Then it happened. The instant the black stooped forward, Kane came up like a steel spring released. His right fist following his motion curved up from his hip in a whistling half-circle and crashed against the black giant’s jaw. Delivered with all the power of arm and shoulder, propelled by the upthrust of the powerful legs as Kane straightened, the blow was like that of a slungshot. The Negro slumped to the floor, unconscious before his knees gave way.
The other warrior plunged forward with a bellow, but even as his victim fell, Kane twisted aside and his frantic hand found the secret spring in the painting and pressed. All happened in the breath of a second. Quick as the warrior was, Kane was quicker, for he moved with the dynamic speed of a famished wolf. For an instant the falling body of the senseless black hindered the other warrior’s thrust, and in that instant Kane felt the hidden door give way. From the corner of his eye he saw a long gleam of steel shooting for his heart. He twisted about and hurled himself against the door, vanishing through it even as the stabbing spear slit the skin on his shoulder.
To the dazed and bewildered warrior, who stood with weapon upraised for another thrust, it seemed as if the white man had simply vanished through a solid wall, for only a fantastic picture met his gaze and this did not give to his efforts.
5. “For a Thousand Years —”
“The blind gods roar and rave and dream
Of all cities under the sea.”
— Chesterton.
Kane slammed the hidden door shut behind him, jammed down the spring and for a moment leaned against it, every muscle tensed, expecting to hold it against the efforts of a horde of spearmen. But nothing of the sort materialized. He heard the black warrior fumbling outside for a time; then that sound, too, ceased. It seemed impossible that these people should have lived in this palace as long as they had without discovering the secret doors and passages, but it was a conclusion which forced itself upon Kane’s mind.
At last he decided that he was safe from pursuit for the time being, and turning, started down the long, narrow corridor with its eon-old dust and its dim gray light. He felt baffled and furious, though he was free from Nakari’s shackles. He had no idea how long he had been in the palace; it seemed ages. It must be day now, for it was light in the outer halls, and he had seen no torches after they had left the subterranean dungeons. He wondered if Nakari had carried out her threat of vengeance on the helpless girl, and swore passionately. Free for the time being, yes; but unarmed and hunted through this infernal palace like a rat. How could he aid either himself or Marylin? But his confidence never faltered. He was in the right and some way would present itself.
Suddenly a narrow stairway branched off the main passageway, and up this he went, the light growing stronger and stronger until he stood in the full glare of the African sunlight. The stair terminated in a sort of small landing directly in front of which was a tiny window, heavily barred. Through this he saw the blue sky, tinted gold with the blazing sunlight. The sight was like wine to him and he drew in deep breaths of fresh, untainted air, breathing deep as if to rid his lungs of the aura of dust and decayed grandeur through which he had been passing.
He was looking out over a weird and bizarre landscape. Far to the right and the left loomed up great black crags and beneath them there reared castles and towers of stone, of strange architecture — it was as if giants from some other planet had thrown them up in a wild and chaotic debauch of creation. These buildings were backed solidly against the cliffs, and Kane knew that Nakari’s palace also must be built into the wall of the crag behind it. He seemed to be in the front of that palace in a sort of minaret built on the outer wall. But there was only one window in it and his view was limited. Far below him through the winding and narrow streets of that strange city, swarms of black people went to and fro, seeming like black ants to the watcher above. East, north and south, the cliffs formed a natural bulwark; only to the west was a built wall.
The sun was sinking west. Kane turned reluctantly from the barred window and went down the stairs again. Again he paced down the narrow gray corridor, aimlessly and planlessly, for what seemed miles and miles. He descended lower and lower into passages that lay below passages. The light grew dimmer, and a dank slime appeared on the walls. Then Kane halted, a faint sound from beyond the wall arresting him. What was that? A faint rattle — the rattle of chains.
Kane leaned close to the wall, and in the semi-darkness his hand encountered a rusty spring. He worked at it cautiously and presently felt the hidden door it betokened swing inward. He gazed out warily.
