He felt her teeth dig into his lower lip, the pain was terrible. Ted pulled away, tasting the blood and feeling the wound on his lip. He half rose and slapped Victoria hard across the side of her face, then backhanded her across the other side of the face. He found her down there, slid it in, rammed it in her while putting his mouth back on hers. Ted worked away in wild vengeance, now and then pulling his head back, looking at her. He tried to save it, to hold back, and then he saw that cloud of strawberry hair fanned across the pillow in the moonlight.
   Ted was sweating and moaning like a high school boy. This was it. Nirvana. The place to be. Victoria was silent. Ted’s moans lessened and then after a moment he rolled off.
   He stared into the darkness.
   I forgot to suck her tits, he thought.
   Then he heard her voice. “You know what?” she asked.
   “What?”
   “You remind me of one of those quarterhorses.”
   “What do you mean?”
   “It’s all over in 18 seconds.”
   “We’ll race again, baby,” he said …
   She went to the bathroom. Ted wiped off on the sheet, the old pro. Victoria was rather a nasty number, in a way. But she could be handled. He had something going. How many men owned their own home and had 150 grand in the bank at his age? He was a class act and she damn well knew it.
   Victoria came walking out of the bathroom still looking cool, untouched, almost virginal. Ted switched on the bedlamp. He sat up and poured two more. She sat on the edge of the bed with her drink and he climbed out and sat on the edge of the bed next to her.
   “Victoria,” he said, “I can make things good for you.”
   “I guess you’ve got your ways, Buddha.”
   “And I’ll be a better lover.”
   “Sure.”
   “Listen, you should have known me when I was young. I was tough, but I was good. I had it. I still have it.”
   She smiled at him, “Come on, Buddha, it’s not all that bad. You’ve got a wife, you’ve got lots of things going for you.”
   “Except one thing,” he said, draining his drink and looking at her. “Except the one thing I really want…”
   “Look at your lip! You’re bleeding!”
   Ted looked down into his glass. There were drops of blood in his drink and he felt blood on his chin. He wiped his chin with the back of his hand.
   “I’m going to shower and clean up, baby, be right back.”
   He walked into the bathroom, slid the shower door open and began to run the water, testing it with his hand. It seemed about right and he stepped in, the water running off him. He could see the blood in the water running into the drain. Some wildcat. All she needed was a steadying hand.
   Marie was all right, she was kind, kind of dull actually. She had lost the intensity of youth. It wasn’t her fault. Maybe he could find a way to stay with Marie and have Victoria on the side. Victoria renewed his youth. He needed some fucking renewal. And he needed some more good fucking like that. Of course, women were all crazy, they demanded more than there was. They didn’t realize that making it was not a glorious experience, but only a necessary one.
   “Hurry up, Buddha!” he heard her call. “Don’t leave me all alone out here!”
   “I won’t be long, baby!” he yelled from under the shower.
   He soaped up good, washing it all away.
   Then Ted got out, toweled off, then opened the bathroom door and stepped into the bedroom.
   The motel room was empty. She was gone.
   There was a distance between ordinary objects and between events that was remarkable. All at once, he saw the walls, the rug, the bed, two chairs, the coffee table, the dresser, and the ashtray with their cigarettes. The distance between these things was immense. Then and now were light years apart.
   On an impulse, he ran to the closet and pulled the door open. Nothing but coat hangers.
   Then Ted realized that his clothes were gone. His underwear, his shirt, his pants, his car keys and wallet, his cash, his shoes, his stockings, everything.
   On another impulse he looked under the bed. Nothing.
   Then Ted noticed the bottle of Cutty Sark, half full, standing on the dresser and he walked over, picked it up and poured himself a drink. And as he did he saw two words scrawled on the dresser mirror in pink lipstick: “GOODBYE BUDDHA!”
   Ted drank the drink, put the glass down and saw himself in the mirror—very fat, very old. He had no idea what to do next.
   He carried the Cutty Sark back to the bed, sat down heavily on the edge of the mattress where he and Victoria had sat together. He lifted the bottle and sucked at it as the bright neon lights from the boulevard came through the dusty blinds.
   He sat, looking out, not moving, watching the cars passing back and forth.
