How lucky she was, she told herself repeatedly. How loved and wanted after all the years of isolation. This child would want for nothing. She and Finn would love and cherish it, and he or she would grow up strong and healthy in the good air of Churinga and Wilga.
The baby was due to be born in the winter. The shearing season was over and as she went into the last six weeks of her pregnancy, Matilda began to feel her energy decline in the humidity. It was already raining and the creek threatened to run a banker. Finn had gone with the men to round up the mob and take them to the higher pastures, and from there he would visit Wilga and make sure it was prepared for the winter.
Matilda moved slowly around the house, the weight of the child making the heat seem more intense. She had planned to finish decorating the nursery Finn had built on to the side of the house, and despite his orders to leave it for him to do, she wanted to surprise him.
Besides, she told herself fiercely, you’re getting too soft and lazy sitting around the house all day doing nothing. It’s time you got on with something.
She gathered up a bucket of water, a penknife for scraping off old varnish, cleaning cloths and beeswax, and plodded into the nursery. It was small and bright with a large window overlooking the paddock. It smelled of newly cut timber. She had already whitewashed the walls and wanted to paint a mural of Churinga behind the small cot Finn had built several weeks before. The mural was to be a surprise and she was glad he would be gone long enough for her to finish it. He fusses too much, she thought indulgently, and will only get under my feet.
Finn had brought a chest of drawers and a wardrobe from Wilga. Matilda decided that before she could begin on the mural, she would clean them out. Everything had to be just right for when the baby came. She knew this almost obsessive need to clean and dust was all a part of her nesting instincts – much like the wild creatures of the outback.
With the warm water and cloths, she scrubbed away the dust from the bottom of the wardrobe and hummed to herself as she lined the shelves with paper. Then she polished the wood until it gleamed and stood back to admire the effect. The furniture Finn had brought with him had seen better days. Once the pieces had been put in here they’d almost been forgotten in the hurly-burly of the shearing season. Now she was pleased with how the wardrobe looked and turned to the chest of drawers.
As she opened the top drawer, she heard something rattle and then thud. Whatever it was, Finn had obviously forgotten about it. Now it had fallen down the back into the cavity behind the bottom drawer.
One by one she pulled the drawers out and set them in a stack on the floor. Then, puffing and blowing, she got down on her knees and scrabbled about in the dusty darkness. With the bulk of the baby between her and the furniture, it was difficult to see what she was doing.
Her fingers found something slippery and cold. It felt like a tin box. She pulled it out. Catching her breath, she looked at it more closely. It was a long, thin biscuit tin with a faded picture of tartan and thistles on the lid. It had once been filled with shortbread.
She gave it a shake. Something slithered and rattled inside. Intrigued, she prised off the rusting lid with the penknife.
Instead of biscuits, she found a few letters, a couple of newspaper cuttings and some photographs. Putting the letters aside, she looked at the photos. There was the house in Meander, the beach at Coles Bay, and Finn, smiling and proud in his school uniform.
She smiled and kissed the photograph. How she would tease him when he got home. Those knees!
Moving on to the next photograph, her hand stilled and the child in her belly gave a vicious kick. Here was Finn standing between two people Matilda would have recognised anywhere.
‘That’s impossible,’ she breathed.
But when she opened her eyes again and read the newspaper obituaries. She knew it to be true.
And yet it made no sense. No sense at all. For how had the schoolboy Finn ever known Peg and Albert Riley. The Sundowners had gone back to Queensland, hadn’t they?
The faces blurred in and out of focus as her thoughts became more contorted. She remembered Peg’s voice the last time she’d heard it. It echoed in her head and seemed to fill the room, the house, the paddocks, and the miles between the years.
She stared at the back of the picture, but couldn’t read the words that had been written there – couldn’t focus at all. Yet she was loath to read them – wanted to turn the clock back – forget the picture even existed. It couldn’t exist. Not here on Churinga. Not in a chest of drawers Finn had brought from Wilga.
