“Vámonos,” Ruperto snapped. “Or are you as gutless as the rest of the gringo wimps they send us?”
“Leche,” Robert Jordan whinnied, too shaken even to curse properly. And then he was in the saddle, the big, broad-beamed monster of a horse peering back at him out of the flat wicked discs of its eyes, and they were off.
Hunkered down in the bug factory, weeds in his face, his coccyx on fire, and every muscle, ligament, and tendon in his legs and ass beaten to pulp by the hammer of the horse’s backbone, Robert Jordan waited for the cargo plane. He was cursing his grandmother, the Sandinistas, the Clash, and even Sid Vicious. This was, without doubt, the stupidest thing he’d ever done. Still, as he crouched there with the hard black plastic box of the detonator in his hand, watching the potbellied crewcut rednecks and their runty flat-faced Indian allies out on the landing strip, he felt a surge of savage joy: he was going to blow the motherfuckers to Mars and back.
Ruperto was somewhere to his left, dug in with the big woman and their Kalashnikovs. Their own flat-faced Indians, led by the flat-faced old man, were down to the right somewhere, bristling with rifles. The charges were in place—three in the high grass along the runway median and half a dozen under the prefab aluminum warehouse itself. The charges had been set by a scampering Ruperto just before dawn while the lone sentry dreamed of cold cerveza and a plate of fried dorado and banana chips. Ruperto had set them because when the time came Robert Jordan’s legs hadn’t worked and that was bad. Ruperto had called him a cheesebag, a faggot, and worse, and he’d lost face with the flat-faced Indians and the old man. But that was then, this was now.
Suddenly he heard it, the distant drone of propellers like the hum of a giant insect. He caressed the black plastic box, murmuring “Come on, baby, come on,” all the slights and sneers he’d ever suffered, all the head slaps and gibes about his hair, his gloves, and his boots, all the crap he’d taken from his yuppie bitch of a mother and those dickheads at school—all of it had come down to this. If the guys could only see him now, if they could only see the all-out, hellbent, super-destructive, radical mess he was about to make … Yes! And there it was, just over the treetops. Coming in low like a pregnant goose, stuffed full of Twinkies. He began counting down: ten, nine, eight …
The blast was the most beautiful thing he’d ever witnessed. One minute he was watching the plane touch down, its wings and fuselage unmarked but for the painted-over insignia of the Flying Tigers, the world still and serene, the sack-bellies standing back expectantly, already tasting that first long cool Bud, and then suddenly, as if he’d clapped another slide in the projector, everything disappeared in a glorious killing thunderclap of fire and smoke. Hot metal, bits of molten glass and god knew how many Twinkies, Buds, and Cups of Soup went rocketing into the air, scorching the trees, and streaming down around Robert Jordan like a furious hissing rain. When the smoke cleared there was nothing left but twisted aluminum, the burned-out hulk of the plane, and a crater the size of Rockefeller Center. From the corner of his eye Robert Jordan could see Ruperto and the big woman emerge cautiously from the bushes, weapons lowered. In a quick low crouch they scurried across the open ground and stood for a moment peering into the smoking crater, then Ruperto let out a single shout of triumph—“Yee-haw!”—and fired off a round in the air.
It was then that things got hairy. Someone opened up on them from the far side of the field—Contra Contra Contra, no doubt—and Ruperto went down. The flat-faced Indians let loose with all they had and for a minute the air screamed like a thousand babies torn open. The big woman threw Ruperto over her shoulder and flew for the jungle like a wounded crab. “Ándale!” she shouted and then the firing stopped abruptly as everyone, Robert Jordan included, bolted for the horses.
When he saw the fist-sized chunk torn out of Ruperto’s calf, Robert Jordan wanted to vomit. So he did. The horses were half crazy from the blast and the rat-tat-tat of the Kalashnikovs and they stamped and snorted like fiends from hell. God, he hated horses. But he was puking, Ruperto’s wound like raw meat flecked with dirt and bone, and the others were leaping atop their mounts, faces pulled tight with panic. Now there was firing behind them again and he straightened up and looked for his horse. There he was, Diablo, jerking wildly at his tether and kicking out his hoofs like a doped-up bronc at the rodeo. Shit. Robert Jordan wiped his lips and made a grab for the reins. It was a mistake. He might just as well have stabbed the horse with a hot poker—in that instant Diablo reared, snapped his tether, and brought all of his wet steaming nine hundred and fifty-eight pounds squarely down on Robert Jordan’s left foot.
