Page 39 of The Golf Omnibus


  “I say, old girl,” he said one evening, “I know you won’t mind my mentioning it, and I don’t suppose you’re aware of it yourself, but recently you’ve developed a sort of silvery laugh. A nasty thing to have about the home. Try to switch it off, old bird, would you mind?”

  Jane said nothing. The man was not worth answering. All through the pages of The Purple Fan, Eulalie French’s silvery laugh had been highly spoken of and greatly appreciated by one and all. It was the thing about her that the dark, clean-cut, sensitive-faced men most admired. And the view Jane took of the matter was that if William did not like it the poor fish could do the other thing.

  But this brutal attack decided her to come out into the open with the grievance which had been vexing her soul for weeks past.

  “William,” she said, “I want to say something. William, I am feeling stifled.”

  “I’ll open the window.”

  “Stifled in this beastly little village, I mean,” said Jane, impatiently. “Nobody ever does anything here except play golf and bridge, and you never meet an artist-soul from one year’s end to the other. How can I express myself? How can I be myself? How can I fulfil myself?”

  “Do you want to?” asked William, somewhat out of his depth.

  “Of course I want to. And I shan’t be happy unless we leave this ghastly place and go to live in a studio in town.”

  William sucked thoughtfully at his pipe. It was a tense moment for a man who hated metropolitan life as much as he did Nevertheless, if the solution of Jane’s recent weirdness was simply that she had got tired of the country and wanted to live in town, to the town they must go. After a first involuntary recoil, he nerved himself to the martyrdom like the fine fellow he was.

  “We’ll pop off as soon as I can sell the house,” he said.

  “I can’t wait as long as that. I want to go now.”

  “All right,” said William, amiably. “We’ll go next week.”

  William’s forebodings were quickly fulfilled. Before he had been in the Metropolis ten days he realized that he was up against it as he had never been up against it before. He and Jane and little Braid Vardon had established themselves in what the house-agent described as an attractive bijou studio-apartment in the heart of the artistic quarter. There was a nice bedroom for Jane, a delightful cupboard for Braid Vardon, and a cosy corner behind a Japanese screen for William. Most compact. The rest of the place consisted of a room with a large skylight, handsomely furnished with cushions and samovars, where Jane gave parties to the intelligentsia.

  It was these parties that afflicted William as much as anything else. He had not realized that Jane intended to run a salon. His idea of a pleasant social evening was to have a couple of old friends in for a rubber of bridge, and the almost nightly incursion of a horde of extraordinary birds in floppy ties stunned him. He was unequal to the situation from the first. While Jane sat enthroned on her cushion, exchanging gay badinage with rising young poets and laughing that silvery laugh of hers, William would have to stand squashed in a corner, trying to hold off some bobbed-haired female who wanted his opinion of Augustus John.

  The strain was frightful, and, apart from the sheer discomfort of it, he found to his consternation that it was beginning to affect his golf. Whenever he struggled out from the artistic zone now to one of the suburban courses, his jangled nerves unfitted him for decent play. Bit by bit his game left him. First he found that he could not express himself with the putter. Then he began to fail to be himself with the mashie-niblick. And when at length he discovered that he was only fulfilling himself about every fifth shot off the tee he felt that this thing must stop.

  The conscientious historian will always distinguish carefully between the events leading up to a war and the actual occurrence resulting in the outbreak of hostilities. The latter may be, and generally is, some almost trivial matter, whose only importance is that it fulfils the function of the last straw. In the case of Jane and William what caused the definite rift was Jane’s refusal to tie a can to Rodney Spelvin.

  The author of The Purple Fan had been from the first a leading figure in Jane’s salon. Most of those who attended these functions were friends of his, introduced by him, and he had assumed almost from the beginning the demeanour of a master of the revels. William, squashed into his corner, had long gazed at the man with sullen dislike, yearning to gather him up by the slack of his trousers and heave him into outer darkness; but it is improbable that he would have overcome his native amiability sufficiently to make any active move, had it not been for the black mood caused by his rotten golf. But one evening, when, coming home after doing the Mossy Heath course in five strokes over the hundred, he found the studio congested with Rodney Spelvin and his friends, many of them playing ukeleles, he decided that flesh and blood could bear the strain no longer.

  As soon as the last guest had gone he delivered his ultimatum.

  “Listen, Jane,” he said. “Touching on this Spelvin bloke.”

  “Well?” said Jane, coldly. She scented battle from afar.

  “He gives me a pain in the neck.”

  “Really?” said Jane, and laughed a silvery laugh.

  “Don’t do it, old girl,” pleaded William, wincing.

  “I wish you wouldn’t call me ‘old girl’.”

  “Why not?”

  “Because I don’t like it.”

  “You used to like it.”

  “Well, I don’t now.”

  “Oh!” said William, and ruminated a while. “Well, be that as it may,” he went on, “I want to tell you just one thing. Either you throw the bloke Spelvin out on his left ear and send for the police if he tries to get in again, or I push off. I mean it! I absolutely push off.”

  There was a tense silence.

  “Indeed?” said Jane at last.

