gather! There in the front of the cave, all grunting like him,
   and swilling and gnawing and hulking! His poker night!--
   you call it--this party of apes! Somebody growls--some
   creature snatches at something--the fight is on! God! Maybe
   we are a long way from being made in God's image,
   but Stella--my sister--there has been some progress
   since then! Such things as art--as poetry and music--such
   kinds of new light have come into the world since then!
   In some kinds of people some tenderer feelings have had
   some little beginning! That we have got to make growl And cling to, and hold as our flag! In this dark march
   toward whatever it is we're approaching. . . . Don't--
   don't hang back with the brutes!
   [Another train passes outside. Stanley hesitates, licking his
   lips. Then suddenly he turns stealthily about and withdraws
   through front door. The women are still unaware of
   his presence. When the train has passed he calls through
   the closed front door.}
   stanley:
   Hey! Hey, SteUal
   stella [who has listened gravely to Blanche]:
   Stanleyl
   blanche:
   Stell, I--
   72
   'we had this date with each other from the beginning!"
   Ion Brando as Stanley, Jessica Tandy as Blanche in the original New
   : production of A Streetcar Named Desire, produced by Irene Mayor
   lick, directed by Elia Kazan.
   SCENE POUR
   Wut Stella has gone to the front door. Stanley enters
   casually with his packages.]
   stanley:
   Hiyuh, Stella. Blanche back?
   stella:
   Yes, she's back.
   stanley:
   Hiyuh, Blanche. [He grins at her.]
   stella:
   You must've got under the car.
   stanley:
   Them dam mechanics at Fritz's don't know their ass fr'm
   ?Hey!
   [Stella has embraced him -with both arms, fiercely, and
   full in the view of Blanche. He laughs and clasps her head
   to him. Over her head he grins through the curtains at
   Blanche.
   [As the lights fade away, with a lingering brightness on
   their embrace, the music of the "blue piano" and trumpet
   and drums is heard.]
   73
   SCENE FIVE
   Blanche is seated in the bedroom fanning herself with a
   palm leaf as she reads over a just completed letter. Suddenly
   she bursts into a peal of laughter. Stella is dressing in the bedroom.
   I-ijiy stella:
   I . | What are you laughing at, honey?
   't I'll blanche:
   Myself, myself, for being such a liar! Fm writing a letter
   to Shep. [She picks up the letter] "Darling Shep. I am
   spending the summer on the wing, making flying visits here and there. And who knows, perhaps I shall take a
   sudden notion to swoop down on Dallas! How would you
   feel about that? Ha-ha! [She laughs nervously and brightly,
   touching her throat as if actually talking to Shep] Forewarned
   is forearmed, as they say!"--How does that sound?
   stella:
   Uh-huh...
   blanche [going on nervously]:
   "Most of my sister's friends go north in the summer but
   some have homes on the Gulf and there has been a continued
   round of entertainments, teas, cocktails, and luncheons--"
   [A disturbance is heard upstairs at the Hubbells' apartment.]
   stella:
   Eunice seems to be having some trouble with Steve.
   [Eunices voice shouts in terrible wrath.}
   eunice:
   I heard about you and that blonde!
   steve:
   That's a damn lie!
   eunice:
   You aint pulling the wool over my eyes! I wouldn't mind
   if you'd stay down at the Four Deuces, but you always
   going up.
   SCENE FIVE
   steve:
   Who ever seen me up?
   T^TTMTfE *
   I seen you chasing her 'round the balcony--I'm gonna call
   the vice squad!
   steve:
   Don't you throw that at mel
   eunice [shrieking]:
   You hit me! I'm gonna call the police!
   [A clatter of aluminum striking a wall is heard, followed
   by a man's angry roar, shouts and overturned furniture.
   There is a crash; then a relative hush.}
   blanche [brightly]:
   Did he kill her?
   [Eunice appears on the steps in daemonic disorder.]
   stella:
   No! She's coming downstairs.
   eunice:
   Call the police. I'm going to call the police! [She rushes
   around the comer.]
   [They laugh lightly. Stanley comes around the corner in
   his green-and-scarlet silk bowling shirt. He trots up the
   steps and bangs 'into the kitchen. Blanche registers his entrance
   with nervous gestures.]
   stanley:
   What's a matter with Eun-uss?
   stella:
   She and Steve had a row. Has she got the police?
   stanley:
   Naw. She's gettin' a drink. stella:
   That's much more practical!
   [Steve comes down nursing a bruise on his forehead and
   looks in the door.]
   steve:
   She here?
