'Course, those standards had a way of eroding. He remembered when he said he'd only fuck the pretty ones. His last whore had been downright scary looking. If he didn't watch himself he'd be as bad as Calhoun, trying to find the hole in the parakeet.
He awoke to Calhoun's elbow in his ribs and the nun was standing beside their seat with the derringer. Wayne knew she hadn't slept, but she looked bright-eyed and bushy-tailed. She nodded toward their window, said, "Jesus Land."
She had put that special touch in her voice again, and the dead folks responded with, "Eees num be prased."
It was good and dark now, a crisp night with a big moon the color of hammered brass. The bus sailed across the white sand like a mystical schooner with a full wind in its sails. It went up an impossible hill toward what looked like an aurora borealis, then dove into an atomic rainbow of colors that filled the bus with fairy lights.
When Wayne's eyes became accustomed to the lights, and the bus took a right turn along a precarious curve, he glanced down into the valley. An aerial view couldn't have been any better than the view from his window.
Down there was a universe of polished metal and twisted neon. In the center of the valley was a great statue of Jesus crucified that must have been twenty-five stories high. Most of the body was made of bright metals and multicolored neon, and much of the light was coming from that. There was a crown of barbed wire wound several times around a chromium plate of a forehead and some rust-colored strands of neon hair. The savior's eyes were huge, green strobes that swung left and right with the precision of an oscillating fan. There was an ear to ear smile on the savior's face and the teeth were slats of sparkling metal with wide cavity-black gaps between them. The statue was equipped with a massive dick of polished, interwoven cables and coils of neon, the dick was thicker and more solid looking than the arthritic steel-tube legs on either side of it; the head of it was made of an enormous spotlight that pulsed the color of irritation.
The bus went around and around the valley, descending like a dead roach going down a slow drain, and finally the road rolled out straight and took them into Jesus Land.
They passed through the legs of Jesus, under the throbbing head of his cock, toward what looked like a small castle of polished gold bricks with an upright drawbridge interlayed with jewels.
The castle was only one of several tall structures that appeared to be made of rare metals and precious stones: gold, silver, emeralds, rubies and sapphires. But the closer they got to the buildings, the less fine they looked and the more they looked like what they were: stucco, cardboard, phosphorescent paint, colored spotlights, and bands of neon.
Off to the left Wayne could see a long, open shed full of vehicles, most of them old school buses. And there were unlighted hovels made of tin and tar paper; homes for the dead, perhaps. Behind the shacks and the bus barn rose skeletal shapes that stretched tall and bleak against the sky and the candy-gem lights; shapes that looked like the bony remains of beached whales.
On the right, Wayne glimpsed a building with an open front that served as a stage. In front of the stage were chairs filled with monks and nuns. On the stage, six monks—one behind a drum set, one with a saxophone, the others with guitars—were blasting out a loud, rocking rhythm that made the bus shake. A nun with the front of her habit thrown open, her headpiece discarded, sang into a microphone with a voice like a suffering angel. The voice screeched out of the amplifiers and came in through the windows of the bus, crushing the sound of the engine. The nun crowed "Jesus" so long and hard it sounded like a plea from hell. Then she leapt up and came down doing the splits, the impact driving her back to her feet as if her ass had been loaded with springs.
"Bet that bitch can pick up a quarter with that thing," Calhoun said.
Brother Lazarus touched a button, the pseudo-jeweled drawbridge lowered over a narrow moat, and he drove them inside.
It wasn't as well lighted in there. The walls were bleak and gray. Brother Lazarus stopped the bus and got off, and another monk came on board. He was tall and thin and had crooked buck teeth that dented his bottom lip. He also had a twelve-gauge pump shotgun.
"This is Brother Fred," the nun said. "He'll be your tour guide."
