Page 1 of The Chaperone




  The

  CHAPERONE

  ALSO BY LAURA MORIARTY

  The Center of Everything

  The Rest of Her Life

  While I’m Falling

  The

  CHAPERONE

  LAURA MORIARTY

  RIVERHEAD BOOKS

  a member of Penguin Group (USA) Inc.

  New York

  2012

  RIVERHEAD BOOKS

  Published by the Penguin Group

  Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

  Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

  Copyright © 2012 by Laura Moriarty

  All rights reserved. No part of this book may be reproduced, scanned, or distributed

  in any printed or electronic form without permission. Please do not participate

  in or encourage piracy of copyrighted materials in violation of the author’s rights.

  Purchase only authorized editions.

  Published simultaneously in Canada

  Library of Congress Cataloging-in-Publication Data

  Moriarty, Laura, 1970-

  The chaperone / Laura Moriarty.

  p. cm.

  ISBN: 978-1-101-58565-8

  1. Brooks, Louise, 1906—Fiction. 2. Motion picture actors and actresses—Fiction. 3. Middle-aged women—Fiction. 4. New York (N.Y.)—History—1898-1951—Fiction. 5. New York (N.Y.)—Social life and customs—Fiction. I. Title.

  PS3613.O75C47 2012 2011052222

  813’.6—dc23

  Printed in the United States of America

  1 3 5 7 9 10 8 6 4 2

  Book design by Michelle McMillian

  This is a work of fiction.

  While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

  ALWAYS LEARNING

  PEARSON

  Table of Contents

  Part One

  One

  Two

  Three

  Four

  Five

  Six

  Part Two

  Seven

  Eight

  Nine

  Ten

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Part Three

  Eighteen

  Nineteen

  Twenty

  Twenty-one

  Acknowledgments

  PART ONE

  When lovely woman stoops to folly, she can always find someone

  to stoop with her but not always someone to lift her up again

  to the level where she belongs.

  —“MR. GRUNDY” FOR Atlantic Monthly, 1920

  It excited him, too, that many men had already loved Daisy—

  it increased her value in his eyes.

  —F. SCOTT FITZGERALD, The Great Gatsby, 1925

  There is no Garbo! There is no Dietrich! There is only Louise Brooks!

  —HENRI LANGLOIS, 1955

  ONE

  The first time Cora heard the name Louise Brooks, she was parked outside the Wichita Library in a Model-T Ford, waiting for the rain to stop. If Cora had been alone, unencumbered, she might have made a dash across the lawn and up the library’s stone steps, but she and her friend Viola Hammond had spent the morning going door-to-door in their neighborhood, collecting books for the new children’s room, and the considerable fruits of their efforts were safe and dry in four crates in the backseat. The storm, they decided, would be a short one, and they couldn’t risk the books getting wet.

  And really, Cora thought, staring out into the rain, it wasn’t as if she had anything else to do. Her boys were already gone for the summer, both of them working on a farm outside Winfield. In the fall, they would leave for college. Cora was still getting used to the quiet, and also the freedom, of this new era of her life. Now, long after Della left for the day, the house stayed clean, with no muddy footprints on the floor, and no records scattered around the phonograph. There were no squabbles over the car to mediate, no tennis matches at the club to cheer on, and no assigned essays to proofread and commend. The pantry and icebox actually stayed stocked with food without daily trips to the store. Today, with Alan at work, she had no reason to rush home at all.

  “I’m glad we took your car and not ours,” Viola said, adjusting her hat, which was pretty, a puffed turban with an ostrich feather curling down from the crown. “People say closed cars are a luxury, but not on a day like this.”

  Cora gave her what she hoped was a modest smile. Not only was the car covered, it had come with an electric starter. Cranking cars, no business for a lady, was how the ad went, though Alan had admitted he didn’t miss cranking, either.

  Viola turned, eyeing the books in the backseat. “People were generous,” she allowed. Viola was a decade older than Cora, her hair already gray at the temples, and she spoke with the authority of her added years. “Mostly. You notice Myra Brooks didn’t even open her door.”

  Cora hadn’t noticed. She’d been working the other side of the street. “Maybe she wasn’t home.”

  “I heard the piano.” Viola’s eyes slid toward Cora. “She didn’t bother to stop playing when I knocked. I have to say, she’s very good.”

  Lightning shot across the western sky, and though both women flinched, Cora, without thinking, smiled. She’d always loved these late-spring storms. They came on so fast, rolling in from the prairie on expanding columns of clouds, a welcome release from the day’s building heat. An hour before, when Cora and Viola were canvassing, the sun was hot in a blue sky. Now rain fell fast enough to slice green leaves from the big oak outside the library. The lilacs trembled and tossed.

  “Don’t you think she’s a tiresome snob?”

