The Jinmoti of Bozlen Two kill the hereditary ritual…
The liquid, which he could hear and feel and smell all too clearly—and could probably have seen with his far from ordinary eyes had they been open—washed briefly up to touch the bottom of his nose. He felt it block his nostrils, filling them with a stench that made his stomach heave. But he shook his head, tried to force his skull even further back against the stones, and the foul broth fell away. He blew down and could breathe again.
There wasn’t long now. He checked his wrists again, but it was no good. It would take another hour or more, and he had only minutes, if he was lucky.
The trance was breaking anyway. He was returning to almost total consciousness, as though his brain wanted fully to appreciate his own death, its own extinction. He tried to think of something profound, or to see his life flash in front of him, or suddenly to remember some old love, a long-forgotten prophecy or premonition, but there was nothing, just an empty sentence, and the sensations of drowning in other people’s dirt and waste.
You old bastards, he thought. One of their few strokes of humor or originality had been devising an elegant, ironic way of death. How fitting it must feel to them, dragging their decrepit frames to the banquet-hall privies, literally to defecate all over their enemies, and thereby kill them.
The air pressure built up, and a distant, groaning rumble of liquid signaled another flushing from above. You old bastards. Well, I hope at least you kept your promise, Balveda.
The Jinmoti of Bozlen Two kill the hereditary ritual… thought one part of his brain, as the pipes in the ceiling spluttered and the waste splashed into the warm mass of liquid which almost filled the cell. The wave passed over his face, then fell back to leave his nose free for a second and give him time to gulp a lungful of air. Then the liquid rose gently to touch the bottom of his nose again, and stayed there.
He held his breath.
It had hurt at first, when they had hung him up. His hands, tied inside tight leather pouches, were directly above his head, manacled inside thick loops of iron bolted to the cell walls, which took all his weight. His feet were tied together and left to dangle inside an iron tube, also attached to the wall, which stopped him from taking any weight on his feet and knees and at the same time prevented him from moving his legs more than a hand’s breadth out from the wall or to either side. The tube ended just above his knees; above it there was only a thin and dirty loincloth to hide his ancient and grubby nakedness.
He had shut off the pain from his wrists and shoulders even while the four burly guards, two of them perched on ladders, had secured him in place. Even so he could feel that niggling sensation at the back of his skull which told him that he ought to be hurting. That had lessened gradually as the level of waste in the small sewercell had risen and buoyed up his body.
He had started to go into a trance then, as soon as the guards left, though he knew it was probably hopeless. It hadn’t lasted long; the cell door opened again within minutes, a metal walkway was lowered by a guard onto the damp flagstones of the cell floor, and light from the corridor washed into the darkness. He had stopped the Changing trance and craned his neck to see who his visitor might be.
Into the cell, holding a short staff glowing cool blue, stepped the stooped, grizzled figure of Amahain-Frolk, security minister for the Gerontocracy of Sorpen. The old man smiled at him and nodded approvingly, then turned to the corridor and, with a thin, discolored hand, beckoned somebody standing outside the cell to step onto the short walkway and enter. He guessed it would be the Culture agent Balveda, and it was. She came lightly onto the metal boarding, looked round slowly, and fastened her gaze on him. He smiled and tried to nod in greeting, his ears rubbing on his naked arms.
“Balveda! I thought I might see you again. Come to see the host of the party?” He forced a grin. Officially it was his banquet; he was the host. Another of the Gerontocracy’s little jokes. He hoped his voice had shown no signs of fear.
Perosteck Balveda, agent of the Culture, a full head taller than the old man by her side and still strikingly handsome even in the pallid glow of the blue torch, shook her thin, finely made head slowly. Her short, black hair lay like a shadow on her skull.
“No,” she said, “I didn’t want to see you, or say goodbye.”
“You put me here, Balveda,” he said quietly.
“Yes, and there you belong,” Amahain-Frolk said, stepping as far forward on the platform as he could without overbalancing and having to step onto the damp floor. “I wanted you tortured first, but Miss Balveda here”—the minister’s high, scratchy voice echoed in the cell as he turned his head back to the woman—“pleaded for you, though God knows why. But that’s where you belong all right; murderer.” He shook the staff at the almost naked man hanging on the dirty wall of the cell.
Balveda looked at her feet, just visible under the hem of the long, plain gray gown she wore. A circular pendant on a chain around her neck glinted in the light from the corridor outside. Amahain-Frolk had stepped back beside her, holding the shining staff up and squinting at the captive.
“You know, even now I could almost swear that was Egratin hanging there. I can…” He shook his gaunt, bony head. “… I can hardly believe it isn’t, not until he opens his mouth, anyway. My God, these Changers are dangerous frightening things!” He turned to Balveda. She smoothed her hair at the nape of her neck and looked down at the old man.
