“She says she lives here,” I said. “I met her down town. Is this your bread?”
“No spika,” the woman said. She spoke to the little girl again. The little girl just looked at her.
“No live here?” I said. I pointed to the girl, then at her, then at the door. The woman shook her head. She spoke rapidly. She came to the edge of the porch and pointed down the road, speaking.
I nodded violently too. “You come show?” I said. I took her arm, waving my other hand toward the road. She spoke swiftly, pointing. “You come show,” I said, trying to lead her down the steps.
“Si, si,” she said, holding back, showing me whatever it was. I nodded again.
“Thanks. Thanks. Thanks.” I went down the steps and walked toward the gate, not running, but pretty fast. I reached the gate and stopped and looked at her for a while. The crust was gone now, and she looked at me with her black, friendly stare. The woman stood on the stoop, watching us.
“Come on, then,” I said. “We’ll have to find the right one sooner or later.”
She moved along just under my elbow. We went on. The houses all seemed empty. Not a soul in sight. A sort of breathlessness that empty houses have. Yet they couldnt all be empty. All the different rooms, if you could just slice the walls away all of a sudden Madam, your daughter, if you please. No. Madam, for God’s sake, your daughter. She moved along just under my elbow, her shiny tight pigtails, and then the last house played out and the road curved out of sight beyond a wall, following the river. The woman was emerging from the broken gate, with a shawl over her head and clutched under her chin. The road curved on, empty. I found a coin and gave it to the little girl. A quarter. “Goodbye, sister,” I said. Then I ran.
I ran fast, not looking back. Just before the road curved away I looked back. She stood in the road, a small figure clasping the loaf of bread to her filthy little dress, her eyes still and black and unwinking. I ran on.
A lane turned from the road. I entered it and after a while I slowed to a fast walk. The lane went between back premises—unpainted houses with more of those gay and startling coloured garments on lines, a barn broken-backed, decaying quietly among rank orchard trees, unpruned and weedchoked, pink and white and murmurous with sunlight and with bees. I looked back. The entrance to the lane was empty. I slowed still more, my shadow pacing me, dragging its head through the weeds that hid the fence.
The lane went back to a barred gate, became defunctive in grass, a mere path scarred quietly into new grass. I climbed the gate into a woodlot and crossed it and came to another wall and followed that one, my shadow behind me now. There were vines and creepers where at home would be honeysuckle. Coming and coming especially in the dusk when it rained, getting honeysuckle all mixed up in it as though it were not enough without that, not unbearable enough. What did you let him for kiss kiss
I didn’t let him I made him watching me getting mad What do you think of that? Red print of my hand coming up through her face like turning a light on under your hand her eyes going bright
It’s not for kissing I slapped you. Girl’s elbows at fifteen Father said you swallow like you had a fishbone in your throat what’s the matter with you and Caddy across the table not to look at me. It’s for letting it be some darn town squirt I slapped you you will will you now I guess you say calf rope. My red hand coming up out of her face. What do you think of that scouring her head into the. Grass sticks crisscrossed into the flesh tingling scouring her head. Say calf rope say it
I didnt kiss a dirty girl like Natalie anyway The wall went into shadow, and then my shadow, I had tricked it again. I had forgot about the river curving along the road. I climbed the wall. And then she watched me jump down, holding the loaf against her dress.
I stood in the weeds and we looked at one another for a while.
“Why didnt you tell me you lived out this way, sister?” The loaf was wearing slowly out of the paper; already it needed a new one.
“Well, come on then and show me the house.” not a dirty girl like Natalie. It was raining we could hear it on the roof, sighing through the high sweet emptiness of the barn.
There? touching her
Not there
There? not raining hard but we couldnt hear anything but the roof and as if it was my blood or her blood
She pushed me down the ladder and ran off and left me Caddy did
Was it there it hurt you when Caddy did ran off was it there
Oh She walked just under my elbow, the top of her patent leather head, the loaf fraying out of the newspaper.
