He was the first to speak. “This wasn’t a natural death. There was something other than milk in that feed. Well, that’s obvious to all of us I should have thought. We’d better call the police. I’ll get on to the Yard. I know someone there, as it happens. One of the Assistant Commissioners.”
He always did know someone, thought the Matron. She felt the need to oppose him. Shock had left an aftermath of irritation and, irrationally, it focused on him. She said calmly: “The local police are the ones to call and I think that the Hospital Secretary should do it. I’ll get Mr. Hudson on the house telephone now. They’ll call in the Yard if they think it necessary. I can’t think why it should be. But that decision is for the Chief Constable, not for us.”
She moved over to the wall telephone, carefully walking round the crouched figure of Miss Rolfe. The Principal Tutor was still on her knees. She looked, thought the Matron, rather like a character from a Victorian melodrama with her smouldering eyes in a deathly white face, her black hair a little dishevelled under the frilly cap, and those reeking hands. She was turning them over slowly and studying the red mass with a detached, speculative interest as if she, too, found it difficult to believe that the blood was real. She said: “If there’s a suspicion of foul play ought we to move the body?”
Mr. Courtney-Briggs said sharply: “I have no intention of moving the body.”
“But we can’t leave her here, not like this!” Miss Gearing was almost weeping in protest. The surgeon glared at her.
“My dear woman, the girl’s dead! Dead! What does it matter where we have the body? She can’t feel. She can’t know. For God’s sake don’t start being sentimental about death. The indignity is that we die at all, not what happens to our bodies.”
He turned brusquely and went over to the window. Sister Gearing made a movement as if to follow him, and then sank into the nearest chair and began to cry softly like a snuffling animal. No one took any notice of her. Sister Rolfe got stiffly to her feet. Holding her hands raised in front of her in the ritual gesture of an operating theatre nurse she walked over to a sink in the corner, nudged on the tap with her elbow, and began to wash her hands. At the wall-mounted telephone the Matron was dialling a five-digit number. They heard her calm voice.
“Is that the Hospital Secretary’s office? Is Mr. Hudson there? It’s Matron.” There was a pause. “Good morning, Mr. Hudson. I am speaking from the ground floor demonstration room in Nightingale House. Could you please come over immediately? Yes. Very urgent. I’m afraid something tragic and horrible has happened and it will be necessary for you to telephone the police. No, I’d rather not tell you on the telephone. Thank you.” She replaced the receiver and said quietly: “He’s coming at once. He’ll have to put the Vice-Chairman in the picture, too—it’s unfortunate that Sir Marcus is in Israel—but the first thing is to get the police. And now I had better tell the other students.”
Sister Gearing was making an attempt to control herself. She blew loudly into her handkerchief, replaced it in her uniform pocket, and raised a blotched face.
“I’m sorry. It’s the shock, I suppose. It’s just that it was all so horrible. Such an appalling thing to happen. And the first time I’ve taken a class too! And everyone sitting and watching it like that. The other students as well. Such a horrible accident.”
“Accident, Sister?” Mr. Courtney-Briggs turned from the window. He strode over to her and bent his bull-like head close to hers. His voice was harsh, contemptuous as he almost spat the words into her face. “Accident? Are you suggesting that a corrosive poison found its way into that feed by accident? Or that a girl in her right mind would choose to kill herself in that particularly horrible way? Come, come, Sister, why not be honest for once? What we’ve just witnessed was murder!”
BOOK TWO
CEASE UPON THE MIDNIGHT
1
It was late in the evening of Wednesday, 28th January, sixteen days after the death of Nurse Pearce and, in the students’ sitting-room on the first floor of Nightingale House, Nurse Dakers was writing her mid-week letter to her mother. It was usual for her to finish it in time for the Wednesday evening post but, this week, she had lacked the energy and inclination to settle down to the task. Already the waste-paper basket at her feet held the screwed-up copies of the first two rejected drafts. And now she was trying again.
