But let's go back to our dead man in pyjamas. There was no sign of struggle or violence. An official from the Metropolitan Police, in an interview with the newspaper, stated that the man had almost certainly died of a sudden heart attack. So we can also reject the murder hypothesis.
The corpse was found by the employees of a construction company on the second floor of a building in a housing development that was about to be demolished. Everything would lead us to think that our dead man in the pyjamas, having failed to find somewhere to live in one of the most densely populated and most expensive places in the world, had simply decided to live in a building where he wouldn't have to pay any rent.
Then comes the tragic part of the story. Our dead man was nothing more than a skeleton wearing pyjamas. Beside him, was an open newspaper dated 20 February 1984. On a table nearby, the calendar marked the same day.
He had been there for twenty years.
And no one had noticed his absence.
The man was identified as an ex-employee of the company who had built the housing development, where he had moved at the beginning of the 1980s, immediately after getting divorced. He was just over fifty on the day he was reading the newspaper and suddenly departed this life.
His ex-wife had never tried to get in touch with him. The journalists went to the company where he had worked and discovered that the company had gone bankrupt immediately after the project was finished, because they had failed to sell any of the apartments, which would explain why they did not find it strange when the man stopped turning up for work. The journalists tracked down his friends, who attributed his disappearance to the fact that he had borrowed money from them and hadn't been able to pay them back.
The news item ended by saying that the man's mortal remains were returned to his ex-wife. When I finished reading the article, I kept thinking about that final sentence: the ex-wife was still alive; and yet, for twenty years, she had never once tried to contact him. What can have been going on inside her mind? That he didn't love her any more, and that he had decided to cut her out of his life for good? That he had met another woman and disappeared? That this is simply what life is like once the divorce proceedings are over, and that there is no point in continuing a relationship once it has been legally terminated? I imagine what she must have felt when she learned the fate of the man with whom she had shared a large part of her life.
And then I thought about the dead man in pyjamas, about his complete and utter isolation, to the point that, for twenty long years, no one in the whole world had noticed that he had simply vanished without trace. I can only conclude that worse than hunger or thirst, worse than being unemployed, unhappy in love or defeated and in despair, far worse than any or all of those things, is feeling that no one, absolutely no one, cares about us.
Let us say a silent prayer for that man, and thank him for making us think about how important friends are.
The Dead Man Wore Pyjamas
Juan always used to attend the Sunday service at his church, but he began to feel that the priest was always saying the same thing, and so stopped going.
Two months later, one cold winter night, the priest came to visit him.
'He's probably come to try and persuade me to go back,' Juan thought to himself. He felt that he couldn't give the real reason for his absence - the priest's repetitive sermons. He needed to find an excuse and, while he was thinking, he placed two chairs beside the fire and started talking about the weather.
The priest said nothing. After trying in vain for some time to start a conversation, Juan gave up. The two men sat on in silence for nearly half an hour, staring into the fire.
At that point, the priest got up and, with one of the logs that had not yet burned, he pushed one piece of coal away from the flames.
Since there was not enough heat for the coal to continue burning, it began to cool. Juan quickly drew it back into the centre of the fire.
'Good night,' said the priest, getting up to leave.
'Good night, and thank you very much,' replied Juan. 'However brightly a piece of coal may be burning, it will soon burn out if you remove it from the flames. However intelligent a man may be, he will soon lose his warmth and his flame if he distances himself from his fellow man. I'll see you at church next Sunday.'
Manuel Is an Important and Necessary Man
Manuel needs to be busy. If he is not, he thinks that his life has no meaning, that he's wasting his time, that society no longer needs him, that no one loves or wants him.
So, as soon as he wakes up, he has a series of tasks to perform: to watch the news on television (something might have happened in the night); to read the newspaper (something might have happened during the day yesterday); to tell his wife not to let the children be late for school; to take the car or catch a taxi or a bus or the metro, all the time thinking hard, staring into space, looking at his watch or, if possible, making a few calls on his mobile phone, and ensuring that everyone can see what an important man he is, useful to the world.
Manuel arrives at work and sits down to deal with the paperwork that awaits him. If he's an employee, he does his best to make sure that his boss has seen that he's arrived on time. If he's a boss, he sets everyone to work immediately. If there are no important tasks to be done, Manuel will invent them, create them, come up with a new plan, develop new lines of action.
Manuel goes to lunch, but never alone. If he is a boss, he sits down with his friends and discusses new strategies, speaks ill of his competitors, always has a card up his sleeve, complains (with some pride) of overwork. If Manuel is an employee, he, too, sits down with his friends, complains about his boss, complains about the amount of overtime he's doing, states with some anxiety (and with some pride) that various things in the company depend entirely on him.
Manuel - boss or employee - works all afternoon. From time to time, he looks at his watch. It's nearly time to go home, but he still has to sort out a detail here, sign a document there. He's an honest man and wants to justify his salary, other people's expectations, the dreams of his parents, who struggled so hard to give him a good education.