He was looking into a cell, the counterpart of the one in which he had been confined. A smoldering torch was thrust into a niche on the wall, and by its lurid and flickering light he made out a form on the floor, shackled wrist and ankle as he had been shackled. A man; at first Kane thought him to be a Negro but a second glance made him doubt. The hair was too straight, the features too regular. Negroid, yes, but some alien blood in his veins had sharpened those features and given the man that high magnificent forehead, and those hard vibrant eyes which stared at Kane so intensely. The skin was dark, but not black.
The man spoke in an unfamiliar dialect, one which was strangely distinct and clear-cut in contrast to the guttural jargon of the black people with whom Kane was familiar. The Englishman spoke in English, and then in the language of the river tribes.
“You who come through the ancient door,” said the other, in the latter dialect, “who are you? You are no black man — at first I thought you one of the Old Race, but now I see you are not as they. Whence come you?”
“I am Solomon Kane,” said the Puritan, “a prisoner in this devil-city. I come from far across the blue salt sea.”
The man’s eyes lighted at the word.
“The sea! The ancient and everlasting! The sea which I never saw but which cradled the glory of my ancestors! Tell me, stranger, have you, like they, sailed across the breast of the great blue monster, and have your eyes looked on the golden spires of Atlantis and the crimson walls of Mu?”
“Truly,” answered Solomon uncertainly, “I have sailed the seas, even to Hindostan and Cathay, but of the countries you mention I know nothing.”
“Nay,” the other sighed, “I dream — I dream. Already the shadow of the great night falls across my brain and my words wander. Stranger, there have been times when these cold walls and floor have seemed to melt into green surging deeps and my soul was filled with the deep booming of the everlasting sea. I who have never seen the sea!”
Kane shuddered involuntarily. Surely this man was insane. Suddenly the other shot out a withered claw-like hand and gripped his arm, despite the hampering chain.
“You whose skin is so strangely white! Have you seen Nakari, the she-fiend who rules this crumbling city?”
“I have seen her,” said Kane grimly, “and now I flee like a hunted rat from her murderers.”
“You hate her!” the other cried. “Ha, I know! You seek Mara, the white girl who is her slave?”
“Aye.”
“Listen, white man,” the shackled one spoke with strange solemnity; “I am dying. Nakari’s rack has done its work. I die and with me dies the shadow of the glory that was my nation’s. For I am the last of my race. In all the world there is none like me. Hark now, to the voice of a dying race.”
And Kane leaning there in the flickering semi-darkness of the cell heard the strangest tale to which man has ever listened, brought out of the mist of the dim dawn ages by the lips of delirium. Clear and distinct the words fell from the dying man and Kane alternately burned and froze as vista after gigantic vista of time and space swept up before him.
“Long eons ago — ages, ages ago — the empire of my race rose proudly above the waves. So long ago was it that no man remembers an ancestor who remembered it. In a great land to the west our cities rose. Our golden spires split the stars; our purple-prowed galleys broke the waves around the world, looting the sunset for its treasure and the sunrise for its w
ealth. Our legions swept forth to the north and to the south, to the west and the east, and none could stand before them. Our cities banded the world; we sent our colonies to all lands to subdue all savages, red, white or black, and enslave them. They toiled for us in the mines and at the galley’s oars. All over the world the brown people of Atlantis reigned supreme. We were a sea-people and we delved the deeps of all the oceans. The mysteries were known to us, and the secret things of land and sea and sky. We read the stars and were wise. Sons of the sea, we exalted him above all others.
“We worshipped Valka and Hotah, Honen and Golgor. Many virgins, many strong youths, died on their altars and the smoke of the shrines blotted out the sun. Then the sea rose and shook himself. He thundered from his abyss and the thrones of the world fell before him! New lands rose from the deep and Atlantis and Mu were swallowed up by the gulf. The green sea roared through the fanes and the castles, and the seaweed encrusted the golden spires and the topaz towers. The empire of Atlantis vanished and was forgotten, passing into the everlasting gulf of time and oblivion. Likewise the colony cities in barbaric lands, cut off from their mother kingdom, perished. The black savages and the white savages rose and burned and destroyed until in all the world only the colony city of Negari remained as a symbol of the lost empire.