The sound of his toes snapping was unmusical and harsh and the pain that accompanied it so completely demanding of his attention that he barely noticed the retreating flanks of Diablo as he lashed off through the undergrowth. Robert Jordan let out a howl and broke into a string of inspired curses in two languages and then sat heavily, cradling his foot. The time he’d passed out having his nose pierced flashed through his mind and then the tears started up in his eyes. Stupid, stupid, stupid, he thought. And then he remembered where he was and who was shooting at him from across the field and he looked up to see his comrades already mounted—Ruperto included—and giving him a quick sad look. “Too bad, gringo,” Ruperto said, grinning crazily despite the wound, “but it looks like we’re short a horse.”
“My toes, my toes!” Robert Jordan cried, trying to stand and falling back again.
Rat-tat. Rat-tat-tat, sang the rifles behind them.
Ruperto and his big woman spoke to their horses and they were gone. So too the flat-faced Indians. Only the old man lingered a moment. Just before he lashed his horse and disappeared, he leaned down in the saddle and gave Robert Jordan a wistful look. “Leche,” he said, abbreviating the curse, “but isn’t war a bitch.”
(1987)
THE APE LADY IN RETIREMENT
Somehow, she found herself backed up against the artichoke display in the fruit-and-vegetable department at Waldbaum’s, feeling as lost and hopeless as an orphan. She was wearing her dun safari shorts and matching workshirt; the rhino-hide sandals she’d worn at the Makoua Reserve clung to the soles of her pale splayed tired old feet. Outside the big plate-glass windows, a sullen, grainy snow had begun to fall.
Maybe that was it, the snow. She was fretting over the vegetables, fumbling with her purse, the grocery list, the keys to the rheumatic Lincoln her sister had left her, when she glanced up and saw it, this wonder, this phenomenon, this dishwater turned to stone, and for the life of her she didn’t know what it was. And then it came to her, the word chipped from the recesses of her memory like an old bone dug from the sediment: snow. Snow. What had it been—forty years?
She gazed out past the racks of diet cola and facial cream, past the soap-powder display and the thousand garish colors of the products she couldn’t use and didn’t want, and she was lost in a reminiscence so sharp and sudden it was like a blow. She saw her sister’s eyes peering out from beneath the hood of her snowsuit, the drifts piled high over their heads, hot chocolate in a decorated mug, her father cursing as he bent to wrap the chains round the rear wheels of the car … and then the murmur of the market brought her back, the muted din concentrated now in a single voice, and she was aware that someone was addressing her. “Excuse me,” the voice was saying, “excuse me.”
She turned, and the voice took on form. A young man—a boy, really—short, massive across the shoulders, his dead-black hair cut close in a flattop, was standing before her. And what was that in his hand? A sausage of some sort, pepperoni, yes, and another word came back to her. “Excuse me,” he repeated, “but aren’t you Beatrice Umbo?”
She was. Oh, yes, she was—Beatrice Umbo, the celebrated ape lady, the world’s foremost authority on the behavior of chimpanzees in the wild, Beatrice Umbo, come home to Connecticut to retire. She gave him a faint, distant smile of recognition. “Yes,” she said softly, with a trace of the lisp that had clung to her since childhood, “
and it’s just terrible.”
“Terrible?” he echoed, and she could see the hesitation in his eyes. “I’m sorry,” he said, grinning unsteadily and thumping the pepperoni against his thigh, “but we read about you in school, in college, I mean. I even read your books, the first one, anyway—Jungle Dawn?”
She couldn’t respond. It was his grin, the way his upper lip pulled back from his teeth and folded over his incisors. He was Agassiz, the very picture of Agassiz, and all of a sudden she was back in the world of leaves, back in the Makoua Reserve, crouched in a huddle of chimps. “Are you all right?” he asked.
