For a number of years Huxley lived in Italy, where he formed a close relationship with D. H. Lawrence, whose letters he edited in 1933. In 1937, Huxley and his Belgian-born wife, Maria Nys, and their son, Matthew, left Europe to live in Southern California for the rest of his life. Maria Huxley died of cancer in 1955, and the following year Huxley married the Italian violinist and psychotherapist Laura Archera.
In the 1940s and 1950s, Huxley changed direction yet again as he became fascinated by the spiritual life, in particular with the possibility of direct communication between people and the divinity. Huxley read widely in the writings of the mystics and assembled an anthology of mystical writing called The Perennial Philosophy (1945). Around this time he began experimenting with mind-altering drugs like mescaline and LSD, which he came to believe gave users essentially the same experiences that mystics attained through fasting, prayer, and meditation. The Doors of Perception (1954) and Heaven and Hell (1956), Huxley's books about the effects of what he termed psychedelic drugs, became essential texts for the counterculture during the 1960s. Yet Huxley's brother Julian cautions against the image of Aldous as a kind of spiritual godfather to hippies: "One of Aldous's major preoccupations was how to achieve self-transcendence while yet remaining a committed social being--how to escape from the prison bars of self and the pressures of here and now into realms of pure goodness and pure enjoyment."
"'One of Aldous's major preoccupations was how to achieve self-transcendence while yet remaining a committed social being.'"
Huxley pursued his quest for "pure goodness and pure enjoyment" right up to the end of his life on November 22, 1963. Today he is remembered as one of the great explorers of twentieth-century literature, a writer who continually reinvented himself as he pushed his way deeper and deeper into the mysteries of human consciousness.
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About the book
Mind at Large
by Aldous Huxley
Chapter 15 of Island describes Will Faranby's experience with the mind-expanding "moksha-medicine." Here in this excerpt from his classic nonfiction work The Doors of Perception, Aldous Huxley explains his own fascination with psychedelics--and his first experience with the drug mescalin.
IT WAS IN 1886 that the German pharmacologist, Ludwig Lewin, published the first systematic study of the cactus, to which his own name was subsequently given. Anhalonium Lewinii was new to science. To primitive religion and the Indians of Mexico and the American Southwest it was a friend of immemorially long standing. Indeed, it was much more than a friend. In the words of one of the early Spanish visitors to the New World, "they eat a root which they call peyote, and which they venerate as though it were a deity."
Why they should have venerated it as a deity became apparent when such eminent psychologists as Jaensch, Havelock Ellis and Weir Mitchell began their experiments with mescalin, the active principle of peyote. True, they stopped short at a point well this side of idolatry; but all concurred in assigning to mescalin a position among drugs of unique distinction. Administered in suitable doses, it changes the quality of consciousness more profoundly and yet is less toxic than any other substance in the pharmacologist's repertory.
Mescalin research has been going on sporadically ever since the days of Lewin and Havelock Ellis. Chemists have not merely isolated the alkaloid; they have learned how to synthesize it, so that the supply no longer depends on the sparse and intermittent crop of a desert cactus. Alienists have dosed themselves with mescalin in the hope thereby of coming to a better, a first-hand, understanding of their patients' mental processes. Working unfortunately upon too few subjects within too narrow a range of circumstances, psychologists have observed and catalogued some of the drug's more striking effects. Neurologists and physiologists have found out something about the mechanism of its action upon the central nervous system. And at least one professional philosopher has taken mescalin for the light it may throw on such ancient, unsolved riddles as the place of mind in nature and the relationship between brain and consciousness.
There matters rested until, two or three years ago, a new and perhaps highly significant fact was observed. Actually the fact had been staring everyone in the face for several decades; but nobody, as it happened, had noticed it until a young English psychiatrist, at present working in Canada, was struck by the close similarity, in chemical composition, between mescalin and adrenalin. Further research revealed that lysergic acid, an extremely potent hallucinogen derived from ergot, has a structural biochemical relationship to the others. Then came the discovery that adrenochrome, which is a product of the decomposition of adrenalin, can produce many of the symptoms observed in mescalin intoxication. But adrenochrome probably occurs spontaneously in the human body. In other words, each one of us may be capable of manufacturing a chemical, minute doses of which are known to cause profound changes in consciousness. Certain of these changes are similar to those which occur in that most characteristic plague of the twentieth century, schizophrenia. Is the mental disorder due to a chemical disorder? And is the chemical disorder due, in its turn, to psychological distresses affecting the adrenals? It would be rash and premature to affirm it. The most we can say is that some kind of a prima facie case has been made out. Meanwhile the clue is being systematically followed, the sleuths--biochemists, psychiatrists, psychologists--are on the trail.
By a series of, for me, extremely fortunate circumstances I found myself, in the spring of 1953, squarely athwart that trail. One of the sleuths had come on business to California. In spite of seventy years of mescalin research, the psychological material at his disposal was still absurdly inadequate, and he was anxious to add to it. I was on the spot and willing, indeed eager, to be a guinea pig. Thus it came about that, one bright May morning, I swallowed four-tenths of a gram of mescalin dissolved in half a glass of water and sat down to wait for the results....