‘No,’ she breathed fiercely. ‘No, no, no.’
But she couldn’t ignore the writing on the back of the picture, and despite her reluctance found herself drawn to it.
‘Good luck, son. Ma and Dad.’
Matilda swallowed hard and angrily, forced herself to think straight. It had to be a coincidence, she was just being overdramatic. Peg and Albert had had their own child, changed their name and moved to Tasmania. Of course, that was it. Logical really.
Finn’s voice echoed in her head.
‘Ma told me I was adopted. It explained why my dad never showed me any affection.’
‘That doesn’t mean anything,’ Matilda said into the silence. ‘They adopted him in Tassie. It’s just a twist of fate he came here.’
She sat on the floor of the nursery, the photograph gripped to her chest as she tried to claw back the calm she knew she would need to recover. She had let her imagination run away with her, she told herself firmly. Women in her condition often went a little mad.
Her gaze fell on the tightly bound stack of letters. With a quick glance she realised most of them were from friends, men Finn had gone to war with, horse breeders and farmers. Matilda began to believe she really had been mistaken.
Then she found the one from Peg.
Mis-spelt, the writing almost illegible, it had obviously been meant to be read after her death. The words danced before Matilda, hammering their message home as surely as nails in a coffin.
Dearest Son,
This has got to be the hardest letter I’ve ever had to write but you should know the truth, and now I’m gone, I hope you find it in you to forgive me for what I done. I take all the blame, yer dad didn’t want nothing to do with it – but fate offered me a chance, and I took it.
Yer mum was only a kid herself when she brought you into the world, with not much of a future and no man to care for her. She was real crook after giving birth to you, and when I held you in my arms, I knew I couldn’t let you go.
I stole you, Finn. Took you away from that poor wronged child and gave you the best I could give, ’cos I knew she wouldn’t have been able to look after you even if she’d wanted to – which I doubt. We changed our names to McCauley years ago, but you won’t find no papers proving anything, and it’s better you don’t know where you came from. She thinks you died at birth, Finn. God forgive me for the lie, but me and Bert couldn’t have kids, and when I saw you, I knew it was meant to be.
Matilda was almost numb with shock as the feeling of dread returned full force. Her clumsy fingers knocked the tin as she dropped her hands to her knees and something glinted as it fell to the floor.
She picked it up and let it swing like a pendulum in the sunlight. The gold and enamel glittered as she sat there mesmerised.
Catching the delicately engraved heart, she traced the initials entwined on the back and froze. With a deep breath, she forced herself to open the tiny catch and look at the two faces set in their ornately worked frames – and knew there could be no mistake.
The loss of her mother’s locket had always been a mystery. Now it had been returned to Churinga to haunt her.
Her baby weighed heavy within her as she clambered to her feet.
‘It’s impossible,’ she muttered. ‘Impossible.’
Silence surrounded her. The day lost its brightness and she thought she could hear Peg’s voice again.
‘Your baby died. Your baby di
ed. Your baby died.’
Matilda covered her ears and stumbled out of the room. Her feet led her on the inevitable journey she had no wish to take – but knew she must. Across the kitchen and out on to the verandah. The nightmare walk she had made once before and would have done anything to wake up from. Then into the yard and through the white wicket gate into the graveyard.
Sinking to her knees in the sodden grass, she looked at the small marble cross she’d bought with her first profits. Rain soaked her hair and trailed it across her face. Her dress clung to her like a second icy skin as she began to dig at the earth with her hands. But she was aware of nothing as she muttered the long-forgotten prayer from childhood.
‘Holy Mother of God, blessed art thou amongst women. Pray for my sins.’
Her hands moved faster, scooping out the heavy, rain-soaked earth, flinging it aside until she reached that rough little home-made coffin.
Finn was twenty-four. Finn was twenty-four.
The thought flew round and round in her head as her numb lips prayed. ‘Holy Mother of God, pray for us. Forgive us. Please, God, forgive us.’
