So he raves, overflowing with meadbowl joy, and the older three priests look down at him as they would at a wounded snake. Ork ignores him, sniffling privately. I back away. Even a monster's blood-lust can be stifled by such talk. They remain inside the image ring, snow falling softly on their hair and beards, and except for their forms, their prattle, the town is dead.
Hrothgar is asleep now, resting up for tomorrow's ordeal of waiting. Wealtheow breathes evenly, beside him. Hrothulf and the king's two children are asleep. In the main hall, row on row in their wall-hung beds, the guardians snore, except Unferth. Puffy-eyed, he gets up, and in a kind of stupor goes to the meadhall door to piss. A dog barks--not at me: I have put my spell on them. Unferth hardly hears. He looks out over the snowy rooftops of the town to the snowy moor, the snowy woods, unaware of my presence behind the wall. The snow falls softly through the trees, closing up the foxes' dens, burying the tracks of sleeping deer. A wolf, asleep with his head on his paws, awakens at the sound of my footsteps and opens his eyes but does not lift his head. He watches me pass, his gray eyes hostile, then sleeps again, his cave half hidden by snow.
I do not usually raid in the winter, when the world is a corpse. I would be wiser to be curled up, asleep like a bear, in my cave. My heart moves slowly, like freezing water, and I cannot clearly recall the smell of blood. And yet I am restless. I would fall, if I could, through time and space to the dragon. I cannot. I walk slowly, wiping the snow from my face with the back of my arm. There is no sound on earth but the whispering snowfall. I recall something. A void boundless as a nether sky. I hang by the twisted roots of an oak, looking down into immensity. Vastly far away I see the sun, black but shining, and slowly revolving around it there are spiders. I pause in my tracks, puzzled--though not stirred--by what I see. But then I am in the woods again, and the snow is falling, and everything alive is fast asleep. It is just some dream. I move on, uneasy; waiting.
10
Tedium is the worst pain.
The dull victim, staring, vague-eyed, at seasons that never were meant to be observed.
The sun walks mindlessly overhead, the shadows lengthen and shorten as if by plan.
"The gods made this world for our joy!" the young priest squeals. The people listen to him dutifully, heads bowed. It does not impress them, one way or the other, that he's crazy.
The scent of the dragon is a staleness on the earth.
The Shaper is sick.
I watch a great horned goat ascend the rocks toward my mere. I have half a mind to admire his bottomless stupidity. "Hey, goat!" I yell down. "There's nothing here. Go back." He lifts his head, considers me, then lowers it again to keep an eye on crevasses and seams, icy scree, slick rocky ledges--doggedly continuing. I tip up a boulder and let it fall thundering toward him. His ears flap up in alarm, he stiffens, looks around him in haste, and jumps. The boulder bounds past him. He watches it fall, then turns his head, looks up at me disapprovingly. Then, lowering his head again, he continues. It is the business of goats to climb. He means to climb. "Ah, goat, goat!" I say as if deeply disappointed in him. "Use your reason! There's nothing here!" He keeps on coming. I am suddenly annoyed, no longer amused by his stupidity. The mere belongs to me and the firesnakes. What if everybody should decide the place is public? "Go back down, goat!" I yell at him. He keeps on climbing, mindless, mechanical, because it is the business of goats to climb. "Not here," I yell. "If climbing's your duty to the gods, go climb the meadhall." He keeps on climbing. I run back from the edge to a dead tree, throw myself against it and break it off and drag it back to the cliffwall. "You've had fair warning," I yell at him. I'm enraged now. The words come echoing back to me. I lay the tree sideways, wait for the goat to be in better range, then shove. It drops with a crash and rolls crookedly toward him. He darts left, reverses himself and bounds to the right, and a limb catches him. He bleats, falling, flopping over with a jerk too quick for the eye, and bleats again, scrambling, sliding toward the ledge-side. The tree, slowly rolling, drops out of sight. His sharp front hooves dig in and he jerks onto his feet, but before his balance is sure my stone hits him and falls again. I leap down to make certain he goes over this time. He finds his feet the same instant that my second stone hits. It splits his skull, and blood sprays out past his dangling brains, yet he doesn't fall. He threatens me, blind. It's not easy to kill a mountain goat. He thinks with his spine. A death tremor shakes his flanks, but he picks toward me, jerking his great twisted horns at air. I back off, upward toward the mere the goat will never reach. I smile, threatened by an animal already dead, still climbing. I snatch up a stone and hurl it. It smashes his mouth, spraying out teeth, and penetrates to the jugular. He drops to his knees, gets up again. The air is sweet with the scent of his blood. Death shakes his body the way high wind shakes trees. He climbs toward me. I snatch up a stone.