“They are also an ancient and proud people, Minister, and there are very few of them left. May I ask you one more time? Please? Let him live. He might be—”
The Gerontocrat waved a thin and twisted hand at her, his face distorting in a grimace. “No! You would do well, Miss Balveda, not to keep asking for this… this assassin, this murderous, treacherous… spy, to be spared. Do you think we take the cowardly murder and impersonation of one of our outworld ministers lightly? What damage this… thing could have caused! Why, when we arrested it two of our guards died just from being scratched! Another is blind for life after this monster spat in his eye! However,” Amahain-Frolk sneered at the man chained to the wall, “we took those teeth out. And his hands are tied so that he can’t even scratch himself.” He turned to Balveda again. “You say they are few? I say good; there will soon be one less.” The old man narrowed his eyes as he looked at the woman. “We are grateful to you and your people for exposing this fraud and murderer, but do not think that gives you the right to tell us what to do. There are some in the Gerontocracy who want nothing to do with any outside influence, and their voices grow in volume by the day as the war comes closer. You would do well not to antagonize those of us who do support your cause.”
Balveda pursed her lips and looked down at her feet again, clasping her slender hands behind her back. Amahain-Frolk had turned back to the man hanging on the wall, wagging the staff in his direction as he spoke. “You will soon be dead, impostor, and with you die your masters’ plans for the domination of our peaceful system! The same fate awaits them if they try to invade us. We and the Culture are—”
He shook his head as best he could and roared back, “Frolk, you’re an idiot!” The old man shrank away as though hit. The Changer went on, “Can’t you see you’re going to be taken over anyway? Probably by the Idirans, but if not by them then by the Culture. You don’t control your own destinies anymore; the war’s stopped all that. Soon this whole sector will be part of the front, unless you make it part of the Idiran sphere. I was only sent in to tell you what you should have known anyway—not to cheat you into something you’d regret later. For God’s sake, man, the Idirans won’t eat you—”
“Ha! They look as though they could! Monsters with three feet; invaders, killers, infidels… You want us to link with them? With three-strides-tall-monsters? To be ground under their hooves? To have to worship their false gods?”
“At least they have a God, Frolk. The Culture doesn’t.” The ache in his arms was coming back as he concentrated on talking. He shifted a
s best he could and looked down at the minister. “They at least think the same way you do. The Culture doesn’t.”
“Oh no, my friend, oh no.” Amahain-Frolk held one hand up flat to him and shook his head. “You won’t sow seeds of discord like that.”
“My God, you stupid old man,” he laughed. “You want to know who the real representative of the Culture is on this planet? It’s not her,” he nodded at the woman, “it’s that powered flesh-slicer she has following her everywhere, her knife missile. She might make the decisions, it might do what she tells it, but it’s the real emissary. That’s what the Culture’s about: machines. You think because Balveda’s got two legs and soft skin you should be on her side, but it’s the Idirans who are on the side of life in this war—”
“Well, you will shortly be on the other side of that.” The Gerontocrat snorted and glanced at Balveda, who was looking from under lowered brows at the man chained to the wall. “Let us go, Miss Balveda,” Amahain-Frolk said as he turned and took the woman’s arm to guide her from the cell. “This… thing’s presence smells more than the cell.”
Balveda looked up at him then, ignoring the dwarfed minister as he tried to pull her to the door. She gazed right at the prisoner with her clear, black-irised eyes and held her hands out from her sides. “I’m sorry,” she said to him.
“Believe it or not, that’s rather how I feel,” he replied, nodding. “Just promise me you’ll eat and drink very little tonight, Balveda. I’d like to think there was one person up there on my side, and it might as well be my worst enemy.” He had meant it to be defiant and funny, but it sounded only bitter; he looked away from the woman’s face.
“I promise,” Balveda said. She let herself be led to the door, and the blue light waned in the dank cell. She stopped right at the door. By sticking his head painfully far out he could just see her. The knife missile was there, too, he noticed, just inside the room; probably there all the time, but he hadn’t noticed its sleek, sharp little body hovering there in the darkness. He looked into Balveda’s dark eyes as the knife missile moved.
For a second he thought Balveda had instructed the tiny machine to kill him now—quietly and quickly while she blocked Amahain-Frolk’s view—and his heart thudded. But the small device simply floated past Balveda’s face and out into the corridor. Balveda raised one hand in a gesture of farewell.
“Bora Horza Gobuchul,” she said, “goodbye.” She turned quickly, stepped from the platform and out of the cell. The walkway was hoisted out and the door slammed, scraping rubber flanges over the grimy floor and hissing once as the internal seals made it watertight. He hung there, looking down at an invisible floor for a moment before going back into the trance that would Change his wrists, thin them down so that he could escape. But something about the solemn, final way Balveda had spoken his name had crushed him inside, and he knew then, if not before, that there was no escape.
