onlookers warned him to go easy. His face purpled with anger, and
   his blows became savage. But Billy went on, tap, tap, tap,
   calmly, gently, imperturbably. The Iron Man lost control, and
   rushed and plunged, delivering great swings and upper-cuts of
   man-killing quality. Billy ducked, side-stepped, blocked,
   stalled, and escaped all damage. In the clinches, which were
   unavoidable, he locked the Iron Man's arms, and in the clinches
   the Iron Man invariably laughed and apologized, only to lose his
   head with the first tap the instant they separated and be more
   infuriated than ever.
   And when it was over and Billy's identity had been divulged, the
   Iron Man accepted the joke on himself with the best of humor. It
   had been a splendid exhibition on Billy's part. His mastery of
   the sport, coupled with his self-control, had most favorably
   impressed the crowd, and Saxon, very proud of her man boy, could
   not but see the admiration all had for him.
   Nor did she prove in any way a social failure. When the tired and
   sweating players lay down in the dry sand to cool off, she was
   persuaded into accompanying their nonsense songs with the
   ukulele. Nor was it long, catching their spirit, ere she was
   singing to them and teaching them quaint songs of early days
   which she had herself learned as a little girl from Cady--Cady,
   the saloonkeeper, pioneer, and ax-cavalryman, who had been a
   bull-whacker on the Salt Intake Trail in the days before the
   railroad.
   One song which became an immediate favorite was:
   "Oh! times on Bitter Creek, they never can be beat,
   Root hog or die is on every wagon sheet;
   The sand within your throat, the dust within your eye,
   Bend your back and stand it--root hog or die."
   After the dozen verses of "Root Hog or Die," Mark Hall claimed
   to be especially infatuated with:
   "Obadier, he dreampt a dream,
   Dreampt he was drivin' a ten-mule team,
   But when he woke he heaved a sigh,
   The lead-mule kicked e-o-wt the swing-mule's eye."
   It was Mark Hall who brought up the matter of Billy's challenge
   to race out the south wall of the cove, though he referred to the
   test as lying somewhere in the future. Billy surprised him by
   saying he was ready at any time. Forthwith the crowd clamored for
   the race. Hall offered to bet on himself, but there were no
   takers. He offered two to one to Jim Hazard, who shook his head
   and said he would accept three to one as a sporting proposition.
   Billy heard and gritted his teeth.
   "I'll take you for five dollars," he said to Hall, "but not at
   those odds. I'll back myself even."
   "It isn't your money I want; it's Hazard's," Hall demurred.
   "Though I'll give either of you three to one."
   "Even or nothing," Billy held out obstinately.
   Hall finally closed both bets--even with Billy, and three to one
   with Hazard.
   The path along the knife-edge was so narrow that it was
   impossible for runners to pass each other, so it was arranged to
   time the men, Hall to go first and Billy to follow after an
   interval of half a minute.
   Hall toed the mark and at the word was off with the form of a
   sprinter. Saxon's heart sank. She knew Billy had never crossed
   the stretch of sand at that speed. Billy darted forward thirty
   seconds later, and reached the foot of the rock when Hall was
   half way up. When both were on top and racing from notch to
   notch, the Iron Man announced that they had scaled the wall in
   the same time to a second.
   "My money still looks good," Hazard remarked, "though I hope
   neither of them breaks a neck. I wouldn't take that run that way
   for all the gold that would fill the cove."
   "But you'll take bigger chances swimming in a storm on Carmel
   Beach," his wife chided.
   "Oh, I don't know," he retorted. "You haven't so far to fall when
   swimming."
   Billy and Hall had disappeared and were making the circle around
   the end. Those on the beach were certain that the poet had gained
   in the dizzy spurts of flight along the knife-edge. Even Hazard
   admitted it.
   "What price for my money now?" he cried excitedly, dancing up and
   down.
   Hall had reappeared, the great jump accomplished, and was running
   shoreward. But there was no gap. Billy was on his heels, and on
   his heels he stayed, in to shore, down the wall, and to the mark
   on the beach. Billy had won by half a minute.