At dusk I watch men go about their business in the towns of the Scyldings. Boys and dogs drive the horses and oxen to the river and break through the ice to let them drink. Back at the barns, men carry in hay on wooden forks, dump grain in the mangers, and carry out manure. A wheelwright and his helper squat in their dark room hammering spokes into a hub. I listen to the grunt, the blow of the hammer, the grunt, the blow, like the sound of a leaky heart. Smells of cooking. Gray wood-smoke rises slowly toward a lead-gray sky. On the rocky cliffs looking out to sea, Hrothgar's watchmen, each man posted several stone's-throws away from the next, sit huddled in furs, on their horses' backs, or stand in the shelter of an outcropping ledge, rubbing their hands together, stamping their feet. No one will strike at the kingdom from the sea: icebergs drift a mile out, grinding against one another from time to time, letting out a low moan like the sigh of some huge sea-beast. The guards watch anyway, obedient to orders the king has forgotten to cancel.
People eat, leaning over their food together, seldom talking. The lamp at the center of the table lights their eyes. Dogs beside the men's legs wait, looking up from time to time, and the girl who brings the food from the stove stands looking at the wall as she waits for the plates to empty. An old man, finished before the rest, goes out to bring in wood. I spy on an old woman telling lies to children. (Her face is dark with some disease, and the veins on the backs of her hands are ropes. She is too old to sweep or cook.) She tells of a giant across the sea who has the strength of thirty thanes. "Someday he will come here," she tells the children. Their eyes widen. A bald old man looks up from his earthenware plate and laughs. A gray dog pushes against his leg. He kicks it.
The sun stays longer each day now, climbing mechanical as a goat off the leaden horizon. Children slide down the hills on shaped boards, sending their happy cries through drifted stillness. As twilight deepens, their mothers call them in. A few feign deafness. A shadow looms over them (mine) and they're gone forever.
So it goes.
Darkness. At the house of the Shaper, people come and go, solemn faced, treading softly, their heads bowed and their hands folded for fear of sending dreadful apparitions through his dreams. His attendant, the boy who came here with him--a grown man now--sits by the old man's bed and plays pale runs on the old man's harp. The old man turns his blind head, rising from confusion to listen. He asks about a certain woman who does not come. No answer.
But the king comes, with the queen on his arm, young Hrothulf walking four steps behind them, holding the hands of their children. The king sits beside the Shaper's bed as he sits in the hall, motionless, his patient eyes staring. Hrothulf and the children wait out in the entry room. The queen puts her fingertips gently on the old man's forehead.
The Shaper whispers for the lamp. The attendant pretends to bring it, though it stands already on the table beside his bed. "That's better," the queen says dutifully, and the king says, as if he couldn't see well before, "You look healthier today." The Shaper says nothing. Crouched in the bushes beside the path, peeking in like a whiskered old voyeur, wet-lipped, red-eyed, my chest filled with some meaningless anguish, I watch the
old man working up the nerve to let his heart stop. "Where are all his fine phrases now?" I whisper to the night. I chuckle. The night, as usual, doesn't comment.
He sits motionless, propped up in bed, deathwhite hands folded on top of the covers: his eyes, once webbed with visions, are shut. The young man, the attendant sitting with the harp, does not play. The king and queen wait, dutiful, probably counting the time off in their heads, and the herbalist--humpbacked, robed in black (a tic screws taut one whole side of his face)--the herbalist, no longer useful to the onetime king of poets, paces back and forth slowly, rubbing his hands. He waits for the soft, dry throat-rattle that will free him to go pace elsewhere.