Finally, he goes home. He has a bath, puts on some more comfortable clothes, and has supper with his family. He asks after his children's homework and what his wife has been doing. Sometimes, he talks about his work, although only to serve as an example, because he tries not to bring his work problems home with him. They finish supper, and his children - who have no time for examples, homework, or other such things - immediately leave the table and go and sit down in front of the computer. Manuel, in turn, goes and sits down in front of that piece of apparatus from his childhood called the television. He again watches the news (something might have happened during the afternoon).
He always goes to bed with some technical book on his bedside table - whether he's a boss or an employee, he knows that competition is intense, and that anyone who fails to keep up to date runs the risk of losing his job and facing that worst of all curses: having nothing to do.
He talks a little to his wife; he is, after all, a nice, hard-working, loving man who takes care of his family, and is prepared to defend it whatever the circumstances. He falls asleep at once, and he sleeps knowing that he will be very busy tomorrow, and that he needs to rebuild his energies.
That night, Manuel has a dream. An angel asks him: 'Why are you doing this?' He replies that it's because he's a responsible man.
The angel goes on: 'Would you be capable of taking at least fifteen minutes of your day to stop and look at the world, and at yourself, and simply do nothing?' Manuel says that he would love to do that, but he doesn't have time. 'You're lying to me,' says the angel. 'Everyone has time to do that. It's just that they don't have the courage. Work is a blessing when it helps us to think about what we're doing; but it becomes a curse when its sole use is to stop us thinking about the meaning of our life.'
Manuel wakes up in the middle of the night in a cold sweat. Courage? How can a man who sacrific
es himself for his family not have the courage to stop for fifteen minutes a day?
It's best to go back to sleep. It was just a dream; these questions will get him nowhere; and tomorrow he's going to be very, very busy.
Manuel Is a Free Man
Manuel works for thirty years without stopping. He brings up his children, sets a good example, and devotes all his time to work, never asking: 'Does what I'm doing have any meaning?' His one thought is that the busier he is, the more important he will be in the eyes of the world.
His children grow up and leave home. He gets promotion at work. One day, he receives a watch or a pen, as a reward for all those years of devotion. His friends shed a few tears, and the longed-for moment arrives: he's retired, free to do whatever he wants!
During the first few months, he occasionally visits the office where he worked, talks to his old friends, and surrenders to the pleasure of doing something he always dreamed of: getting up late. He goes for a walk along the beach or through town; he has his house in the country, earned by the sweat of his brow; he discovers gardening, and gradually penetrates the mysteries of plants and flowers. Manuel has time, all the time in the world. He travels, using some of the money he has managed to save. He visits museums and learns in two hours about ideas that took painters and sculptors from different eras centuries to develop; but he at least has the feeling that he is broadening his cultural knowledge. He takes hundreds and thousands of photos and sends them to his friends - after all, they need to know how happy he is.
More months pass. Manuel learns that the garden does not follow exactly the same rules as man - what he planted will take time to grow, and there is no point in constantly checking to see if there are buds on the rose bush yet. In a moment of genuine reflection, he discovers that all he saw on his journeys was the landscape outside the tourist bus, and monuments which are now preserved in various 6 x 9 photos. But the truth is, he did not feel any real excitement - he was more concerned with telling his friends about it than with actually experiencing the magic of being in a foreign country.
He continues to watch the television news and reads more newspapers (because he has more time), considering himself to be a very well-informed person, able to talk about things which, before, he had no time to study.
He looks for someone with whom to share his opinions, but they are all immersed in the river of life, working, doing something, envying Manuel his freedom and, at the same time, content to be useful to society, and to be 'occupied' with something important.
Manuel seeks comfort in his children. They always treat him with great affection - he has been an excellent father, an exemplar of honesty and dedication - but they, too, have other concerns, although they consider it their duty to be there for Sunday lunch.
Manuel is a free man, reasonably well off, well informed, with an impeccable past. But what now? What should he do with this hard-won freedom? Everyone greets him and praises him, but no one has time for him. Gradually, Manuel begins to feel sad and useless, despite all those many years spent serving the world and his family.
One night, an angel appears to him while he sleeps: 'What have you done with your life? Did you try to live your life according to your dreams?'
Another long day begins. The newspapers. The TV news. The garden. Lunch. A short nap. He can do whatever he wants to do, except that, right now, he discovers, he doesn't want to do anything. Manuel is a sad, free man, just one step away from depression, because he was always too busy to think about the meaning of his life, and simply let the years flow under the bridge. He remembers the words of the poet: 'He passed through life/He did not live it.'
However, since it is too late to accept all this, it's best just to change the subject. His hard-won freedom is merely exile in disguise.
Manuel Goes to Paradise
For a while, Manuel enjoys the freedom of retirement, not having to get up at a particular time, and being able to use his time to do what he wants. However, he soon falls into depression. He feels useless, excluded from the society he helped to build, abandoned by his grown-up children, incapable of understanding the meaning of life, having never bothered to answer the old, old question: 'What am I doing here?'
