’ll be so many of us that no one will notice if we come down with one more person. There’s a meadow by the entrance to the hunting ground that’s almost flat—that will make a kind of dancing floor. We’ll wear our Flurry clothes and make sure that we’re closest to the entrance, and while the ceremony is going on, Karil can slip out and join us. Only we’ll need some clothes for him.”
“I’ve got a spare shirt,” said Tod eagerly. “And he can have my white trousers—I’ll find something else.”
He was desperately keen to help the prince.
“He can have my hat,” said Kit. “It’s got the most stuff on it. It’ll hide his face.”
“There’th a lot of ivy under the bridge,” said Augusta. “We can drape our headth so that you can hardly see our faces. Ivy’s uthed a lot for funeralth.”
But the most important thing was to get the other groups to join in, because Tally’s plan depended on a swirling mass of people in which one extra dancer would not be noticed and it was this that everyone was worried about.
“There must be more than a hundred children here,” said Julia. “We can’t trust so many children not to give anything away.”
“Why not?” said Tally. “Why should anyone betray the prince when they know he is in danger? Why do there have to be traitors?”
“Not traitors,” said Barney, “but idiots who blab.”
“We have to trust them,” repeated Tally. “We have to. If they don’t know what’s happening, they won’t be able to cover up if anything goes wrong.”
But the others still looked doubtful.
“Do we know them well enough?” Borro wondered.
“How long does it take to know whether people are decent?” Tally demanded. “One can make friends in a minute. Look at the little German girl with the pigtails around her head and Conchita? They only knew each other for a day and Conchita’s still crying. When I was six I fell on the pavement outside my father’s surgery and Kenny came past driving Primrose and stopped to pick me up—and that was that. I’d trust him with my life.” She looked around entreatingly. “Only we haven’t got much time,” she said. “Matteo is sure it was the Gestapo who organized the shooting of the king, so the prince is in dreadful danger.”
“I could ask Lorenzo,” said Verity—and for the first time she spoke about the Italian boy she had been flirting with without her usual simper.
“I’ll talk to Jacqueline,” said Borro, thinking of the French girl who had been so informative regarding the milk yield of her mother’s dairy cows.
Barney said the Scandinavians would join in, he was sure. “They’re really keen on justice and things being fair.”
“The Spaniards did that lovely saraband when they were practicing,” said Julia. “That would work beautifully for a funeral dance.”
“You see, we do know them,” said Tally joyfully. “Even after two days we know they’ll help. Only we must hurry—any minute now they could be closing in on the prince.”
And they did hurry. Even Augusta who didn’t speak much because of her lisp, even Kit who was so easily frightened of people, ran to the other tents. Magda watched them go, crouching on her camp stool, desperately worried. The whole plan seemed mad and dangerous to her, but the headmaster had made it clear before they left Delderton that it was Matteo who was in charge of the trip, and if Matteo knew what was going on, there was nothing she could do.
Not all the teams could come—some of them had packed up already, some had teachers who refused. But less than an hour later, a most unexpected cavalcade set off across the park and made its way up the hill.
The Deldertonians were in the lead; they had draped their hats in so much ivy that it was almost impossible to see their faces. Borro, who was the hobbyhorse rider, carried a bundle shaped like the medieval bladders that jesters used to hit each other with. It contained the clothes that Karil would have to change into before he joined the dancers.
Behind them came the others. Some of the boys had found black scarves, which they had tied around their throats; some of the girls wore black ribbons around their sleeves or in their hair.
At first they walked in silence. Then from the group of children in red skirts and boleros there came a lone voice, singing a song: fado, the saddest, most heartrending music in the world.
And with this lone song, the whole ceremony became real. The children did not forget that they were here on a quest to save the prince, but they remembered, too, that a just and noble king had died that day.
When the voice of the singer died away, there came a hymn from the heartlands of Sweden, sung by the children in blue and white, and after that, from the Yugoslavs, the mournful wail of the fur-covered horn, like an animal in pain.
And as they made their way up the hill, every single child in the throng knew exactly what they were doing and why they were there and was proud to be helping the boy whose father had died so cruelly before their eyes.
“Look!” said Herr Keller, standing on the terrace of the Blue Ox. “It’s the foreign children.”
“They’re paying homage to the king,” said his wife, and the waitresses nodded and said, “Yes, they are honoring the king.”
But if the decent people of Bergania understood what the procession was about, the Gambettis were horrified.