   75
   BOENE FIVE
   stanley:
   Naw, naw. At the Pour Deuces.
   stevb:
   That rutting hunki [He looks around the corner a bit
   timidly, then turns with affected boldness and runs after
   her.]
   blanche:
   I must jot that down in my notebook. Ha-ha! I'm compiling
   a notebook of quaint little words and phrases I've
   picked up here.
   stanley:
   You won't pick up nothing here you ain't heard before.
   blanche:
   Can I count on that?
   stanley:
   You can count on it up to five hundred.
   blanche:
   That's a mighty high number. [He jerks open the bureau
   drawer, slams it shut and throws shoes in a corner. At each
   noise Blanche winces slightly. Finally she speaks] What
   sign were you born under?
   stanley [while he is dressing]:
   Sign?
   blanche:
   Astrological sign. I bet you were born under Aries. Aries
   people are forceful and dynamic. They dote on noise!
   They love to bang things around! You must have had lots
   of banging around in the army and now that you're out, you make up for it by treating inanimate objects with
   such a fury!
   [Stella has been going in and out of closet during this
   scene. Now she pops her head out of the closet.} stella:
   Stanley was born just five minutes after Christmas.
   blanche:
   Capricorn--the Goat!
   stanley:
   What sign were you born under?
   78
   L?>
   '---Tl 
   SCENE FIVE
   blanche:
   Oh, my birthday's next month, the fifteenth of September;
   that's under Virgo.
   stanley:
   What's Virgo?
   blanche:
   Virgo is the Virgin.
   stanley [contemptuously]:
   Bah! [He advances a little as he knots his tie] Say, do you
   happen to know somebody named Shaw? [He 
					     					 			r face expresses a faint shock. She reaches for the
   cologne bottle and dampens her handkerchief as she answers
   carefully.}
   blanche:
   Why, everybody knows somebody named Shawl
   stanley:
   Well, this somebody named Shaw is under the impression
   he met you in Laurel, but I figure he must have got you
   mixed up with some other party because this other party
   is someone he met at a hotel called the Flamingo. [Blanche laughs breathlessly as she touches the cologne- dampened handkerchief to her temples.}
   blanche:
   I'm afraid he does have me mixed up with this "other
   party." The Hotel Flamingo is not the sort of establishment
   I would dare to be seen in!
   stanley:
   You know of it?
   blanche:
   Yes, I've seen it and smelled it
   stanley:
   You musfve got pretty close if you could smell it
   blanche:
   The odor of cheap perfume is penetrating.
   stanley:
   That stuff you use is expensive?
   blanche:
   Twenty-five dollars an ounce! Tm nearly out. That's just
   77
   --y
   SCENE FIVE
   a hint if you want to remember my birthday! [She speaks
   lightly but her voice has a note of fear.}
   stanley:
   Shaw must've got you mixed up. He goes in and out of
   Laurel all the time so he can check on it and dear up any
   mistake.
   [He turns away and crosses to the portieres. Blanche closes
   her eyes as if faint. Her hand trembles as she lifts the handkerchief
   again to her forehead.
   [Steve and Eunice come around corner. Steve's arm fs
   around Eunice's shoulder and she is sobbing luxuriously
   and he is cooing love-words. There is a murmur of thunder
   as they go slowly upstairs in a tight embrace.}
   stanley [to Stella}:
   111 wait for you at me Four Deuces! |j
   stella: "gy"',
   Hey! Dont I rate one kiss? %f^^
   stanley:
   Not in front of your sister.
   [He goes out. Blanche rises from her chair. She seems
   faint; looks about her with an expression of almost panic.}
   blanche:
   Stella! What have you heard about me?
   stella:
   Huh?
   blanche:
   What have people been telling you about me?
   stella:
   Telling? ^SS^* blanche:
   You haven't heard any--unkind--gossip about me?
   stella:
   Why, no, Blanche, of course not! blanche:
   Honey, there was--a good deal of talk in Laurel.
   stella:
   About you, Blanche?
   78
   SCENE FIVB
   blanche:
   I wasn't so good die last two years or so, after Belle Reve
   had started to slip through my fingers.
   stella:
   All of us do things we--
   blanche:
   I never was hard or sell-sufficient enough. When people
   are soft--soft people have got to shimmer and glow--
   they've got to put on soft colors, the colors of butterfly
   wings, and put a--paper lantern over the light. ... It isn't
   enough to be soft. You've got to be soft and attractive. And
   I--I'm fading now! I don't know how much longer I can
   turn me trick.