  “Positively push off,” repeated William, firmly. “I can stand a lot, but pie-faced Spelvin tries human endurance too high.”

  “He is not pie-faced,” said Jane, warmly.

  “He is pie-faced,” insisted William. “Come round to the Vienna Bon-Ton Bakery tomorrow and I will show you an individual custard-pie that might be his brother.”

  “Well, I am certainly not going to be bullied into giving up an old friend just because⎯”

  William stared.

  “You mean you won’t hand him the mitten?”

  “I will not.”

  “Think what you are saying, Jane. You positively decline to give this false-alarm the quick exit?”

  “I do.”

  “Then,” said William, “all is over. I pop off.”

  Jane stalked without a word into her bedroom. With a mist before his eyes William began to pack. After a few moments he tapped at her door.

  “Jane.”

  “Well?”

  “I’m packing.”

  “Indeed?”

  “But I can’t find my spare mashie.”

  “I don’t care.”

  William returned to his packing. When it was finished, he stole to her door again. Already a faint stab of remorse was becoming blended with his just indignation.

  “Jane.”

  “Well?”

  “I’ve packed.”

  “Really?”

  “And now I’m popping.”

  There was silence behind the door.

  “I’m popping, Jane,” said William. And in his voice, though he tried to make it cold and crisp, there was a note of wistfulness.

  Through the door there came a sound. It was the sound of a silvery laugh. And as he heard it William’s face hardened. Without another word he picked up his suit-case and golf-bag, and with set jaw strode out into the night.

  One of the things that tend to keep the home together in these days of modern unrest is the fact that exalted moods of indignation do not last. William, released from the uncongenial atmosphere of the studio, proceeded at once to plunge into an orgy of golf that for a while precluded regret. Each day he indulged his starved soul wi
th fifty-four holes, and each night he sat smoking in bed, pleasantly fatigued, reviewing the events of the past twelve hours with complete satisfaction. It seemed to him that he had done the good and sensible thing.

  And then, slowly at first, but day by day more rapidly, his mood began to change. That delightful feeling of jolly freedom ebbed away.

  It was on the morning of the tenth day that he first became definitely aware that all was not well. He had strolled out on the links after breakfast with a brassie and a dozen balls for a bit of practice, and, putting every ounce of weight and muscle into the stroke, brought off a snifter with his very first shot. Straight and true the ball sped for the distant green, and William, forgetting everything in the ecstasy of the moment, uttered a gladsome cry.

  “How about that one, old girl?” he exclaimed.

  And then, with a sudden sinking of the heart, he realized that he was alone.

  An acute spasm of regret shot through William’s massive bosom. In that instant of clear thinking he understood that golf is not all. What shall it profit a man that he do the long hole in four, if there is no loving wife at his elbow to squeak congratulations? A dull sensation of forlorn emptiness afflicted William Bates. It passed, but it had been. And he knew it would come again.

  It did. It came that same afternoon. It came next morning. Gradually it settled like a cloud on his happiness. He did his best to fight it down. He increased his day’s output to sixty-three holes, but found no relief. When he reflected that he had had the stupendous luck to be married to a girl like Jane and had chucked the thing up, he could have kicked himself round the house. He was in exactly the position of the hero of the movie when the sub-title is flashed on the screen; “Came a Day When Remorse Bit Like An Adder Into Roland Spenlow’s Soul.” Of all the chumps who had ever tripped over themselves and lost a good thing, from Adam downwards, he, he told himself, was the woollen-headedest.

  On the fifteenth morning it began to rain.

  Now, William Bates was not one of your fair-weather golfers. It took more than a shower to discourage him. But this was real rain, with which not even the stoutest enthusiast could cope. It poured down all day in a solid sheet and set the seal on his melancholy. He pottered about the house, sinking deeper and deeper into the slough of despond, and was trying to derive a little faint distraction from practising putts into a tooth-glass when the afternoon post arrived.

  There was only one letter. He opened it listlessly. It was from Jukes, Enderby, and Miller, florists, and what the firm wished to ascertain was whether, his deposit on white violets to be dispatched to Mrs. William Bates being now exhausted, he desired to renew his esteemed order. If so, on receipt of the money they would spring to the task of sending same.

  William stared at the letter dully. His first impression was that Jukes, Enderby, and Miller were talking through their collective hats. White violets? What was all this drivel about white violets? Jukes was an ass. He knew nothing about white violets. Enderby was a fool. What had he got to do with white violets? Miller was a pin-head. He had never deposited any money to have white violets dispatched.

  William gasped. Yes, by George, he had, though, he remembered with a sudden start. So he had, by golly! Good gosh! it all came back to him. He recalled the whole thing, by Jove! Crikey, yes!

  The letter swam before William’s eyes. A wave of tenderness engulfed him. All that had passed recently between Jane and himself was forgotten—her weirdness, her wish to live in the Metropolis, her silvery laugh—everything. With one long, loving gulp, William Bates dashed a not unmanly tear from his eye and, grabbing a hat and raincoat, rushed out of the house and sprinted for the station.

