"Uphill most of the way, you said?"

  "I can always walk." I smoothed a hand along the skinny neck.

  "He's not as much of a wreck as he looks, you know. There's not much wrong that a few good feeds won't put right."

  "Then at least you won't have wasted your money. What are you looking at over that wall?"

  "That's where I used to live."

  We were passing my grandfather's house. It looked very little changed. From the cob's back I could just see over the wall to the terrace where the quince tree grew, its brilliant flame-colored blossoms opening to the morning sun. And there was the garden where Camlach had given me the poisoned apricot. And there the gate where I had run in tears.

  The cob plodded on. Here was the orchard, the apple trees already swelling with buds, the grass springing rough and green round the little terrace where Moravik would sit and spin, while I played at her feet. And here, now, was the place I had jumped over the wall the night I ran away; here was the leaning apple tree where I had left Aster tethered. The wall was broken, and I could see in across the rough grass where I had run that night, from my room where Cerdic's body lay on its funeral pyre. I pulled the cob to a halt and craned to see further. I must have made a clean sweep that night: the buildings were all gone, my room, and along with it two sides of the outer court. The stables, I saw, were still the same; the fire had not reached them, then. The two sides of the colonnade that had been destroyed had been rebuilt in a modern style that seemed to bear no relation to the rest, big rough stones and crude building, square pillars holding up a timber roof, and square, deep windows. It was ugly, and looked comfortless; its only virtue would be that it was weatherproof. You might as well, I thought, settling back in the saddle and putting the cob in motion, live in a cave...

  "What are you grinning at?" asked Cadal.

  "Only at how Roman I've become. It's funny, my home isn't here any more. And to be honest I don't think it's in Less Britain either."

  "Where, then?"

  "I don't know. Where the Count is, that's for sure. That will be this sort of place, I suppose, for some time to come." I nodded towards the walls of the old Roman barracks behind the palace. They were in ruins, and the place was deserted. So much the better, I thought; at least it didn't look as if Ambrosius would have to fight for it. Give Uther twenty-four hours, and the place would be as good as new. And here was St. Peter's, apparently untouched, showing no sign either of fire or spear. "You know something?" I said to Cadal, as we left the shadow of the nunnery wall and headed along the path towards the mill. "I suppose if I have anywhere I can call a home, it's the cave of Galapas."

  "Doesn't sound all that Roman to me," said Cadal. "Give me a good tavern any day and a decent bed and some mutton to eat, and you can keep all the caves there are."

  Even with this sorry horse, the way seemed shorter than I remembered it. Soon we had reached the mill, and turned up across the road and into the valley. Time fell away. It seemed only yesterday that I had come up this same valley in the sunshine, with the wind stirring Aster's grey mane. Not even Aster's -- for there under the same thorn tree was surely the same half-wit boy watching the same sheep as on my very first ride. As we reached the fork in the path, I found myself watching for the ring-dove. But the hillside was still, except for the rabbits scattering among the young bracken.

  Whether the cob sensed the end of his journey, or whether he merely liked the feel of grass under his feet and a light weight on his back, he seemed to quicken his step. Ahead of me now I could see the shoulder of the hill beyond which lay the cave.

  I drew rein by the hawthorn grove.

  "Here we are. It's up there, above the cliff." I slipped out of the saddle and handed the reins to Cadal. "Stay here and wait for me. You can come up in an hour." I added, on an afterthought: "And don't be alarmed if you see what you think is smoke. It's the bats coming out of the cave."

  I had almost forgotten Cadal's sign against the evil eye. He made it now, and I laughed and left him.

  3

  Before I had climbed round the little crag to the lawn in front of the cave, I knew.

  Call it foresight; there was no sign. Silence, of course, but then there usually had been silence as I approached the cave. This silence was different. It was only after some moments that I realized what it was. I could no longer hear the trickle of the spring.

  I mounted to the top of the path, came out on the sward, and saw. There was no need to go into the cave to know that he was not there, and never would be again.

  On the flat grass in front of the cave-mouth was a scatter of debris. I went closer to look.