“If you dont get home pretty soon you’re going to wear that loaf out. And then what’ll your mamma say?” I bet I can lift you up
You cant I’m too heavy
Did Caddy go away did she go to the house you cant see the barn from our house did you ever try to see the barn from
It was her fault she pushed me she ran away
I can lift you up see how I can
oh her blood or my blood Oh We went on in the thin dust, our feet silent as rubber in the thin dust where pencils of sun slanted in the trees. And I could feel water again running swift and peaceful in the secret shade.
“You live a long way, dont you. You’re mighty smart to go this far to town by yourself.” It’s like dancing sitting down did you ever dance sitting down? We could hear the rain, a rat in the crib, the empty barn vacant with horses. How do you hold to dance do you hold like this
Oh
I used to hold like this you thought I wasnt strong enough didn’t you
Oh Oh Oh Oh
I hold to use like this I mean did you hear what I said I said
oh oh oh oh
The road went on, still and empty, the sun slanting more and more. Her stiff little pigtails were bound at the tips with bits of crimson cloth. A corner of the wrapping flapped a little as she walked, the nose of the loaf naked. I stopped.
“Look here. Do you live down this road? We havent passed a house in a mile, almost.”
She looked at me, black and secret and friendly.
“Where do you live, sister? Dont you live back there in town?”
There was a bird somewhere in the woods, beyond the broken and infrequent slanting of sunlight.
“Your papa’s going to be worried about you. Dont you reckon you’ll get a whipping for not coming straight home with that bread?”
The bird whistled again, invisible, a sound meaningless and profound, inflexionless, ceasing as though cut off with the blow of a knife, and again, and that sense of water swift and peaceful above secret places, felt, not seen not heard.
“Oh, hell, sister.” About half the paper hung limp. “That’s not doing any good now.” I tore it off and dropped it beside the road. “Come on. We’ll have to go back to town. We’ll go back along the river.”
We left the road. Among the moss little pale flowers grew, and the sense of water mute and unseen. I hold to use like this I mean I use to hold She stood in the door looking at us her hands on her hips
You pushed me it was your jault it hurt me too
We were dancing sitting down I bet Caddy cant dance sitting down
Stop that stop that
I was just brushing the trash off the back of your dress
You keep your nasty old hands off of me it was your fault you pushed me down I’m mad at you
I dont care she looked at us stay mad she went away We began to hear the shouts, the splashings; I saw a brown body gleam for an instant.
Stay mad. My shirt was getting wet and my hair. Across the roof hearing the roof loud now I could see Natalie going through the garden among the rain. Get wet I hope you catch pneumonia go on home Cowface. I jumped hard as I could into the hogwallow and mud yellowed up to my waist stinking I kept on plunging until I fell down and rolled over in it “Hear them in swimming, sister? I wouldn’t mind doing that myself.” If I had time. When I have time. I could hear my watch, mud was warmer than the rain it smelled awful. She had her back turned
I went around in front of her. You know what I was doing? She turned her back I went around in front of her the rain creeping into the mud flatting her bodice through her dress it smelled horrible. I was hugging her that’s what I was doing. She turned her back I went around in front of her. I was hugging her I tell you.
I dont give a damn what you were doing
You dont you dont I’ll make you I’ll make you give a damn. She hit my hands away I smeared mud on her with the other hand I couldn’t feel the wet smacking of her hand I wiped mud from my legs smeared it on her wet hard turning body hearing her fingers going into my face but I couldn’t feel it even when the rain began to taste sweet on my lips
They saw us from the water first, heads and shoulders. They yelled and one rose squatting and sprang among them. They looked like beavers, the water lipping about their chins, yelling.
“Take that girl away! What did you want to bring a girl here for? Go on away!”
“She wont hurt you. We just want to watch you for a while.”
They squatted in the water. Their heads drew into a clump, watching us, then they broke and rushed toward us, hurling water with their hands. We moved quick.
“Look out, boys; she wont hurt you.”
“Go on away, Harvard!” It was the second boy, the one that thought the horse and wagon back there at the bridge. “Splash them, fellows!”
