1 “Notes of a Son and Brother,” 1914.
II
LET ME not here withal appear to pretend to say how far I then foresaw myself likely to proceed, as it were, with the inimitable France and the incomparable Italy; my real point is altogether in the simple fact that they hovered before me, even in their scrappy foretastes, to a great effect of ease and inspiration, whereas I shouldn’t at all have resented the charge of fairly hiding behind the lowly door of Mr. Lazarus Fox—so unmistakeably did it open into complications tremendous. This excellent man, my Half-Moon Street landlord—I surrender, I can’t keep away from him—figures to me now as but one of the thousand forms of pressure in the collective assault, but he couldn’t have been more carefully chosen for his office had he consciously undertaken to express to me in a concentrated manner most of the things I was “after”. The case was rather indeed perhaps that he himself by his own mere perfection put me up to much of what I should most confidently look for, and that the right lines of observation and enjoyment, of local and social contact, as I may call it, were most of all those that started out from him and came back to him. It was as if nothing I saw could have done without him, as if nothing he was could have done without everything else. The very quarters I occupied under his protection happened, for that matter, to swarm—as I estimated swarming—with intensities of suggestion—aware as I now encourage myself to become that the first note of the numberless reverberations I was to pick up in the aftertime had definitely been struck for me as under the wave of his conducting little wand. He flourished it modestly enough, ancient worthy of an immemorial order that he was—old pensioned servant, of course, of a Cumberland (as I believe) family, a kind, slim, celibate, informing and informed member of which occupied his second floor apartments; a friend indeed whom I had met on the very first occasion of my sallying forth from Morley’s Hotel in Trafalgar Square to dine at a house of sustaining, of inspiring hospitality in the Kensington quarter. Succumbing thus to my tangle of memories, from which I discern no escape, I recognise further that if the endlessly befriending Charles Nortons introduced me to Albert Rutson, and Albert Rutson introduced me to his feudal retainer, so it was in no small degree through the confidence borrowed from the latter’s interest in the decent appearance I should make, an interest of a consistency not to have been prefigured by any at all like instance in my past, that I so far maintained my dizzy balance as to be able to ascend to the second floor under the thrill of sundry invitations to breakfast. I dare say it is the invitations to breakfast that hold me at this moment by their spell—so do they breathe to me across the age the note of a London world that we have left far behind; in consequence of which I the more yearningly steal back to it, as on sneaking tiptoe, and shut myself up there without interference. It is embalmed in disconnections, in differences, that I cultivate a free fancy for pronouncing advantageous to it: sunk already was the shaft by which I should descend into the years, and my inspiration is in touching as many as possible of the points of the other tradition, retracing as many as possible of the features of the old face, eventually to be blurred again even before my own eyes, and with the materials for a portrait thereby accessible but to those who were present up to the time of the change.
I don’t pretend to date this change which still allows me to catch my younger observation and submission at play on the far side of it; I make it fall into the right perspective, however, I think, when I place it where I began to shudder before a confidence, not to say an impudence, of diminution in the aspects by which the British capital differed so from those of all the foreign together as to present throughout the straight contradiction to them. That straight contradiction, testifying invaluably at every turn, had been from far back the thing, romantically speaking, to clutch and keep the clue and the logic of; thanks to it the whole picture, every element, objects and figures, background and actors, nature and art, hung consummately together, appealing in their own light and under their own law—interesting ever in every case by instituting comparisons, sticking on the contrary to their true instinct and suggesting only contrast. They were the opposite, the assured, the absolute, the unashamed, in respect to whatever might be of a generally similar intention elsewhere: this was their dignity, their beauty and their strength—to look back on which is to wonder if one didn’t quite consciously tremble, before the exhibition, for any menaced or mitigated symptom in it. I honestly think one did, even in the first flushes of recognition, more or less so tremble; I remember at least that in spite of such disconcertments, such dismays, as certain of the most thoroughly Victorian choses vues originally treated me to, something yet deeper and finer than observation admonished me to like them just as they were, or at least not too fatuously to dislike—since it somehow glimmered upon me that if they had lacked their oddity, their monstrosity, as it even might be, their unabashed insular conformity, other things that belong to them, as they belong to these, might have loomed less large and massed less thick, which effect was wholly to be deprecated. To catch that secret, I make out the more I think of it, was to have perhaps the smokiest, but none the less the steadiest, light to walk by; the “clue”, as I have called it, was to be one’s appreciation of an England that should turn its back directly enough, and without fear of doing it too much, on examples and ideas not strictly homebred—since she did her own sort of thing with such authority and was even then to be noted as sometimes trying other people’s with a kind of disaster not recorded, at the worst, among themselves.