  It had been done not so very long ago. There had been a fire here, a fire quenched by rain before everything could properly be destroyed. There was a pile of sodden rubbish -- half-charred wood, rags, parchment gone again to pulp but with the blackened edges still showing. I turned the nearest piece of scorched wood over with my foot; from the carving on it I knew what it was; the chest that had held his books. And the parchment was all that remained of the books themselves.

  I suppose there was other stuff of his among the wreck of rubbish. I didn't look further. If the books had gone, I knew everything else would have gone too. And Galapas with them.

  I went slowly towards the mouth of the cave. I paused by the spring. I could see why there had been no sound; someone had filled in the basin with stones and earth and more wreckage thrown out of the cave. Through it all the water welled still, sluggishly, oozing in silence over the stone lip and down to make a muddy morass of the turf. I thought I could see the skeleton of a bat, picked clean by the water.

  Strangely enough, the torch was still on the ledge high beside the mouth of the cave, and it was dry. There was no flint or iron, but I made fire and, holding the torch before me, went slowly inside.

  I think my flesh was shivering, as if a cold wind blew out of the cave and went by me. I knew already what I should find.

  The place was stripped. Everything had been thrown out to burn. Everything, that is, except the bronze mirror. This, of course, would not burn, and I suppose it had been too heavy to be looted. It had been wrenched from the wall and stood propped against the side of the cave, tilted at a drunken angle. Nothing else. Not even a stir and whisper from the bats in the roof. The place echoed with emptiness.

  I lifted the torch high and looked up towards the crystal cave. It was not there.

  I believe that for a couple of pulses of the torchlight I thought he had managed to conceal the inner cave, and was in hiding. Then I saw.

  The gap into the crystal cave was still there, but chance, call it what you will, had rendered it invisible except to those who knew. The bronze mirror had fallen so that, instead of directing light towards the gap, it directed darkness. Its light was beamed and concentrated on a projection of rock which cast, clear across the mouth of the crystal cave, a black wedge of shadow. To anyone intent only on the pillage and destruction in the cave below, the gap would be hardly visible at all.

  "Galapas!" I said, trying it out on the emptiness. "Galapas?"

  There was the faintest of whispers from the crystal cave, a ghostly sweet humming like the music I had once listened for in the night. Nothing human; I had not expected it. But still I climbed up to the ledge, knelt down and peered in.

  The torchlight caught the crystals, and threw the shadow of my harp, trembling, clear round the lighted globe. The harp stood, undamaged, in the center of the cave. Nothing else, except the whisper dying round the glittering walls. There must be visions there, in the flash and counterflash of light, but I knew I would not be open to them. I put a hand down to the rock and vaulted, torch streaming, back to the floor of the cave. As I passed the tilted mirror I caught a glimpse of a tall youth running in a swirl of flame and smoke. His face looked pale, the eyes black and enormous. I ran out on to the grass. I had forgotten the torch, which flamed and streamed behind me. I ran to the edge of the cliff, and cupped a hand to my mo
uth to call Cadal, but then a sound from behind me made me whip round and look upwards.

  It was a very normal sound. A pair of ravens and a carrion crow had risen from the hill, and were scolding at me.

  Slowly this time, I climbed the path that led up past the spring and out on the hillside above the cave. The ravens went higher, barking. Two more crows made off low across the young bracken. There was a couple still busy on something lying among the flowering blackthorn.

  I whirled the torch and flung it streaming to scatter them. Then I ran forward.

  There was no telling how long he had been dead. The bones were picked almost clean. But I knew him by the discolored brown rags that flapped under the skeleton, and the one old broken sandal which lay flung nearby among the April daisies. One of the hands had fallen from the wrist, and the clean, brittle bones lay near my foot. I could see where the little finger had been broken, and had set again, crookedly. Already through the bare rib-cage the April grass was springing. The air blew clean and sunlit, smelling of flowering gorse.

  The torch had been stubbed out in the fresh grass. I stooped and picked it up. I should not have thrown it at them, I thought. His birds had given him a seemly way-going.