Brother Fred forced Wayne and Calhoun off the bus, away from the dead folks in their mouse-ear hats and the nun in her tight, black panties, jabbed them along a dark corridor, up a swirl of stairs and down a longer corridor with open doors on either side and rooms filled with dark and light and spoiled meat and guts on hooks and skulls and bones lying about like discarded walnut shells and broken sticks; rooms full of dead folks (truly dead) stacked neat as firewood, and rooms full of stone shelves stuffed with beakers of fiery-red and sewer-green and sky-blue and piss-yellow liquids, as well as glass coils through which other colored fluids fled as if chased, smoked as if nervous, and ran into big flasks as if relieved; rooms with platforms and tables and boxes and stools and chairs covered with instruments or dead folks or dead-folk pieces or the asses of monks and nuns as they sat and held charts or tubes or body parts and frowned at them with concentration, lips pursed as if about to explode with some earth-shattering pronouncement; and finally they came to a little room with a tall, glassless window that looked out upon the bright, shiny mess that was Jesus Land.
The room was simple. Table, two chairs, two beds—one on either side of the room. The walls were stone and unadorned. To the right was a little bathroom without a door.
Wayne walked to the window and looked out at Jesus Land pulsing and thumping like a desperate heart. He listened to the music a moment, leaned over and stuck his head outside.
They were high up and there was nothing but a straight drop. If you jumped, you'd wind up with the heels of your boots under your tonsils.
Wayne let out a whistle in appreciation of the drop. Brother Fred thought it was a compliment for Jesus Land. He said, "It's a miracle, isn't it?"
"Miracle?" Calhoun said. "This goony light show? This ain't no miracle. This is for shit. Get that nun on the bus back there to bend over and shit a perfectly round turd through a hoop at twenty paces, and I'll call that a miracle, Mr. Fucked-up Teeth. But this Jesus Land crap is the dumbest, fucking idea since dog sweaters.
"And look at this place. You could use some knickknacks or something in here. A picture of some ole naked gal doing a donkey, couple of pigs fucking. Anything. And a door on the shitter would be nice. I hate to be straining out a big one and know someone can look in on me. It ain't decent. A man ought to have his fucking grunts in private. This place reminds me of a motel I stayed at in Waco one night, and I made the goddamn manager give me my money back. The roaches in that shit hole were big enough to use the shower."
Brother Fred listened to all this without blinking an eye, as if seeing Calhoun talk was as amazing as seeing a frog sing. He said. "Sleep tight, don't let the bed bugs bite. Tomorrow you start to work."
"I don't want no fucking job," Calhoun said.
"Goodnight, children," Brother Fred said, and with that he closed the door and they heard it lock, loud and final as the clicking of the drop board on a gallows.
6
At dawn, Wayne got up and took a leak, went to the window to look out. The stage where the monks had played and the nun had jumped was empty. The skeletal shapes he had seen last night were tracks and frames from rides long abandoned. He had a sudden vision of Jesus and his disciples riding a roller coaster, their long hair and robes flapping in the wind.
The large crucified Jesus looked unimpressive without its lights and night's mystery, like a whore in harsh sunlight with makeup gone and wig askew.
"Got any ideas how we're gonna get out of here?" Calhoun asked.
Wayne looked at Calhoun. He was sitting on the bed, pulling on his boots.
Wayne shook his head.
"I could use a smoke. You know, I think we ought to work together. Then we can try to kill each other."
Unconsciously, Calhoun touched his ear where Wayne had bitten
off the lobe.
"Wouldn't trust you as far as I could kick you," Wayne said.
"I hear that. But I give my word. And my word's something you can count on. I won't twist it."
Wayne studied Calhoun, thought: Well, there wasn't anything to lose. He'd just watch his ass.
"All right," Wayne said. "Give me your word you'll work with me on getting us out of this mess, and when we're good and free, and you say your word has gone far enough, we can settle up."
"Deal," Calhoun said, and offered his hand.
Wayne looked at it.
"This seals it," Calhoun said.
Wayne took Calhoun's hand and they shook.
7
Moments later the door unlocked and a smiling monk with hair the color and texture of mold fuzz came in with Brother Fred, who still had his pump shotgun. There were two dead folks with them. A man and a woman. They wore torn clothes and the mouse-ear hats. Neither looked long dead or smelled particularly bad. Actually, the monks smelled worse.