Well, our dear, honest, dedicated Manuel finally dies - something that will happen to all the Manuels, Paulos, Marias, and Monicas of this world. And here, I will let Henry Drummond, in his brilliant book, The Greatest Thing in the World, describe what happens next:
Since earliest times people have asked the great question: What is the supreme good? You have life before you. You can only live it once. What is the noblest object of desire, the supreme gift to covet?
We have been accustomed to be told that the greatest thing in the religious world is faith. That great word has been the keynote for centuries of the popular religion; and we have easily learned to look upon it as the greatest thing in the world. Well, we are wrong. If we have been told that, we may miss the mark. In the 13th chapter of 1 Corinthians, Paul takes us to Christianity at its source, and there we see, 'The greatest of these is love.'
It is not an oversight. Paul was speaking of faith just a moment before. He says, 'And if I have all faith, so that I can remove mountains, and have not love, I am nothing. ' So far from forgetting, he deliberately contrasts them, 'Now abideth faith, hope, love', and without a moment's hesitation the decision falls, 'The greatest of these is love.'
In this case, our Manuel is saved at the moment of his death because, despite never having given a meaning to his life, he was capable of loving, of providing for his family, and of doing his work in a dignified manner. Meanwhile, even though his life had a happy ending, his last days on earth were very complicated.
To use a phrase I heard Shimon Peres use at the World Economic Forum in Davos: 'The optimist and the pessimist both die in the end, but each lives his life in a completely different way.'
In Melbourne
This is to be my main appearance at the Writers' Festival in Melbourne, Australia. It is ten o'clock in the morning and there is a packed audience. I am to be interviewed by a local writer, John Felton.
I step onto the platform with my usual feelings of apprehension. Felton introduces me and starts asking me questions. Before I can finish what I'm saying, he interrupts me and asks me another question. When I reply, he says something like 'That wasn't a very clear answer.' Five minutes later, there is a feeling of unease amongst the audience; everyone can sense that something is wrong. I remember Confucius, and take the only possible action.
'Do you like what I write?' I ask.
'That's irrelevant,' Felton replies. 'I'm here to interview you, not the other way round.'
'But it is relevant. You won't let me finish my thought. Confucius says: "Whenever possible, be clear." Let's follow that advice and make things absolutely clear: Do you like what I write?'
'No, I don't. I've read two of your books, and I hated both of them.'
'Fine, now we can continue.'
The lines of battle have been drawn. The audience relaxes, and the atmosphere becomes electric; the interview becomes a real debate, and everyone - including Felton - is pleased with the result.
The Pianist in the Shopping Mall
I am wandering distractedly through a shopping mall with my violinist friend, Ursula, who was born in Hungary and is now a leading figure in two international orchestras. Suddenly, she grips my arm:
'Listen!'
I listen. I hear the voices of adults, a child screaming, the noise from televisions in the shops selling electrical appliances, high heels clicking over the tiled floor, and the inevitable music that is played in every shopping mall in the world.
'Isn't it wonderful?'
I say that I can't hear anything wonderful or unusual.
'The piano!' she says, looking at me with an air of disappointment. 'The pianist is marvellous!'
'It must be a recording.'
'Don't be silly.'
When I listen more intently, it is c
lear that the music is, indeed, live. The person is playing a sonata by Chopin, and now that I can concentrate, the notes seem to hide all the other sounds surrounding us. We walk along the walkways crowded with people, shops, bargains, and with things which, according to the announcements, everyone has, except me and you. We reach the food hall, where people are eating, talking, arguing, reading newspapers, and where there is one of those special attractions that all malls try to offer their customers.
In this case, it is a piano and a pianist.
The pianist plays two more Chopin sonatas, then pieces by Schubert and Mozart. He must be around thirty. A notice beside the stage explains that he is a famous musician from Georgia, one of the ex-Soviet republics. He must have looked for work, found all doors closed, despaired, given up, and now here he is in this mall.
Except that I'm not sure he is really here: his eyes are fixed on the magical world where the music was composed; his hands share with us all his love, his soul, his enthusiasm, the very best of himself, all his years of study, concentration and discipline.
The one thing he appears not to have understood is that no one, absolutely no one, has gone there to listen to him; they have gone there to buy, to eat, to pass the time, to window-shop, or to meet friends. A couple of people stop beside us, talking loudly, and then move on. The pianist does not notice - he is still conversing with Mozart's angels. Nor has he noticed that he has an audience of two, one of whom is an extremely gifted violinist and is listening with tears in her eyes.
I remember going into a chapel once and seeing a young woman playing for God, but that was in a chapel and made some kind of sense. Here, though, no one is listening, possibly not even God.
That's a lie. God is listening. God is in the soul, and in the hands of this man, because he is giving the very best of himself, regardless of whether or not he is noticed, regardless of the money he gets paid. He is playing as if he were at the Scala in Milan or the Opera in Paris. He is playing because that is his fate, his joy, his reason for living.