And I shuddered and hid my face in my hands because with the faint dawning of returning manhood, I knew that this last and most cruel dream was futile — I had crossed an ocean over which I could never return, had cut myself off from the world of normal men or women. Naught remained now but to drown this dream as I had drowned all my others — swiftly and with hope that I should soon attain that Ultimate Ocean which lies beyond all dreams.
So these fleeting moments of lucidity, of longing, that tear aside the veils of all dope slaves — unexplainable, without hope of attainment.
So I went back to my empty dreams, to my phantasmagoria of illusions; but sometimes, like a sword cleaving a mist, through the high lands and the low lands and seas of my visions floated, like half-forgotten music, the sheen of dark eyes and shimmery hair.
You ask how I, Stephen Costigan, American and a man of some attainments and culture, came to lie in a filthy dive of London’s Limehouse? The answer is simple — no jaded debauchee, I, seeking new sensations in the mysteries of the Orient. I answer — Argonne! Heavens, what deeps and heights of horror lurk in that one word alone! Shell-shocked — shell-torn. Endless days and nights without end and roaring red hell over No Man’s Land where I lay shot and bayoneted to shreds of gory flesh. My body recovered, how I know not; my mind never did.
And the leaping fires and shifting shadows in my tortured brain drove me down and down, along the stairs of degradation, uncaring until at last I found surcease in Yun Shatu’s Temple of Dreams, where I slew my red dreams in other dreams — the dreams of hashish whereby a man may descend to the lower pits of the reddest hells or soar into those unnamable heights where the stars are diamond pinpoints beneath his feet.
Not the visions of the sot, the beast, were mine. I attained the unattainable, stood face to face with the unknown and in cosmic calmness knew the unguessable. And was content after a fashion, until the sight of burnished hair and scarlet lips swept away my dream-built universe and left me shuddering among its ruins.
3. The Master of Doom
“And He that toss’d you down into the Field,
He knows about it all — He knows! He knows!”
— Omar Khayyam
A hand shook me roughly as I emerged languidly from my latest debauch.
“The Master wishes you! Up, swine!”
Hassim it was who shook me and who spoke.
“To Hell with the Master!” I answered, for I hated Hassim — and feared him.
“Up with you or you get no more hashish,” was the brutal response, and I rose in trembling haste.
I followed the huge black man and he led the way to the rear of the building, stepping in and out among the wretched dreamers on the floor.
“Muster all hands on deck!” droned a sailor in a bunk. “All hands!”
Hassim flung open the door at the rear and motioned me to enter. I had never before passed through that door and had supposed it led into Yun Shatu’s private quarters. But it was furnished only with a cot, a bronze idol of some sort before which incense burned, and a heavy table.
Hassim gave me a sinister glance and seized the table as if to spin it about. It turned as if it stood on a revolving platform and a section of the floor turned with it, revealing a hidden doorway in the floor. Steps led downward in the darkness.
Hassim lighted a candle and with a brusque gesture invited me to descend. I did so, with the sluggish obedience of the dope addict, and he followed, closing the door above us by means of an iron lever fastened to the underside of the floor. In the semi-darkness we went down the rickety steps, some nine or ten I should say, and then came upon a narrow corridor.
Here Hassim again took the lead, holding the candle high in front of him. I could scarcely see the sides of this cave-like passageway but knew that it was not wide. The flickering light showed it to be bare of any sort of furnishings save for a number of strange-looking chests which lined the walls — receptacles containing opium and other dope, I thought.
A continuous scurrying and the occasional glint of small red eyes haunted the shadows, betraying the presence of vast numbers of the great rats which infest the Thames waterfront of that section.
Then more steps loomed out of the dark in front of us as the corridor came to an abrupt end. Hassim led the way up and at the top knocked four times against what seemed the underside of a floor. A hidden door opened and a flood of soft, illusive light streamed through.
