“Cole,” I say, tightening my grip. He slows enough to look back at me, eyes shining.
“I’ll be all right,” he says, reading the worry in my eyes. His arm feels solid again beneath my touch. “But we have to hurry.” We set off, my lungs burning, skin buzzing from fear and cold.
“Matthew must have told them!” I say.
Behind us, branches snap underfoot.
The men are in the forest.
I glance back, but all I can see are black branches, the moonlight slanting in on our left. I stumble and fall back a step, my hand sliding down Cole’s arm, his wrist, until our fingers are knotted. Men’s voices echo in the dark. Growing softer. They have taken a path deeper into the woods.
Cole turns suddenly left, and we break through the trees at the edge of the forest. The moon is high and bright again, showering the moor in light, exposing everything. Including us.
We make a break for it, up the hill, everything in me burning, desperate for air and rest. When I think my lungs and legs won’t make it, the wind picks up, presses against my back, urging me on. I reach the top of the hill, Cole’s fingers still twisted in mine, and risk a glance back at the forest below, at the three men just surfacing again. Before they look up at the hill, we’re gone.
The wind is at our backs, all the way home.
We don’t stop at the sisters’ house, don’t talk, only run, needing every ounce of strength to make it. Only when my home comes into sight do we stagger to a stop, the wind dissolving into a frightening quiet. I sink to the ground, gasping, and close my eyes as a kind of world-tipping dizziness takes over. When I open them, Cole is kneeling beside me. He bows his head, trying to regain his balance. When he looks up, he is ghostly pale.
“You’ve got to get away from here,” I say. “They saw you. They’ll think we’re hiding something.”
“Check on Wren,” he says, and only then do I remember the small dark shape as it slipped into the forest. I turn to the house. The bedroom window is open, and my heart plummets through my stomach. I can see the curtains billowing in the room I share with my sister, can see clear through to the back wall where the moon is casting shapes. I am there, at the windowsill, faster than Cole, fighting the urge to cry out to Wren in the darkness. I bite back tears and panic as I launch myself over the sill and into the room, clumsy and loud.
And there she is.
Tucked deep within her nest of blankets. I cross to her and my eyes catch on the charm at her wrist, still smelling of earth and something sweet. I say a silent prayer to Magda and Dreska. Cole reaches the window breathlessly, and I lean out. Concern flickers in his eyes, but I meet them with a small nod and an exhale. He glances back, over his shoulder.
“How many children are there in the town of Near?” he asks, leaning against the window.
“At least a dozen,” I whisper. “Why?”
“One of them was not as lucky.”
WREN’S CHEST RISES AND FALLS.
I watch her sleeping form and think of the silhouette at the edge of the forest, and of the haunting wind song. I imagine it coaxing a child’s eyelids up, drawing small legs from beneath the covers. Urging the half-sleeping form out into the pitch-black night.
I turn back to the window, where Cole is waiting. In the distance, a bird takes flight, disturbed.
“You have to—”
“I know. I’m going.” And the way he says it is so final, and the panic in my eyes must be clear, because he brushes his thumb over my fingers on the sill.
“Wait for me. I’ll come back,” he says, tired and pale. He looks numb, lost. His hand falls away from mine. “We’ll make everything right in the morning.”
There are footsteps somewhere in the dark, and I peer out past him.
“Cole, go,” I warn, but when I look down, he’s already gone.
I retreat into the room, pulling the traveling cloak from my shoulders, the boots from my feet. I peel the covers back beside Wren, and as I curl up in the warmth of the bed, I feel the cold seep from my skin for the first time all night.
“Tomorrow,” I whisper to the moonlight and my sister’s form, as sleep slips beneath the covers with me. “Tomorrow we’ll make everything right. Tomorrow we’ll go back to the forest and find the witch’s bones while she sleeps. Tomorrow I’ll find the children. Tomorrow…”
I fold myself deeper into the blankets as the wind picks up, and beg for sleep to bring the morning faster.
The thing about bad news is this:
All bad news might spread like fire, but when it takes you by surprise it’s sharp and hot, gobbling everything up so fast you never have a chance. When you’re waiting for it, it’s even worse. It’s the smoke, filling the room so slow you can watch it steal the air from you.
