deserted, the stores still closed. Nancy remembered
   noticing an alley running behind Jason's building and
   drove her Mustang into it, parking directly under the
   fire escape.
   She got out of her car and closed the door softly.
   She looked up. “Yesss!” she exclaimed to herself. The
   window looking onto the third-floor fire escape was still
   open. Nancy nimbly climbed on top of the hood of her
   car and was just able to reach the first rung of the fire
   escape ladder. She grasped the iron bar, swung herself
   up, then began the climb to the third floor. She wasn't
   exactly sure how she'd deal with Jason, but she was
   pretty sure that at the very least he would still be
   asleep—and his bedroom was on the other side of the
   loft. If she was really lucky, Jason might still be out
   partying or maybe he had crashed with friends.
   Nancy slipped through the window and gingerly
   eased herself over the sill. She stood very still, listening
   to hear if Jason was up or if anyone was moving about
   the loft. All she heard was silence. She let out her
   breath, then glanced around the studio. It was
   illuminated only by dim morning light coming through
   the north-facing windows. The photo she needed to
   look at was in the exhibit in the front part of the loft.
   Not knowing if Jason was home or not, she was afraid
   to risk venturing past his bedroom to get there. On the
   other hand, his darkroom was right off his office area.
   Like most photographers, Jason probably had more
   than one print of that model in the condo.
   Nancy went to the darkroom, opened the door, and
   cringed as it squeaked on its hinges. She turned quickly
   and realized the study door was open—too late to close
   it now. She tiptoed into the darkroom. There were two
   or three stacks of prints on the counter, and a slew of
   negatives. Other prints were clipped to a line strung
   from one wall of the darkroom to the other. To see
   better, Nancy flicked on the safety light. Reaching up,
   she unclipped the two nearest black-and-white photos:
   they were of a curio cabinet filled with tribal art. Some
   photos were close-ups of particular items. One Nancy
   recognized instantly: the blow dart that had so in-
   trigued George at Lisa's apartment.
   “I don't believe this!” she muttered. Somehow Jason
   had gotten into Lisa's living room and photographed
   her aunt and uncle's collection.
   After tucking the photos in her bag as evidence,
   Nancy turned to the stack of proofs beside the row of
   developing trays. The first two were simply over-
   exposed copies of photos Jason had in his show. But
   the next group of pictures made Nancy want to shout
   for joy. Just as she suspected, the pictures were taken
   inside an apartment baring a strikingly similar layout to
   Lisa's, with the same beautiful view of skyline and lake
   in the distance.
   “Gotcha!” Nancy murmured to herself, and then a
   familiar buzzing sound came from the depths of her
   purse. Nancy jumped, then remembered she had
   probably left her cell phone on. Nancy opened her bag
   and yanked out the phone.
   “Nancy?” George's voice sounded worried and
   frightened. “Where are you?”
   “You won't believe this,” Nancy started to say, when
   suddenly she heard a sound behind her. As she turned,
   she was blinded by a flash of light. Then she heard
   something whoosh through the air above her, and
   finally something crashed down on her head.
   Searing, hot pain exploded through Nancy's brain.
   Her knees buckled, and someone grabbed the phone
   from her hand. She heard the sound of the phone
   snapping closed, breaking the connection with George.
   A moan escaped Nancy's lips as she dropped to the
   floor. She fought to stay conscious in order to focus on
   her assailant. But as the shadowy figure loomed above
   her, the room dissolved into blackness and she passed
   out.
   14. A Clever Ruse
   As if from a great distance, Nancy heard a screech of
   brakes, then felt a sudden jolt. Her body jerked to one
   side, and her arm crashed against something hard and
   cold. As her eyes popped open, a wave of pain roared
   through her head. Her stomach clenched, and she
   fought back the urge to throw up. Closing her eyes
   again, she felt the nausea pass.
   She touched her head and winced. She felt as if
   someone had taken her brain and used it as a bowling
   ball. Where am I? she wondered. Wherever she was,
   she was freezing. This time she opened her eyes slowly,
   and her surroundings gradually came into focus.
   She was in some kind of train that was moving. A
   brief glance around and the daylight coming through
   the windows told her that she was on one of Chicago's
   elevated train lines. When the trains motion had jerked
   her awake, she had bashed her arm against the cold
   metal wall of the car.
   “Hey, there's some kid in here!” someone shouted
   from the far end of the car. Nancy turned her head
   gingerly and saw a uniformed transit worker standing
   in the open door of the car. He motioned to someone
   in the next car, then strode up to Nancy. The man
   definitely looked annoyed, but as he neared, his
   expression changed.
   “Are you okay?” he asked, his voice softening with
   concern.
   “Yes. Yes,” Nancy told him. “What line is this?”
   “The Blue Line,” he told her.
   Nancy gasped as the memory of what happened
   flooded back to her. The Blue Line ran through Jason's
   neighborhood. “Look, I've got to get off this train!”