“It’s an outrage—the noise, the disrespect,” said the baroness, peering out of her bedroom window. “They must be stopped at once. Look at those British savages in the front.” She turned to her husband. “You must do something. Call out the police.”
But Gambetti, who had been getting steadily feebler and more afraid since the king’s death, said he had no instructions to call out the police. “And Stiefelbreich’s in a meeting and mustn’t be disturbed.”
“Well, if you won’t call out the police, I will,” said the baroness, and reached for the phone.
“Listen,” said Matteo. “They’re coming.”
Karil crouched beside him on the bare wooden floor of the boarded-up hunting lodge. Matteo had pried aside a couple of planks and they had crawled inside: it was closer to the entrance of the hunting ground than the pool. Matteo had wrapped the prince in his own jacket and was talking to him quietly, telling him stories about his father as a boy. Karil, fixing his eyes on Matteo’s face, tried to listen, but he was still so deep in shock that he hea
rd only the words, not their meaning. The uniform that Karil had worn had been tied around a stone and dropped into the water; everything was ready.
The music came closer. They could make out the sound of Augusta’s violin as she played a Celtic lament.
Matteo pried open another board and now Karil could see them: a whole hillside of children coming to fetch him away. Tally was near the front; she looked very small down there.
“Are they really coming for me?”
Matteo nodded. “You’ll be safe with them. Just join in and do what they tell you, and you’ll be in our tent in no time. And in the morning we’ll get you away to England.”
It was what Karil had longed for as he looked down at the lighted tents from the palace—to belong to the children that lived in them. Now he wanted nothing in the world except to have his father back.
The procession had reached the meadow. Now they formed a circle with the Deldertonians closest to the gates of the hunting ground and the wooden lodge. Soon Borro would slip in with Karil’s clothes and bring him.
But the farewell for the king had taken on a life of its own. Here on the dancing ground Johannes III had to be honored and now everyone was looking to the children from Delderton, who had brought this ritual into being.
“We absolutely can’t do the Flurry Dance,” whispered Tally. “It isn’t suitable at all.”
But what could they do?
“Someone ought to recite a poem,” said Barney. “Something noble.”
And one and all they looked at Julia.
“You can do it,” said Barney.
“No!” Julia’s voice was anguished. “Not in front of all those people.”
“This isn’t about you,” said Tally. “It’s for the king. Say the piece we did in class, about the hunter coming home from the hill.”
Julia looked around the circle of children waiting in silence.
“Please,” said Tally.
Julia did not fold her hands or step forward. She only lifted her head and began to speak the words that Robert Louis Stevenson had written for a much-loved friend. The poem that began:
Under the wide and starry sky
Dig the grave and let me lie,
No one needed to know English to understand what she said. Julia’s voice did it all.
When she had finished there was complete silence. Then suddenly a tall boy in a tunic and leather boots began to click his fingers. A second boy joined in—and a row of boys formed, resting their arms on each other’s shoulders. Music came now from an accordion and a drum, and now the girls broke ranks and twirled in and out of the men. This was not national dancing now; it was dancing that broke all the barriers. It was dancing for everybody who had ever sorrowed and lost somebody they loved.
“Now,” whispered Tally—and Borro picked up his bundle, ready to run for the gate.
And then everything changed.
They heard the roar of motorcycles coming up the path behind them, and three men in police uniforms dismounted. They were part of the new force recruited in readiness for the takeover.
“What’s going on here, then?” said the tallest. “You’re not supposed to be out.”
“There’s a curfew,” said the second man. “You’re breaking the law.”
The children clustered around. In a babble of languages they explained what they were doing.
“We are honoring the king.”
“We are performing a funeral dance.”
“It is what we do in our country.”
The policemen, if they understood what was being said, took no notice.
“You must stop this nonsense now, at once, and go back to your campsite or you’ll be in serious trouble.”
The tallest of the policemen lifted his billy club. “Let’s get going,” he ordered threateningly.
There was nothing to do but obey. As slowly as they dared, the children began to walk down the hill. But the Deldertonians had not started to move yet; they lingered still near the gate but how long could they hang back? One of the policemen was making his way toward them.
And then suddenly a truly terrible scream came from the front of the procession and everybody stopped. A second scream followed, more dreadful than the first, and two little girls could be seen rolling over and over each other, pounding each other with their fists. A third joined in; they were the smallest and frailest of the dancers, wearing flounced petticoats with ribbons in their hair, but now they fought and clawed and kicked like maniacs.