“Of course I’m all right,” she snapped, and at that moment she caught a glimpse of herself in the mirror behind the halved cantaloupes. The whites of her eyes were stippled with yellow, her hair was like a fright wig, her face as rutted and seamed as an old saddlebag. Even worse, her skin had the oddest citrus cast to it, a color about midway between the hue of a grapefruit and an orange. She didn’t look well, she knew it. But then what could they expect of a woman who’d devoted her life to science and survived dysentery, malaria, schistosomiasis, hepatitis and sleeping sickness in the process, not to mention the little things like the chiggers that burrow beneath your toenails to lay their eggs. “I mean the fruit,” she said, trying to bite back the lisp. “The fruit is terrible. No yim-yim,” she sighed, gesturing toward the bins of tangerines, kumquats, and pale seedless grapes. “No wild custard apple or tiger peach. They haven’t even got passionfruit.”
The boy glanced down at her cart. There were fifty yams—she’d counted them out herself—six gallons of full-fat milk, and a five-pound block of cheese buried in its depths. All the bananas she could find, ranging in color from burnished green to putrescent black, were piled on top in a great towering pyramid that threatened to drop the bottom out of the thing. “They’ve got Italian chestnuts,” he offered, looking up again and showing off his teeth in that big tentative grin. “And in a month or so they’ll get those little torpedo-shaped things that come off the cactuses out west—prickly pear, that’s what they call them.”
She cocked her head to give him an appreciative look. “You’re very sweet,” she said, the lisp creeping back into her voice. “But you don’t understand—I’ve got a visitor coming. A permanent visitor. And he’s very particular about what he eats.”
“I’m Howie Kantner,” he said suddenly. “My father and me run Kantner Construction?”
She’d been in town less than a week, haunting the chilly cavernous house her mother had left her sister and her sister had left her. She’d never heard of Kantner Construction.
The boy ducked his head as if he were genuflecting, told her how thrilled he was to meet her, and turned to go—but then he swung back round impulsively. “Couldn’t you :.. I mean, do you think you’ll need some help with all those bananas?”
She pursed her lips.
“I just thought … the boxboys are the pits here and you’re so … casually dressed for the weather and all …”
“Yes,” she said slowly, “yes, that would be very nice,” and she smiled. She was pleased, terribly pleased. A moment earlier she’d felt depressed, out of place, an alien in her own hometown, and now she’d made a friend. He waited for her behind the checkout counter, this hulking, earnest college boy, this big post-adolescent male with the clipped brow and squared shoulders, and she beamed at him till her gums ached, wondering what he’d think if she told him he reminded her of a chimp.
Konrad was late. They’d told her three, but it was past five already and there was no sign of him. She huddled by the fire, draped in an afghan she’d found in a trunk in the basement, and listened to the clank and wheeze of the decrepit old oil burner as it switched itself fitfully on and off. It was still snowing, snow like a curse, and she wished she were back in her hut at Makoua with the monsoon hammering at the roof. She looked out the window and thought she was on the moon.
It was close to seven when the knock at the door finally came. She’d been dozing, the notes for her lecture series scattered like refuse at her feet, the afghan drawn up tight around her throat. Clutching the title page as if it were a lifejacket tossed her on a stormy sea, she rose from the chair with a click of her arthritic knees and crossed the room to the door.
Though she’d swept the porch three times, the wind kept defeating her efforts, and when she’d pulled back the door she found Konrad standing in a drift up to his knees. He was huge—far bigger than she’d expected—and the heavy jacket, scarf, and gloves exaggerated the effect. His trainer or keeper or whatever she was stood behind him, grinning weirdly, her arms laden with groceries. Konrad was grinning too, giving her the low closed grin she’d been the first to describe in the wild: it meant he was agitated but not yet stoked to the point of violence. His high-pitched squeals—eeeee! eeeee! eeeee!—filled the hallway.
“Miss Umbo?” the girl said, as Konrad, disdaining introductions, flung his knuckles down on the hardwood floor and scampered for the fire. “I’m Jill,” the girl said, trying simultaneously to shake hands, pass through the doorframe, and juggle the bags of groceries.
Beatrice was still trying to get over the shock of seeing a chimpanzee in human dress—and one so huge: he must have stood better than four and a half feet and weighed close to 180—and it was a moment before she could murmur a greeting and offer to take one of the bags of groceries. The door slammed shut and the girl followed her into the kitchen while Konrad slapped his shoulders and stamped round the fireplace.