Hassim hustled me up roughly and I stood blinking in such a setting as I had never seen in my wildest flights of vision. I stood in a jungle of palm trees through which wriggled a million vivid-hued dragons! Then, as my startled eyes became accustomed to the light, I saw that I had not been suddenly transferred to some other planet, as I had at first thought. The palm trees were there, and the dragons, but the trees were artificial and stood in great pots and the dragons writhed across heavy tapestries which hid the walls.
The room itself was a monstrous affair — inhumanly large, it seemed to me. A thick smoke, yellowish and tropical in suggestion, seemed to hang over all, veiling the ceiling and baffling upward glances. This smoke, I saw, emanated from an altar in front of the wall to my left. I started. Through the saffron-billowing fog two eyes, hideously large and vivid, glittered at me. The vague outlines of some bestial idol took indistinct shape. I flung an uneasy glance about, marking the oriental divans and couches and the bizarre furnishings, and then my eyes halted and rested on a lacquer screen just in front of me.
I could not pierce it and no sound came from beyond it, yet I felt eyes searing into my consciousness through it, eyes that burned through my very soul. A strange aura of evil flowed from that strange screen with its weird carvings and unholy decorations.
Hassim salaamed profoundly before it and then, without speaking, stepped back and folded his arms, statue-like.
A voice suddenly broke the heavy and oppressive silence.
“You who are a swine, would you like to be a man again?”
I started. The tone was inhuman, cold — more, there was a suggestion of long disuse of the vocal organs — the voice I had heard in my dream!
“Yes,” I replied, trance-like, “I would like to be a man again.”
Silence ensued for a space; then the voice came again with a sinister whispering undertone at the back of its sound like bats flying through a cavern.
“I shall make you a man again because I am a friend to all broken men. Not for a price shall I do it, nor for gratitude. And I give you a sign to seal my promise and my vow. Thrust your hand through the screen.”
At these strange and almost unintelligible words I stood perplexed, and then, as the unseen voice repeated the last command, I stepped forward and thrust my hand through a slit which opened silently in the screen. I felt my wrist seized in an iron grip and something seven times colder than ice touched the inside of my hand. Then my wrist was released, and drawing forth my hand I saw a strange symbol traced in blue close to the base of my thumb — a thing like a scorpion.
The voice spoke again in a sibilant language I did not understand, and Hassim stepped forward deferentially. He reached about the screen and then turned to me, holding a goblet of some amber-colored liquid which he proffered me with an ironical bow. I took it hesitatingly.
“Drink and fear not,” said the unseen voice. “It is only an Egyptian wine with life-giving qualities.”
So I raised the goblet and emptied it; the taste was not unpleasant, and even as I handed the beaker to Hassim again, I seemed to feel new life and vigor whip along my jaded veins.
“Remain at Yun Shatu’s house,” said the voice. “You will be given food and a bed until you are strong enough to work for yourself. You will use no hashish nor will you require any. Go!”
As in a daze, I followed Hassim back through the hidden door, down the steps, along the dark corridor and up through the other door that let us into the Temple of Dreams.
As we stepped from the rear chamber into the main room of the
dreamers, I turned to the Negro wonderingly.
“Master? Master of what? Of Life?”
Hassim laughed, fiercely and sardonically.
“Master of Doom!”
4. The Spider and the Fly
“There was the Door to which I found no Key;
There was the Veil through which I might not see.”
— Omar Khayyam
I sat on Yun Shatu’s cushions and pondered with a clearness of mind new and strange to me. As for that, all my sensations were new and strange. I felt as if I had wakened from a monstrously long sleep, and though my thoughts were sluggish, I felt as though the cobwebs which had dogged them for so long had been partly brushed away.
I drew my hand across my brow, noting how it trembled. I was weak and shaky and felt the stirrings of hunger — not for dope but for food. What had been in the draft I had quenched in the chamber of mystery? And why had the “Master” chosen me, out of all the other wretches of Yun Shatu’s, for regeneration?