“Let’s get out and throw them in,” another said. “I aint afraid of any girl.”
“Splash them! Splash them!” They rushed toward us, hurling water. We moved back. “Go on away!” they yelled. “Go on away!”
We went away. They huddled just under the bank, their slick heads in a row against the bright water. We went on. “That’s not for us, is it.” The sun slanted through to the moss here and there, leveller. “Poor kid, you’re just a girl.” Little flowers grew among the moss, littler than I had ever seen. “You’re just a girl. Poor kid.” There was a path, curving along beside the water. Then the water was still again, dark and still and swift. “Nothing but a girl. Poor sister.” We lay in the wet grass panting the rain like cold shot on my back. Do you care now do you do you
My Lord we sure are in a mess get up. Where the rain touched my forehead it began to smart my hand came red away streaking off pink in the rain. Does it hurt
Of course it does what do you reckon
I tried to scratch your eyes out my Lord we sure do stink we better try to wash it off in the branch “There’s town again, sister. You’ll have to go home now. I’ve got to get back to school. Look how late it’s getting. You’ll go home now, wont you?” But she just looked at me with her black, secret, friendly gaze, the half-naked loaf clutched to her breast. “It’s wet. I thought we jumped back in time.” I took my handkerchief and tried to wipe the loaf, but the crust began to come off, so I stopped. “We’ll just have to let it dry itself. Hold it like this.” She held it like that. It looked kind of like rats had been eating it now. and the water building and building up the squatting back the sloughed mud stinking surfaceward pocking the pattering surface like grease on a hot stove. I told you I’d make you
I dont give a goddam what you do
Then we heard the running and we stopped and looked back and saw him coming up the path running, the level shadows flicking upon his legs.
“He’s in a hurry. We’d—” then I saw another man, an oldish man running heavily, clutching a stick, and a boy naked from the waist up, clutching his pants as he ran.
“There’s Julio,” the little girl said, and then I saw his Italian face and his eyes as he sprang upon me. We went down. His hands were jabbing at my face and he was saying something and trying to bite me, I reckon, and then they hauled him off and held him heaving and thrashing and yelling and they held his arms and he tried to kick me until they dragged him back. The little girl was howling, holding the loaf in both arms. The half-naked boy was darting and jumping up and down, clutching his trousers and someone pulled me up in time to see another stark naked figure come around the tranquil bend in the path running and change direction in mid-stride and leap into the woods, a couple of garments rigid as boards behind it. Julio still struggled. The man who had pulled me up said, “Whoa, now. We got you.” He wore a vest but no coat. Upon it was a metal shield. In his other hand he clutched a knotted, polished stick.
“You’re Anse, aren’t you?” I said. “I was looking for you. What’s the matter?”
“I warn you that anything you say will be used against you,” he said. “You’re under arrest.”
“I killa heem,” Julio said. He struggled. Two men held him. The little girl howled steadily, holding the bread. “You steala my seester,” Julio said. “Let go, meesters.”
“Steal his sister?” I said. “Why, I’ve been—”
“Shet up,” Anse said. “You can tell that to Squire.”
“Steal his sister?” I said. Julio broke from the men and sprang at me again, but the marshal met him and they struggled until the other two pinioned his arms again. Anse released him, panting.
“You durn furriner,” he said, “I’ve got a good mind to take you up too, for assault and battery.” He turned to me again. “Will you come peaceable, or do I handcuff you?”
“I’ll come peaceable,” I said. “Anything, just so I can find someone—do something with—Stole his sister,” I said. “Stole his—”
“I’ve warned you,” Anse said, “He aims to charge you with meditated criminal assault. Here, you, make that gal shut up that noise.”
“Oh,” I said. Then I began to laugh. Two more boys with plastered heads and round eyes came out of the bushes, buttoning shirts that had already dampened onto their shoulders and arms, and I tried to stop the laughter, but I couldnt.
“Watch him, Anse, he’s crazy, I believe.”