I must of course disavow pretending to have read this vivid philosophy into my most immediate impressions, and I may in fact perhaps not claim to have been really aware of its seed till a considerable time had passed, till apprehensions and reflections had taken place in quantity, immeasurable quantity, so to speak, and a great stir-up of the imagination been incurred. Undoubtedly is it in part the new—that is, more strictly, the elder—acuteness that I touch all the prime profit with; I didn’t know at the time either how much appearances were all the while in the melting-pot or what wealth of reaction on them I was laying up. I cherish, for love of the unbroken interest, all the same, the theory of certain then positive and effective prefigurements, because it leaves me thus free for remarking that I knew where I was, as I may put it, from the moment I saw the state of the London to come brought down with the weight of her abdication of her genius. It not unnaturally may be said that it hasn’t been till to-day that we see her genius in its fulness—throwing up in a hundred lights, matters we practically acknowledge, such a plastic side as we had never dreamed she possessed. The genius of accommodation is what we had last expected of her—accommodation to anything but her portentous self, for in that connection she was ever remarkable; and certainly the air of the generalised, the emulous smart modern capital has come to be written upon her larger and larger even while we look.
The unaccommodating and unaccommodated city remains none the less closely consecrated to one’s fondest notion of her—the city too indifferent, too proud, too unaware, too stupid even if one will, to enter any lists that involved her moving from her base and that thereby, when one approached her from the alien positive places (I don’t speak of the American, in those days too negative to be related at all) enjoyed the enormous “pull”, for making her impression, of ignoring everything but her own perversities and then of driving these home with an emphasis not to be gainsaid. Since she didn’t emulate, as I have termed it, so she practised her own arts altogether, and both these ways and these consequences were in the flattest opposition (that was the happy point!) to foreign felicities or foreign standards, so that the effect in every case was of the straightest reversal of them—with black for the foreign white and white for the foreign black, wet for the foreign dry and dry for the foreign wet, big for the foreign small and small for the foreign big: I needn’t extend the catalogue. Her idiosyncrasy was never in the least to have been inferred or presumed; it could only, in general, make the outsider provisionally gape. She s
at thus imperturbable in her felicities, and if that is how, remounting the stream of time, I like most to think of her, this is because if her interest is still undeniable—as that of overgrown things goes—it has yet lost its fineness of quality. Phenomena may be interesting, thank goodness, without being phenomena of elegant expression or of any other form of restless smartness, and when once type is strong, when once it plays up from deep sources, every show of its sincerity delivers us a message and we hang, to real suspense, on its continuance of energy, on its again and yet again consistently acquitting itself. So it keeps in tune, and, as the French adage says, c’est le ton qui fait la chanson. The mid-Victorian London was sincere—that was a vast virtue and a vast appeal; the contemporary is sceptical, and most so when most plausible; the turn of the tide could verily be fixed to an hour—the hour at which the new plausibility began to exceed the old sincerities by so much as a single sign. They could truly have been arrayed face to face, I think, for an attentive eye—and I risk even saying that my own, bent upon them, as was to come to pass, with a habit of anxiety that I should scarce be able to overstate, had its unrecorded penetrations, its alarms and recoveries, even perhaps its very lapses of faith, though always redeemed afresh by still fonder fanaticisms, to a pitch that shall perhaps present itself, when they expose it all the way, as that of tiresome extravagance. Exposing it all the way is none the less, I see, exactly what I plot against it—or, otherwise expressed, in favour of the fine truth of history, so far as a throb of that awful pulse has been matter of one’s own life; in favour too of the mere returns derivable from more inordinate curiosity. These Notes would enjoy small self-respect, I think, if that principle, not to call it that passion, didn’t almost furiously ride them.
