Page 20 of Knots And Crosses


  KNOTS & CROSSES

  Things aren’t going well for John Rebus, a Detective Sergeant when we first meet him: he’s smoking and drinking too much as he smarts from the break-up of his marriage to Rhona, who has taken their daughter Sammy with her to London. And work is a trial, as someone is seizing and killing young girls and taunting the police with their deaths, as a journalist becomes intent on exposing Rebus as being implicated in his brother Michael’s drugs scam.

  And after a series of peculiar letters, each containing some knotted string and a tiny cross made of matches, arrives at his home Rebus’s antennae begin to twitch uncontrollably. Although this could be more because he’s heading for a physical breakdown that necessitates a brief hospital sojourn. But it’s only after someone phones in with an acrostic clue that the game starts to unfold, and Rebus realises that this series of murders is in fact intensely personal: the direct result of an SAS training exercise many years earlier that went disastrously wrong. Even worse, Sammy’s life is now in peril as part of a frantic contest played out in the network of foetid tunnels that lie beneath the streets of Edinburgh. Ian Rankin intended Knots & Crosses to be in part a reworking of the classic Dr Jekyll and Mr Hyde story, with an additional nod towards the real-life Edinburgh character Deacon William Brodie, a gentleman by day but a criminal by night. In this debut, already many of the themes appear that will be expanded on in later books: the grimy underside of Edinburgh; Rebus isolated and ill at ease as he remains dogged in his determination to track down a variety of troublesome killers, characters who will return in later novels. But scant reviews and modest sales of Knots & Crosses did little to suggest how popular Rebus would become.

  Discussion points for Knots & Ctosses

  In what ways does Knots & Crosses reveal the passage of time since it was written?

  Rebus’s relationship with his brother Michael isn’t easy; is this a metaphor for the difficulties Rebus faces regarding other sorts of ‘brotherhood’, such as within the police force or the army?

  Ian Rankin refers several times to ‘practical jokes’; in Knots & Crosses how does he explore themes of jokes, games and linguistic trickery?

  Are the skills of journalist Jim Stevens mirrored by those of Rebus? Do the two men respect the similarities between them? And what do they each feel about drawing close to the ‘big fish’? Does the act of reading a crime story put the reader in a similar role to that of either detective or investigative journalist and, if so, in what way?

  What contrasts does Jim Stevens make between ‘old-fashioned’ crime, such as the ‘families’ of 1950s Glasgow gangsters, and the ‘new’ crime wave, such as drug-dealing? And which does he favour?

  What do you make of Rebus’s behaviour towards the woman he picks up at the Rio Grande Bingo Hall?

  ‘Was nothing arbitrary in this life?’ Rebus wonders. ‘No, nothing at all. Behind the seemingly irrational lay the clear golden path of the design.’ Consider how even in his debut novel Ian Rankin explores this notion.

  Are there any signs remaining that Ian Rankin toyed with the idea of killing Rebus off at the end of Knots & Crosses?

  If Ian Rankin had envisaged Knots & Crosses to be the opener for the lengthy and detailed series the Rebus books were to become, how could he have allowed his plotting to draw to a close in a more open-ended manner? And might this have made the narrative stronger ultimately?

  Table of Contents

  Title Page Copyright Page

  Dedication

  Introduction

  Part One - ‘THERE ARE CLUES EVERYWHERE’

  Chapter 1 Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Part Two - ‘FOR THOSE WHO READ BETWEEN THE TIMES’

  Chapter 7 Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Part Three - KNOT

  Chapter 13 Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Part Four - THE CROSS

  Chapter 22

  Part Five - KNOTS & CROSSES

  Chapter 23 Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  EPILOGUE Acknowledgements

  READING GROUP NOTES

  KNOTS & CROSSES

 


 

  Ian Rankin, Knots And Crosses

 


 

 
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