“Here my ancestors ruled as kings, and the ancestors of Nakari — the she-cat! — bent the knee of slavery to them. Years passed, stretching into centuries. The empire of Negari dwindled. Tribe after tribe rose and flung off the chains, pressing the lines back from the sea, until at last the sons of Atlantis gave way entirely and retreated into the city itself — the last stronghold of the race. Conquerors no longer, hemmed in by ferocious tribes, yet they held those tribes at bay for a thousand years. Negari was invincible from without; her walls held firm; but within evil influences were at work.
“The sons of Atlantis had brought their black slaves into the city with them. The rulers were warriors, scholars, priests, artisans; they did no menial work. For that they depended upon the slaves. There were more of these slaves than there were masters. And they increased while the brown people dwindled.
“They mixed with each other more and more as the race degenerated until at last only the priestcraft was free of the taint of black blood. Rulers sat on the throne of Negari who were nearly pure Negro, and these allowed more and more wild tribesmen to enter the city in the guise of servants, mercenaries and friends.
“Then came a day when these fierce slaves revolted and slew all who bore a trace of brown blood, except the priests and their families. These they imprisoned as ‘fetish people.’ For a thousand years black men have ruled in Negari, their kings guided by the captive brown priests, who though prisoners, were yet the masters of kings.”
Kane listened enthralled. To his imaginative mind, the tale burned and lived with strange fire from cosmic time and space.
“After all the sons of Atlantis, save the priests, were dead, there rose a great black king on the defiled throne of ancient Negari. He was a tiger and his warriors were like leopards. They called themselves Negari, ravishing even the name of their former masters, and none could stand before them. They swept the land from sea to sea, and the smoke of destruction put out the stars. The great river ran red and the black lords of Negari strode above the corpses of their black foes. Then the great king died and the black empire crumbled, even as the brown kingdom of Negari had crumbled. They were skilled in war — the dead sons of Atlantis, their masters, had trained them in the ways of battle, and against the wild tribesmen they were invincible. But only the ways of war had they learned, and the empire was torn with civil strife. Murder and intrigue stalked red-handed through the palaces and the streets, and the boundaries of the empire dwindled and dwindled. All the while black kings with red, frenzied brains sat on the throne, and behind the curtains, unseen but greatly feared, the brown priests guided the nation, holding it together, keeping it from absolute destruction.
“Prisoners in the city were we, for there was nowhere else in the world to go, but we moved like ghosts through the secret passages in the walls and under the earth, spying on intrigue and doing secret magic. We upheld the cause of the royal family — the descendants of that tiger-like king of long ago — against all plotting chiefs, and grim are the tales which these silent walls could tell. For these black people are not as other Negroes. A latent insanity lurks in the brains of every one. They have tasted so deeply and so long of slaughter and victory that they are as human leopards, forever thirsting for blood. On their myriad wretched slaves they have sated all lusts and desires until they have become foul and terrible beasts, forever seeking some new sensation, forever quenching their fearful thirsts in blood.
“Like a lion have they lurked in these crags for a thousand years, to rush forth and ravage the jungle and river people, enslaving and destroying. They are still invincible from without, though their possessions have dwindled to the very walls of this city, and their former great conquests and invasions have dwindled to raids for slaves.
“But as they faded, so too faded their masters, the brown priests. One by one they died, until only I remained. In the last century they too mixed with their rulers and slaves, and now — oh, black the shame upon me! — I, the last son of Atlantis, bear in my veins the taint of Negro blood. They died; I remained, doing magic and guiding the black kings, I the last brown man of Negari. Then the she-fiend, Nakari, arose.”
Kane leaned forward with quickened interest. New life surged into the tale as it touched upon his own time.
“Nakari!” the name was spat as a snake hisses; “slave and the daughter of a slave! Yet she prevailed when her hour came and all the royal family died.
“And me, the last son of Atlantis, me she prisoned and chained. She feared not the silent brown priests, for she was the daughter of a Satellite — one of the lesser priests, black men who did the menial work of the brown masters — performing the lesser sacrifices, divining from the livers of fowls and serpents and keeping the holy fires forever burning. Much she knew of us and our ways, and evil ambition burned in her.