  A step behind me brought me round, but it was only Cadal.

  "I saw the birds go up," he said. He was looking down at the thing under the blackthorn bushes. "Galapas?"

  I nodded.

  "I saw the mess down by the cave. I guessed."

  "I hadn't realized I had been here so long."

  "Leave this to me." He was stooping already. "I'll get him buried. Go you and wait down where we left the horse. I can maybe find some sort of tool down yonder, or I could come back --"

  "No. Let him lie in peace under the thorn. We'll build the hill over him and let it take him in. We do this together, Cadal."

  There were stones in plenty to pile over him for a barrow, and we cut sods with our daggers to turf it over. By the end of summer the bracken and foxgloves and young grasses would have grown right over and shrouded him. So we left him.

  As we went downhill again past the cave I thought of the last time I had gone this way. I had been weeping then, I remembered, for Cerdic's death, for my mother's loss and Galapas', for who knew what foreknowledge of the future? You will see me again, he had said, I promise you that. Well, I had seen him. And someday, no doubt, his other promise would come true in its own fashion.

  I shivered, caught Cadal's quick look, and spoke curtly. "I hope you had the sense to bring a flask with you. I need a drink."

  4

  Cadal had brought more than a flask with him, he had brought food -- salt mutton and bread, and last season's olives in a bottle with their own oil. We sat in the lee of the wood and ate, while the cob grazed near us, and below in the distance the placid curves of the river glimmered through the April green of the fields and the young wooded hills. The mist had cleared, and it was a beautiful day.

  "Well," said Cadal at length, "what's to do?"

  "We go to see my mother. If she's still there, of course." Then, with a savagery that broke through me so suddenly that I had hardly known it was there: "By Mithras, I'd give a lot to know who did that up yonder!"

  "Why, who could it be except Vortigern?"

  "Vortimer, Pascentius, anyone. When a man's wise and gentle and good," I added bitterly, "it seems to me that any man's, every man's hand is against him. Galapas could have been murdered by an outlaw for food, or a herdsman for shelter, or a passing soldier for a drink of water."

  "That was no murder."

  "What, then?"

  "I meant, that was done by more than one. Men in a pack are worse than lone ones. At a guess, it was Vortigern's men, on their way up from the town."

  "You're probably right. I shall find out."

  "You think you'll get to see your mother?"

  "I can try."

  "Did he -- have you any messages for her?" It was, I suppose, the measure of my relationship with Cadal that he dared to ask the question.

  I answered him quite simply. "If you mean did Ambrosius ask me to tell her anything, no. He left it to me. What I do tell her depends entirely on what's happened since I left. I'll talk to her first, and judge how much to tell her after that. Don't forget, I haven't seen her for a long time, and people change. I mean, their loyalties change. Look at mine. When I last saw her I was only a child, and I have only a child's memories -- for all I know I misunderstood her utterly, the way she thought and the things she wanted. Her loyalties may lie elsewhere -- not just the Church, but the way she feels about Ambrosius. The gods know there'd be no blame to her if she had changed. She owed Ambrosius nothing. She took good care of that."

  He said thoughtfully, his eyes on the green distance threaded by the glinting river: "The nunnery hadn't been touched."

  "Exactly. Whatever had happened to the rest of the town, Vortigern had let St. Peter's be. So you see I've to find out who is in which camp before I give any messages. What she hasn't known about for all these years, it won't hurt her to go on not knowing for as many more days. Whatever happens, with Ambrosius coming so soon, I mustn't take the risk of telling her too much."

  He began to pack away the remains of the meal while I sat, chin on hand, thinking, my eyes on the bright distance.

  I added, slowly: "It's simple enough to find out where Vortigern is now, and if Hengist's landed already, and with how many men. Marric will probably find out without too much trouble. But there were other soundings the Count wanted me to take -- things they'll hardly know about in the nunnery -- so now that Galapas is dead, I'll have to try elsewhere. We'll wait here till dusk, then go down to St. Peter's. My mother will be able to tell me who I can still go to in safety." I looked at him. "Whatever king she favors, she's not likely to give me away."