Using the barrel of the shotgun, Brother Fred poked them down the hall to a room with metal tables and medical instruments.
Brother Lazarus was on the far side of one of the tables. He was smiling. His nose looked especially cancerous this morning. A white pustule the size of a thumb tip had taken up residence on the left side of his snout, and it looked like a pearl onion in a turd.
Nearby stood a nun. She was short with good, if skinny, legs, and she wore the same outfit as the nun on the bus. It looked more girlish on her, perhaps because she was thin and small-breasted. She had a nice face and eyes that were all pupil. Wisps of blond hair crawled out around the edges of her headgear. She looked pale and weak, as if wearied to the bone. There was a birthmark on her right cheek that looked like a distant view of a small bird in flight.
"Good morning," Brother Lazarus said. "I hope you gentlemen slept well."
"What's this about work?" Wayne said.
"Work?" Brother Lazarus said.
"I described it to them that way," Brother Fred said. "Perhaps an impulsive description."
"I'll say," Brother Lazarus said. "No work here, gentlemen. You have my word on that. We do all the work. Lie on these tables and we'll take a sampling of your blood."
"Why?" Wayne said.
"Science," Brother Lazarus said. "I intend to find a cure for this germ that makes the dead come back to life, and to do that, I need living human beings to study. Sounds kind of mad scientist, doesn't it? But I assure you, you've nothing to lose but a few drops of blood. Well, maybe more than a few drops, but nothing serious."
"Use your own goddamn blood," Calhoun said.
"We do. But we're always looking for fresh specimens. Little here, little there. And if you don't do it, we'll kill you."
Calhoun spun and hit Brother Fred on the nose. It was a solid punch and Brother Fred hit the floor on his butt, but he hung onto the shotgun and pointed it up at Calhoun. "Go on," he said, his nose streaming blood. "Try that again."
Wayne flexed to help, but hesitated. He could kick Brother Fred in the head from where he was, but that might not keep him from shooting Calhoun, and there would go the extra reward money. And besides, he'd given his word to the bastard that they'd try to help each other survive until they got out of this.
The other monk clasped his hands and swung them into the side of Calhoun's head, knocking him down. Brother Fred got up, and while Calhoun was trying to rise, he hit him with the stock of the shotgun in the back of the head, hit him so hard it drove Calhoun's forehead into the floor. Calhoun rolled over on his side and lay there, his eyes fluttering like moth wings.
"Brother Fred, you must learn to turn the other cheek," Brother Lazarus said. "Now put this sack of shit on the table."
Brother Fred checked Wayne to see if he looked like trouble. Wayne put his hands in his pockets and smiled.
Brother Fred called the two dead folks over and had them put Calhoun on the table. Brother Lazarus strapped him down.
The nun brought a tray of needles, syringes, cotton and bottles over, put it down on the table next to Calhoun's head. Brother Lazarus rolled up Calhoun's sleeve and fixed up a needle and stuck it in Calhoun's arm, drew it full of blood. He stuck the needle through the rubber top of one of the bottles and shot the blood into that.
He looked at Wayne and said, "I hope you'll be less trouble."
"Do I get some orange juice and a little cracker afterwards?" Wayne said.
"You get to walk out without a knot on your head," Brother Lazarus said.
"Guess that'll have to do."
Wayne got on the table next to Calhoun and Brother Lazarus strapped him down. The nun brought the tray over and Brother Lazarus did to him what he had done to Calhoun. The nun stood over Wayne and looked down at his face. Wayne tried to read something in her features but couldn't find a clue.
When Brother Lazarus was finished he took hold of Wayne's chin and shook it. "My, but you two boys look healthy. But you can never be sure. We'll have to run the blood through some tests. Meantime, Sister Worth will run a few additional tests on you, and," he nodded at the unconscious Calhoun, "I'll see to your friend here."
"He's no friend of mine," Wayne said.
They took Wayne off the table, and Sister Worth and Brother Fred and his shotgun, directed him down the hall into another room.