“As a child she danced in the March of the New Moon, and as a young girl she was one of the Star-maidens. Much of the lesser mysteries were known to her, and more she learned, spying upon the secret rites of the priests who enacted hidden rituals that were old when the earth was young. For the remnants of Atlantis secretly kept alive the old worships of Valka and Hotah, Honen and Golgor, long forgotten and not to be understood by these black people whose ancestors died screaming on their altars. Alone of all the black Negari she feared us not and she not only overthrew the king and set herself on the throne, but she dominated the priests — the black Satellites and the few brown masters who were left. All these last, save me, died beneath the daggers of her assassins or on her racks. She alone of all the myriad black thousands who have lived and died between these walls guessed at the hidden passages and subterranean corridors, secrets which we of the priestcraft had guarded jealously from the people for a thousand years.
“Ha! Ha! Blind, black fools! To pass an ageless age in this city, yet never to learn of the secrets thereof! Black apes — fools! Not even the lesser black priests know of the long gray corridors, lit by phosphorescent ceilings, through which in bygone ages strange forms have glided silently. For our ancestors built Negari as they built Atlantis — on a mighty scale and with an unknown art. Not for men alone did we build, but for the gods who moved unseen among us. And deep the secrets these ancient walls hold!
“Torture could not wring these secrets from our lips, but shackled in her dungeons, we trod our hidden corridors no more. For years the dust has gathered there, untouched by human foot, while we, and finally I alone, lay chained in these foul cells. And among the temples and the dark, mysterious shrines of old, move vile black Satellites, elevated by Nakari to glories that were once mine — for I am the last Atlantean high priest. Black be their doom, and red their ruin! Valka and Golgor, gods lost
and forgotten, whose memory shall die with me, strike down their walls and humble them unto the dust! Break the altars of their blind pagan gods —”
Kane realized that the man was wandering in his mind. The keen brain had begun to crumble at last.
“Tell me,” said he; “you mentioned the white girl, Mara. What do you know of her?”
“She was brought to Negari years ago by raiders,” the other answered, “only a few years after the rise of the black queen, whose slave she is. Little of her I know, for shortly after her arrival, Nakari turned on me — and the years that lie between have been grim black years, shot red with torture and agony. Here I have lain, hampered by my chains from escape which lay in that door through which you entered — and for the knowledge of which Nakari has torn me on racks and suspended me over slow fires.”
Kane shuddered. “You know not if they have so misused the white girl? Her eyes are haunted and she has wasted away.”
“She has danced with the Star-maidens at Nakari’s command, and has looked on the bloody and terrible rites of the Black Temple. She has lived for years among a people with whom blood is cheaper than water, who delight in slaughter and foul torture, and such sights as she has looked upon would blast the eyes and wither the flesh of strong men. She has seen the victims of Nakura die amid horrid torments, and the sight is burned forever in the brain of the beholder. The rites of the Atlanteans the blacks took whereby to honor their crude gods, and though the essence of those rites is lost in the wasting years, yet even as Nakari’s black apes perform them, they are not such as men can look on, unshaken.”
Kane was thinking: “A fair day for the world when this Atlantis sank, for most certainly it bred a race of strange and unknown evil.” Aloud he said: “Who is this Master of whom Nakari spake, and what meant she by calling Mara his bride?”
“Nakura — Nakura. The skull of evil, the symbol of Death that they worship. What know these savages of the gods of sea-girt Atlantis? What know they of the dread and unseen gods whom their masters worshipped with majestic and mysterious rites? They understand not of the unseen essence, the invisible deity that reigns in the air and the elements; they must worship a material object, endowed with human shape. Nakura was the last great wizard of Atlantean Negari. A brown renegade he was, who conspired against his own people and aided the revolt of the black beasts. In life they followed him and in death they deified him. High in the Tower of Death his fleshless skull is set, and on that skull hinge the brains of all the people of Negari. Nay, we of Atlantis worshipped Death, but we likewise worshipped Life. These people worship only Death and call themselves Sons of Death. And the skull of Nakura has been to them for a thousand years the symbol of their power, the evidence of their greatness.”