These and other remains give us some inkling of Egyptian life before the first of the historic dynasties. It was a culture midway between hunting and agriculture, and just beginning to replace stone with metal tools. The people made boats, ground corn, wove linen and carpets, had jewels and perfumes, barbers and domesticated animals, and delighted to draw pictures, chiefly of the prey they pursued.18 They painted upon their simple pottery figures of mourning women, representations of animals and men, and geometrical designs; and they carved such excellent products as the Gebel-el-Arak knife. They had pictographic writing, and Sumerian-like cylinder seals.19
No one knows whence these early Egyptians came. Learned guesses incline to the view that they were a cross between Nubian, Ethiopian and Libyan natives on one side and Semitic or Armenoid immigrants on the other;20 even at that date there were no pure races on the earth. Probably the invaders or immigrants from Western Asia brought a higher culture with them,21 and their intermarriage with the vigorous native stocks provided that ethnic blend which is often the prelude to a new civilization. Slowly, from 4000 to 3000 B.C., these mingling groups became a people, and created the Egypt of history.
3. The Old Kingdom
The “nomes”—The first historic individual—“Cheops”—“Chephren”—The purpose of the Pyramids—Art of the tombs—Mummification
Already, by 4000 B.C., these peoples of the Nile had forged a form of government. The population along the river was divided into “nomes,”* in each of which the inhabitants were essentially of one stock, acknowledged the same totem, obeyed the same chief, and worshiped the same gods by the same rites. Throughout the history of ancient Egypt these nomes persisted, their “nomarchs” or rulers having more or less power and autonomy according to the weakness or strength of the reigning Pharaoh. As all developing structures tend toward an increasing interdependence of the parts, so in this case the growth of trade and the rising costliness of war forced the nomes to organize themselves into two kingdoms—one in the south, one in the north; a division probably reflecting the conflict between African natives and Asiatic immigrants. This dangerous accentuation of geographic and ethnic differences was resolved for a time when Menes, a half-legendary figure, brought the “Two Lands” under his united power, promulgated a body of laws given him by the god Thoth,22 established the first historic dynasty, built a new capital at Memphis, “taught the people” (in the words of an ancient Greek historian) “to use tables and couches, and . . . introduced luxury and an extravagant manner of life.”23
The first real person in known history is not a conqueror or a king but an artist and a scientist—Imhotep, physician, architect and chief adviser of King Zoser (ca. 3150 B.C.). He did so much for Egyptian medicine that later generations worshiped him as a god of knowledge, author of their sciences and their arts; and at the same time he appears to have founded the school of architecture which provided the next dynasty with the first great builders in history. It was under his administration, according to Egyptian tradition, that the first stone house was built; it was he who planned the oldest Egyptian structure extant—the Step-Pyramid of Sakkara, a terraced structure of stone which for centuries set the style in tombs; and apparently it was he who designed the funerary temple of Zoser, with its lovely lotus columns and its limestone paneled walls.24 In these old remains at Sakkarah, at what is almost the beginning of historic Egyptian art, we find fluted shafts as fair as any that Greece would build,25 reliefs full of realism and vitality,26 green faïence—richly colored glazed earthenware—rivaling the products of medieval Italy,27 and a powerful stone figure of King Zoser himself, obscured in its details by the blows of time, but still revealing an astonishingly subtle and sophisticated face.28
We do not know what concourse of circumstance made the Fourth Dynasty the most important in Egyptian history before the Eighteenth. Perhaps it was the lucrative mining operations in the last reign of the Third, perhaps the ascendancy of Egyptian merchants in Mediterranean trade, perhaps the brutal energy of Khufu,* first Pharaoh of the new house. Herodotus has passed on to us the traditions of the Egyptian priests concerning this builder of the first of Gizeh’s pyramids:
Now they tell me that to the reign of Rhampsinitus there was a perfect distribution of justice and that all Egypt was in a high state of prosperity; but that after him Cheops, coming to reign over them, plunged into every kind of wickedness, for that, having shut up all the temples, . . . he ordered all the Egyptians to work for himself. Some, accordingly, were appointed to draw stones from the quarries in the Arabian mountains down to the Nile, others he ordered to receive the stones when transported in vessels across the river. . . . And they worked to the number of a hundred thousand men at a time, each party during three months. The time during which the people were thus harassed by toil lasted ten years on the road which they constructed, and along which they drew the stones; a work, in my opinion, not much less than the Pyramid.29
Of his successor and rival builder, Khafre,* we know something almost at first hand; for the diorite portrait which is among the treasures of the Cairo Museum pictures him, if not as he looked, certainly as we might conceive this Pharaoh of the second pyramid, who ruled Egypt for fifty-six years. On his head is the falcon, symbol of the royal power; but even without that sign we should know that he was every inch a king. Proud, direct, fearless, piercing eyes; a powerful nose and a frame of reserved and quiet strength; it is evident that nature had long since learned how to make men, and art had long since learned how to represent them.