  At about the hour when William flung himself into the train, Jane was sitting in her studio-apartment, pensively watching little Braid Vardon as he sported on the floor. An odd melancholy had gripped her At first she had supposed that this was due to the rain, but now she was beginning to realize that the thing went much deeper than that. Reluctant though she was to confess it, she had to admit that what she was suffering from was a genuine soul-sadness, due entirely to the fact that she wanted William.

  It was strange what a difference his going had made. William was the sort of fellow you shoved into a corner and forgot about, but when he was not there the whole scheme of things seemed to go blooey. Little by little, since his departure, she had found the fascination of her surroundings tending to wane, and the glamour of her new friends had dwindled noticeably. Unless you were in the right vein for them, Jane felt, they could be an irritating crowd. They smoked too many cigarettes and talked too much. And not far from being the worst of them, she decided, was Rodney Spelvin. It was with a sudden feeling of despair that she remembered that she had invited him to tea this afternoon and had got in a special seed-cake for the occasion. The last thing in the world that she wanted to do was to watch Rodney Spelvin eating cake.

  It is a curious thing about men of the Spelvin type, how seldom they really last. They get off to a flashy start and for a while convince impressionable girls that the search for a soul-mate may be considered formally over; but in a very short while reaction always sets in. There had been a time when Jane could have sat and listened to Rodney Spelvin for hours on end. Then she began to feel that from fifteen to twenty minutes was about sufficient. And now the mere thought of having to listen to him at all was crushing her like a heavy burden.

  She had got thus far in her meditations when her attention was attracted to little Braid Vardon, who was playing energetically in a corner with some object which Jane could not distinguish in the dim light.

  “What have you got there, dear?” she asked.

  “Wah,” said little Braid, a child of few words, proceeding with his activities.

  Jane rose and walked across the room. A sudden feeling had come to her, the remorseful feeling that for some time now she had been neglecting the child. How seldom nowadays did she trouble to join in his pastimes!

  “Let mother play too,” she said gently. “What are you playing? Trains?”

  “Golf.”

  Jane uttered a sharp exclamation. With a keen pang she saw that what the child had got hold of was William’s spare mashie. So he had left it behind after all! Since the night of his departure it must have been lying unnoticed behind some chair or sofa.

  For a moment the only sensation Jane felt was an accentuation of that desolate feeling which had been with her all day. How many a time had she stood by William and watched him foozle with this club! Inextricably associated with him it was, and her eyes filled with sudden tears. And then she was abruptly conscious of a new, a more violent emotion, something akin to panic fear. She blinked, hoping against hope that she had been mistaken. But no. When she opened her eyes and looked again she saw what she had seen before.

  The child was holding the mashie all wrong.

  “Braid!” gasped Jane in an agony.

  All the mother-love in her was shrieking at her, reproaching her. She realized now how paltry, how greedily self-centred she had been. Thinking only of her own pleasures, how sorely she had neglected her duty as a mother! Long ere this, had she been worthy of that sacred relation, she would have been brooding over her child, teaching him at her knee the correct Vardon grip, shielding him from bad habits, seeing to it that he did not get his hands in front of the ball, putting him on the right path as regarded the slow back-swing. But, absorbed in herself, she had sacrificed him to her shallow ambitions. And now there he was, grasping the club as if it had been a spade and scooping with it like one of those twenty-four-handicap men whom the hot weather brings out on seaside links.

  She shuddered to the very depths of her soul. Before her eyes there rose a vision of her son, grown to manhood, reproaching her. “If you had but taught me the facts of life when I was a child, Mother,” she seemed to hear him say, “I would not now be going round in a hundred and twenty, rising to a hundred and forty in anything like a high wind.”

  She snatched th
e club from his hands with a passionate cry. And at this precise moment in came Rodney Spelvin, all ready for tea.

  “Ah, little one!” said Rodney Spelvin, gaily.

  Something in her appearance must have startled him, for he stopped and looked at her with concern.

  “Are you ill?” he asked.

  Jane pulled herself together with an effort.

  “No, quite well. Ha, ha!” she replied, hysterically.

  She stared at him wildly, as she might have stared at a caterpillar in her salad. If it had not been for this man, she felt, she would have been with William in their snug little cottage, a happy wife. If it had not been for this man, her only child would have been laying the foundations of a correct swing under the eyes of a conscientious pro. If it had not been for this man⎯ She waved him distractedly to the door.

  “Good-bye,” she said.” Thank you so much for calling.”

  Rodney Spelvin gaped. This had been the quickest and most tealess tea-party he had ever assisted at.

  “You want me to go?” he said, incredulously.

  “Yes, go! go!”

  Rodney Spelvin cast a wistful glance at the gate-leg table. He had had a light lunch, and the sight of the seed-cake affected him deeply. But there seemed nothing to be done. He moved reluctantly to the door.

  “Well, good-bye,” he said. “Thanks for a very pleasant afternoon.”

  “So glad to have seen you,” said Jane, mechanically.

  The door closed. Jane returned to her thoughts. But she was not alone for long. A few minutes later there entered the female cubist painter from downstairs, a manly young woman with whom she had become fairly intimate.

  “Oh, Bates, old chap!” said the cubist painter.

  Jane looked up.