And who was this Master? Somehow the word sounded vaguely familiar — I sought laboriously to remember. Yes — I had heard it, lying half-waking in the bunks or on the floor — whispered sibilantly by Yun Shatu or by Hassim or by Yussef Ali, the Moor, muttered in their low-voiced conversations and mingled always with words I could not understand. Was not Yun Shatu, then, master of the Temple of Dreams? I had thought and the other addicts thought that the withered Chinaman held undisputed sway over this drab kingdom and that Hassim and Yussef Ali were his servants. And the four China boys who roasted opium with Yun Shatu and Yar Khan the Afghan and Santiago the Haitian and Ganra Singh, the renegade Sikh — all in the pay of Yun Shatu, we supposed — bound to the opium lord by bonds of gold or fear.
For Yun Shatu was a power in London’s Chinatown and I had heard that his tentacles reached across the seas into high places of mighty and mysterious tongs. Was that Yun Shatu behind the lacquer screen? No; I knew the Chinaman’s voice and besides I had seen him puttering about in the front of the Temple just as I went through the back door.
Another thought came to me. Often, lying half-torpid, in the late hours of night or in the early grayness of dawn, I had seen men and women steal into the Temple, whose dress and bearing were strangely out of place and incongruous. Tall, erect men, often in evening dress, with their hats drawn low about their brows, and fine ladies, veiled, in silks and furs. Never two of them came together, but always they came separately and, hiding their features, hurried to the rear door, where they entered and presently came forth again, hours later sometimes. Knowing that the lust for dope finds resting-place in high positions sometimes, I had never wondered overmuch, supposing that these were wealthy men and women of society who had fallen victims to the craving, and that somewhere in the back of the building there was a private chamber for such. Yet now I wondered — sometimes these persons had remained only a few moments — was it always opium for which they came, or did they, too, traverse that strange corridor and converse with the One behind the screen?
My mind dallied with the idea of a great specialist to whom came all classes of people to find surcease from the dope habit. Yet it was strange that such a one should select a dope-joint from which to work — strange, too, that the owner of that house should apparently look on him with so much reverence.
I gave it up as my head began to hurt with the unwonted effort of thinking, and shouted for food. Yussef Ali brought it to me on a tray, with a promptness which was surprizing. More, he salaamed as he departed, leaving me to ruminate on the strange shift of my status in the Temple of Dreams.
I ate, wondering what the One of the screen wanted with me. Not for an instant did I suppose that his actions had been prompted by the reasons he pretended; the life of the underworld had taught me that none of its denizens leaned toward philanthropy. And underworld the chamber of mystery had been, in spite of its elaborate and bizarre nature. And where could it be located? How far had I walked along the corridor? I shrugged my shoulders, wondering if it were not all a hashish-induced dream; then my eye fell upon my hand — and the scorpion traced thereon.
“Muster all hands!” droned the sailor in the bunk. “All hands!”
* * *
To tell in detail of the next few days would be boresome to any who have not tasted the dire slavery of dope. I waited for the craving to strike me again — waited with sure sardonic hopelessness. All day, all night — another day — then the miracle was forced upon my doubting brain. Contrary to all theories and supposed facts of science and common sense the craving had left me as suddenly and completely as a bad dream! At first I could not credit my senses but believed myself to be still in the grip of a dope nightmare. But it was true. From the time I quaffed the goblet in the room of mystery, I felt not the slightest desire for the stuff which had been life itself to me. This, I felt vaguely, was somehow unholy and certainly opposed to all rules of nature. If the dread being behind the screen had discovered the secret of breaking hashish’s terrible power, what other monstrous secrets had he discovered and what unthinkable dominance was his? The suggestion of evil crawled serpent-like through my mind.
I remained at Yun Shatu’s house, lounging in a bunk or on cushions spread upon the floor, eating and drinking at will, but now that I was becoming a normal man again, the atmosphere became most revolting to me and the sight of the wretches writhing in their dreams reminded me unpleasantly of what I myself had been, and it repelled, nauseated me.
