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There is no great difficulty in imagining the steps by which William Garrett, from being an assistant in a great library, attained to his present position of prospective owner of Bretfield Manor, now in the occupation of his mother-inlaw, Mrs Mary Simpson.
THE STALLS OF BARCHESTER CATHEDRAL
This matter began, as far as I am concerned, with the reading of a notice in the obituary section of the Gentleman’s Magazine for an early year in the nineteenth century:
On February 26th, at his residence in the Cathedral Close of Barchester, the Venerable John Benwell Haynes, D.D., aged 57, Archdeacon of Sowerbridge and Rector of Pickhill and Candley. He was of—— College, Cambridge, and where, by talent and assiduity, he commanded the esteem of his seniors; when, at the usual time, he took his first degree, his name stood high in the list of wranglers. These academical honours procured for him within a short time a Fellowship of his College. In the year 1783 he received Holy Orders, and was shortly afterwards presented to the perpetual Curacy of Ranxton-sub-Ashe by his friend and patron the late truly venerable Bishop of Lichfield. . . . His speedy preferments, first to a Prebend, and subsequently to the dignity of Precentor in the Cathedral of Barchester, form an eloquent testimony to the respect in which he was held and to his eminent qualifications. He succeeded to the Archdeaconry upon the sudden decease of Archdeacon Pulteney in 1810. His sermons, ever conformable to the principles of the religion and Church which he adorned, displayed in no ordinary degree, without the least trace of enthusiasm, the refinement of the scholar united with the graces of the Christian. Free from sectarian violence, and informed by the spirit of the truest charity, they will long dwell in the memories of his hearers. [Here a further omission.] The productions of his pen include an able defence of Episcopacy, which, though often perused by the author of this tribute to his memory, affords but one additional instance of the want of liberality and enterprise which is a too common characteristic of the publishers of our generation. His published works are, indeed, confined to a spirited and elegant version of the Argonautica of Valerius Flacus, a volume of Discourses upon the Several Events in the Life of Joshua, delivered in his Cathedral, and a number of the charges which he pronounced at various visitations to the clergy of his Archdeaconry. These are distinguished by etc., etc. The urbanity and hospitality of the subject of these lines will not readily be forgotten by those who enjoyed his acquaintance. His interest in the venerable and awful pile under whose hoary vault he was so punctual an attendant, and particularly in the musical portion of its rites, might be termed filial, and formed a strong and delightful contrast to the polite indifference displayed by too many of our Cathedral dignitaries at the present time.
The final paragraph, after informing us that Dr Haynes died a bachelor, says:
It might have been augured that an existence so placid and benevolent would have been terminated in a ripe old age by a dissolution equally gradual and calm. But how unsearchable are the workings of Providence! The peaceful and retired seclusion amid which the honoured evening of Dr Haynes’ life was mellowing to its close was destined to be disturbed, nay, shattered, by a tragedy as appalling as it was unexpected. The morning of the 26th of February—
But perhaps I shall do better to keep back the remainder of the narrative until I have told the circumstances which led up to it. These, as far as they are now accessible, I have derived from another source.
I had read the obituary notice which I have been quoting, quite by chance, along with a great many others of the same period. It had excited some little speculation in my mind, but, beyond thinking that, if I ever had an opportunity of examining the local records of the period indicated, I would try to remember Dr Haynes, I made no effort to pursue his case.
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Quite lately I was cataloguing the manuscripts in the library of the college to which he belonged. I had reached the end of the numbered volumes on the shelves, and I proceeded to ask the librarian whether there were any more books which he thought I ought to include in my description. “I don’t think there are,” he said, “but we had better come and look at the manuscript class and make sure. Have you time to do that now?” I had time. We went to the library, checked off the manuscripts, and, at the end of our survey, arrived at a shelf of which I had seen nothing. Its contents consisted for the most part of sermons, bundles of fragmentary papers, college exercises, Cyrus, an epic poem in several cantos, the product of a country clergyman’s leisure, mathematical tracts by a deceased professor, and other similar material of a kind with which I am only too familiar. I took brief notes of these. Lastly, there was a tin box, which was pulled out and dusted. Its label, much faded, was thus inscribed: “Papers of the Ven. Archdeacon Haynes. Bequeathed in 1834 by his sister, Miss Letitia Haynes.”