   —HOT WATER MUSIC
   cornered
   well, they said it would come to
   this: old. talent gone, fumbling for
   the word
   hearing the dark
   footsteps, I turn
   look behind me …
   not yet, old dog …
   soon enough.
   now
   they sit talking about
   me: “yes, it’s happened, he’s
   finished … it’s
   sad …”
   “he never had a great deal, did
   he?”
   “well, no, but now …”
   now
   they are celebrating my demise
   in taverns I no longer
   frequent.
   now
   I drink alone
   at this malfunctioning
   machine
   as the shadows assume
   shapes
   I fight the slow
   retreat
   now
   my once-promise
   dwindling
   dwindling
   now
   lighting new cigarettes
   pouring more
   drinks
   it has been a beautiful
   fight
   still
   is.
   Trollius and trellises
   of course, I may die in the next ten minutes
   and I’m ready for that
   but what I’m really worried about is
   that my editor-publisher might retire
   even though he is ten years younger than
   I.
   it was just 25 years ago (I was at that ripe
   old age of 45)
   when we began our unholy alliance to
   test the literary waters,
   neither of us being much
   known.
   I think we had some luck and still have some
   of same
   yet
   the odds are pretty fair
   that he will opt for warm and pleasant
   afternoons
   in the garden
   long before I.
   writing is its own intoxication
   while publishing and editing,
   attempting to collect bills
   carries its own
   attrition
   which also includes dealing with the
   petty bitchings and demands
   of many
   so-called genius darlings who are
   not.
   I won’t blame him for getting
   out
   and hope he sends me photos of his
   Rose Lane, his
   Gardenia Avenue.
   will I have to seek other
   promulgators?
   that fellow in the Russian
   fur hat?
   or that beast in the East
   with all that hair
   in his ears, with those wet and
   greasy lips?
   or will my editor-publisher
   upon exiting for that world of Trollius and
   trellis
   hand over the
   machinery
   of his former trade to a
   cousin, a
 
					     					 			   daughter or
   some Poundian from Big
   Sur?
   or will he just pass the legacy on
   to the
   Shipping Clerk
   who will rise like
   Lazarus,
   fingering new-found
   importance?
   one can imagine terrible
   things:
   “Mr. Chinaski, all your work
   must now be submitted in
   Rondo form
   and
   typed
   triple-spaced on rice
   paper.”
   power corrupts,
   life aborts
   and all you
   have left
   is a
   bunch of
   warts.
   “no, no, Mr. Chinaski:
   Rondo form!”
   “hey, man,” I’ll ask,
   “haven’t you heard of
   the thirties?”
   “the thirties? what’s
   that?”
   my present editor-publisher
   and I
   at times
   did discuss the thirties,
   the Depression
   and
   some of the little tricks it
   taught us—
   like how to endure on almost
   nothing
   and move forward
   anyhow.
   well, John, if it happens enjoy your
   divertissement to
   plant husbandry,
   cultivate and aerate
   between
   bushes, water only in the
   early morning, spread
   shredding to discourage
   weed growth
   and
   as I do in my writing:
   use plenty of
   manure.
   and thank you
   for locating me there at
   5124 DeLongpre Avenue
   somewhere between
   alcoholism and
   madness.
   together we
   laid down the gauntlet
   and there are takers
   even at this late date
   still to be
   found
   as the fire sings
   through the
   trees.
   my first computer poem
   have I gone the way of the deathly death?
   will this machine finish me
   where booze and women and poverty
   have not?
   is Whitman laughing at me from his grave?
   does Creeley care?
   is this properly spaced?
   am I?
   will Ginsberg howl?
   soothe me!
   get me lucky!
   get me good!
   get me going!
   I am a virgin again.
   a 70-year-old virgin.
   don’t fuck me, machine
   do.
   who cares?
   talk to me, machine!
   we can drink together.
   we can have fun.
   think of all the people who will hate me at this
   computer.
   we’ll add them to the others
   and continue right
   on.
   so this is the beginning
   not the
   end.