So one day, when no one was watching me, I rose and went out on the street and walked along the waterfront. The air, burdened though it was with smoke and foul scents, filled my lungs with strange freshness and aroused new vigor in what had once been a powerful frame. I took new interest in the sounds of men living and working, and the sight of a vessel being unloaded at one of the wharfs actually thrilled me. The force of longshoremen was short, and presently I found myself heaving and lifting and carrying, and though the sweat coursed down my brow and my limbs trembled at the effort, I exulted in the thought that at last I was able to labor for myself again, no matter how low or drab the work might be.
As I returned to the door of Yun Shatu’s that evening — hideously weary but with the renewed feeling of manhood that comes of honest toil — Hassim met me at the door.
“You been where?” he demanded roughly.
“I’ve been working on the docks,” I answered shortly.
“You don’t need to work on docks,” he snarled. “The Master got work for you.”
He led the way, and again I traversed the dark stairs and the corridor under the earth. This time my faculties were alert and I decided that the passageway could not be over thirty or forty feet in length. Again I stood before the lacquer screen and again I heard the inhuman voice of living death.
“I can give you work,” said the voice. “Are you willing to work for me?”
I quickly assented. After all, in spite of the fear which the voice inspired, I was deeply indebted to the owner.
“Good. Take these.”
As I started toward the screen a sharp command halted me and Hassim stepped forward and reaching behind took what was offered. This was a bundle of pictures and papers, apparently.
“Study these,” said the One behind the screen, “and learn all you can about the man portrayed thereby. Yun Shatu will give you money; buy yourself such clothes as seamen wear and take a room at the front of the Temple. At the end of two days, Hassim will bring you to me again. Go!”
The last impression I had, as the hidden door closed above me, was that the eyes of the idol, blinking through the everlasting smoke, leered mockingly at me.
The front of the Temple of Dreams consisted of rooms for rent, masking the true purpose of the building under the guise of a waterfront boarding house. The police had made several visits to Yun Shatu but had never got any incriminating evidence against him.
So in one of these rooms I took up my abode and set to work studying the material given me.
> The pictures were all of one man, a large man, not unlike me in build and general facial outline, except that he wore a heavy beard and was inclined to blondness whereas I am dark. The name, as written on the accompanying papers, was Major Fairlan Morley, special commissioner to Natal and the Transvaal. This office and title were new to me and I wondered at the connection between an African commissioner and an opium house on the Thames waterfront.
The papers consisted of extensive data evidently copied from authentic sources and all dealing with Major Morley, and a number of private documents considerably illuminating on the major’s private life.
An exhaustive description was given of the man’s personal appearance and habits, some of which seemed very trivial to me. I wondered what the purpose could be, and how the One behind the screen had come in possession of papers of such intimate nature.
I could find no clue in answer to this question but bent all my energies to the task set out for me. I owed a deep debt of gratitude to the unknown man who required this of me and I was determined to repay him to the best of my ability. Nothing, at this time, suggested a snare to me.
5. The Man on the Couch
“What dam of lances sent thee forth to jest at dawn with Death?”
— Kipling
At the expiration of two days, Hassim beckoned me as I stood in the opium room. I advanced with a springy, resilient tread, secure in the confidence that I had culled the Morley papers of all their worth. I was a new man; my mental swiftness and physical readiness surprized me — sometimes it seemed unnatural.
Hassim eyed me through narrowed lids and motioned me to follow, as usual. As we crossed the room, my gaze fell upon a man who lay on a couch close to the wall, smoking opium. There was nothing at all suspicious about his ragged, unkempt clothes, his dirty, bearded face or the blank stare, but my eyes, sharpened to an abnormal point, seemed to sense a certain incongruity in the clean-cut limbs which not even the slouchy garments could efface.