I knew at once that the name was one which I had somewhere encountered, and could very soon locate it. “That must be the Archdeacon Haynes who came to a very odd end at Barchester. I’ve read his obituary in the Gentleman’s Magazine. May I take the box home? Do you know if there is anything interesting in it?”
The librarian was very willing that I should take the box and examine it at leisure. “I never looked inside it myself,” he said, “but I’ve always been meaning to. I am pretty sure that is the box which our old Master once said ought never to have been accepted by the college. He said that to Martin years ago; and he said also that as long as he had control over the library it should never be opened. Martin told me about it, and said that he wanted terribly to know what was in it; but the Master was librarian, and always kept the box in the lodge, so there was no getting at it in his time, and when he died it was taken away by mistake by his heirs, and only returned a few years ago. I can’t think why I haven’t opened it; but, as I have to go away from Cambridge this afternoon, you had better have first go at it. I think I can trust you not to publish anything undesirable in our catalogue.”
I took the box home and examined its contents, and thereafter consulted the librarian as to what should be done about publication, and, since I have his leave to make a story out of it, provided I disguised the identity of the people concerned, I will try what can be done.
The materials are, of course, mainly journals and letters. How much I shall quote and how much epitomize must be determined by considerations of space. The proper understanding of the situation has necessitated a little—not very arduous—research, which has been greatly facilitated by the excellent illustrations and text of the Barchester volume in Bell’s Cathedral Series.
When you enter the choir of Barchester Cathedral now, you pass through a screen of metal and coloured marbles, designed by Sir Gilbert Scott, and find yourself in what I must call a very bare and odiously furnished place. The stalls are modern, without canopies. The places of the dignitaries and the names of the prebends have fortunately been allowed to survive, and are inscribed on small brass plates affixed to the stalls. The organ is in the triforium, and what is seen of the case is Gothic. The reredos and its surroundings are like every other.
Careful engravings of a hundred years ago show a very different state of things. The organ is on a massive classical screen. The stalls are also classical and very massive. There is a baldacchino of wood over the altar, with urns upon its corners. Farther east is a solid altar screen, classical in design, of wood, with a pediment, in which is a triangle surrounded by rays, enclosing certain Hebrew letters in gold. Cherubs contemplate these. There is a pulpit with a great sounding-board at the eastern end of the stalls on the north side, and there is a black and white marble pavement. Two ladies and a gentleman are admiring the general effect. From other sources I gather that the archdeacon’s stall then, as now, was next to the bishop’s throne at the south-eastern end of the stalls. His house almost faces the west front of the church, and is a fine red-brick building of William the Third’s time.
Here Dr Haynes, already a mature man, took up his abode with his sister in the year 1810. The dignity had
long been the object of his wishes, but his predecessor refused to depart until he had attained the age of ninety-two. About a week after he had held a modest festival in celebration of that ninety-second birthday, there came a morning, late in the year, when Dr Haynes, hurrying cheerfully into his breakfast-room, rubbing his hands and humming a tune, was greeted, and checked in his genial flow of spirits, by the sight of his sister, seated, indeed, in her usual place behind the tea-urn, but bowed forward and sobbing unrestrainedly into her handkerchief.
“What—what is the matter? What bad news?” he began.
“Oh, Johnny, you’ve not heard? The poor dear archdeacon!”
“The archdeacon, yes? What is it—ill, is he?”
“No, no; they found him on the staircase this morning; it is so shocking.”
“Is it possible! Dear, dear, poor Pulteney! Had there been any seizure?”
“They don’t think so, and that is almost the worst thing about it. It seems to have been all the fault of that stupid maid of theirs, Jane.”