Why did these men build pyramids? Their purpose was not architectural but religious; the pyramids were tombs, lineally descended from the most primitive of burial mounds. Apparently the Pharaoh believed, like any commoner among his people, that every living body was inhabited by a double, or ka, which need not die with the breath; and that the ka would survive all the more completely if the flesh were preserved against hunger, violence and decay. The pyramid, by its height,† its form and its position, sought stability as a means to deathlessness; and except for its square corners it took the natural form that any homogeneous group of solids would take if allowed to fall unimpeded to the earth. Again, it was to have permanence and strength; therefore stones were piled up here with mad patience as if they had grown by the wayside and had not been carried from quarries hundreds of miles away. In Khufu’s pyramid there are two and a half million blocks, some of them weighing one hundred and fifty tons,30 all of them averaging two and a half tons; they cover half a million square feet, and rise 481 feet into the air. And the mass is solid; only a few blocks were omitted, to leave a secret passage way for the carcass of the King. A guide leads the trembling visitor on all fours into the cavernous mausoleum, up a hundred crouching steps to the very heart of the pyramid; there in the damp, still center, buried in darkness and secrecy, once rested the bones of Khufu and his queen. The marble sarcophagus of the Pharaoh is still in place, but broken and empty. Even these stones could not deter human thievery, nor all the curses of the gods.
Since the ka was conceived as the minute image of the body, it had to be fed, clothed and served after the death of the frame. Lavatories were provided in some royal tombs for the convenience of the departed soul; and a funerary text expresses some anxiety lest the ka, for want of food, should feed upon its own excreta.31 One suspects that Egyptian burial customs, if traced to their source, would lead to the primitive interment of a warrior’s weapons with his corpse, or to some institution like the Hindu suttee—the burial of a man’s wives and slaves with him that they may attend to his needs. This having proved irksome to the wives and slaves, painters and sculptors were engaged to draw pictures, carve bas-reliefs, and make statuettes resembling these aides; by a magic formula, usually inscribed upon them, the carved or painted objects would be quite as effective as the real ones. A man’s descendants were inclined to be lazy and economical, and even if he had left an endowment to cover the costs they were apt to neglect the rule that religion originally pu
t upon them of supplying the dead with provender. Hence pictorial substitutes were in any case a wise precaution: they could provide the ka of the deceased with fertile fields, plump oxen, innumerable servants and busy artisans, at an attractively reduced rate. Having discovered this principle, the artist accomplished marvels with it. One tomb picture shows a field being ploughed, the next shows the grain being reaped or threshed, another the bread being baked; one shows the bull copulating with the cow, another the calf being born, another the grown cattle being slaughtered, another the meat served hot on the dish.32 A fine limestone bas-relief in the tomb of Prince Rahotep portrays the dead man enjoying the varied victuals on the table before him.33 Never since has art done so much for men.