   "Only by the watch," he panted. "Hall was over half a minute
   ahead of me out to the end. I'm not slower than I thought, but
   he's faster. He's a wooz of a sprinter. He could beat me ten
   times outa ten, except for accident. He was hung up at the jump
   by a big sea. That's where I caught 'm. I jumped right after 'm
   on the same sea, then he set the pace home, and all I had to do
   was take it."
   "That's all right," said Hall. "You did better than beat me.
   That's the first time in the history of Bierce's Cove that two
   men made that jump on the same sea. And all the risk was yours,
   coming last."
   "It was a fluke," Billy insisted.
   And at that point Saxon settled the dispute of modesty and raised
   a general laugh by rippling chords on the ukulele and parodying
   an old hymn in negro minstrel fashion:
   "De Lawd move in er mischievous way
   His blunders to perform."
   In the afternoon Jim Hazard and Hall dived into the breakers and
   swam to the outlying rocks, routing the protesting sea-lions and
   taking possession of their surf-battered stronghold. Billy
   followed the swimmers with his eyes, yearning after them so
   undisguisedly that Mrs. Hazard said to him:
   "Why don't you stop in Carmel this winter? Jim will teach you all
   he knows about the surf. And he's wild to box with you. He works
   long hours at his desk, and he really needs exercise."
   Not until sunset did the merry crowd carry their pots and pans
   and trove of mussels up to the road and depart. Saxon and Billy
   watched them disappear, on horses and behind horses, over the top
   of the first hill, and then descended hand in hand through the
   thicket to the camp. Billy threw himself on the sand and
   stretched out.
   "I don't know when I've been so tired," he yawned. "An' there's
   one thing sure: I never had such a day. It's worth livin' twenty
   years for an' then some."
   He reached out his hand to Saxon, who lay beside him.
   "And, oh, I was so proud of you, Billy," she said. "I never saw
   you box before. I didn't know it was like that. The Iron Man was
   at your mercy all the time, and you kept it from being violent or
   terrible. Everybody could look on and enjoy--and they did, too."
   "Huh, I want to say you was goin' some yourself. They just took
   to you. Why, honest to God, Saxon, in the singin' you was the
   whole show, along with the ukulele. All the women liked you, too,
   an' that's what counts."
   It was their first social triumph, and the taste of it was sweet:
   "Mr. Hall said he'd loo 
					     					 			ked up the 'Story of the Files,'" Saxon
   recounted. "And he said mother was a true poet. He said it was
   astonishing the fine stock that had crossed the Plains. He told
   me a lot about those times and the people I didn't know. And he's
   read all about the fight at Little Meadow. He says he's got it in
   a book at home, and if we come back to Carmel he'll show it to
   me."
   "He wants us to come back all right. D'ye know what he said to
   me, Saxon t He gave me a letter to some guy that's down on the
   government land--some poet that's holdin' down a quarter of a
   section--so we'll be able to stop there, which'll come in handy
   if the big rains catch us. An'--Oh! that's what I was drivin' at.
   He said he had a little shack he lived in while the house was
   buildin'. The Iron Man's livin' in it now, but he's goin' away to
   some Catholic college to study to be a priest, an' Hall said the
   shack'd be ours as long as we wanted to use it. An' he said I
   could do what the Iron Man was doin' to make a livin'. Hall was
   kind of bashful when he was offerin' me work. Said it'd be only
   odd jobs, but that we'd make out. I could help'm plant potatoes,
   he said; an' he got half savage when he said I couldn't chop
   wood. That was his job, he said; an' you could see he was
   actually jealous over it."
   "And Mrs. Hall said just about the same to me, Billy. Carmel
   wouldn't be so bad to pass the rainy season in. And then, too,
   you could go swimming with Mr. Hazard."
   "Seems as if we could settle down wherever we've a mind to,"
   Billy assented. "Carmel's the third place now that's offered.
   Well, after this, no man need be afraid of makin' a go in the
   country."
   "No good man," Saxon corrected.
   "I guess you're right." Billy thought for a moment. "Just the
   same a dub, too, has a better chance in the country than in the
   city."
   "Who'd have ever thought that such fine people existed?" Saxon
   pondered. "It's just wonderful, when you come to think of it."