III
I WAS at any rate in the midst of sincerities enough, sincerities of emphasis and “composition”; perversities, idiosyncrasies, incalculabilities, delightful all as densities at first insoluble, delightful even indeed as so much mere bewilderment and shock. When was the shock, I ask myself as I look back, not so deadened by the general atmospheric richness as not to melt more or less immediately into some succulence for the mind, something that could feed the historic sense almost to sweetness? I don’t mean that it was a shock to be invited to breakfast—there were stronger ones than that; but was in fact the trait de mœurs that disconnected me with most rapidity and intensity from all I had left on the other side of the sea. To be so disconnected, for the time, and in the most insidious manner, was above all what I had come out for, and every appearance that might help it was to be artfully and gratefully cultivated. I recollect well how many of these combined as I sat at quite punctual fried sole and marmalade in the comparatively disengaged sitting-room of the second floor—the occupancy of the first has remained vague to me; disengaged from the mantle of gloom the folds of which draped most heavily the feet of the house, as it were, and thereby promoted in my own bower the chronic dusk favourable to mural decoration consisting mainly of framed and glazed “coloured” excisions from Christmas numbers of the Illustrated London News that had been at their hour quite modern miracles. Was it for that matter into a sudden splendour of the modern that I ascendingly emerged under the hospitality of my kind fellow-tenant, or was it rather into the fine classicism of a bygone age, as literature and the arts had handed down that memory? Such were the questions whisked at every turn under my nose and reducing me by their obscure charm but to bewildered brooding, I fear, when I should have been myself, to repay these attentions, quite forward and informing and affirmative.
There were eminent gentlemen, as I was sure they could only be, to “meet” and, alas, awfully to interrogate me—for vivid has remained to me, as the best of my bewilderment, the strangeness of finding that I could be of interest to them: not indeed to call it rather the proved humiliation of my impotence. My identity for myself was all in my sensibility to their own exhibition, with not a scrap left over for a personal show; which made it as inconvenient as it was queer that I should be treated as a specimen and have in the most unexpected manner to prove that I was a good one. I knew myself the very worst conceivable, but how to give to such other persons a decent or coherent reason for my being so required more presence of mind than I could in the least muster—the consequence of which failure had to be for me, I fear, under all that confused first flush, rather an abject acceptance of the air of imbecility. There were, it appeared, things of interest taking place in America, and I had had, in this absurd manner, to come to England to learn it: I had had over there on the ground itself no conception of any such matter—nothing of the smallest interest, by any perception of mine, as I suppose I should still blush to recall, had taken place in America since the War. How could anything, I really wanted to ask—anything comparable, that is, to what was taking place under my eyes in Half-Moon Street and at dear softly presiding Rutson’s table of talk. It doubtless essentially belonged to the exactly right type and tone and general figure of my fellow-breakfasters from the Temple, from the Home Office, the Foreign Office, the House of Commons, from goodness knew what other scarce discernible Olympian altitudes, it belonged to the very cut of their hair and their waistcoats and their whiskers—for it was still more or less a whiskered age—that they should desire from me much distinctness about General Grant’s first cabinet, upon the formation of which the light of the newspaper happened then to beat; yet at the same time that I asked myself if it was to such cold communities, such flat frustrations as were so proposed, that I had sought to lift my head again in European air, I found the crisis enriched by sundry other apprehensions.