"One bright May morning, I swallowed four-tenths of a gram of mescalin...and sat down to wait for the results...."
Half an hour after swallowing the drug I became aware of a slow dance of golden lights. A little later there were sumptuous red surfaces swelling and expanding from bright nodes of energy that vibrated with a continuously changing, patterned life. At another time the closing of my eyes revealed a complex of gray structures, within which pale bluish spheres kept emerging into intense solidity and, having emerged, would slide noiselessly upwards, out of sight. But at no time were there faces or forms of men or animals. I saw no landscapes, no enormous spaces, no magical growth and metamorphosis of buildings, nothing remotely like a drama or a parable. The other world to which mescalin admitted me was not the world of visions; it existed out there, in what I could see with my eyes open. The great change was in the realm of objective fact. What had happened to my subjective universe was relatively unimportant.
I took my pill at eleven. An hour and a half later, I was sitting in my study, looking intently at a small glass vase. The vase contained only three flowers--a full-blown Belle of Portugal rose, shell pink with a hint at every petal's base of a hotter, flamier hue; a large magenta and cream-colored carnation; and, pale purple at the end of its broken stalk, the bold heraldic blossom of an iris. Fortuitous and provisional, the little nosegay broke all the rules of traditional good taste. At breakfast that morning I had been struck by the lively dissonance of its colors. But that was no longer the point. I was not looking now at an unusual flower arrangement. I was seeing what Adam had seen on the morning of his creation--the miracle, moment by moment, of naked existence.
"Is it agreeable?" somebody asked. (During this part of the experiment, all conversations were recorded on a dictating machine, and it has been possible for me to refresh my memory of what was said.)
"Neither agreeable nor disagreeable," I answered. "It just is."
Istigkeit--wasn't that the word Meister Eckhart liked to use? "Is-ness." The Being of Platonic philosophy--exce
pt that Plato seems to have made the enormous, the grotesque mistake of separating Being from becoming and identifying it with the mathematical abstraction of the Idea. He could never, poor fellow, have seen a bunch of flowers shining with their own inner light and all but quivering under the pressure of the significance with which they were charged; could never have perceived that what rose and iris and carnation so intensely signified was nothing more, and nothing less, than what they were--a transience that was yet eternal life, a perpetual perishing that was at the same time pure Being, a bundle of minute, unique particulars in which, by some unspeakable and yet self-evident paradox, was to be seen the divine source of all existence.
I continued to look at the flowers, and in their living light I seemed to detect the qualitative equivalent of breathing--but of a breathing without returns to a starting point, with no recurrent ebbs but only a repeated flow from beauty to heightened beauty, from deeper to ever deeper meaning. Words like "grace" and "transfiguration" came to my mind, and this, of course, was what, among other things, they stood for. My eyes traveled from the rose to the carnation, and from that feathery incandescence to the smooth scrolls of sentient amethyst which were the iris. The Beatific Vision, Sat Chit Ananda, Being-Awareness-Bliss--for the first time I understood, not on the verbal level, not by inchoate hints or at a distance, but precisely and completely what those prodigious syllables referred to. And then I remembered a passage I had read in one of Suzuki's essays. "What is the Dharma-Body of the Buddha?" ("The Dharma-Body of the Buddha" is another way of saying Mind, Suchness, the Void, the Godhead.) The question is asked in a Zen monastery by an earnest and bewildered novice. And with the prompt irrelevance of one of the Marx Brothers, the Master answers, "The hedge at the bottom of the garden." "And the man who realizes this truth," the novice dubiously inquires, "what, may I ask, is he?" Groucho gives him a whack over the shoulders with his staff and answers, "A golden-haired lion."
It had been, when I read it, only a vaguely pregnant piece of nonsense. Now it was all as clear as day, as evident as Euclid. Of course the Dharma-Body of the Buddha was the hedge at the bottom of the garden. At the same time, and no less obviously, it was these flowers, it was anything that I--or rather the blessed Not-I, released for a moment from my throttling embrace--cared to look at. The books, for example, with which my study walls were lined. Like the flowers, they glowed, when I looked at them, with brighter colors, a profounder significance. Red books, like rubies; emerald books; books bound in white jade; books of agate; of aquamarine, of yellow topaz; lapis lazuli books whose color was so intense, so intrinsically meaningful, that they seemed to be on the point of leaving the shelves to thrust themselves more insistently on my attention.
"What about spatial relationships?" the investigator inquired, as I was looking at the books.
It was difficult to answer. True, the perspective looked rather odd, and the walls of the room no longer seemed to meet in right angles. But these were not the really important facts. The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as Where?--How far?--How situated in relation to what? In the mescalin experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern. I saw the books, but was not at all concerned with their positions in space. What I noticed, what impressed itself upon my mind was the fact that all of them glowed with living light and that in some the glory was more manifest than in others. In this context position and the three dimensions were beside the point. Not, of course, that the category of space had been abolished. When I got up and walked about, I could do so quite normally, without misjudging the whereabouts of objects. Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.