“He’s so … so big,” Beatrice said, depositing the bag on the oak table in the kitchen.
“I guess,” the girl said, setting her bags down with a shrug.
“And what is all this?” Beatrice gestured at the groceries. She caught a glance of Konrad through the archway that led into the living room: he’d settled into her armchair and was studiously bent over her notes, tearing the pages into thin white strips with the delicate tips of his black leather fingers.
“Oh, this,” the girl said, brightening. “This is the stuff he likes to eat,” dipping into the near bag and extracting one box after another as if they were exhibits at a trial, “Carnation Instant Breakfast, cheese nachos, Fruit Roll-Ups, Sugar Daffies …”
“Are you—?” Beatrice hesitated, wondering how to phrase the question. “What I mean is, you’re his trainer, I take it?”
The girl must have been in her mid-twenties, though she looked fourteen. Her hair was limp and blond, her eyes too big for her face. She was wearing faded jeans, a puffy down vest over a flannel shirt, and a pair of two-hundred-dollar hiking boots. “Me?” she squealed, and then she blushed. Her voice dropped till it was nearly inaudible: “I’m just the person that cleans up his cage and all and I’ve always had this like way with animals….”
Beatrice was shocked. Shocked and disgusted. It was worse than she’d suspected. When she agreed to take Konrad, she knew she’d be saving him from the sterility of a cage, from the anomie and humiliation of the zoo. And those were the very terms—anomie and humiliation—she’d used on the phone with his former trainer, with the zookeeper himself. For Konrad was no run-of-the-mill chimp snatched from the jungle and caged for the pleasure of the big bland white apes who lined up to gawk at him and make their little jokes at the expense of his dignity—though that would have been crime enough—no, he was special, extraordinary, a chimp made after the image of man.
Raised as a human, in one of those late-sixties experiments Beatrice deplored, he’d been bathed, dressed, and pampered, taught to use cutlery and sit at a table, and he’d mastered 350 of the hand signals that constituted American Sign Language. (This last especially appalled her—at one time he could actually converse, or so they said.) But when he grew into puberty at the age of seven, when he developed the iron musculature and crackling sinews of the adolescent male who could reduce a room of furniture to detritus in minutes or snap the femur of a linebacker as if it were tinder, it was abruptly decided that he could be human
no more. They took away his trousers and shoes, his stuffed toys and his color TV, and the overseers of the experiment made a quiet move to shift him to the medical laboratories for another, more sinister, sort of research. But he was famous by then and the public outcry landed him in the zoo instead, where they made a sort of clown of him, isolating him from the other chimps and dressing him up like something in a toy-store window. There he’d languished for twenty-five years, neither chimp nor man.
Twenty-five years. And with people like this moon-eyed incompetent to look after him. It was a shock. “You mean to tell me you’ve had no training?” Beatrice demanded, the outrage constricting her throat till she could barely choke out the words. “None at all?”
The girl gave her a meek smile and a shrug of the shoulders.
“You’ve had nutritional training, certainly—you must have studied the dietary needs of the wild chimpanzee, at the very least …” and she gestured disdainfully at the bags of junk food, of salt and fat and empty calories.
The girl murmured something, some sort of excuse or melioration, but Beatrice never heard it. A sudden movement from the front room caught her eye, and all at once she remembered Konrad. She turned away from the girl as if she didn’t exist and focused her bright narrow eyes on him, the eyes that had captured every least secret of his wild cousins, the rapt unblinking eyes of the professional voyeur.
The first thing she noticed was that he’d finished with her notes, the remnants of which lay strewn about the room like confetti. She saw too that he was calm now, at home already, sniffing at the afghan as if he’d known it all his life. Oblivious to her, he settled into the armchair, draped the afghan over his knees, and began fumbling through the pockets of his overcoat like an absent-minded commuter. And then, while her mouth fell open and her eyes narrowed to pinpricks, he produced a cigar—a fine, green, tightly rolled panatela—struck a match to light it, and lounged back in an. aureole of smoke, his feet, bereft now of the plastic galoshes, propped up luxuriously on the coffee table.