“I’ll h-have to qu-quit,” I said, “It’ll stop in a mu-minute. The other time it said ah ah ah,” I said, laughing. “Let me sit down a while.” I sat down, they watching me, and the little girl with her streaked face and the gnawed looking loaf, and the water swift and peaceful below the path. After a while the laughter ran out. But my throat wouldnt quit trying to laugh, like retching after your stomach is empty.
“Whoa, now,” Anse said. “Get a grip on yourself.”
“Yes,” I said, tightening my throat. There was another yellow butterfly, like one of the sunflecks had come loose. After a while I didnt have to hold my throat so tight. I got up. “I’m ready. Which way?”
We followed the path, the two others watching Julio and the little girl and the boys somewhere in the rear. The path went along the river to the bridge. We crossed it and the tracks, people coming to the doors to look at us and more boys materializing from somewhere until when we turned into the main street we had quite a procession. Before the drugstore stood an auto, a big one, but I didn’t recognise them until Mrs Bland said,
“Why, Quentin! Quentin Compson!” Then I saw Gerald, and Spoade in the back seat, sitting on the back of his neck. And Shreve. I didnt know the two girls.
“Quentin Compson!” Mrs Bland said.
“Good afternoon,” I said, raising my hat. “I’m under arrest. I’m sorry I didnt get your note. Did Shreve tell you?”
“Under arrest?” Shreve said. “Excuse me,” he said. He heaved himself up and climbed over their feet and got out. He had on a pair of my flannel pants, like a glove. I didnt remember forgetting them. I didnt remember how many chins Mrs Bland had, either. The prettiest girl was with Gerald in front, too. They watched me through veils, with a kind of delicate horror. “Who’s under arrest?” Shreve said. “What’s this, mister?”
“Gerald,” Mrs Bland said, “Send these people away. You get in this car, Quentin.”
Gerald got out. Spoade hadnt moved.
“What’s he done, Cap?” he said. “Robbed a hen house?”
“I warn you,” Anse said. “Do you know the prisoner?”
“Know him,” Shreve said. “Look here—”
“Then you can come along to the squire’s. You’re obstructing justice. Come along.” He shook my arm.
“Well, good afternoon,” I said. “I’m glad to have seen you all. Sorry I couldnt be with you.”
“You, Gerald,” Mrs Bland said.
“Look here, constable,” Gerald said.
“I warn you you’re interfering with an officer of the law,” Anse said. “If you’ve anything to say, you can come to the squire’s and make cognizance of the prisoner.” We went on. Quite a procession now, Anse and I leading. I could hear them telling them what it was, and Spoade asking questions, and then Julio said something violently in Italian and I looked back and saw the little girl standing at the curb looking at me with her friendly, inscrutable regard.
“Git on home,” Julio shouted at her, “I beat hell outa you.”
We went down the street and turned into a bit of lawn in which, set back from the street, stood a one storey building of brick trimmed with white. We went up the rock path to the door, where Anse halted everyone except us and made them remain outside. We entered a bare room smelling of stale tobacco. There was a sheet iron stove in the center of a wooden frame filled with sand, and a faded map on the wall and the dingy plat of a township. Behind a scarred littered table a man with a fierce roach of iron grey hair peered at us over steel spectacles.
“Got him, did ye, Anse?” he said.
“Got him, Squire.”
He opened a huge dusty book and drew it to him and dipped a foul pen into an inkwell filled with what looked like coal dust.
“Look here, mister,” Shreve said.
“The prisoner’s name,” the squire said. I told him. He wrote it slowly into the books, the pen scratching with excruciating deliberation.
“Look here, mister,” Shreve said, “We know this fellow. We—”
“Order in the court,” Anse said.
“Shut up, bud,” Spoade said. “Let him do it his way. He’s going to anyhow.”
“Age,” the squire said. I told him. He wrote that, his mouth moving as he wrote. “Occupation.” I told him. “Harvard student, hey?” he said. He looked up at me, bowing his neck a little to see over the spectacles. His eyes were clear and cold, like a goat’s. “What are you up to, coming out here kidnapping children?”