The Shaper speaks. They bend closer. "I see a time," he says, "when the Danes once again--" His voice trails off; puzzlement crosses his forehead, and one hand reaches up feebly as if to smooth it away but forgets before it can find the forehead, and falls back to the covers. He lifts his head a little, listening for footsteps. There are none. The head drops back weakly. His visitors wait on. They do not seem to realize that he is dead.
In another house, at a large, carved table, a middle-aged woman with hair just slightly less red than the queen's (she has close-together eyes and eyebrows plucked neat as the lines of a knife wound) sits by lamplight listening, as he did, for footsteps. Her nobleman husband lies sleeping in a nearby room, his head on his arm, as if listening to his heartbeat. She is a lady I have watched with the greatest admiration. Soul of fidelity, decorum. The Shaper would tip his whitened head, blind eyes staring at the floor whenever the lady spoke, and from time to time, when he sang of heroes, of ship-backs broken, there was no mistaking that he sang the song for her. Nothing came of it. She would leave the hall on her husband's arm: the Shaper would bow politely as she passed.
She hears them coming. I duck back into the gloom to watch and wait. The messenger the Shaper's attendant has sent goes up to the door and has hardly knocked once when the door opens inward and the lady appears, staring through him. "He's dead," says the messenger. The lady nods. When the messenger is gone, the lady comes out onto the steps and stands with her arms locked, expressionless. She looks up the hill toward the meadhall.
"So all of us must sooner or later pass," I am tempted to whisper. "Alas! Woe!" I resist.
Only the wind is alive, pressing her robe to her fat, loose hips and bosom. The woman is as still as the dead man in his bed. I am tempted to snatch her. How her squeals would dance on the icicle-walls of the night! But I back away. I look in on the Shaper one more time. The old women are arranging him, putting gold coins on his eyelids to preserve him from seeing where he goes. At last, unsatisfied as ever, I slink back home.
In my cave the tedium is worse, of course. My mother no longer shows any sign of sanity, hurrying back and forth, wall to wall, sometimes on two legs, sometimes on four, dark forehead furrowed like a new-plowed field, her eyes glittering and crazy as a captured eagle's. Each time I come in she gets between me and the door, as if to lock me up with her forever. I endure it, for the time. When I sleep, she presses close to me, half buries me under her thistly fur and fat. "Dool-dool," she moans. She drools and weeps. "Warovvish," she whimpers, and tears at herself. Hanks of fur come away in her claws. I see gray hide. I study her, cool and objective in my corner, and because now the Shaper is dead, strange thoughts come over me. I think of the pastness of the past: how the moment I am alive in, prisoned in, moves like a slowly tumbling form through darkness, the underground river. Not only ancient history--the mythical age of the brothers' feud--but my own history one second ago, has vanished utterly, dropped out of existence. King Scyld's great deeds do not exist "back there" in Time. "Back there in Time" is an allusion of language. They do not exist at all. My wickedness five years ago, or six, or twelve, has no existence except as now, mumbling, mumbling, sacrificing the slain world to the omnipotence of words, I strain my memory to regain it. I snatch by my wits a time when I was very small and my mama held me softly in her arms. Ah, ah, how I loved you, Mama--dead these many years! I snatch a time when I crouched outside the meadhall hearing the first strange hymns of the Shaper. Beauty! Holiness! How my heart rocked! He is dead. I should have captured him, teased him, tormented him, made a fool of him. I should have cracked his skull midsong and sent his blood spraying out wet through the meadhall like a shocking change of key. One evil deed missed is a loss for all eternity.
I decide, naturally, to attend his funeral. She tries to prevent me. I lift her by the armpits as though she were a child and, gently, I set her aside. Her face trembles, torn, I think, between terror and self-pity. It crosses my mind that she knows something, but she doesn't, I know. The future is as dark, as unreal, as the past. Coolly, objectively, I watch the trembling; it's as if all the muscles are locked to the charge of an eel. Then I push her away. The face shatters, she whoops. I run to the pool and dive, and even now I can hear her. I will forget, tomorrow, so her pain is a matter of indifference.
And so to the funeral.