   "It's only what you'd expect from a rich poet that'd trip up a
   foot-racer at an Irish picnic," Billy exposited.
   "The only crowd such a guy'd run with would be like himself, or
   he'd make a crowd that was. I wouldn't wonder that he'd make
   this crowd. Say, he's got some sister, if anybody'd ride up on a
   sea-lion an' ask you. She's got that Indian wrestlin' down pat,
   an' she's built for it. An' say, ain't his wife a beaut?"
   A little longer they lay in the warm sand. It was Billy who broke
   the silence, and what he said seemed to proceed out of profound
   meditation.
   "Say, Saxon, d'ye know I don't care if I never see movie pictures
   again."
   CHAPTER IX
   Saxon and Billy were gone weeks on the trip south, but in the end
   they came back to Carmel. They had stopped with Hafler, the poets
   in the Marble House, which he had built with his own hands. This
   queer dwelling was all in one room, built almost entirely of
   white marble. Hailer cooked, as over a campfire, in the huge
   marble fireplace, which he used in all ways as a kitchen. There
   were divers shelves of books, and the massive furniture he had
   made from redwood, as he had made the shakes for the roof. A
   blanket, stretched across a corner, gave Saxon privacy. The poet
   was on the verge of departing for San Francisco and New York, but
   remained a day over with them to explain the country and run over
   the government land with Billy. Saxon had wanted to go along that
   morning, but Hafler scornfully rejected her, telling her that her
   legs were too short. That night, when the men returned, Billy was
   played out to exhaustion. He frankly acknowledged that Hafler had
   walked him into the ground, and that his tongue had been hanging
   out from the first hour. Hafler estimated that they had covered
   fifty-five miles.
   "But such miles!" Billy enlarged. "Half the time up or down, an'
   'most all the time without trails. An' such a pace. He was dead
   right about your short legs, Saxon. You wouldn't a-lasted the
   first mile. An' such country! We ain't seen anything like it
   yet."
   Hafler left the next day to catch the train at Monterey. He gave
   them the freedom of the Marble House, and told them to stay the
   whole winter if they wanted. Billy elected to loaf around and
   rest up that day. He was stiff and sore. Moreover, he was stunned
   by the exhibition of walking prowess on the part of the poet.
   "Everybody can do something top-notch down in this country," he
   marveled. "Now take that Hafler. He's a bigger man than me, an' a
   heavier. An' weight's against walkin', too. But not with him.
   He's done eighty miles inside twenty-four hours, he told me, an'
   once a hundred an' seventy in three days. Why, he made a show
   outa me. I felt ashamed as a little kid."
   "Remember, Billy," Saxon soothed him, "every man to his own game.
   And down here you're a top-notcher at your own game. There isn't
   one you're not the master of with the gloves."
   "I guess that's right," he conceded. "But just the same it goes
   against the grain to be walked off my legs by a poet--by a poet,
   mind you."
   They spent days in going over the government land, and in the end
   reluctantly decided against taking it up. The redwood canyons and
   great cliffs of the Santa Lucia Mountains fascinated Saxon; but
   she remembered what Hafler had told her of the summer fogs which
   hid the sun sometimes for a week or two at a time, and which
   lingered for months. Then, too, there was no access to market.
   It was many miles to where the nearest wagon road began, at
   Post's, and from there on, past Point Sur to Carmel, it was a
   weary and perilous way. Billy, with his teamster judgment,
   admitted that for heavy hauling it was anything but a picnic.
   There was the quarry of perfect marble on Hafler's quarter
   section. He had said that it would be worth a fortune if near a
   railroad; but, as it was, he'd make them a present of it if they
   wanted it.
   Billy visioned the grassy slopes pastured with his horses and
   cattle, and found it hard to turn his back; but he listened with
   a willing ear to Saxon's argument in favor of a farm-home like
   the one they had seen in the moving pictures in Oakland. Yes, he
   agreed, what they wanted was an all-around farm, and an
   all-around farm they would have if they hiked forty years to find
   it.
   "But it must have redwoods on it," Saxon hastened to stipulate.
   "I've fallen in love with them. And we can get along without fog.