In the morning. Words I cling to, waiting for dawn to come. I blink, and time passes in strange, awkward jumps, but the sun won’t seem to rise.
I find myself watching as the dregs of moonlight make circles on the ceiling. I stare up at them, up past them, waiting for the night to pass, trying to make sense of everything, unable to hold on to anything as my mind slips in and out.
My eyes flick to the window.
One of them was not as lucky.
But who?
Dawn is just reaching the edges of the sky. I give up on the idea of sleep, pull myself from the bed, and wander down the hall. A candle burns in the kitchen. My mother is there, pouring tea.
My heart sinks when I see a familiar round woman sitting in a kitchen chair, wringing her large hands.
Mrs. Thatcher reaches for the tea my mother offers. She herself made the cup; you can tell by the way her fingers fit perfectly into the ripples. She does not cry, like the others, but sits and drinks and curses. She hardly notices the burned edges of the roll she eats, or how hot it is. I make myself silent against the wall, as my mother stops her baking and comes to sit with Riley’s mother, cradling her own mug.
“Fool, fool,” Mrs. Thatcher mutters, and she reminds me of Dreska when she says it, only younger and much larger. “I told him to just put it up, to be safe. But he’d have none of it.”
“Put what up?”
“That damned crow. Jack wouldn’t have it. Said it was a silly thing for silly people with silly fears. And look now!” The cup hits the table with almost as much force as my uncle’s when he rants.
“We could have used all the luck we were given. To guard against who”—her eyes flit to me—“or what, is taking these children. I’m not saying it’d fix things. Not saying the crows could keep that boy safe, but now…” She finishes the tea, but this time sets the cup down silently, the anger bleeding into sadness at last. “Now we won’t know.”
My mother reaches across the table and takes her hand. “It’s not too late,” she murmurs. “We’ll find him. Lexi will help find him.”
Mrs. Thatcher gives a heaving sigh and pushes away from the table.
“I’ve got to get back,” she mutters, and the chair groans as she stands up. “Jack’s been in a fury for an hour, raving and causing a storm. Out for blood.” Her eyes find mine. “I warned you. Where is your friend now?” She shakes her head. “If he’s got any brains, he’s long gone from Near.”
“Come,” says my mother. “I’ll walk you home.” And with that my mother leads Mrs. Thatcher out into the chilly morning.
Where is Cole? His promise echoes back to me. Wait for me. I’ll come back. My hands begin to tremble, so I clench them into fists. I should go before Otto has the chance to come and stop me. I should go and find Cole so we can get to the forest. I don’t want to go back alone, even in daylight. Where is he? What if he’s hiding? What if he needs me?
Wren wanders sleepily into the kitchen, her hair already smooth. I pat her head—a simple, thankful motion. She looks at me as if I’ve lost my mind. It’s not a child’s look. It’s sympathetic. Poor old sister, I can picture her thinking. Old is old to a child. I might as well be Magda or Dreska. Poor Lexi, losing her mind. Thi
nks the boy speaks wind and burns down villages. Thinks the Near Witch is stealing children. Thinks she can stop any of it.
“Wren, where do you think your friends are?”
She studies me. “I don’t know, but they’re together.” She sighs, crossing her arms. “And they don’t have to stay inside.”
I bend to kiss her forehead. “It’s turning cold out anyway.”
Out in the yard, sounds are rising, climbing on top of one another. The tense quiet in the house is suddenly replaced by a clamor of voices and shuffling feet. Otto’s and Mr. Drake’s and Mr. Thatcher’s and Tyler’s and a handful of others’ who have gathered. But one of the voices is soft and smooth and airy, and it doesn’t fit with the dry, rough anger in the others.
Cole.
I push myself from the chair and hurry out into the yard just in time to see Otto thrust the butt of his rifle into Cole’s chest, sending him to his knees.
The wind picks up right then, not so much that anyone else can tell. But to me, it’s like he’s gasping. I feel the war of pain and temper in the air, and I can see in his jaw the desperate attempt to keep a level head. He tries to stand, but Otto’s fist connects, and he stumbles back to the tangled ground. The wind erupts.