Dr Haynes paused. “I don’t quite understand, Letitia. How was the maid at fault?”
“Why, as far as I can make out, there was a stair-rod missing, and she never mentioned it, and the poor archdeacon set his foot quite on the edge of the step—you know how slippery that oak is—and it seems he must have fallen almost the whole flight and broken his neck. It is so sad for poor Miss Pulteney. Of course, they will get rid of the girl at once. I never liked her.”
Miss Haynes’s grief resumed its sway, but eventually relaxed so far as to permit of her taking some breakfast. Not so her brother, who, after standing in silence before the window for some minutes, left the room, and did not appear again that morning.
I need only add that the careless maid-servant was dismissed forthwith, but that the missing stair-rod was very shortly afterwards found under the stair-carpet—an additional proof, if any were needed, of extreme stupidity and carelessness on her part.
For a good many years Dr Haynes had been marked out by his ability, which seems to have been really considerable, as the likely successor of Archdeacon Pulteney, and no disappointment was in store for him. He was duly installed, and entered with zeal upon the discharge of those functions which are appropriate to one in his position. A considerable space in his journals is occupied with exclamations upon the confusion in which Archdeacon Pulteney had left the business of his office and the documents appertaining to it. Dues upon Wringham and Barnswood have been uncollected for something like twelve years, and are largely irrecoverable; no visitation has been held for seven years; four chancels are almost past mending. The persons deputized by the archdeacon have been nearly as incapable as himself. It was almost a matter for thankfulness that this state of things had not been permitted to continue, and a letter from a friend confirms this view. “Ho katechôn,” it says (in rather cruel allusion to the Second Epistle to the Thessalonians), “is removed at last. My poor friend! Upon what a scene of confusion will you be entering! I give you my word that, on the last occasion of my crossing his threshold, there was no single paper that he could lay hands upon, no syllable of mine that he could hear, and no fact in connexion with my business that he could remember. But now, thanks to a negligent maid and a loose stair-carpet, there is some prospect that necessary business will be transacted without a complete loss alike of voice and temper.” This letter was tucked into a pocket in the cover of one of the diaries.
There can be no doubt of the new archdeacon’s zeal and enthusiasm. “Give me but time to reduce to some semblance of order the innumerable errors and complications with which I am confronted, and I shall gladly and sincerely join with the aged Israelite in the canticle which too many, I fear, pronounce but with their lips.” This reflection I find, not in a diary, but a letter; the doctor’s friends seem to have returned his correspondence to his surviving sister. He does not confine himself, however, to reflections. His investigation of the rights and duties of his office are very searching and business-like, and there is a calculation in one place that a period of three years will just suffice to set the business of the Archdeaconry upon a proper footing. The estimate appears to have been an exact one. For just three years he is occupied in reforms; but I look in vain at the end of that time for the promised Nunc dimittis. He has now found a new sphere of activity. Hitherto his duties have precluded him from more than an occasional attendance at the Cathedral services. Now he begins to take an interest in the fabric and the music. Upon his struggles with the organist, an old gentleman who had been in office since 1786, I have no time to dwell; they were not attended with any marked success. More to the purpose is his sudden growth of enthusiasm for the Cathedral itself and its furniture. There is a draft of a letter to Sylvanus Urban (which I do not think was ever sent) describing the stalls in the choir. As I have said, these were of fairly late date—of about the year 1700, in fact.