The Shaper's assistant, cradling the old man's polished harp, sings of Hoc and Hildeburh and Hnaef and Hengest, how Finn's thanes fought with his wife's dear kinsmen and killed King Hnaef, and a terrible thing ensued. When Finn had few men and his enemies had no king, they made a truce, and the terms were these: that Finn would be lord of the lordless Danes, because a king without men is a worthless thing, and thanes without a lord are exiles. Both sides made vows, swore the duty of peace, and so winter came, in its time, to the country of the Jutes.
The people listen silent and solemn to the old Shaper's song on the young man's lips, and the pyre where the old man lies stands waiting for fire. The dead arms are crossed, the features are stiff and blue, as if frozen. Ice glints on the sides of the pyre. The world is white.
Young Hengest still
through slaughter-dark winter stayed with Finn,
heart sorrowing. He thought of home,
though he could not drive on the dark sea
his ring-prowed ship; for the sea-air rolled,
dusky with wind, and the waves were locked
in ice. Then another season came,
another year, as the years do yet,
bright shining weather awaiting its time.
The winter was gone, earth's breast was fair,
and the exiled Hengest was eager to go,
unwilling guest from the dwelling.--Yet as
ice-chains locked the land, so Hengest's heart
was locked: revenge called harder to him than home.
He cried in his mind for quarrel, and quarrel came.
Then Finn lay down in blood, bold king
with all his company, and the queen was taken;
and, loaded with rings King Finn could not refuse,
the Danes sailed home. Men's double vows
soon wash away. Spring rain drips down through rafters.
So he sings, looking down, recalling and repeating the words, hands light on the harp. The king listens, dry-eyed, his mind far, far away. Prince Hrothulf stands with the children of Hrothgar and Wealtheow, his features revealing no more secrets than does snow. Men light the pyre. Unferth stares at the flames with eyes like stones. I too watch the fire, as well as I can. Colorless it seems. A more intense place in the brightness of snow and ice. It flames high at once, as if hungry for the coarse, lean meat. The priests walk slowly around the pyre, saying antique prayers, and the crowd, all in black, ignoring the black priests, keens. I watch the burning head burst, bare of visions, dark blood dripping from the corner of the mouth and ear.
End of an epoch, I could tell the king.
We're on our own again. Abandoned.
I awaken with a start and imagine I hear the goat still picking at the cliffwall, climbing to the mere. Something groans, far out at sea.
My mother makes sounds. I strain my wits toward them, clench my mind. Beware the fish.
I get up and walk, filled with restless expectation, though I know there is nothing to
br /> I am not the only monster on these moors.
I met an old woman as wild as the wind
Striding in white out of midnight's den.
Her cloak was in rags, and her flesh it was lean,
And her eyes, her murdered eyes. . .
Scent of the dragon.
I should sleep, drop war till spring as I normally do.
When I sleep I wake up in terror, with hands on my throat.
A stupid business.
Nihil ex nihilo, I always say.
11
I am mad with joy.--At least I think it's joy. Strangers have come, and it's a whole new game. I kiss the ice on the frozen creeks, I press my ear to it, honoring the water that rattles below, for by water they came: the icebergs parted as if gently pushed back by enormous hands, and the ship sailed through, sea-eager, foamy-necked, white sails riding the swan-road, flying like a bird! O happy Grendel! Fifteen glorious heroes, proud in their battle dress, fat as cows!
I could feel them coming as I lay in the dark of my cave. I stirred, baffled by the strange sensation, squinting into dark corners to learn the cause. It drew me as the mind of the dragon did once. It's coming! I said. More clearly than ever I heard the muffled footsteps on the dome of the world, and even when I realized that the footsteps were nothing but the sound of my own heart, I knew more surely than before that something was coming. I got up, moved past stone icicles to the pool and the sunken door. My mother made no move to prevent me. At the pool, firesnakes shot away from me in all directions, bristling, hissing, mysteriously wrought up. They had sensed it too. That beat--steady, inhumanly steady; inexorable. And so, an hour before dawn, I crouched in shadows at the rocky sea-wall, foot of the giants' work. Low tide. Lead-gray water sucked quietly, stubborn and deliberate, at icy gray boulders. Gray wind teased leafless trees. There was no sound but the ice-cold surge, the cry of a gannet, invisible in grayness above me. A whale passed, long dark shadow two miles out. The sky grew light at my back. Then I saw the sail.