“Cole,” I cry out, and shoot my uncle a deathly glare. I run toward them, but a form appears in front of me, and I collide with flesh and bone and blond hair and a sharp smile.
Tyler wraps his arms around me, pinning my body against his. The wind howls.
“Now, now, Lexi,” he says, squeezing me. “Don’t be like this.”
I try to push back. He’s strong. I remember when he was a wisp of a thing, no taller than me. Now his arms encircle my chest, press their own lines into my skin.
“It’s your fault it’s come to this,” my uncle adds. “You should have listened.”
“Come on, let’s go inside,” Tyler says, casting a backward glance at Cole’s bent form on the weedy ground. He’s pushing himself up unsteadily, and Tyler tugs me, practically carries me backward, toward the house.
“Let go,” I warn, but he only smiles that sickening grin. And there’s something in his eyes, something worse than that cocky smile. Anger. Hate. He’s always thought my resistance was a game. But he saw me, last night, in Cole’s arms. He understands it’s not that I wouldn’t pick anybody. I wouldn’t pick him. His grip tightens, and I try not to wince.
I warned him, I remind myself, as my knee connects, making a satisfying crack. Tyler gasps and staggers back. Cole is on his feet again, holding his chest. I run toward him, but then arms come from behind, wrap themselves around my neck, and I can barely breathe. I fight Tyler’s hold, but the angle is awkward, and instead of freeing myself, I only make it worse.
“Lexi, stop,” coughs Cole, straightening. He rubs his chest, looking not at my uncle or even at me, but at the dirt at my feet. The wind is dying back, little by little.
“Don’t be ridiculous, girl,” growls my uncle, his hand landing heavily on Cole’s shoulder. Cole looks as if he might collapse beneath the weight of that hand, but his eyes don’t move from the patch of dirt.
There’s a strange, weary resignation in my uncle’s eyes, and all I can think of is Matthew shaking his head and saying that the Council did what they thought was necessary.
“We just need to talk to him,” Otto says.
“The hell you do,” I spit.
“He should have stayed away,” Tyler whispers to me, his breath against my cheek. “He should have run when he had a chance. But Otto knew he wouldn’t. Otto knew he’d come back.”
And then, to the gathered group of men, Tyler speaks, loud and clear. “Last night I witnessed this stranger leading a child into a forest on the eastern moor.” It’s a bold-faced lie, and everyone there knows it.
“You see, Lexi,” says Otto, cold and even, “Tyler says he saw him. And so did I.”
“He led the child into the darkness, and came out alone.”
They’re all lying, so bald and open.
“This is absurd. You know that’s not what you saw. Let him go.”
Cole’s eyes level on me. He forces a thin smile.
“I’ll be fine. The bones, Lexi.”
“Don’t you say her name,” growls Tyler, but Cole seems to see only me.
“Set things right,” he says.
There’s something off in his eyes. He’s trying to look strong, trying to assure me that it will all be okay. Even now, that’s what he’s trying to say. But there’s a fleck of sadness in his eyes, a hint of good-bye, or I’m sorry. I don’t know what, exactly, but I know I don’t want to decode it. The wind sinks back beneath the moor, as weary as Cole. Something he said comes back to me.
I sometimes wonder what I would do if anyone had survived the fire. Would I have confessed and let them punish me? Would that have eased anyone’s pain?
No. I can’t let him. And he wouldn’t. Would he? He promised me we would fix this. Together. I want to believe him. I lunge forward, catching Tyler off guard, but before I can break free, his hands are there again, pulling me against him.
“Come on,” orders my uncle. He turns Cole away from me, away from the house, away from Near. Out toward the north and the open moor.
“Keep her here,” Otto calls back.
Everyone except Tyler and Bo follows Otto and Cole. In moments, they are lost behind a rolling hill. Where are they going? Where are they taking him?
“Won’t spill a stranger’s blood on Near soil,” mutters Bo, his voice slow as honey. He sounds almost amused.
“But he didn’t—” I try to wrench free, but Tyler is a wall.
“Dammit, Tyler, let me go,” I growl.