   Nancy said, jumping up. For a moment her legs felt as
   if they might give way, but Nancy grabbed the back of
   a seat and steadied herself. She realized that Jason had
   hit her on the head and then dumped her on this train.
   He wanted her out of his way, and all at once Nancy
   was sure she knew why. “I've got to get back
   downtown,” she told the two men. Where can I
   change trains?”
   “Nowhere around here,” the second man told her.
   “This train's going in for maintenance, and we're on a
   Sunday schedule, so it'll be a while. We're almost in
   the train yard. I guess Manny forgot to check this last
   car at the terminus. But you look like you've been hurt.
   I'm calling 911.”
   “No! What I need is to call a cab.” Nancy reached
   for her bag and her cell phone. Then she saw her bag
   was missing. “My purse!” she cried.
   “Look, I'm going to call the police,” Manny said.
   “Obviously someone did something to you, ripped you
   off, and stashed you on this train.”
   Nancy put a hand over the Manny's walkie-talkie. “I
   promise to call the police. I know who did this. First
   I've got to get back to town. Couldn't you just call me a
   cab and lend me the fare?”
 &n 
					     					 			bsp; The men looked dubious, but at Nancy's insistence
   they broke down. Using his own cell phone, Manny
   called a local cab company, telling them to pick up
   Nancy at the train-yard office. Nancy borrowed his
   phone to call Lisa's house but only got the machine.
   Everyone was probably at Old Can Be Gold. Or, she
   realized with a pang of guilt, out looking for her. How
   had George reacted when Nancy answered her cell
   phone, and then not said a word—or had she? Nancy
   couldn't remember the moments just before Jason
   attacked her.
   Fifteen minutes later, after taking Manny's address
   to send him a check to repay him, Nancy was on her
   way back to town. As she rode back in the cab, she was
   furious with herself, and with Jason. What a two-faced
   creep! A two-faced smart creep. The guy had a really
   good scheme going for him, and unless Nancy could
   get back to the condo and into the apartment next to
   Lisa's before Jason did, he'd erase all evidence of his
   crime. He only had to destroy his negatives, then move
   his equipment out of the condo, and he could claim to
   know nothing. The doorman and the super would play
   dumb.
   Nancy barely waited for the cab to come to a full
   stop in front of Lisa's building before jumping out.
   The doorman was the one from the day shift, not
   Carl. He recognized Nancy, who smiled but continued
   straight for the elevator. Fortunately, she didn't need a
   key to Lisa's apartment. When the elevator opened on
   the twentieth floor, Nancy punched in Lisa's door code
   and entered the apartment.
   No one was home. She headed right for the terrace.
   Stepping outside, she shivered in the stiff cold breeze
   blowing off the lake.
   Nancy climbed over the cast-iron divider onto the
   next terrace. Pressing herself against the narrow strip
   of brick wall, she hazarded a glance through the glass
   doors. Now, by daylight, she could see the room was
   filled with photo equipment, but the lights were out
   and it looked deserted. That surprised her. Jason
   should have headed right to the condo to clear out his
   stuff the minute he had gotten rid of Nancy and before
   she had a chance to call the cops.
   Why hadn't he? The doorman! Carl was off until
   four, and the super didn't cover the door until around
   twelve. If Jason had paid Carl and the super to let him
   use the apartment for the shoot, he wouldn't risk the
   other doorman not letting him in the building. Jason
   would wait until the super covered for the daytime
   doorman.
   Nancy checked her watch. It was almost noon, the
   time the doorman broke for lunch. That left her about
   fifteen minutes. The terrace door was still locked, but
   the lock, like Lisa's, was easy to jimmy. Then Nancy's
   stomach sank. Without her purse and wallet she didn't
   have a credit card or even the little picklock set she
   always carried along with her penknife. The penknife!
   Before climbing Jason's fire escape, Nancy had taken it
   out of her bag and stuffed it in her pocket just to have
   it handy.
   She reached into the back pocket of her jeans. The
   knife was still there. Nancy opened it and slipped the
   blade between the doorframe and the door. On the
   first try she pried it open and let herself in.
   Nancy's gaze swept the apartment. Jason had cer-
   tainly camouflaged his activities. The place was still
   partially set up for a fashion shoot, with standing
   tungsten lamps and an old-fashioned sofa set up in
   front of a cloth backdrop. Yvonne Bly's black cocktail
   outfit was hanging on a garment rack, together with a
   couple of men's tuxedos and some fancy silk ties. The
   whole thing looked totally legit, except perhaps for
   Jason's unusual rental arrangement with the building
   staff. Even that was not high crime, not a big deal—but
   assault and burglary were.
   Nancy quickly searched the apartment, but the
   bedrooms were bare, the closets empty. She went back
   into the living room, disappointed, and started toward
   the terrace door. She noticed that the drapery behind
   the sofa was bulging slightly.