And along with indifference to space there went an even more complete indifference to time.
"There seems to be plenty of it," was all I would answer, when the investigator asked me to say what I felt about time.
Plenty of it, but exactly how much was entirely irrelevant. I could, of course, have looked at my watch; but my watch, I knew, was in another universe. My actual experience had been, was still, of an indefinite duration or alternatively of a perpetual present made up of one continually changing apocalypse.
"Everything shone with the Inner Light, and was infinite in its significance."
From the books the investigator directed my attention to the furniture. A small typing table stood in the center of the room; beyond it, from my point of view, was a wicker chair and beyond that a desk. The three pieces formed an intricate pattern of horizontals, uprights and diagonals--a pattern all the more interesting for not being interpreted in terms of spatial relationships. Table, chair and desk came together in a composition that was like something by Braque or Juan Gris, a still life recognizably related to the objective world, but rendered without depth, without any attempt at photographic realism. I was looking at my furniture, not as the utilitarian who has to sit on chairs, to write at desks and tables, and not as the cameraman or scientific recorder, but as the pure aesthete whose concern is only with forms and their relationships within the field of vision or the picture space. But as I looked, this purely aesthetic, Cubist's-eye view gave place to what I can only describe as the sacramental vision of reality. I was back where I had been when I was looking at the flowers--back in a world where everything shone with the Inner Light, and was infinite in its significance. The legs, for example, of that chair--how miraculous their tubularity, how supernatural their polished smoothness! I spent several minutes--or was it several centuries?--not merely gazing at those bamboo legs, but actually being them--or rather being myself in them; or, to be still more accurate (for "I" was not involved in the case, nor in a certain sense were "they") being my Not-self in the Not-self which was the chair.
"Each one of us is potentially Mind at Large."
Reflecting on my experience, I find myself agreeing with the eminent Cambridge philosopher, Dr. C. D. Broad, "that we should do well to consider much more seriously than we have hitherto been inclined to do the type of theory which Bergson put forward in connection with memory and sense perception. The suggestion is that the function of the brain and nervous system and sense organs is in the main eliminative and not productive. Each person is at each moment capable of remembering all that has ever happened to him and of perceiving everything that is happening everywhere in the universe. The function of the brain and nervous system is to protect us from being overwhelmed and confused by this mass of largely useless and irrelevant knowledge, by shutting out most of what we should otherwise perceive or remember at any moment, and leaving only that very small and special selection which is likely to be practically useful." According to such a theory, each one of us is potentially Mind at Large. But in so far as we are animals, our business is at all costs to survive. To make biological survival possible, Mind at Large has to be funneled through the reducing valve of the brain and nervous system. What comes out at the other end is a measly trickle of the kind of consciousness which will help us to stay alive on the surface of this particular planet.
Excerpted from The Doors of Perception by Aldous Huxley. Reprinted with permission.
Read on
The Complete Aldous Huxley Bibliography
Dates are the year of first publication.
The Burning Wheel 1916
Jonah 1917
The Defeat of Youth and Other Poems 1918
Leda 1920
Limbo: Notes and Essays 1920
Crome Yellow 1921
Mortal Coils: Five Stories 1922
On the Margin 1923
Antic Hay 1923
Little Mexican
1924
Those Barren Leaves 1925
Along the Road: Notes and Essays 1925
Two or Three Graces: Four Stories 1926
Jesting Pilate: An Intellectual Holiday (The Diary of a Journey) 1926
Essays Old and New 1926
Proper Studies 1927
Point Counter Point 1928
Do What You Will: Essays 1929
Brief Candles 1930
Vulgarity in Literature and Other Essays: Digressions from a Theme 1930
The World of Light 1931
The Cicadas and Other Poems 1931
Music at Night and Other Essays 1931
Brave New World 1932
Texts and Pretexts: An Anthology of Commentaries 1932
Beyond the Mexique Bay 1934
Eyeless in Gaza 1936
The Olive Tree and Other Essays 1936
What Are You Going to Do About It?: The Case for Constructive Peace 1936
Ends and Means: An Enquiry into the Nature of Ideals and into the Methods Employed for Their Realization 1937
After Many a Summer Dies the Swan 1939
Gray Eminence: A Study in Religion and Politics 1941
The Art of Seeing 1942
Time Must Have a Stop 1944
The Perennial Philosophy 1946
Science, Liberty and Peace 1946
Ape and Essence 1948
The Gioconda Smile 1948
Themes and Variations 1950
The Devils of Loudun 1952
The Doors of Perception 1954
The Genius and the Goddess 1955
Heaven and Hell 1956
Tomorrow and Tomorrow and Tomorrow 1956
Brave New World Revisited 1958
Island 1962
Literature and Science 1963
Have You Read?
More by Aldous Huxley
THE DOORS OF PERCEPTION
AND HEAVEN AND HELL
Two classic complete books in which Huxley explores, as only he can, the mind's remote frontiers and the unmapped areas of human consciousness. These two books became essential for the counterculture during the 1960s and influenced a generation's perception of life.