“Otto warned you, Lexi,” Tyler says. “I should have warned you. You’re in enough trouble as it is. But I’m sorry it had to end like this.” End. End. That’s the word that thuds in my chest with my pulse. I can’t get enough air.
“Now, come on,” he soothes. “Let’s go inside.” I let my posture slacken, and rest the back of my head against his chest. Sure enough, his hands slip from my wrists. I turn slowly toward him, look up into his cool blue eyes. He smiles cautiously at me. And I punch him in the face.
MY HAND HURTS, but I’m sure his face hurts worse, and none of it compares to the sickening feeling in the pit of my stomach. I should have run after Cole the minute Tyler hit the grass, but I hesitated only a moment, and Bo was there, pinning my arms down, trying to drag me into the house.
“What’s going on?” calls my mother, coming up the path.
“Lexi isn’t herself,” says Bo.
Tyler pushes himself up, a trail of blood in the corner of his mouth. My mother reaches us, and her eyes pass from Bo to Tyler to me. I beg her with a look, but she just watches. She lets them usher me into the house, an odd expression on her face, like she’s holding her breath, all of her quiet and still except her eyes, which flick feverishly between us.
I pace my room, making sure my steps echo because the silence of this place is choking me. I can hear her in the kitchen with Bo, the latter calmly unfolding the same lies about Cole. Tyler is sitting outside the front door because my mother will not let him in. I am sure he would like to guard me in my room, from my bed. But my mother gave him only a glance and a few harsh words, and Tyler set one of the kitchen chairs up beside the front door, beneath the gathering clouds. I can picture him, still holding a dishrag to his nose, leaning his head against the door.
They cannot keep me captive in my own home. I know how to slip away, to make myself small and silent. I fasten my father’s knife around my waist, and my green cloak over my shoulders. Tyler might be by the door, but the wind uses the window, and so do I. But when I go to push it open, I cannot. Two heavy rusted nails have been driven into the wood, pinning the pane down. I kick the wall beneath, and feel several warm tears escape, frustration and fatigue and fear.
“Lexi,” my mother’s voice wafts from the doorway. She’s gripping a basket and looking more
awake than I have seen her in a year. I wipe the tears away with the back of my hand, but she is here now, beside me.
“Come on,” she says, taking my hand and tugging me into the hall. In the kitchen, Bo is leaning against the table, his back to us. Wren is playing with a few fresh dolls, but even she does not seem enthused. Tyler is still on his perch by the door, humming a tune that is half obscured by the dishrag at his face. My mother leads me into her bedroom and slides the door shut. She sets the basket on the floor and pulls out my boots, still caked with mud. I throw my arms around her and then crouch down and slip them on, while my mother eases her window up with silent fingers. She gives me a tight hug before she turns and glides away. I step through the open window and drop silently, my legs bending and my boots sinking into the tangled earth. And then I run.
I want to run north.
Away from Near, where the hills ripple out, hiding dozens of valleys. Where Otto and his men have taken Cole. Everything in me wants to run that way. But I force myself east. East toward the forest and the bones. This is my only chance. Cole knew it, too. The sun creeps up the side of the sky, slipping into late morning.
I’ll be fine. Cole’s promise echoes on the wind as I run. The bones, Lexi. Set things right.
Cole will be all right.
Cole has to be all right.
Another voice intrudes: Bo’s voice, slow and vaguely amused: Won’t spill a stranger’s blood on Near soil.
I force myself over the eastern hills.
As I run, my uncle’s face flickers in my mind, and then his rifle, glinting in the moonlight. I wish Cole had fought back in the yard, but I could see in his eyes that he knew it would not help. Now in every gust of wind I am looking for a sign of him. It blows past my cheek, brushes the hair from my neck. But it’s only the wind. Cole’s promise that we would fix everything overlaps with the almost good-bye in his eyes, and I imagine I can hear a gunshot, far off and high. I wonder for a moment if the rain will wash any red from the ground, make small dark puddles the way it does after a hunt, cleaning the stained earth. No. Not now. I realize my chest has been growing tighter, and I focus on taking long wavering breaths as my legs churn.