(art	by	Maarta	Laiho)
   LAURENCE	HAD	ALWAYS	resolutely	refused	to	express	a	preference	for	any	particular	familiar;	when other	 mages	 of	 the	 Corps	 had	 spoken	 aloud	 of	 their	 hopes	 for	 great	 cats	 or	 gyrfalcons,	 he	 had	 kept	 his peace,	 and	 when	 pressed	 had	 only	 said	 he	 should	 be	 content	 with	 any	 beast	 that	 chose	 him.	 He	 did	 not intend	 to	 be	 discontented,	 or	 ever	 make	 his	 companion	 feel	 the	 lesser,	 if	 only	 the	 far	 more	 usual	 rat	 or crow	made	its	appearance	after	the	summoning	ritual.
   However,	he	felt	now	justified	in	a	 little	 dismay.	Where	was	he	to	keep	a	fully	grown	dragon?
   (art	by	Maria	Nagy)
   (An	excerpt	from	a	letter	written	by	Matteo	Ricci,	February	1583)
   THEY	POSSESS	AN	extraordinary	number	of	dragons,	who	are	housed	at	night	within	the	very	precincts of	every	town	and	city,	in	large	temples	which	are	turned	to	the	business	of	the	state	during	the	day,	and where	high-ranking	officials	receive	petitions	and	give	judgements	while	the	beasts	are	out.	A	few	either from	age	or	ill-health	remain	sleeping	in	the	corners,	but	no	person	shows	any	fear	or	concern	about	their presence,	 and	 so	 well-trained	 and	 docile	 are	 these	 creatures	 that	 they	 never	 offer	 harm	 to	 any	 person.
   Indeed	some	dragons	are	venerated	almost	as	highly	as	their	rulers…
   (art	by	Michelle	Brenner)
   BENJAMIN	FRANKLIN'S	FAMOUS	cartoon	was	published	in	1754	on	the	eve	of	the	outbreak	of	the
   Seven	Years’	War	in	North	America	to	urge	closer	bonds	among	the	British	colonies,	represented	by	the divided	segments	of	the	body,	and	their	closest	Indian	allies,	represented	by	the	two	sections	marked	with wings	 and	 draconic	 head,	 indicating	 the	 Iroquois	 connected	 to	 New	 York,	 and	 the	 Wampanoag	 and Narragansett	 and	 other	 Algonquian-speaking	 tribes	 to	 New	 England.	 It	 and	 Franklin’s	 accompanying editorial	were	among	the	earliest	arguments	for	the	forging	of	a	unified	identity	among	colonies	and	tribes formerly	disposed	to	consider	themselves	rivals…
   (art	by	Nickol	Martin)
   KULINGILE	 PRIVATELY	 COULD	 not	 understand	 what	 so	 distressed	 Maximus,	 and	 some	 of	 the	 other heavy-weights,	about	him.	He	remembered	himself	as	small	and	ungainly	and	sure	to	die;	that	was	what everyone	had	said.	“They	will	not	be	unkind	to	you,”	Demane	said	fiercely,	when	Kulingile	ventured	to say	something,	after	they	had	been	in	camp	in	Portugal	a	week.	“If	they	are,	you	will	tell	me,	and	we	will soon	set	them	straight.”
   “No	one	is	 unkind,”	 Kulingile	 said,	 warmed	 through	 again.	 He	 did	 not	 care	 if	 anyone	 did	 not	 like him.	No	one	had	before,	either:	except	Demane.
   (art	by	Sam	Pipes)
   TEMERAIRE	WAS	A	good	old	egg,	Maximus	thought	affectionately,	as	he	padded	back	to	his	covert	with his	belly	full,	ears	pricked	and	careful	as	he	put	down	each	foot.	There	were	no	squeaks	of	dismay	from underfoot:	he	 did	 like	 getting	 up	 and	 having	 his	 breakfast	 before	 the	 crowds	 were	 awake	 and	 scurrying about.	Berkley	was	still	snoring	loudly	in	his	cottage,	a	pleasant	comfortable	noise,	and	the	ground-crew had	not	begun	stirring.	Maximus	yawned	himself	and	lay	down	in	the	large	red-painted	circle	where	the crew	knew	not	to	go,	so	he	would	not	squash	them	by	accident.
   (art	by	Sarah	Arcand)
   THE	JUBILEE	PROCESSION	wound	away	from	the	cathedral	and	through	the	streets	back	towards	the
   palace:	 the	 marching	 troops,	 the	 great	 open	 carriage	 in	 front	 drawn	 by	 eight	 horses,	 and	 behind	 it	 the queen’s	dragon	Gloriana	with	her	head	craned	proudly	upon	her	neck,	leading	five	dragons	trailing	away in	size	behind	her.	Temeraire	could	not	help	but	be	pleased	with	the	splendid	display:	a	riot	of	color	and glory;	 and	 better	 still,	 the	 road	 they	 followed	 was	 wide	 enough	 for	 dragons.	 But	 the	 ceremony	 over,	 he took	wing	to	be	alone,	and	think	of	what	Laurence	would	have	said.