The room was lined with shelves that were lined with instruments and bottles. The lighting was poor, most of it coming through a slatted window, though there was an anemic yellow bulb overhead. Dust motes swam in the air.
In the center of the room on its rim was a great, spoked wheel. It had two straps well spaced at the top, and two more at the bottom. Beneath the bottom straps were blocks of wood. The wheel was attached in back to an upright metal bar that had switches and buttons all over it.
Brother Fred made Wayne strip and get on the wheel with his back to the hub and his feet on the blocks. Sister Worth strapped his ankles down tight, then he was made to put his hands up, and she strapped his wrists to the upper part of the wheel.
"I hope this hurts a lot," Brother Fred said.
"Wipe the blood off your face," Wayne said. "It makes you look silly."
Brother Fred made a gesture with his middle finger that wasn't religious and left the room.
8
Sister Worth touched a switch and the wheel began to spin, slowly at first, and the bad light came through the windows and poked through the rungs and the dust swam before his eyes and the wheel and its spokes threw twisting shadows on the wall.
As he went around, Wayne closed his eyes. It kept him from feeling so dizzy, especially on the down swings.
On a turn up, he opened his eyes and caught sight of Sister Worth standing in front of the wheel staring at him. He said, "Why?" and closed his eyes as the wheel dipped.
"Because Brother Lazarus says so," came the answer after such a long time Wayne had almost forgotten the question. Actually, he hadn't expected a response. He was surprised that such a thing had come out of his mouth, and he felt a little diminished for having asked.
He opened his eyes on another swing up, and she was moving behind the wheel, out of his line of vision. He heard a snick like a switch being flipped and lightning jumped through him and he screamed in spite of himself. A little fork of electricity licked out of his mouth like a reptile tongue tasting air.
Faster spun the wheel and the jolts came more often and he screamed less loud, and finally not at all. He was too numb. He was adrift in space wearing only his cowboy hat and boots, moving away from earth very fast. Floating all around him were wrecked cars. He looked and saw that one of them was his '57, and behind the steering wheel was Pop. Sitting beside the old man was a Mexican whore. Two more were in the back seat. They looked a little drunk.
One of the whores in back pulled up her dress and cocked it high up so he could see her pussy. It looked like a taco that needed a shave.
He smiled and tried to go for it, but the '57
was moving away, swinging wide and turning its tail to him. He could see a face at the back window. Pop's face. He had crawled back there and was waving slowly and sadly. A whore pulled Pop from view.
The wrecked cars moved away too, as if caught in the vacuum of the '57's retreat. Wayne swam with his arms, kicked with his legs, trying to pursue the '57 and the wrecks. But he dangled where he was, like a moth pinned to a board. The cars moved out of sight and left him there with his arms and legs stretched out, spinning amidst an infinity of cold, uncaring stars.
". . . how the tests are run . . . marks everything about you . . . charts it . . . EKG, brain waves, liver . . . everything . . . it hurts because Brother Lazarus wants it to . . . thinks I don't know these things . . . that I'm slow . . . I'm slow, not stupid . . . smart really . . . used to be scientist . . . before the accident. . . Brother Lazarus is not holy . . . he's mad . . . made the wheel because of the Holy Inquisition . . . knows a lot about the Inquisition . . . thinks we need it again . . . for the likes of men like you . . . the unholy, he says . . . But he just likes to hurt . . . I know."
Wayne opened his eyes. The wheel had stopped. Sister Worth was talking in her monotone, explaining the wheel. He remembered asking her, "Why" about three thousand years ago.
Sister Worth was staring at him again. She went away and he expected the wheel to start up, but when she returned, she had a long, narrow mirror under her arm. She put it against the wall across from him. She got on the wheel with him, her little feet on the wooden platforms beside his. She hiked up the bottom of her habit and pulled down her black panties. She put her face close to his, as if searching for something.
"He plans to take your body . . . piece by piece . . . blood, cells, brain, your cock . . . all of it . . . He wants to live forever."
She had her panties in her hand, and she tossed them. Wayne watched them fly up and flutter to the floor like a dying bat.