“The archdeacon’s stall, situated at the south-east end, west of the episcopal throne (now so worthily occupied by the truly excellent prelate who adorns the See of Barchester), is distinguished by some curious ornamentation. In addition to the arms of Dean West, by whose efforts the whole of the internal furniture of the choir was completed, the prayer-desk is terminated at the eastern extremity by three small but remarkable statuettes in the grotesque manner. One is an exquisitely modelled figure of a cat, whose crouching posture suggests with admirable spirit the suppleness, vigilance, and craft of the redoubted adversary of the genus Mus. Opposite to this is a figure seated upon a throne and invested with the attributes of royalty; but it is no earthly monarch whom the carver has sought to portray. His feet are studiously concealed by the long robe in which he is draped: but neither the crown nor the cap which he wears suffice to hide the prick-ears and curving horns which betray his Tartarean origin; and the hand which rests upon his knee, is armed with talons of horrifying length and sharpness. Between these two figures stands a shape muffled in a long mantle. This might at first sight be mistaken for a monk or ‘friar of orders gray’, for the head is cowled and a knotted cord depends from somewhere about the waist. A slight inspection, however, will lead to a very different conclusion. The knotted cord is quickly seen to be a halter, held by a hand all but concealed within the draperies; while the sunken features and, horrid to relate, the rent flesh upon the cheek-bones, proclaim the King of Terrors. These figures are evidently the production of no unskilled chisel; and should it chance that any of your correspondents are able to throw light upon their origin and significance, my obligations to your valuable miscellany will be largely increased.”
There is more description in the paper, and, seeing that the woodwork in question has now disappeared, it has a considerable interest. A paragraph at the end is worth quoting:
“Some late researches among the Chapter accounts have shown me that the carving of the stalls was not as was very usually reported, the work of Dutch artists, but was executed by a native of this city or district named Austin. The timber was procured from an oak copse in the vicinity, the property of the Dean and Chapter, known as Holywood. Upon a recent visit to the parish within whose boundaries it is situated, I learned from the aged and truly respectable incumbent that traditions still lingered amongst the inhabitants of the great size and age of the oaks employed to furnish the materials of the stately structure which has been, however imperfectly, described in the above lines. Of one in particular, which stood near the centre of the grove, it is remembered that it was known as the Hanging Oak. The propriety of that title is confirmed by the fact that a quantity of human bones was found in the soil about its roots, and that at certain times of the year it was the custom for those who wished to secure a successful issue to their affairs, whether of love or the ordinary business of life, to suspend from its boughs small images or puppets rudely fashioned of straw, twigs, or the like rustic materials.”
So much for the archdeacon’s archaeological investigations. To return to his career as it is to be gathered from
his diaries. Those of his first three years of hard and careful work show him throughout in high spirits, and, doubtless, during this time, that reputation for hospitality and urbanity which is mentioned in his obituary notice was well deserved. After that, as time goes on, I see a shadow coming over him—destined to develop into utter blackness—which I cannot but think must have been reflected in his outward demeanour. He commits a good deal of his fears and troubles to his diary; there was no other outlet for them. He was unmarried and his sister was not always with him. But I am much mistaken if he has told all that he might have told. A series of extracts shall be given:
Aug. 30th 1816—The days begin to draw in more perceptibly than ever. Now that the Archdeaconry papers are reduced to order, I must find some further employment for the evening hours of autumn and winter. It is a great blow that Letitia’s health will not allow her to stay through these months. Why not go on with my Defence of Episcopacy? It may be useful.
Sept. 15.—Letitia has left me for Brighton.
Oct. 11.—Candles lit in the choir for the first time at evening prayers. It came as a shock: I find that I absolutely shrink from the dark season.
Nov. 17—Much struck by the character of the carving on my desk: I do not know that I had ever carefully noticed it before. My attention was called to it by an accident. During the Magnificat I was, I regret to say, almost overcome with sleep. My hand was resting on the back of the carved figure of a cat which is the nearest to me of the three figures on the end of my stall. I was not aware of this, for I was not looking in that direction, until I was startled by what seemed a softness, a feeling as of rather rough and coarse fur, and a sudden movement, as if the creature were twisting round its head to bite me. I regained complete consciousness in an instant, and I have some idea that I must have uttered a suppressed exclamation, for I noticed that Mr Treasurer turned his head quickly in my direction. The impression of the unpleasant feeling was so strong that I found myself rubbing my hand upon my surplice. This accident led me to examine the figures after prayers more carefully than I had done before, and I realized for the first time with what skill they are executed.