They melted together in it to that increase of savour I have already noted, yet leaving me vividly admonished that the blankness of my mind as to the Washington candidates relegated me to some class unencountered as yet by any one of my conversers, a class only not perfectly ridiculous because perfectly insignificant. Also that politics walked abroad in England, so that one might supremely bump against them, as much as, by my fond impression, they took their exercise in America but through the back streets and the ways otherwise untrodden and the very darkness of night; that further all lively attestations were ipso facto interesting, and that finally and in the supreme degree, the authenticity of whatever one was going to learn in the world would probably always have for its sign that one got it at some personal cost. To this generalisation mightn’t one even add that in proportion as the cost was great, or became fairly excruciating, the lesson, the value acquired would probably be a thing to treasure? I remember really going so far as to wonder if any act of acquisition of the life-loving, life-searching sort that most appealed to me wouldn’t mostly be fallacious if unaccompanied by that tag of the price paid in personal discomfort, in some self-exposure and some none too impossible consequent discomfiture, for the sake of it. Didn’t I even on occasion mount to the very height of seeing it written that these bad moments were the downright consecration of knowledge, that is of perception and, essentially, of exploration, always dangerous and treacherous, and so might afterwards come to figure to memory, each in its order, as the silver nail on the wall of the temple where the trophy is hung up? All of which remark, I freely grant, is a great ado about the long since so bedimmed little Half-Moon Street breakfasts, and is moreover quite wide of the mark if suggesting that the joys of recognition, those of imaginatively, of projectively fitting in and fitting out every piece in the puzzle and every recruit to the force of a further understanding weren’t in themselves a most bustling and cheering business.
It was bustling at least, assuredly, if not quite always in the same degree exhilarating, to breakfast out at all, as distinguished from lunching, without its being what the Harvard scene made of it, one of the incidents of “boarding”; it was association at a jump with the ghosts of Byron and Sheridan and Scott and Moore and Lockhart and Rogers and tutti quanti—as well as the exciting note of a social order in which everyone wasn’t hurled straight, with the momentum of rising, upon an office or
a store. The mere vision in numbers of persons embodying and in various ways sharply illustrating a clear alternative to that passivity told a tale that would be more and more worth the reading with every turn of the page. So at all events I fantasticated while harassed by my necessity to weave into my general tapestry every thread that would conduce to a pattern, and so the thread for instance of the great little difference of my literally never having but once “at home” been invited to breakfast on types as well as on toast and its accessories could suggest an effect of silk or silver when absolutely dangled before me. That single occasion at home came back in a light that fairly brought tears to my eyes, for it was touching now to the last wanness that the lady of the winter morn of the Massachusetts Sabbath, one of those, as I recover it, of 1868, to reach whose board we had waded through snowdrifts, had been herself fondling a reminiscence, though I can scarce imagine supposing herself to offer for our consumption any other type than her own. It was for that matter but the sweet staleness of her reminiscence that made her a type, and I remember how it had had to do thereby all the work: she, of an age to reach so considerably back, had breakfasted out, in London, and with Mr. Rogers himself—that was the point; which I am bound to say did for the hour and on that spot supply richness of reference enough. And I am caught up, I find, in the very act of this claim for my prior scantness of experience by a memory that makes it not a little less perfect and which is oddly enough again associated with a struggle, on an empty stomach, through the massed New England whiteness of the prime Sunday hour. I still cherish the vision, which couldn’t then have faded from me, of my having, during the age of innocence—I mean of my own—breakfasted with W. D. Howells, insidious disturber and fertiliser of that state in me, to “meet” Bayard Taylor and Arthur Sedgwick all in the Venetian manner, the delightful Venetian manner which toward the later ’sixties draped any motion on our host’s part as with a habit still appropriate. He had risen that morning under the momentum of his but recently concluded consular term in Venice, where margin, if only that of the great loungeable piazza, had a breadth, and though Sedgwick and I had rather, as it were, to take the jump standing, this was yet under the inspiration of feeling the case most special. Only it had been Venetian, snow-shoes and all; I had stored it sacredly away as not American at all, and was of course to learn in Half-Moon Street how little it had been English either.