  Cora hesitated. She didn’t like to gossip, but she could hardly count Myra Brooks as a friend. And they’d been to how many suffrage meetings together? Had marched together in the street? Yet if she passed Myra today on Douglas Avenue, Cora wouldn’t get so much as a hello. Still, she never got the feeling that it was snobbery as much as Myra simply not registering her existence, and there was a chance it was nothing personal. Myra Brooks didn’t seem to look at anyone, Cora had noticed, not unless she was the one speaking, watching for the impression she made. And yet, of course, everyone looked at her. She was, perhaps, the most beautiful woman Cora had ever seen in person: she had pale skin, flawless, and large, dark eyes, and then all that thick, dark hair. She was certainly a talented speaker—her voice was never shrill, and her enunciations were clear. But everyone knew it was Myra’s looks that had made her a particularly good spokeswoman for the Movement, a nice antidote to the newspapers’ idea of what a suffragist looked like. And you could tell she
was intelligent, cultured. She was supposed to know everything about music, the works of all the famous composers. She certainly knew how to charm. Once, when she was at the podium, she had looked down at Cora, right into her eyes, and smiled as if they were friends.

  “I don’t really know her,” Cora said. She looked back out through the blurred windshield, at people ducking out from a streetcar, running for cover. Alan had taken a streetcar to work, so she could have the Ford.

  “Then I’ll inform you. Myra Brooks is a tiresome snob.” Viola turned to Cora with a little smile, the ostrich plume grazing her chin. “I’ll give you the latest example: she just sent a note to the secretary of our club. Apparently, Madame Brooks is looking for someone to accompany one of her daughters to New York this summer. The older one, Louise, got into some prestigious dance school there, but she’s only fifteen. Myra actually wants one of us to go with her. For over a month!” Viola seemed pleasantly outraged, her cheeks rosy, her eyes bright. “I mean, really! I don’t know what she’s thinking. That we’re the help? That one of us will be her Irish nanny?” She frowned and shook her head. “Most of us have progressive husbands, but I can’t imagine any one of them would spare a wife for over a month so she could go to New York City, of all places. Myra herself is too busy to go. She has to lie around the house and play the piano.”

  Cora pursed her lips. New York. She felt the old ache right away. “Well. I suppose she has other children to look after.”

  “Oh, she does, but that’s not it. She doesn’t take care of them. They’re motherless, those children. Poor Louise goes to Sunday school by herself. The instructor is Edward Vincent, and he picks her up and takes her home every Sunday. I heard that right from his wife. Myra and Leonard are alleged Presbyterians, but you never see them at church, do you? They’re too sophisticated, you see. They don’t make the other children go, either.”

  “That speaks well of the daughter, that she makes the effort to go on her own.” Cora cocked her head. “I wonder if I’ve ever seen her.”

  “Louise? Oh, you would remember. She doesn’t look like anyone else. Her hair is black like Myra’s, but perfectly straight like an Oriental’s, and she wears it in a Buster Brown.” Viola gestured just below her ears. “She didn’t bob it. She had it cut like that when they moved here years ago. It’s too short and severe, a horrible look, in my opinion, not feminine at all. But even so, I have to say, she’s a very pretty girl. Prettier than her mother.” She smiled, leaning back in her seat. “There’s some justice in that, I think.”

  Cora tried to picture this black-haired girl, more beautiful than her beautiful mother. Her gloved hand moved to the back of her own hair, which was dark, but not remarkably so. It certainly wasn’t perfectly straight, though it looked presentable, she hoped, pinned up under her straw hat. Cora had been told she had a kind, pleasant face, and that she was lucky to have good teeth. But that had never added up to striking beauty. And now she was thirty-six.

  “My own girls are threatening to cut their hair,” Viola said with a sigh. “Foolish. This bobbing business is just a craze. When it’s over, everyone who followed the lemmings over the cliff will need years to grow their hair out. A lot of people won’t hire girls with bobbed hair. I try to warn them, but they won’t listen. They just laugh at me. And they have their own language, their own secret code for them and their friends. Do you know what Ethel called me the other day? She called me a wurp. That’s not a real word. But when I tell them that, they laugh.”

  “They’re just trying to rattle you,” Cora said with a smile. “And I’m sure they won’t really bob their hair.” Really, it seemed unlikely. The magazines were full of short-haired girls, but in Wichita, bobs were still a rarity. “I do think it looks good on some girls,” Cora said shyly. “Short hair, I mean. And it must feel cooler, and lighter. Just think—you could throw all your hairpins away.”

  Viola looked at her, eyebrows raised.

  “Don’t worry. I won’t do it.” Cora again touched the back of her neck. “I might if I were younger.”

  The rain was coming down faster, rapping hard on the roof of the car.