Finally the ka was assured long life not only by burying the cadaver in a sarcophagus of the hardest stone, but by treating it to the most painstaking mummification. So well was this done that to this day bits of hair and flesh cling to the royal skeletons. Herodotus vividly describes the Egyptian embalmer’s art:
First they draw out the brains through the nostrils with an iron hook, raking part of it out in this manner, the rest by the infusion of drugs. Then with a sharp stone they make an incision in the side, and take out all the bowels; and having cleansed the abdomen and rinsed it with palm wine, they next sprinkle it with pounded perfume. Then, having filled the belly with pure myrrh, cassia and other perfumes, they sew it up again; and when they have done this they steep it in natron,* leaving it under for seventy days; for a longer time than this it is not lawful to steep it. At the expiration of seventy days they wash the corpse, and wrap the whole body in bandages of waxen cloth, smearing it with gum, which the Egyptians commonly use instead of glue. After this the relations, having taken the body back again, make a wooden case in the shape of a man, and having made it they enclose the body; and then, having fastened it up, they store it in a sepulchral chamber, setting it upright against the wall. In this manner they prepare the bodies that are embalmed in the most expensive way.34
“All the world fears Time,” says an Arab proverb, “but Time fears the Pyramids.”35 However, the pyramid of Khufu has lost twenty feet of its height, and all its ancient marble casing is gone; perhaps Time is only leisurely with it. Beside it stands Khafre’s pyramid, a trifle smaller, but still capped with the granite casing that once covered it all. Humbly beyond this squats the pyramid of Khafre’s successor Menkaure,† covered not with granite but with shamefaced brick, as if to announce that when men raised it the zenith of the Old Kingdom had passed. The statues of Menkaure that have come down to us show him as a man more refined and less forceful than Khafre.‡ Civilization, like life, destroys what it has perfected. Already, it may be, the growth of comforts and luxuries, the progress of manners and morals, had made men lovers of peace and haters of war. Suddenly a new figure appeared, usurped Menkaure’s throne, and put an end to the pyramid-builders’ dynasty.
4. The Middle Kingdom
The Feudal Age—The Twelfth Dynasty—The Hyksos Domination
Kings were never so plentiful as in Egypt. History lumps them into dynasties—monarchs of one line or family; but even then they burden the memory intolerably.* One of these early Pharaohs, Pepi II, ruled Egypt for ninety-four years (2738-2644 B.C.)—the longest reign in history. When he died anarchy and dissolution ensued, the Pharaohs lost control, and feudal barons ruled the nomes independently: this alternation between centralized and decentralized power is one of the cyclical rhythms of history, as if men tired alternately of immoderate liberty and excessive order. After a Dark Age of four chaotic centuries a strong-willed Charlemagne arose, set things severely in order, changed the capital from Memphis to Thebes, and under the title of Amenemhet I inaugurated that Twelfth Dynasty during which all the arts, excepting perhaps architecture, reached a height of excellence never equaled in known Egypt before or again. Through an old inscription Amenemhet speaks to us:
I was one who cultivated grain and loved the harvest god;
The Nile greeted me and every valley;
None was hungry in my years, none thirsted then;
Men dwelt in peace through that which I wrought, and conversed of me.
His reward was a conspiracy among the Talleyrands and Fouchés whom he had raised to high office. He put it down with a mighty hand, but left for his son, Polonius-like, a scroll of bitter counsel—an admirable formula for despotism, but a heavy price to pay for royalty:
Hearken to that which I say to thee,
That thou mayest be king of the earth, . . .
That thou mayest increase good:
Harden thyself against all subordinates—
The people give heed to him who terrorizes them;
Approach them not alone.
Fill not thy heart with a brother,
Know not a friend; . . .