The rain and tears were blinding as she scrabbled desperately in the earth to uncover the box. She pushed her hands deeper, grasping the rough sides, coaxing it out of the clinging mud that seemed to want to keep it hidden.
She ignored the pain in her belly and the broken fingernails. Ignored the splinters and the rain. She had to see. Had to find out what Peg and Albert had buried in her graveyard twenty-four years ago.
The penknife slipped between the rusty nails, and with an angry squeal and a splintering of wood the lid came off. Matilda looked down.
The box was empty but for a large brick.
She sat in the rain with the crude coffin in her lap. She was numb. Dead to everything around her. If only the rain could wash away the terrible sin she had committed. If only she could melt into the earth and disappear. If only she could feel nothing for the rest of her life and simply drift into oblivion.
But it was not to be for the deep, persistent vice of pain that came in great, sweeping waves finally broke through her trance, forcing her to move. With the little coffin held tightly to her chest, she began to crawl towards the house. Her innocent child was coming into the world and there was nothing she could do to stop it.
Matilda dragged herself up the steps, over the porch and into her bedroom. The pain was all-consuming, driving its way into her chest, making it hard to breathe, to move, to think. She knew she was about to die, and fate would decide whether her unborn baby would survive – but as all her childhood fears of the Catholic hellfires returned, she knew this was fitting punishment for such wickedness as hers.
‘Finn?’ she called into the silent house. ‘Finn, where are you?’ She lay slumped on the bed, mindless of the mud and filth clinging to her clothes and staining the covers. ‘I have to tell you, Finn. Have to explain,’ she gasped through the pain.
Time lost all meaning as she closed her eyes. When she opened them again she could feel the sticky wetness between her legs. Almost bankrupt of strength, she reached for the diary and began to write. Finn had to know. But if the child survived, it must be cared for and loved somewhere far away where it would never discover the awful truth. There had been enough sin in this house.
The pen finally dropped from Matilda’s fingers. She had written all she could, and her child wouldn’t wait to be born. The end was near.
Chapter Twenty
Jenny let the diary fall to the floor as the tears ran unchecked. She’d been right all along, Churinga was cursed. No wonder Matilda haunted the place. No wonder that waltz echoed each time her dress was worn.
She sat on the bed and grieved for Matilda and Finn as she grasped the locket around her neck. Matilda must have died, but what had happened to Finn? The sobs came to an abrupt halt. And what had become of the child? The true inheritor of Churinga.
She dashed away the tears as the questions in her head demanded to be answered. Finn had left Matilda’s diaries behind for a reason. He had meant them to be read.
‘But by whom?’ she whispered. ‘Did you hope your child would somehow find its way here to uncover the truth?’
‘Talking to yourself, now, eh? Strewth, things must be bad.’
Diane’s voice broke into her thoughts, and with a start Jenny blew her nose and tried to compose herself. She knew her face was ashen and her eyelids swollen.
‘Whatever’s the matter?’ Diane sank on the bed beside her, a comforting arm around Jenny’s shoulders.
‘Matilda married Finn,’ she croaked, the onset of more tears threatening.
Diane shrugged. ‘So?’ She eyed Jenny sharply, then grinned. ‘Don’t tell me the great cynic has finally gone all romantic and soppy? Jen, you surprise me.’
Jenny pulled away from her. ‘You don’t understand,’ she rasped as she tried to clean up the tears. ‘Finn was Matilda’s son.’
Dark brown eyes stared back at her. Then Diane gave a low whistle. ‘Well, that’s a turn up,’ she breathed.
Jenny picked up the diary and thrust it at her friend. ‘And that’s not all, Diane. They had a baby. Peter had no right to this place. Neither do I.’ She screwed the handkerchief into a ball then wrestled to take off the locket. ‘Even this isn’t mine. It was Matilda’s, and her mother’s before her. No wonder I’ve been haunted ever since I picked up the diaries.’