  Viola crossed her arms. “Well, if my girls do cut their hair, I can tell you now, it won’t be so they can throw away hairpins. They’ll do it to be provocative. To look provocative. That’s what passes for fashion these days. That’s what young people are all about now.” She sounded suddenly stricken, more confused than indignant. “I don’t understand it, Cora. I raised them to have propriety. But both of them are suddenly obsessed with showing the world their knees. They roll their skirts up after they leave the house. I can tell by the waistbands. I know they defy me. They roll their stockings down, too.” She gazed out into the rain, lines branching beneath her eyes. “What I don’t know is why, what’s going on in their little heads, why they don’t care about the message they’re sending. When I was young, I never felt the need to show the general public my knees.” She shook her head. “Those two cause me more grief than all four of my boys. I envy you, Cora. You’re lucky to only have sons.”

  Maybe, Cora thought. She did love the very maleness of the twins, their robust health and confidence, their practical taste in clothing, their easy reconciliations after heated quarrels. Earle was smaller and quieter than Howard, but even he seemed capable of forgetting all worries when he held a racquet or a bat. She loved that they had both wanted to work on a farm, seeing it as an adventure in country living and physical labor, though she also worried they had no idea how much labor they’d signed on for. And she knew she had been lucky with her sons, and not just in the way that Viola meant. The Hendersons next door had a son just four years older than the twins, but those few years had made all the difference—Stuart Henderson had been killed in early 1918, fighting in France. Four years later, Cora was still stunned. For her, Stuart Henderson would always be a gangly adolescent, smiling and waving from his bike at her own boys, who were small then, still in short pants. Really, being lucky with sons seemed a matter of timing.

  But whatever Viola said, Cora thought she might have fared just as well with daughters. She would have been good with girls, perhaps, using the right combination of instruction and understanding. Maybe Viola was just going about it the wrong way.

  “I’m telling you, Cora. Something is wrong with this new generation. They don’t care about anything important. When we were young, we wanted the vote. We wanted social reform. Girls today just want to… walk around practically naked so they can be stared at. It’s as if they have no other calling.”

  Cora could hardly disagree. It really was shocking, how much skin girls were showing these days. And she wasn’t some old prude or Mrs. Grundy; she was fairly sure she wasn’t a wurp, though she didn’t know what that meant, either. Cora had been pleased when the hemlines moved up to nine inches from the ankle. Some leg showed, true, but that change seemed sensible: no more skirts trailing in the mud and bringing typhoid or who knows what into the house. And calf length was far preferable to the ridiculous hobble skirts that she herself had stumbled around in, all for the sake of fashion, not so long ago. Still, girls were now sporting skirts so short that their knees showed every time the wind blew, and there was no practical reason for that. Viola was right: a girl who wore a skirt that short just wanted to be looked at, and looked at in that way. Cora had even seen a few women her own age showing their knees, right here in Wichita, and really, in her opinion, these half-naked matrons looked especially vulgar.

  Viola looked at her brightly. “That’s one of the reasons I’m joining the Klan.”

  Cora turned. “What?”

  “The Klan. Ku Klux. They sent a representative to the club last week. I wish you would have been there, Cora. They’re very interested in women joining up, holding positions.”

  “I’m sure they are,” Cora murmured. “We vote.”

  “Don’t be a cynic. They were much more specific than that. They know that there are serious women’s issues at hand, and that
women need to be in the fight.” The ostrich feather bobbed as she spoke. “They’re against all this modernization, all these outside influences on our youth. They’re interested in racial purity, of course, but they’re just as interested in teaching personal purity for young women. We do need to keep our race pure, and Good Lord, we need to keep it going. My brother-in-law says a veritable takeover is coming, and it’s all being planned in the basement of the Vatican. That’s the real reason Catholics have so many children, you know, and meanwhile, our people have one or two or none at…”

  Viola trailed off. She rolled her lips in. It took Cora a moment to understand.

  “I’m sorry,” Viola said. “I didn’t mean you. Your situation is different.”

  Cora waved her off. The twins were what she had. But both she and Viola were silent for a while, and there was only the tapping rain.

  “In any case,” Viola said finally, “I think it would be good for the girls. Good, moral people to mix with.”

  Cora swallowed, feeling short of breath. She had been wearing a corset day in, day out, for so many years that she rarely registered it as a discomfort. It seemed a part of her body. But in moments of distress, such as now, she was aware of her constricted rib cage. She would have to choose her words carefully. She could not come across as personally concerned.

  “I don’t know,” she said, her voice breezy, not betraying her in any way. “Oh, Viola. The Klan? They wear those white gowns, those hoods with the spooky eyeholes.” She fluttered her gloved hands. “And they have wizards and grand wizards, and bonfires.” Even as she smiled, she glanced into Viola’s small blue eyes, analyzing what she saw there. She had to consider her options, her best route to success. Viola was older, but Cora was richer. She would capitalize on that.

  “It just seems a little… common.” She shrugged, apologetic.

  Viola cocked her head. “But lots of people are—”