The scuffle turned into a fight and spread. Two tall youths in crimson sashes attacked each other with the flags they carried. These children, who had lived together in harmony ever since they came, were shouting appalling abuse at each other.
“You’re a garlic-eating peasant!”
“Everybody knows that in your country they cook babies and turn them into soup!”
“You’re nothing but a fascist beast!”
And all the time the fighting got worse—two boys were pounding each other with their fists. Another came up behind a youth and wrestled him to the ground.
“Look out, he’s got a knife,” shouted a girl, her face contorted with fear.
There were cries of “She’s bleeding!” and “Oh help, help—he’s coming for me!”
The policemen abandoned the loitering Deldertonians and ran downhill toward the disturbance. It was only what they had expected—that these unruly foreigners would start attacking each other. They waded into the middle of the fight, taking the youths by the scruff of the neck, pulling the little girls apart.
Musical instruments were tossed aside, the furry horn let out a frightful cry as they stepped on it with their heavy boots. As soon as they had quieted one group of children, a scuffle broke out somewhere else.
No one took any notice of the children left on the meadow at the top. No one saw a boy run into the forest with a bundle of clothes under his arm, or another boy come out and join the dancers.
It took a long time to control the fighting. Dusk had set in by the time everything was quiet.
“If there’s any more fuss you’ll be locked up,” threatened the policemen.
The children obeyed. They knew that their diversion had worked; Karil had had time to join the Deldertonians, and they marched proudly down the hill and into their tents.
And Karil, on the day his father died, somehow managed to march with them.
Matteo watched till they had gone. Then he slipped through the trees and made his way toward the back entrance of the palace. There were things he wanted to know before he left Bergania on the following day.
It was after midnight when he returned. Karil was lying in a sleeping bag in the boys’ tent. Tod lay beside him wrapped in an old blanket; he had insisted on giving his sleeping bag to the prince.
Karil was sobbing, trying to stifle the sound he made, and Matteo was relieved. The boy’s silent grief had been dangerous. He slipped off his shoes and lay down across the entrance to the tent, but he made no attempt to comfort him. A whole ocean of tears would not be enough to wash away what the boy had endured that day.
CHAPTER TWENTY
Good-bye, Bergania
They packed up before daybreak.
The children dressed in silence—they had decided the night before that they would travel in their dancing clothes; the hats festooned with ivy gave some measure of disguise. If they looked mad and disheveled, all the better. They already had a reputation for being the sort of people it was best to keep away from, and they meant to keep it like that.
There was time only for Tally to whisper her thanks to the little girls who had started the fight on the hillside and saved the prince. They looked smaller than ever, like sleepy butterflies in their flounced dresses, and it was hard to believe that they could have screamed so loudly.
Then the buses came, and the children piled inside.
They had been afraid of what would happen at the station—there had been no time to buy a ticket for Karil—
but the sudden evacuation had put everything in a state of muddle and confusion. The stationmaster didn’t take tickets or examine passports—his instructions were to get rid of the foreigners as quickly as possible and, along with their friends from the other groups, the Deldertonians were pushed on to the train. Safe in their compartment, they clustered together in as small a space as possible, pushing Karil in between Barney and Tally and making as much mess as they could, spreading out comics, putting their feet on the seats, living up to their reputation as hooligans.
More and more children climbed onto the train, and adults, too—people who were no longer desired by the new order in Bergania. There was an atmosphere of tension and bustle. The contrast with the hope and happiness that had marked their arrival four days ago was heartbreaking.
Matteo, who had been keeping watch in the corridor, let down the window.
“Listen!” he said to Magda, who stood beside him.
Carrying toward them from the mountainside was one of the most dreaded sounds in the world—that of a pack of baying bloodhounds following a scent.
The guard blew his whistle. The train began to move.
On the tower of the palace on the hill the flag was at half mast, but Karil did not turn his head. The vineyards and orchards flashed past as lovely as ever, but there were signs that Bergania was now a threatened land. They could see armored vehicles on the road, and clumps of soldiers.
“You’ll be all right now, you’ll see,” said Tally, putting a hand on Karil’s arm. “In less than two hours we’ll be at the border.”
But before he could answer her, the train plunged into the famously long tunnel.
The sudden darkness sent the boy’s thoughts plunging down. The thunder of the carriages, the bare black wall, forced him into a world without hope. His face, reflected in the sepulchral window, was that of a stricken ghost—and still there was no glimmer of light.