   [The afternoon has faded to dusk. Stella goes into the bedroom
   and turns on the light under the paper lantern. She
   holds a bottled soft drink in her hand.}
   blanche:
   Have you been listening to me?
   stella:
   I don't listen to you when you are being morbid! [She
   advances with the bottled coke.}
   blanche [with abrupt change to gaiety}'.
   Is that coke for me?
   stella:
   Not for anyone else!
   blanche:
   Why, you precious thing, you! Is it just coke?
   stella [turning}:
   You mean you want a shot in iti
   blanche:
   Well, honey, a shot never does a coke any harm! Let mel
   You mustn't wait on me!
   stella:
   I like to wait on you, Blanche. It makes it seem more like
   home. [She goes into the kitchen, finds a glass and pours
   a shot of whiskey into it.]
   blanche:
   I have to admit I love to be waited on...
   79
   SCENE FIVE
   [She rushes into the bedroom. Stella goes to her with the
   glass. Blanche suddenly clutches Stella's free hand with a
   moaning sound and presses the hand to her lips. Stella is
   embarrassed by her show of emotion. Blanche speaks in a
   choked voice.]
   You're?you're?so good to me! And I?
   stella:
   Blanche.
   blanche:
   I know, I won't! You hate me to talk sentimental! But
   honey, believe I feel things more than I tell youl I won't
   stay long! I won't, I promise I?
   stella:
   Blanche!
   blanche [hysterically]:
   I won't, I promise, I'll go! Go soon! I will really! I won't
   hang around until he?throws me out...
   stella:
   Now will you stop talking foolish?
   blanche:
   Yes, honey. Watch how you pour?that fizzy stuff foams
   over!
   [Blanche laughs shrilly and grabs the glass, but her hand
   shakes so it almost slips from her grasp. Stella pours the
   coke into the glass. It foams over and spills. Blanche gives
   a piercing cry.]
   stella [shocked by the cry]:
   Heavens!
   blanche:
   Right on my pretty white skirt!
   STELLA:
   Oh ... Use my hanky. Blot gently. ^.
   blanche [slowly recovering]:
   I know?gently?gently...
   stella:
   Did it stain?
   blanche:
   Not a bit. Ha-ha! Isn't that lucky? [She sits down shaking,
   80
   SCENE FIVE
   taking a grateful drink. She holds the glass in both hands
   and continues to laugh a little.}
   stella:
   Why did you scream like that?
   blanche:
   I don't know why I screamed! [continuing nervously] Mitch
   --Mitch is coming at seven. I guess I am just feeling nervous
   about our relations. [She begins to talk rapidly and
   breathlessly] He hasn't gotten a thing but a goodnight kiss,
   that's all I have given him, Stella. I want his respect. And
   men don't want anything they get too easy. But on the other
   hand men lose interest quickly. Especially when the girl is
   over--thirty. They think a girl over thirty ought to--the
   vulgar term is--"put out." . . . And I--I'm not "putting
   out." Of course he--he doesn't know--I mean I haven't informed
   him --of my real age!
   stella:
   Why are you sensitive about your age?
   blanche:
   Because of hard knocks my vanity's been given. What I
   mean is--he thinks I'm sort of--prim and proper, you
   know! [She laughs out sharply} I want to deceive him
   enough to make him--want me...
   stella:
   Blanche, do you want him?
   blanche:
   I want to rest! I want to breathe quietly again! Yes--I wa 
					     					 			nt
   Mitch ... very badly! Just think! If it happensi I can leave
   here and not be anyone's problem...
   [Stanley comes around the corner with a drink under Ms
   belt.} stanley [bawling}:
   Hey, Steve! Hey, Eunice! Hey, Stella!
   [There are joyous calls from above. Trumpet and drums
   are heard from around the corner.} stella [kissing Blanche impulsively}:
   It will happen! blanche [doubtfully}:
   It will?
   81
   TIKl
   EK^A^aSaMi
   SCENE FIVE
   stella:
   It will! [She goes across into the kitchen, looking back
   at Blanche.} It will, honey, it will. ... But don't take another
   drink! [Her voice catches as she goes out the door to
   meet her husband.
   [Blanche sinks faintly back in her chair -with her drink.
   Eunice shrieks with laughter and runs down the steps. Steve
   bounds after her -with goat-like screeches and chases her
   around corner. Stanley and Stella twine arms as they follow,
   laughing.