She was sitting at one of the twin writing-desks in front of the window, her left elbow almost brushing the heavy curtains which shut out the dank blackness of the night, her forearm curled protectively around the writing-pad. Opposite to her, the desk lamp shone on the bent head of Madeleine Goodale, so close that Nurse Dakers could see the clean white scalp at the hair parting and smell the almost imperceptible antiseptic tang of shampoo. Two textbooks were open before Goodale and she was making notes. Nothing, thought Nurse Dakers with resentful envy, was worrying her; nothing in the room or beyond it could disturb her quiet concentration. The admirable and secure Goodale was making sure that the John Carpendar Gold Medal for top marks in the final examination would eventually be pinned on her immaculate apron.
Frightened by the strength of this sudden and shaming antagonism, which she felt must communicate itself to Goodale, Nurse Dakers slid her eyes from the bent head so disconcertingly close to hers and gazed around the room. It was so familiar to her after nearly three years of training that normally she hardly noticed the details of architecture or furnishing. But tonight she saw it with an unexpected clarity, as if it had nothing to do with her or with her life. It was too large to be cosy and was furnished as if it had acquired odd items over the years and taken them to itself. It must once have been an elegant drawing-room, but the walls had long since lost their paper and were now painted and scruffy, due—it was rumoured—for redecoration when money allowed. The ornate fireplace of carved marble and surrounding oak was fitted with a large gas stove, old and ugly in design but still remarkably efficient, hissing a strong heat even into the dark corners of the room. The elegant mahogany table against the far wall with its jumble of magazines might have been bequeathed by John Carpendar himself. But it was scratched and dull now, dusted regularly but rarely polished, its surface scarred and ringed. To the left of the fireplace, in incongruous contrast, stood a large, modern television set, the gift of the Hospital League of Friends. In front of it was an immense cretonne-covered sofa with sagging springs, and a single matching armchair. The rest of the chairs were similar to those in the hospital out-patients’ department but were now too old and shabby to be tolerated for the use of patients. The arm-rests of pale wood were grubby; the coloured vinyl seats were stretched and dented and now smelt unpleasantly in the heat from the fire. One of the chairs was empty. It was the red-seated one which Nurse Pearce had invariably used. Scorning the intimacy of the sofa, she would sit there, a little apart from the huddle of students around the television set, watching the screen with careful disinterest as if it were a pleasure she could easily forgo. Occasionally she would drop her eyes to a book in her lap as if the folly presented for her entertainment had become too much to bear. Her presence, thought Nurse Dakers, had always been a little unwelcome and oppressive. The atmosphere of the students’ sitting-room had always been lighter, more relaxed without that upright and censorious figure. But the empty chair, the dented seat, was almost worse. Nurse Dakers wished that she had the courage to walk over to it, to swing it into line with the other chairs around the television set and settle herself nonchalantly into its sagging curves, exorcizing once and for all that oppressive ghost. She wondered if the other students felt the same. It was impossible to ask. Were the Burt twins, bunched together in the depths of the sofa, really as absorbed as they appeared by the old gangster film they were watching? They were each knitting one of the heavy sweaters which they invariably wore in winter, their fingers clicking away, their eyes never leaving the screen. Beside them Nurse Fallon lolled in the armchair, one trousered leg swung casually over the arm. It was her first day back in the scho
ol after her sick leave and she still looked pale and drawn. Was her mind really on the sleek-haired hero with his tall wide-ribboned and ridiculous trilby, his over-padded shoulders, whose raucous voice, punctuated with gunshots, filled the room? Or was she, too, morbidly conscious of that empty red chair, the dented seat, the rounded ends of the arm-rests polished by Pearce’s hand?
Nurse Dakers shivered. The wall clock showed that it was already after nine-thirty. Outside the wind was rising. It was going to be a wild night. In the rare intervals of quiet from the television set she could hear the creaking and sighing of the trees and could picture the last leaves falling softly on grass and path, isolating Nightingale House in a sludge of silence and decay. She forced herself to pick up her pen. She really must get on! Soon it would be time for bed and, one by one, the students would say their good-nights and disappear, leaving her to brave alone the poorly lit staircase and the dark corridor beyond. Jo Fallon would still be here of course. She never went to bed until the television programme closed for the night. Then she would make her lonely way upstairs to prepare her nightly hot whisky and lemon. Everyone knew Fallon’s invariable habit. But Nurse Dakers felt that she could not face being left alone with Fallon. Hers was the last company she would choose, even in that lonely, frightening walk from the sitting-room to bed.