  "That's true enough. Well, let's hope they'll let her see you."

  "If she knows who's asking for her, I imagine it will take more than a word from the Abbess to stop her from seeing me. Don't forget she's still a king's daughter." I lay back on the warm grass, my hands behind my head. "Even if I'm not yet a king's son..."

  But, king's son or no, there was no getting into the nunnery.

  I had been right in thinking there had been no damage done here. The high walls loomed unbroken and unscarred, and the gates were new and solid, of oak hinged and bolted with iron. They were fast shut. Nor -- mercifully -- did any welcoming torch burn outside. The narrow street was empty and unlit in the early dusk. At our urgent summons a small square window in the gate opened, and an eye was applied to the grille.

  "Travelers from Cornwall," I said softly. "I must have word with the Lady Niniane."

  "The Lady who?" It was the flat, toneless voice of the deaf. Wondering irritably why a deaf portress should be put at the gate, I raised my voice a little, going closer to the grille.

  "The Lady Niniane. I don't know what she calls herself now, but she was sister of the late King. Is she with you still?"

  "Aye, but she'll see nobody. Is it a letter you have? She can read."

  "No, I must have speech with her. Go and take word to her; tell her it's -- one of her family."

  "Her family?" I thought I saw a flicker of interest in the eyes.

  "They're most of them dead and gone. Do you not get news in Cornwall? Her brother the King died in battle last year, and the children have gone to Vortigern. Her own son's been dead these five years."

  "I knew that. I'm not her brother's family. And I'm as loyal as she is to the High King. Go and tell her that. And look -- take this for your...devotions."

  A pouch passed through the grille and was grabbed in a quick monkey-snatch. "I'll take a message for you. Give me your name. I don't say she'll see you, mind, but I'll take her your name."

  "My name's Emrys." I hesitated. "She knew me once. Tell her that. And hurry. We'll wait here."

  It was barely ten minutes before I heard the steps coming back. For a moment I thought it might be my mother, but i
t was the same old eyes that peered at me through the grille, the same clawed hand laying hold of the bars. "She'll see you. Oh no, not now, young master. You can't come in. Nor she can't come out yet, not till prayers is over. Then she'll meet you on the river walk, she says; there's another gate in the wall there. But not to let anyone see you."

  "Very well. We'll be careful."

  I could see the whites of the eyes turning, as she tried to see me in the shadows. "Knew you, she did, straight away. Emrys, eh? Well, don't worry that I'll say aught. These be troubled times, and the least said the better, no matter what about."

  "What time?"

  "An hour after moonrise. You'll hear the bell."

  "I'll be there," I said, but the grille was already shut.

  There was a mist rising again from the river. This would help, I thought. We went quietly down the lane which skirted the nunnery walls. It led away from the streets, down towards the towpath.

  "What now?" asked Cadal. "It's two hours yet till moonrise, and by the look of the night we'll be lucky if we ever see a moon at all. You'll not risk going into the town?"

  "No. But there's no sense in waiting about in this drizzle. We'll find a place out of the wet where we can hear the bell. This way."

  The stableyard gate was locked. I wasted no time on it, but led the way to the orchard wall. No lights showed in the palace. We scrambled over where the wall was broken, and walked up through the damp grass of the orchard and into my grandfather's garden. The air was heavy with the smell of damp earth and growing things, mint and sweetbriar and moss and young leaves heavy with wet. Last year's ungathered fruit squelched under our feet. Behind us the gate creaked, emptily.

  The colonnades were empty, the doors shut, the shutters fastened close over the windows. The place was all darkness and echoes and the scuttle of rats. But there was no damage that I could see. I suppose that, when Vortigern took the town, he had meant to keep the house for himself, and had somehow persuaded or forced his Saxons to bypass it in their looting as -- from fear of the bishops -- he had forced them to bypass St. Peter's. So much the better for us. We should at least have a dry and comfortable wait. My time with Tremorinus had been wasted indeed if I could not have picked every lock in the place.