When thou sleepest, guard for thyself thine own heart;
For a man hath no friend in the day of evil.36
This stern ruler, who seems to us so human across four thousand years, established a system of administration that held for half a millennium. Wealth grew again, and then art; Senusret I built a great canal from the Nile to the Red Sea, repelled Nubian invaders, and erected great temples at Heliopolis, Abydos, and Karnak; ten colossal seated figures of him have cheated time, and litter the Cairo Museum. Another Senusret—the Third—began the subjugation of Palestine, drove back the recurrent Nubians, and raised a stele or slab at the southern frontier, “not from any desire that ye should worship it, but that ye should fight for it.”37 Amenemhet III, a great administrator, builder of canals and irrigation, put an end (perhaps too effectively) to the power of the barons, and replaced them with appointees of the king. Thirteen years after his death Egypt was plunged into disorder by a dispute among rival claimants to the throne, and the Middle Kingdom ended in two centuries of turmoil and disruption. Then the Hyksos, nomads from Asia, invaded disunited Egypt, set fire to the cities, razed the temples, squandered the accumulated wealth, destroyed much of the accumulated art, and for two hundred years subjected the Nile valley to the rule of the “Shepherd Kings.” Ancient civilizations were little isles in a sea of barbarism, prosperous settlements surrounded by hungry, envious and warlike hunters and herders; at any moment the wall of defense might be broken down. So the Kassites raided Babylonia, the Gauls attacked Greece and Rome, the Huns overran Italy, the Mongols came down upon Peking.
Soon, however, the conquerors in their turn grew fat and prosperous, and lost control; the Egyptians rose in a war of liberation, expelled the Hyksos, and established that Eighteenth Dynasty which was to lift Egypt to greater wealth, power and glory than ever before.
5. The Empire
The great queen—Thutmose III—The zenith of Egypt
Perhaps the invasion had brought another rejuvenation by the infusion of fresh blood; but at the same time the new age marked the beginning of a thousand-year struggle betwen Egypt and Western Asia. Thutmose I not only consolidated the power of the new empire, but—on the ground that western Asia must be controlled to prevent further interruptions—invaded Syria, subjugated it from the coast to Carchemish, put it under guard and tribute, and returned to Thebes laden with spoils and the glory that always comes from the killing of men. At the end of his thirty-year reign he raised his daughter Hatshepsut to partnership with him on the throne. For a time her husband and step-brother ruled as Thutmose II, and dying, named as his successor Thutmose III, son of Thutmose I by a concubine.38 But Hatshepsut set this high-destined youngster aside, assumed full royal powers, and proved herself a king in everything but gender.
Even this exception was not conceded by her. Since sacred tradition required that every Egyptian ruler should be a son of the great god Amon, Hatshepsut arranged to be made at once male and divine. A biography was invented for her by which Amon had descended upon Hatshepsut’s mother Ahmasi in a flood of perfume and light; his attentions had been gratefully received; and on his departure he had announced that Ahmasi would g
ive birth to a daughter in whom all the valor and strength of the god would be made manifest on earth.39 To satisfy the prejudices of her people, and perhaps the secret desire of her heart, the great Queen had herself represented on the monuments as a bearded and breastless warrior; and though the inscriptions referred to her with the feminine pronoun, they did not hesitate to speak of her as “Son of the Sun” and “Lord of the Two Lands.” When she appeared in public she dressed in male garb, and wore a beard.40
She had a right to determine her own sex, for she became one of the most successful and beneficent of Egypt’s many rulers. She maintained internal order without undue tyranny, and external peace without loss. She organized a great expedition to Punt (presumably the eastern coast of Africa), giving new markets to her merchants and new delicacies to her people. She helped to beautify Karnak raised there two majestic obelisks, built at Der-el-Bahri the stately temple which her father had designed, and repaired some of the damage that had been done to older temples by the Hyksos kings. “I have restored that which was in ruins,” one of her proud inscriptions tells us; “I have raised up that which was unfinished since the Asiatics were in the midst of the Northland, overthrowing that which had been made.”41 Finally she built for herself a secret and ornate tomb among the sand-swept mountains on the western side of the Nile, in what came to be called “The Valley of the Kings’ Tombs”; her successors followed her example, until some sixty royal sepulchres had been cut into the hills, and the city of the dead began to rival living Thebes in population. The “West End” in Egyptian cities was the abode of dead aristocrats; to “go west” meant to die.