   She lifted the creamy fabric and hit pay dirt. Sure
   enough, George's battered reel-to-reel tape recorder
   was there, but was the tape still inside?
   Hopeful, Nancy opened the lid. Two reels of tape
   were set up to play, with the leader already threaded in
   the empty spool. Nancy unplugged one of the lights
   from an extension cord and plugged in the tape
   recorder. The On button lit up. She pressed Play and
   sat back on her heels. There was static, some voices,
   and then Lou Knight and Carey Black jamming what
   became Mama's Bad Boys' last hit song.
   At the end of the song Nancy turned the tape off.
   When she reached for Rewind, she accidentally pushed
   Fast Forward. Just as she punched the Off button, a
   voice exclaimed from behind her, “Girl, you sure have
   one hard head!”
   15. Over the Edge
   “Jason?” Nancy recognized the voice.
   He didn't answer. “Now get up—slowly!” he com-
   manded, prodding Nancy in the back with some kind
   of hard object.
   A gun? Nancy's heart leaped to her throat. She
   started to turn.
   “Don't turn around!” he snarled. He prodded her
   again, pushing her slightly forward. Nancy's hand was
   on the tape recorder. Thinking quickly, she pressed the
   Record button. “Get up! Now!”
   “Okay, okay!” Nancy got up slowly, keeping her eyes
   focused on the glass of the terrace door. It was clean
   and shiny, and Nancy could see Jason's reflection
   perfectly. “Jason, you're only making things worse for
   yourself.”
   Jason's lips curled into a self-satisfied smile. “Don't
   you get it? I'm not Jason.”
   Nancy's jaw dropped, and she started to turn to see
   for herself.
   “No looking. That'd be cheating,” he said.
   As he talked, Nancy felt the pressure against her
   back let up. Maybe if she could distract him, she could
   make a break for it. The terrace door was still half
   open.
   “You know what happened this morning or you
   wouldn't be here,” she said. “Jason must have told you.
   I searched his darkroom and came up with clear
   evidence that he had a shoot here.”
   “Really, that's pretty lame evidence,” Ethan sneered.
   A sliver of doubt entered Nancy's mind. Was this
   really Ethan? Bess had blabbed to Jason, but who else
   knew Nancy was on the case? Then she remembered
   overhearing Inez tell Ethan.
   Nancy ignored his jibe and continued her story. “He
   bribed building staff to let him use this condo for a
   shoot—but only because it was next door to Lisa's aunt
   and uncle's art collection.”
   “Creative thinking, but no way to prove that.”
   “Wrong!” Nanc 
					     					 			y went on. “I saw photos of the
   collection in Jason's darkroom.”
   Nancy saw a sudden movement reflected in the
   terrace door. Someone else had come through the
   front door. It was another man. Nancy's heart sank. If
   this was Ethan's accomplice, she was in big trouble.
   She had a chance at subduing one man, but two at
   once . . .
   “Jason!” the other man exclaimed. “Are you crazy?”
   Whichever twin was behind Nancy spun around.
   Nancy sprang to the side, darting out of reach. She
   made it as far as the terrace door before she noticed it
   was Jason who had just arrived. Or was it Ethan? They
   weren't dressed alike, but their faces were identical.
   The twin who'd held her captive was wearing nylon
   warm-up pants and a matching anorak. Some kind of
   black cloth was draped over his right hand, concealing
   the hard object he'd shoved in Nancy's back. The guy
   at the door was dressed for work in a sports jacket, a
   turtleneck, and dark brown pants.
   One of these guys was Ethan. Nancy had heard
   Ethan earlier at the Old Can Be Gold site, but she
   hadn't gotten even a glimpse of his shoes.
   “Is that a gun?” the newcomer asked, stunned.
   “Of course not!” The first twin tossed aside the cloth
   to reveal a small collapsible tripod. As he did, Nancy
   noticed his watch—a Rolex. It had been Jason all along
   holding her captive. “So how'd you find me here,
   Jason?” he asked, positioning himself between Nancy
   and the terrace door.
   Ethan frowned. “Jason, stop playing this twin game.
   What's going on here? Have you lost it?”
   “You can cut the act. Nancy is probably wise to us
   now.”
   “To us?” Ethan gasped. He closed the front door
   behind him and walked down the steps from the foyer
   into the living room. He was staring in horror at his
   brother.
   “Tell her why you're here, then,” Jason said, folding
   his arms across his chest and jerking his head toward
   Nancy.
   “You weren't at the loft this morning. You wanted
   more information about that tape, and I didn't have a
   chance to tell you last night—it's been stolen,” Ethan
   said. Then to Nancy's horror his eyes lit on the open
   tape recorder.
   Nancy saw Ethan's expression register total shock as
   he realized it was recording. She cringed, waiting for