   [Dusk settles deeper. The music from the Four Deuces
   is slow and blue.}
   blanche:
   Ah, me, ah, me, ah, me ...
   [Her eyes fall shut and the palm leaf fan drops from her
   fingers. She slaps her hand on the chair arm a couple of
   times. There is a little glimmer of lightning about the
   building.
   [A Young Man comes along the street and rings the bell.}
   blanche:
   Come in.
   [The Young Man appears through the portieres. She regards
   him with interest.}
   blanche:
   Well, well! What can I do for you?
   young man:
   I'm collecting for The Evening Star.
   blanche:
   I didn't know that stars took up collections.
   young man:
   It's the paper.
   blanche:
   I know. I was joking--feebly! Will you--have a drink?
   young man:
   No, ma'am. No, thank you. I can't drink on the job.
   blanche:
   Oh, well, now, let's see. . . . No, I don't have a dime!
   83
   SCENE FIVE
   I'm not the lady of the house. I'm her sister from Mississippi.
   I'm one of those poor relations you've heard about. young man;
   That's all right 111 drop by later. [He starts to go out.
   She approaches a little.}
   blanche:
   Hey! [He turns back shyly. She puts a cigarette in a long
   holder] Could you give me a light? [She crosses toward
   him. They meet at the door between the two rooms.}
   young man:
   Sure. [He takes out a lighter] This doesn't always work
   blanche:
   It's temperamental? [It flares] Ah!--thank you. [He starts
   away again] Hey! [He turns again, still more uncertainly.
   She goes close to him] Uh--what time is it?
   young man:
   Fifteen of seven, ma'am.
   blanche:
   So late? Don't you just love these long rainy afternoons
   in New Orleans when an hour isn't just an hour--but a
   little piece of eternity dropped into your hands--and who
   knows what to do with it? [She touches his shoulders.] You--uh--didn't get wet in the rain?
   youno man:
   No, ma'am. I stepped inside.
   blanche:
   In a drug-store? And had a soda?
   young man:
   | Uh-huh.
   | blanche:
   Chocolate?
   young man:
   No, ma'am. Cherry. blanche [laughing]:
   Cherry!
   young man:
   A cherry soda.
   83
   ^
   ffi.aa^.t . , ; . . .--...... .
   -.i-^MB^S-----?-.--?----..^-. . .--------------mim------.^??iy*"?..^-
   SCENE FIVE
   blanche:
   You make my mouth water. [She touches his cheek lightly, and smiles. Then she goes to the trunk.]
   young man:
   Well, I'd better be going--
   blanche [stopping him]:
   Young man!
   [He turns. She takes a large, gossamer scarf from the trunk
   and drapes it about her shoulders.
   [In the ensuing pause, the "blue piano" is heard. It continues
   through the rest of this scene and the opening of the next. The young man clears his throat and looks yearningly
   at the door.]
   Young man! Young, young, young man! Has anyone ever
   told you that you look like a young Prince out of the
   Arabian Nights?
   [The Young Man laughs uncomfortably and stands like a
   bashful kid. Blanche speaks softly to him.]
   Well, you do, honey lamb! Come here. I want to kiss you, just once, softly and sweetly on your mouth! [Without waiting for him to accept, she crosses quickly
   to him and presses her lips to his.] Now run along, now, quickly! It would be nice to keep
   you, but I've got to be good--and keep my hands off
   children.
   [He stares at her a moment. She opens the door for him
   and blows a kiss at him as he goes down the steps with a
   dazed look. She stands there a little dreamily after he has
   disappeared. Then Mitch appears around the corner with
   a bunch of roses.] blanche [gaily]:
   Look who's coming! My Rosenkavaliert Bow to me first
   . . . now present them! Ahhh--Merciiiil
   [She looks at him over them, coquettishly pressing them
   to her lips. He beams at her selfconsciously.]
   fly' |
   ?... . m
   SCENE SIX
   It is about two A.M. on the same evening. The outer wall
   of the building is visible. Blanche and Mitch come in. The
   utter exhaustion which only a neurasthenic personality can
   know is evident in Blanche's voice and manner. Milch is
   stolid but depressed. They have probably been out to the
   amusement park on Lake Pontchartrain, for Mitch is bearing,
   upside down, a plaster statuette of Mae West, the sort
   of prize won at shooting-galleries and carnival games of
   chance.
   blanche [stopping lifelessly at the steps}:
   Well--
   [Milch laughs uneasily.} WeU...
   mttch:
   I guess it must be pretty late--and you're tired.
   blanche: