“Our family began here, in Cape Coast,” Old Lady said. She pointed to the Cape Coast Castle. “In my dreams I kept seeing this castle, but I did not know why. One day, I came to these waters and I could feel the spirits of our ancestors calling to me. Some were free, and they spoke to me from the sand, but some others were trapped deep, deep, deep in the water so that I had to wade out to hear their voices. I waded out so far, the water almost took me down to meet those spirits that were trapped so deep in the sea that they would never be free. When they were living they had not known where they came from, and so dead, they did not know how to get to dry land. I put you in here so that if your spirit ever wandered, you would know where home was.”
Marjorie nodded as her grandmother took her hand and walked her farther and farther out into the water. It was their summer ritual, her grandmother reminding her how to come home.
—
Marjorie returned to Alabama three shades darker and five pounds heavier. Her period had come while she was with her grandmother, and the old woman had clapped her hands and sang songs to celebrate Marjorie’s womanhood. She didn’t want to leave Cape Coast, but school was starting and her parents wouldn’t let her stay any longer.
She was entering high school, and while she had always hated Alabama, the newer, bigger school had instantly reminded her of why. Her family lived on the southeast side of Huntsville. They were the only black family on the block, the only black people for miles and miles and miles. At her new high school, there were more black children than Marjorie was used to seeing in Alabama, but it took only a few conversations with them for Marjorie to realize that they were not the same kind of black that she was. That indeed she was the wrong kind.
“Why you talk like that?” Tisha, the leader of the pack, had asked her the first day of high school when she joined them for lunch.
“Like what?” Marjorie asked, and Tisha had repeated it, her accent turning almost British in order to capture her impression of Marjorie. “Like what?”
The next day Marjorie sat by herself, reading Lord of the Flies for English class. She held the book in one hand and a fork in the other. She was so engrossed in the book that she didn’t realize that the chicken she had pierced with her fork hadn’t made it into her mouth until she tasted air. She finally looked up to see Tisha and the other black girls staring at her.
“Why you reading that book?” Tisha asked.
Marjorie stammered. “I—I have to read it for class.”
“I have to read it for class,” Tisha mimicked. “You sound like a white girl. White girl. White girl. White girl.”
They kept chanting, and it was all Marjorie could do to keep from crying. In Ghana, whenever a white person appeared, there was always a child there to point him out. A small group of children, dark and shiny in the equatorial sun, would extend their little fingers toward the person whose skin was different from theirs and shout, “Obroni! Obroni!” They would giggle, delighted by the difference. When Marjorie had first seen children do this, she’d watched as the white man whose skin color had been told to him grew shocked, offended. “Why do they keep saying that!” he’d asked the friend who was showing him around.
Marjorie’s father pulled her aside that night and asked her if she knew the answer to the white man’s question, and she had shrugged. Her father had told her that the word had come to mean something entirely different from what it used to mean. That the young of Ghana, itself an infant country, had been born to a place emptied of its colonizers. Because they didn’t see white men every day the way people of his mother’s generation and older had, the word could take on new meaning for them. They lived in a Ghana where they were the majority, where theirs was the only skin color for miles around. To them, to call someone “obroni” was an innocent act, an interpretation of race as skin color.
Now, keeping her head down and fighting back tears as Tisha and her friends called her “white girl,” Marjorie was made aware, yet again, that here “white” could be the way a person talked; “black,” the music a person listened to. In Ghana you could only be what you were, what your skin announced to the world.
“Don’t mind them,” Marjorie’s mother, Esther, said that night as she stroked Marjorie’s hair. “Don’t mind them, my smart girl. My beautiful girl.”
The next day Marjorie ate lunch in the English teachers’ lounge. Her teacher, Mrs. Pinkston, was a fat, walnut-skinned woman with a laugh that sounded like the slow build of an approaching train. She carried a large pink handbag that she would pull books out of unendingly, like a magician’s hat. In her head Marjorie called the books rabbits. “What do they know?” Mrs. Pinkston said, passing Marjorie a cookie. “They don’t know a thing.”
Mrs. Pinkston was Marjorie’s favorite teacher, one of two black teachers in a school that served almost two thousand students. She was the only person Marjorie knew who had a copy of her father’s book, The Ruin of a Nation Begins in the Homes of Its People. The book was her father’s lifework. He was sixty-three when he finished it, approaching seventy when he and her mother finally had her. He’d taken the title from an old Asante proverb and used it to discuss slavery and colonialism. Marjorie, who had read every book on her family’s bookshelves, had once spent an entire afternoon trying to read her father’s book. She’d only made it to page two. When she told her father this, he’d said that it was something she wouldn’t understand until she was much older. He said that people need time in order to be able to see things clearly.
“What do you think about the book?” Mrs. Pinkston said, pointing to the copy of Lord of the Flies that dangled from Marjorie’s hands.
“I like it,” Marjorie said.
“But do you love it? Do you feel it inside you?”
Marjorie shook her head. She didn’t know what it meant to feel a book inside of her, but she didn’t want to tell her English teacher that, lest it disappoint her.
Mrs. Pinkston laughed her moving-train laugh, leaving Marjorie to her reading.
—
And so Marjorie spent three years this way, searching for books that she loved, that she could feel inside of her. By senior year, she had read almost everything on the south wall of the school’s library, at least a thousand books, and she was working her way through the north wall.
“That’s a good one.”
She had just brought down Middlemarch from the shelf and was taking in the smell of the book when the boy spoke to her.
“You like Eliot?” Marjorie asked. She had seen him around recently, but she couldn’t quite remember where. With blond hair and blue eyes, he looked like a little boy she’d seen in a Cheerios commercial once, now grown up.
He put his index finger to his lips. “Don’t tell anyone,” he said, and she smiled despite herself.
“My name’s Marjorie.”
“Graham.”
They shook hands and Graham told her about Pigeon Feathers, the book he was reading. He told her that his family had just moved there from Germany, that his father was in the military, that his mother had died long ago. Marjorie must have spoken too, but she couldn’t remember what she had said, only that she had smiled so much her cheeks ached. Before they knew it, the bell rang and lunch hour was over and they went on to their next class.
From then on, they saw each other every day. They read together in the library while everyone else ate lunch. They sat only inches apart at a big, long table that could have seated thirty or more, the many empty seats giving them no excuse to explain their proximity. They stopped talking as much as they had that first day. Reading together was enough. Sometimes Graham would leave a note with his own writing for Marjorie to find. They were mostly little poems or fragmented stories. She was too shy to show him the things that she had written. At night, when she went home, she would wait for her parents to go to bed before turning on her lamp to read Graham’s notes in the soft light.
“Daddy, when did you know you liked Mama?” she asked at breakfast the next day.
Her father had suffered from a heart attack two years before and now ate a bowl of oatmeal every day. He was so old that Marjorie’s teachers always assumed he was her grandfather.
He wiped his lips with his napkin and cleared his throat. “Who told you I like your mother?” he asked. Marjorie rolled her eyes as her father started to laugh. “Did your mother tell you that? Eh, Abronoma, you are too young to like anyone. Concentrate on your studies.”
He was out the door, headed to teach his history course at the community college, before Marjorie could protest. She had always hated it when her father called her Dove. It was her special name, the nickname born with her because of her Asante name, but it had always made Marjorie feel small somehow, young and fragile. She was not small. She was not young, either. She was old, so old her breasts had grown to the size of her mother’s, so large she sometimes had to carry them in her hands when walking naked through her bedroom to keep them from slapping against her chest.
“Who do you like?” Marjorie’s mother asked, coming into the room with fresh laundry in her hands. Though her parents had lived in America for nearly fifteen years, Esther still would not use a washing machine. She washed all the family’s undergarments by hand in the kitchen sink.
“No one,” Marjorie said.
“Has someone come to ask you to prom?” Esther asked, grinning widely. Marjorie sighed. Five years ago she had watched a 20/20 special on proms across America with her mother, and her mother had been delighted by it. She said that she had never seen anything like the girls in their long dresses and the boys in their suits. The thought that her daughter could be one of those special girls was a hope that flickered like light in Esther’s eye, just as it stung like dust in Marjorie’s. Marjorie was one of thirty black people at her school. None of them had been asked to prom the year before.
“No, Mama, God!”
“I am not God, and I have never been,” her mother said, pulling a lacy black bra from the depths of the sink water. “If a boy likes you, you have to make it known that you like him too. Otherwise, he will never do anything. I lived in your father’s house for many, many years before he asked me to marry him. I was a foolish girl, hoping he would see that I wanted the same thing he did, without ever making it known. Were it not for Old Lady’s intervention, who knows if he would have ever done anything. That woman has strong powers of will.”
That night, Marjorie tucked Graham’s poem under her pillow, hoping she had inherited her grandmother’s willpower, that the words he’d written would float up into her ear as she slept, blossom into a dream.
—
Mrs. Pinkston was putting on a black cultural event for the school, and she asked Marjorie if she would read a poem. The event, called The Waters We Wade In, was unlike anything the school had ever done before, and it was to take place at the beginning of May, well after Black History Month had passed.
“All you have to do is tell your story,” Mrs. Pinkston said. “Talk about what being African American means to you.”
“But I’m not African American,” Marjorie said.
Though she couldn’t exactly read the look on Mrs. Pinkston’s face, Marjorie knew instantly that she had said the wrong thing. She wanted to explain it to Mrs. Pinkston, but she didn’t know how. She wanted to tell Mrs. Pinkston that at home, they had a different word for African Americans. Akata. That akata people were different from Ghanaians, too long gone from the mother continent to continue calling it the mother continent. She wanted to tell Mrs. Pinkston that she could feel herself being pulled away too, almost akata, too long gone from Ghana to be Ghanaian. But the look on Mrs. Pinkston’s face stopped her from explaining herself at all.
“Listen, Marjorie, I’m going to tell you something that maybe nobody’s told you yet. Here, in this country, it doesn’t matter where you came from first to the white people running things. You’re here now, and here black is black is black.” She got up from her seat and poured them each a cup of coffee. Marjorie didn’t really even like coffee. It was too bitter; the taste clung to the back of her throat, like it couldn’t decide whether it wanted to enter her body or be breathed out of her mouth. Mrs. Pinkston drank the coffee, but Marjorie just looked at hers. Briefly, for only a second, she thought she could see her face reflected in it.
That night Marjorie went to see a movie with Graham. When he came to pick her up, she asked him if he would park his car one street over. She wasn’t ready to tell her parents yet.
“Good idea,” Graham said, and Marjorie wondered if his father knew where he was.
When the movie ended, Graham drove her into a clearing in the woods. It was one of those places that other kids supposedly went to make out, but Marjorie had been through it a couple of times, and it was always empty.
It was empty this night. Graham had a bottle of whiskey in his backseat, and though she detested the taste of alcohol, Marjorie sipped from it slowly. While she drank, Graham pulled out a cigarette. After he lit it, he kept playing with the lighter, making the fire appear, then disappear again.
“Would you stop that, please?” Marjorie asked once he started waving the lighter around.
“What?” Graham asked.
“The lighter. Would you put it away, please?”
Graham gave her a strange look, but he didn’t say anything, and so she didn’t have to explain. Ever since she had heard the story of how her father and grandmother got their scars, she had been terrified of fire. When she was just a little girl, the firewoman of her grandmother’s dreams had haunted Marjorie’s own waking hours. She had only heard about her from her grandmother’s stories on those days when they walked to the water so that her grandmother could tell her what she knew of their ancestors, and yet Marjorie thought she could see the firewoman in the blue and orange glow of the stove, in hot coals, in lighters. She feared that the nightmares would come for her too, that she too would be chosen by the ancestors to hear their family’s stories, but the nightmares never came, and so, with time, her fear of fire had waned. But every so often she could still feel her heart catch when she saw fire, as though the firewoman’s shadow still lurked.
“What’d you think of the movie?” Graham asked, putting the lighter away.
Marjorie shrugged. It was the only response she could manage because she hadn’t been thinking at all about the movie. Instead, she’d thought about the location of Graham’s hands in relationship to the popcorn or the armrest they shared. She’d thought about his laugh when he’d found something funny, about whether or not the tilt of his head toward the left, toward her, was an invitation for her to tilt her own head toward him or to rest it on his shoulders. In the weeks they had spent getting to know each other, Marjorie had become more and more enamored with the blue of his eyes. She wrote poems about them. The blue like ocean water, like clear sky, like sapphire—she couldn’t capture it. At the movies, she had thought about how the only real friends she had were characters in novels, not real at all. And then Graham had appeared and swallowed up a bit of her loneliness with his blue whale eyes. The next day she wouldn’t for the life of her be able to remember what the movie was called.
“Yeah, I felt the same way,” Graham said. He took a long drag from the whiskey bottle.
Marjorie wondered if she was in love. How could she know? How did anyone know? In middle school she had been into Victorian literature, the sweeping romance of it. Every character in those books was hopelessly in love. All the men were wooing, all the women being wooed. It was easier to see what love looked like then, the embarrassingly grand, unabashed emotion of it. Now, did it look like sitting in a Camry, sipping whiskey?
“You still haven’t let me read any of your writing,” Graham said. He stifled a burp, passing the bottle back to Marjorie.
“I have to write a poem for Mrs. Pinkston’s assembly next month. Maybe you can read that one.”
“That’s a few weeks after prom, right?”
Her mouth went dry at the mention of the dance. She waited
for him to say more, but he didn’t, and so she just nodded.
“I’d love to read it. I mean, if you want me to.” The bottle was back in his hands, and though it was dark, Marjorie could make out the deeply wrinkled lines of his knuckles, turning red from clutching.
—
That week the Bradford pear trees started to bloom. At school everyone said they smelled like semen, like sex, like a woman’s vagina. Marjorie hated the smell of them, a reflection of her virginity, her inability to liken the smell to anything other than rotting fish. Every year, by summer, she would grow accustomed to the smell, and by the time the blossoms fell, the smell would be nothing more than a distant memory. But then spring would come and the smell would resurface, loudly announcing itself.
Marjorie was working on her poem for The Waters We Wade In when her father got a call from Ghana. Old Lady was frail. Her caretaker couldn’t tell if the dreams were the same or different. Old Lady didn’t leave the bed as often as she used to—she, the woman who had once been afraid of sleep.
Marjorie wanted her family to go to Ghana immediately. She stopped writing the poem, snatched the phone away from her confused father—an act that on another day would have earned her a knock on the head—and demanded that the caretaker put Old Lady on the phone, even if it meant waking her.
“Are you sick?” she asked her grandmother.
“Sick? I will soon be dancing with you by the water this summer. How can I be sick?”
“You won’t die?”
“What have I told you about death?” Old Lady said sharply into the phone, her voice sounding stronger than it had at the beginning of their conversation. Marjorie tugged at the cord. Old Lady said that only bodies died. Spirits wandered. They found Asamando, or they didn’t. They stayed with their descendants to guide them through life, to comfort them, sometimes to scare them into waking from their fog of unloving, unliving.