She began writing again.
Now please, Mummy, don’t keep on worrying about the murder.
The impossibility of the sentence struck her as soon as she saw the words on the paper. Somehow she must avoid the use of that emotive, blood-stained word.
She tried again.
Now please, Mummy, don’t start worrying about the things you read in the paper. There really isn’t any need. I’m perfectly safe and happy and no one really believes that Pearce was deliberately killed.
It wasn’t true of course. Some people must think that Pearce had been deliberately killed or why would the police be here? And it was ridiculous to suppose that the poison could have got into the feed by accident or that Pearce, the god-fearing, conscientious and essentially dull Pearce, would have chosen to kill herself in that agonizing and spectacular way. She wrote on:
We still have the local C.I.D. here, but they don’t come in so often now. They have been very kind to us students and I don’t think they suspect anyone. Poor Pearce wasn’t very popular, but it’s ridiculous to think that anyone here would want to harm her.
Had the police really been kind? she wondered. They had certainly been very correct, very polite. They had produced all the usual reassuring platitudes about the importance of cooperating with them in solving this terrible tragedy, telling the truth at all times, keeping nothing back however trivial and unimportant it might seem. Not one of them had raised his voice; not one had been aggressive or intimidating. And all of them had been frightening. Their very presence in Nightingale House, masculine and confident, had been, like the locked door of the demonstration room, a constant reminder of tragedy and fear. Nurse Dakers had found Inspector Bailey the most frightening of them all. He was a huge, ruddy, moonfaced man whose encouraging and avuncular voice and manner were in unnerving contrast to his cold, pig-like eyes. The questioning had gone on and on. She could still recall the interminable sessions, the effort of will necessary to meet that probing gaze.
“Now I’m told that you were the most upset of them all when Nurse Pearce died. She was a particular friend of yours perhaps?”
“No. Not really. Not a particular friend. I hardly knew her.”
“Well, there’s a surprise! After nearly three years of training with her? Living and working so closely together, I should have thought that you all got to know each other pretty well.”
She had struggled to explain.
“In some ways we do. We know each other’s habits. But I didn’t really know what she was like; as a person, I mean.” A silly reply. How else could you know anyone except as a person? And it wasn’t true. She had known Pearce. She had known her very well.
“But you got on well together? There hadn’t been a quarrel or anything like that? No unpleasantness?”
An odd word, unpleasantness. She had seen again that grotesque figure, teetering forward in agony, fingers scrabbling at the ineffectual air, the thin tubing stretching the mouth like a wound. No, there had been no unpleasantness.
“And the other students? They got on well with Nurse Pearce too? There had been no bad blood as far as you know?”
Bad blood. A stupid expression. What was the opposite? she wondered. Good blood? There was only good blood between us. Pearce’s good blood. She had answered: “She hadn’t any enemies as far as I know. And if anyone did dislike her, they wouldn’t kill her.”
“So you all tell me. But someone did kill her, didn’t they? Unless the poison wasn’t intended for Nurse Pearce. She only played the part of the patient by chance. Did you know that Nurse Fallon had been taken ill that night?”
And so it had gone on. Questions about every minute of that last terrible demonstration. Questions about the lavatory disinfectant. The empty bottle, wiped clean of fingerprints, had been quickly found by the police lying among the bushes at the back of the house. Anyone could have thrown it from a bedroom window or bathroom window in the concealing darkness of that January morning. Questions about her movements from the moment of first awakening. The constant reiteration in that minatory voice that nothing should be held back, nothing concealed.