   Dinosauria, we
   born like this
   into this
   as the chalk faces smile
   as Mrs. Death laughs
   as the elevators break
   as political landscapes dissolve
   as the supermarket bag boy holds a college degree
   as the oily fish spit out their oily prey
   as the sun is masked
   we are
   born like this
   into this
   into these carefully mad wars
   into the sight of broken factory windows of emptiness
   into bars where people no longer speak to each other
   into fist fights that end as shootings and knifings
   born into this
   into hospitals which are so expensive that it’s cheaper to die
   into lawyers who charge so much it’s cheaper to plead guilty
   into a country where the jails are full and the madhouses closed
   into a place where the masses elevate fools into rich heroes
   born into this
   walking and living through this
   dying because of this
   muted because of this
   castrated
   debauched
   disinherited
   because of this
   fooled by this
   used by this
   pissed on by this
   made crazy and sick by this
   made violent
   made inhuman
   by this
   the heart is blackened
   the fingers reach for the throat
   the gun
   the knife
   the bomb
   the fingers reach toward an unresponsive god
   the fingers reach for the bottle
   the pill
   the powder
   we are born into this sorrowful deadliness
   we are born into a government 60 years in debt
   that soon will be unable to even pay the interest on that debt
   and the banks will burn
   money will be useless
   there will be open and unpunished murder in the streets
   it will be guns and roving mobs
   land will be useless
   food will become a diminishing return
   nuclear power will be taken over by the many
   explosions will continually shake the earth
   radiated robot men will stalk each other
   the rich and the chosen will watch from space platforms
   Dante’s Inferno will be made to look like a children’s playground
   the sun will not be seen and it will always be night
   trees will die
   all vegetation will die
   radiated men will eat the flesh of radiated men
   the sea will be poisoned
   the lakes and rivers will vanish
   rain will be the new gold
   the rotting bodies of men and animals will stink in the dark wind
   the last few survivors will be overtaken by new and hideous diseases
   and the space platforms will be destroyed by attrition
   the petering out of supplies
   the natural effect of general decay
   and there will be the most beautiful silence never heard
   born out of that.
   the sun still hidden there
   awaiting the next chapter.
   Luck
   once
   we were young
   at this
   machine …
   drinking
   smoking
   typing
   it was a most
   splendid
   miraculous
   time
   still
   is
   only now
   instead of
   moving toward
   time
   it
   moves toward
   us
   makes each word
   drill
   into the
   paper
   clear
   fast
   hard
   feeding a
   closing
   space.
   the bluebird
   there’s a bluebird in my heart that
   wants to get out
   but I’m too tough for him,
   I say, stay in there, I’m not going
   to let anybody see
   you.
   there’s a bluebird in my heart that
   wants to get out
   but I pour whiskey on him and inhale
   cigarette smoke
   and the whores and the bartenders
   and the grocery clerks
   never know that
					     					 			>
   he’s
   in there.
   there’s a bluebird in my heart that
   wants to get out
   but I’m too tough for him,
   I say,
   stay down, do you want to mess
   me up?
   you want to screw up the
   works?
   you want to blow my book sales in
   Europe?
   there’s a bluebird in my heart that
   wants to get out
   but I’m too clever, I only let him out
   at night sometimes
   when everybody’s asleep.
   I say, I know that you’re there,
   so don’t be
   sad.
   then I put him back,
   but he’s singing a little
   in there, I haven’t quite let him
   die
   and we sleep together like
   that
   with our
   secret pact
   and it’s nice enough to
   make a man
   weep, but I don’t
   weep, do
   you?
   Acknowledgments
   The material in this reader is reprinted from the following books published by Black Sparrow: The Days Run Away Like Wild Horses over the Hills (1969), Post Office (1971), Mockingbird Wish Me Luck (1972), South of No North (1973), Burning in Water, Drowning in Flame (1974), Factotum (1975), Love Is a Dog from Hell (1977), Women (1978), Play the Piano Drunk (1979), Ham on Rye (1982), Hot Water Music (1983), You Get So Alone at Times It Just Makes Sense (1986), The Roominghouse Madrigals (1988), Hollywood (1989), Septuagenarian Stew (1990), and The Last Night of the Earth Poems (1992).
   Other Works
   ALSO BY CHARLES BUKOWSKI
   AVAILABLE FROM ECCO
   The Days Run Away Like Wild Horses Over the Hills (1969)
   Post Office (1971)
   Mockingbird Wish Me Luck (1972)
   South of No North (1973)
   Burning in Water, Drowning in Flame: Selected Poems 1955–1973 (1974)
   Factotum (1975)
   Love Is a Dog from Hell: Poems 1974–1977 (1977)
   Women (1978)
   Play the Piano Drunk / Like a Percussion Instrument / Until the Fingers Begin to Bleed a Bit (1979)