… by drowning them in the tears…
His lungs were bursting! His mouth quivered, his throat was gagging, the filth was in his ears but he could hear a great roaring, see lights though it was black dark. His stomach muscles started to go in and out, and he had to clamp his jaw to stop his mouth opening for air that wasn’t there. Now. No… now he had to give in. Not yet… surely now. Now, now, now, any second; surrender to this awful black vacuum inside him… he had to breathe… now!
Before he had time to open his mouth he was smashed against the wall—punched against the stones as though some immense iron fist had slammed into him. He blew out the stale air from his lungs in one convulsive breath. His body was suddenly cold, and every part of it next to the wall throbbed with pain. Death, it seemed, was weight, pain, cold… and too much light…
He brought his head up. He moaned at the light. He tried to see, tried to hear. What was happening? Why was he breathing? Why was he so damn heavy again? His body was tearing his arms from their sockets; his wrists were cut almost to the bone. Who had done this to him?
Where the wall had been facing him there was a very large and ragged hole which extended beneath the level of the cell floor. All the ordure and garbage had burst out of that. The last few trickles hissed against the hot sides of the breach, producing steam which curled around the figure standing blocking most of the brilliant light from outside, in the open air of Sorpen. The figure was three meters tall and looked vaguely like a small armored spaceship sitting on a tripod of thick legs. Its helmet looked big enough to contain three human heads, side by side. Held almost casually in one gigantic hand was a plasma cannon which Horza would have needed both arms just to lift; the creature’s other fist gripped a slightly larger gun. Behind it, nosing in toward the hole, came an Idiran gun-platform, lit vividly by the light of explosions which Horza could now feel through the iron and stones he was attached to. He raised his head to the giant standing in the breach and tried to smile.
“Well,” he croaked, then spluttered and spat, “you lot certainly took your time.”
By Ann Leckie
Ancillary Justice
Ancillary Sword
Praise for the NEBULA, ARTHUR C. CLARKE, LOCUS, and BSFA award–winning; and HUGO, and PHILIP K. DICK award–nominated Ancillary Justice
“Unexpected, compelling and very cool. Ann Leckie nails it.”
—John Scalzi
“Establishes Leckie as an heir to Banks and Cherryh.”
—Elizabeth Bear
“Powerful, arresting, beautiful space opera… Leckie makes it look so easy.”
—Kameron Hurley
Ancillary Justice is the mind-blowing space opera you’ve been needing… This is a novel that will thrill you like the page-turner it is, but stick with you for a long time afterward.”
—io9.com
“This impressive debut succeeds in making Breq a protagonist readers will invest in, and establishes Leckie as a talent to watch.”
—Publishers Weekly
“Ann Leckie’s Ancillary Justice does everything science fiction should do. It engages, it excites, and it challenges the way the reader views our world.”
—Staffer’s Book Review
“Assured, gripping, and stylish… an absorbing thousand-year history, a poignant personal journey, and a welcome addition to the genre.”
—NPR Books
“A stunning, fast-paced debut.”
—Shelf Awareness
“It’s not every day a debut novel by an author you’d never heard of before derails your entire afternoon with its brilliance. But when my review copy of Ancillary Justice arrived, that’s exactly what it did. In fact, it arrowed upward to reach a pretty high position on my list of best space opera novels ever.”
—Liz Bourke, Tor.com
“This is not entry-level SF, and its payoff is correspondingly greater because of that.”
—Locus
“I cannot find fault in this truly amazing, awe-inspiring debut novel from Ann Leckie… Ancillary Justice is one of the best science fiction novels I’ve ever read.”
—The Book Smugglers
“It’s by turns thrilling, moving and awe-inspiring.”
—The Guardian (UK)
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Contents
Cover
Title Page
Welcome
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chap
ter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Acknowledgments
Extras
Meet the Author
A Preview of LEVIATHAN WAKES
A Preview of CONSIDER PHLEBAS
By Ann Leckie
Praise for the NEBULA, ARTHUR C. CLARKE, LOCUS, and BSFA award–winning; and HUGO, and PHILIP K. DICK award–nominated Ancillary Justice
Orbit Newsletter
Copyright
Copyright
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
Copyright © 2014 by Ann Leckie
Excerpt from Leviathan Wakes copyright © 2011 by James S. A. Corey
Excerpt from Consider Phlebas copyright © 1987 by Iain M. Banks
Cover design by Kirk Benshoff
Illustration by John Harris
Cover copyright © 2014 by Hachette Book Group, Inc.
All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permission
[email protected]. Thank you for your support of the author’s rights.
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