   And there must be good wagon-roads, and a railroad not more than
   a thousand miles away."
   Heavy winter rains held them prisoners for two weeks in the
   Marble House. Saxon browsed among Hafler's books, though most of
   them were depressingly beyond her, while Billy hunted with
   Hafler's guns. But he was a poor shot and a worse hunter. His
   only success was with rabbits, which he managed to kill on
   occasions when they stood still. With the rifle he got nothing,
 
					     					 			   although he fired at half a dozen different deer, and, once, at a
   huge cat-creature with a long tail which he was certain was a
   mountain lion. Despite the way he grumbled at himself, Saxon
   could see the keen joy he was taking. This belated arousal of
   the hunting instinct seemed to make almost another man of him. He
   was out early and late, compassing prodigious climbs and
   tramps--once reaching as far as the gold mines Tom had spoken of,
   and being away two days.
   "Talk about pluggin' away at a job in the city, an' goin' to
   movie' pictures and Sunday picnics for amusement!" he would burst
   out. "I can't see what was eatin' me that I ever put up with such
   truck. Here's where I oughta ben all the time, or some place
   like it."
   He was filled with this new mode of life, and was continually
   recalling old hunting tales of his father and telling them to
   Saxon.
   "Say, I don't get stiffened any more after an all-day tramp," he
   exulted. "I'm broke in. An' some day, if I meet up with that
   Hafler, I'll challenge'm to a tramp that'll break his heart."
   "Foolish boy, always wanting to play everybody's game and beat
   them at it," Saxon laughed delightedly.
   "Aw, I guess you're right," he growled. "Hafler can always
   out-walk me. He's made that way. But some day, just the same, if
   I ever see 'm again, I'll invite 'm to put on the gloves. .  . .
   though I won't be mean enough to make 'm as sore as he made me."
   After they left Post's on the way back to Carmel, the condition
   of the road proved the wisdom of their rejection of the
   government land. They passed a rancher's wagon overturned, a
   second wagon with a broken axle, and the stage a hundred yards
   down the mountainside, where it had fallen, passengers, horses,
   road, and all.
   "I guess they just about quit tryin' to use this road in the
   winter," Billy said. "It's horse-killin' an' man-killin', an' I
   can just see 'm freightin' that marble out over it I don't
   think."
   Settling down at Carmel was an easy matter. The Iron Man had
   already departed to his Catholic college, and the "shack" turned
   out to be a three-roomed house comfortably furnished for
   housekeeping. Hall put Billy to work on the potato patch--a
   matter of three acres which the poet farmed erratically to the
   huge delight of his crowd. He planted at all seasons, and it was
   accepted by the community that what did not rot in the ground was
   evenly divided between the gophers and trespassing cows. A plow
   was borrowed, a team of horses hired, and Billy took hold. Also
   he built a fence around the patch, and after that was set to
   staining the shingled roof of the bungalow. Hall climbed to the
   ridge-pole to repeat his warning that Billy must keep away from
   his wood-pile. One morning Hall came over and watched Billy
   chopping wood for Saxon. The poet looked on covetously as long as
   he could restrain himself.
   "It's plain you don't know how to use an axe," he sneered. "Here,
   let me show you."
   He worked away for an hour, all the while delivering an
   exposition on the art of chopping wood.
   "Here," Billy expostulated at last, taking hold of the axe. "I'll
   have to chop a cord of yours now in order to make this up to
   you."
   Hall surrendered the axe reluctantly.
   "Don't let me catch you around my wood-pile, that's all," he
   threatened. "My wood-pile is my castle, and you've got to
   understand that."
   From a financial standpoint, Saxon and Billy were putting aside
   much money. They paid no rent, their simple living was cheap, and
   Billy had all the work he cared to accept. The various members of
   the crowd seemed in a conspiracy to keep him busy. It was all odd
   jobs, but he preferred it so, for it enabled him to suit his time
   to Jim Hazard's. Each day they boxed and took a long swim through
   the surf. When Hazard finished his morning's writing, he would
   whoop through the pines to Billy, who dropped whatever work he
   was doing. After the swim, they would take a fresh shower at