   (art	by	Slate)
   THE	NOISE	WAS	a	peculiar	one,	and	Laurence	did	not	know	what	to	make	of	it;	he	had	never	heard
   Temeraire	make	it	before—a	sort	of	humming	resonance,	accompanied	with	a	regular	stamping	that	made the	earth	shiver.	“Temeraire?”	he	called,	doubtfully,	and	pushed	aside	the	underbrush	and	came	into	the clearing.
   “Well?	Why	is	it	taking	so	long?”	Iskierka	was	saying,	impatiently,	as	he	parted	the	tall	grass.	One appalled	 glance	 was	 enough	 to	 make	 Laurence	 aware	 he	 had	 grossly	 intruded;	 he	 let	 the	 tall	 blades mercifully	cover	the	scene	and	turned	and	fled	hastily	back	into	the	trees.
   (art	by	Tabitha	Emde)
   EOONOILON	 SANG	 DEEP	 and	 resonant,	 his	 voice	 rumbling	 through	 the	 water,	 and	 Ilia	 sang	 back, swimming	round	his	head	in	spirals,	catching	the	currents	that	his	great	body	made,	cold	and	refreshing.
   Tomorrow	the	migration	would	begin,	and	there	would	not	be	time	for	play:	they	had	a	long	journey	to	the winter	 waters	 ahead,	 with	 Eoo	 leading	 the	 pack.	 He	 knew	 the	 way.	 Ilia’s	 mother	 often	 said	 she	 might sleep	the	whole	four	weeks	and	none	the	worse.	But	it	would	still	be	dangerous	and	long,	and	this	year Ilia	was	a	guard.	She	would	play	while	she	could.
   (art	by	Tanya	Thienpothong)
   “WHAT?	WHY	NOT?"	Demane	said	indignantly,	pulling	his	head	back.	Why	not,	as	though	everything were	easy,	and	they	neither	of	them	had	to	be	thinking	of	anything	but	themselves.
   “And	 what	 do	 you	 suppose	 we	 are	 to	 do	 when	 Mother	 retires?”	 Emily	 said.	 “Don’t	 be	 stupid.	 It doesn’t	mean	we	can’t—”
   But	he	was	already	getting	up,	his	back	gone	stiff.	“I	am	not	going	to	 dishonor	you!”	he	announced, and	 Emily	 pulled	 her	 knees	 up	 and	 rested	 her	 forehead	 against	 them.	 It	 was	 not	 that	 she	 didn’t	 like	 the captain,	but	he	had	 much	to	answer	for.
   Artist	Copyright	Information
   Volly	Gets	A	Cow	Copyright	©	2017	by	Cary	Shien
   Planting	Season	Copyright	©	2017	by	Hugh	Ebdy
   Dawn	of	Battle	Copyright	©	2017	by	Nick	Miles
   Golden	Age	Copyright	©	2017	by	Sandara	Tang
   Succession	Copyright	©	2017	by	Stephanie	Mendoza
   Dragons	and	Decorum	Copyright	©	2017	by	Laurie	Damme	Gonneville
   Drabbles:
   Page	127,	Copyright	©	2017	by	Agnes	Hartman
   Page	129,	Copyright	©	2017	by	Al	Lukehart
   Page	131,	Copyright	©	2017	by	Amanda	Sharpe
   Page	133,	Copyright	©	2017	by	Amy	Thompson
   Page	135,	Copyright	©	2017	by	Angela	Hsieh
   Page	137,	Copyright	©	2017	by	Caitlin	Johnson
   Page	139,	Copyright	©	2017	by	Erica	Lange
   Page	141,	Copyright	©	2017	by	Erika	B.	Xochimitl
   Page	143,	Copyright	©	2017	by	Jason	Lauborough
   Page	145,	Copyright	©	2017	by	Jennifer	Rahier
   Page	147,	Copyright	©	2017	by	John	O’Brien	Schroeder
   Page	149,	Copyright	©	2017	by	Karena	Kliefoth
   Page	151,	Copyright	©	2017	by	Katie	Gaubatz
   Page	153,	Copyright	©	2017	by	Kelly	Nugent
   Page	155,	Copyright	©	2017	by	Kelsey	Zilowar
   Page	157,	Copyright	©	2017	by	Kyle	Bice
   Page	159,	Copyright	©	2017	by	Kyle	Broad
   Page	161,	Copyright	©	2017	by	Maarta	Laiho
   Page	163,	Copyright	©	2017	by	Maria	Nagy
   Page	165,	Copyright	©	2017	by	Michelle	Brenner
   Page	167,	Copyright	©	2017	by	Nickol	Martin
   Page	169,	Copyright	©	2017	by	Sam	Pipes
   Page	171,	Copyright	©	2017	by	Sarah	Arcand
   Page	173,	Copyright	©	2017	by	Slate
   Page	175,	Copyright	©	2017	by	Tabitha	Emde
   Page	177,	Copyright	©	2017	by	Tanya	Thienpothong
   Document Outline
   Title Page
   Copyright
   Volly’s Cow
   Planting Season
   Dawn of Battle
   Golden Age
   Succession
   Dragons and Decorum
   Drabbles
   Copyright Information   
    
   Naomi Novik, Golden Age and Other Stories  
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