She wondered whether the other students had been as frightened. The Burt twins had seemed merely bored and resigned, obeying the Inspector’s sporadic summons with a shrug of the shoulders and a weary, “Oh, God, not again!” Nurse Goodale had said nothing when she was called for questioning and nothing afterwards. Nurse Fallon had been equally reticent. It was known that Inspector Bailey had interviewed her in the sick bay as soon as she was well enough to be seen. No one knew what had happened at that interview. It was rumoured that Fallon had admitted returning to Nightingale House early in the morning of the crime but had refused to say why. That would be very like Fallon. And now she had returned to Nightingale House to rejoin her set. So far she hadn’t even mentioned Pearce’s death. Nurse Dakers wondered if and when she would; and, morbidly sensitive to the hidden meaning in every word, struggled on with her letter:
We haven’t used the demonstration room since Nurse Pearce’s death but otherwise the set is continuing to work according to plan. Only one of the students, Diane Harper, has left the school. Her father came to fetch her two days after Nurse Pearce died and the police didn’t seem to mind her leaving. We all thought it was silly of her to give up so near to her finals but her father has never been keen on her training as a nurse and she is engaged to be married anyway, so I suppose she thought it didn’t matter. No one else is thinking of leaving and there really isn’t the slightest danger. So please, darling, do stop worrying about me. Now I must tell you about tomorrow’s programme.
There was no need to go on drafting now. The rest of the letter would be easy. She read over what she had written and decided that it would do. Taking a fresh sheet of paper from the pad she began to write the final letter. With any luck she would just get it finished before the film ended and the twins put away their knitting and went to bed.
She scribbled quickly on and, half an hour later, her letter finished, saw with relief that the film had come to the last holocaust and the final embrace. At the same moment Nurse Goodale removed her reading spectacles, looked up from her work, and closed her book. The door opened and Julia Pardoe appeared.
“I’m back,” she announced, and yawned. “It was a lousy film. Anyone making tea?” No one answered but the twins stubbed their knitting needles into the balls of wool and joined her at the door, switching off the television on their way. Pardoe would never bother to make tea if she could find someone else to do it and the twins usually obliged. As she followed them out of the sitting-room Nurse Dakers looked back at the silent, immobile figure of Fallon alone now with Madeleine
Goodale. She had a sudden impulse to speak to Fallon to welcome her back to the school, to ask after her health, or simply to say good night. But the words seemed to stick in her throat, the moment passed, and the last thing she saw as she closed the door behind her was Fallon’s pale and individual face, blank eyes still fixed on the television set as if unaware that the screen was dead.
2
In a hospital, time itself is documented, seconds measured in a pulse beat, the drip of blood or plasma; minutes in the stopping of a heart; hours in the rise and fall of a temperature chart, the length of an operation. When the events of the night of 28th–29th January came to be documented there were few of the protagonists at the John Carpendar Hospital who were unaware what they had been doing or where they were at any particular moment of their waking hours. They might not choose to tell the truth, but at least they knew where the truth lay.
It was a night of violent but erratic storm, the wind varying in intensity and even in direction from hour to hour. At ten o’clock it was little more than a sobbing obbligato among the elms. An hour later it suddenly reached a crescendo of fury. The great elms around Nightingale House cracked and groaned under the onslaught, while the wind screamed among them like the cachinnation of devils. Along the deserted paths, the banks of dead leaves, still heavy with rain, shifted sluggishly then broke apart into drifts and rose in wild swirls like demented insects, to glue themselves against the black barks of the trees. In the operating theatre at the top of the hospital Mr. Courtney-Briggs demonstrated his imperturbability in the face of crisis by muttering to his attendant registrar that it was a wild night before bending his head again to the satisfying contemplation of the intriguing surgical problem which throbbed between the retracted lips of the wound. Below him in the silent and dimly lit wards the patients muttered and turned in their sleep as if conscious of the tumult outside. The radiographer, who had been called from home to take urgent X-rays of Mr. Courtney-Briggs’s patient, replaced the covers on the apparatus, switched out the lights and wondered whether her small car would hold the road. The night nurses moved silently among their patients testing the windows, drawing the curtains more closely as if to keep out some threatening and alien force. The porter on duty in the main gate lodge shifted uneasily in his chair then rose cramped to his feet and put a couple more chunks of coal on the fire. He felt in need of warmth and comfort in his isolation. The little house seemed to shake with every gust of the wind.