Diane ignored the diary and stared back at her. ‘That’s nonsense, Jen. Peter had every right to buy the place if it was on the market. Perhaps the kid didn’t want it. And who could blame it with a history like that to follow on?’ Her shoulders slumped. ‘Come on, girl. You’re just letting things get to you. You’ve got all worked up over these damn’ diaries and let your rather vivid imagination run away with you.’
Jenny slowly shook her head as she thought deeply about Diane’s argument. Something didn’t feel right. There were still too many questions that hadn’t been answered, and having come so far with Matilda, she felt she had to continue until she knew it all.
She snatched back the diary, found the last few pages and held it out to Diane. ‘Read this and tell me what you think.’
Her expression must have made Diane realise there would be no point in refusing. After a moment of silence she began to read. When she’d finished, she closed the book and sat for a long moment in a silence which stretched Jenny’s patience.
‘I think the whole thing’s tragic and should be put to rest,’ she said finally. ‘The child either didn’t survive or decided to sell up. No drama. Plain fact. As for the locket…’ She took it from Jenny and fingered the delicate filigree. ‘Peter probably found it here when he first decided to buy Churinga and thought it would make a nice present for you.’
Jenny felt her impatience with Diane grow. ‘But don’t you see?’ she exploded. ‘The diaries were left here for a reason. They had to be.’ She took a deep breath. ‘If the child survived, then why leave them here for anybody to read? Why not destroy them?’
‘Jen,’ warned Diane. ‘Don’t go off on that tack again.’
She clasped Diane’s hands between her own, willing her to see things as she did. ‘But what if that child is alive and doesn’t know the truth? What if Finn left the diaries here because he knew the child would return one day? What then?’
‘Pure supposition,’ Diane retorted.
Jenny snatched up the locket and headed for the door. ‘We’ll see about that.’
‘Where are you going?’ Her friend’s alarmed voice followed her out of the room.
‘To phone John Wainwright,’ she called over her shoulder.
Diane hurried after her, pulling her up sharply as she reached for the receiver. ‘What good’s that going to do? Let it rest, Jen. Enjoy Churinga, the locket, the story you’ve been privileged to read and live your own life. All second-hand jewellery has a history. That’s what makes it so interesting. But old diaries should be returned where they belong. In the past. No
thing you can say or do will alter facts, Jen. What’s done is done.’
‘But I have to find out what became of them all, Diane. Have to know why Peter was able to buy Churinga. I owe Matilda that much.’
She turned away and as she waited for her call to go through, heard Diane say stubbornly, ‘If I can’t make you see sense then John Wainwright will.’
Jenny gripped the receiver as the familiar pommy accent drawled at the other end of the line. ‘John? Jennifer.’
‘Hello, my dear. What can I do for you?’
‘How and why did Peter buy Churinga?’
‘I explained that before,’ he said smoothly.
‘John,’ she said firmly, ‘I know about Matilda and Finn McCauley, and I’m wearing her locket. The locket Peter gave me last Christmas. The locket he said had something to do with my surprise birthday present. Now I want to know how he came by Churinga and the locket, and what happened to the person who should have inherited.’
‘Ah.’ There was a long silence.
Jenny shot Diane a glance as they both huddled close to the telephone. She had gone cold despite the heat in the kitchen, and although she was eager to find out more, something almost made her disconnect the call.
‘What is it, John? What are you so reluctant to tell me?’
There was a sigh at the other end of the telephone and the rustling of paper. ‘It’s a long, involved story, Jennifer. Perhaps it would be better to come back to Sydney so I can explain?’
She almost smiled at the hopeful note in his voice. ‘I’d prefer it if you’d tell me now, John. After all, it can’t be that complicated.’
Another sigh and more rustling of paper. ‘Peter came to me a few years before he died. He’d found a property, Churinga, and wanted me to handle the paperwork. It seemed there was an intriguing history behind the property and he’d spent a long time researching into it before coming to me. Once all the legal work was done, he begged me to keep his new acquisition secret until he’d had time to explain everything to you.’