But I blamed the mother a good deal. After all, it was up to her to tell Boy he was in the way, and the old man was in one of his moods, and Boy had best get out while the going was good. But I never did think she had great intelligence. She did not seem to show much spirit at any time.
However, what arrangement they had come to worked for a time. Boy stuck close to his mother--I suppose he helped her at home, I don't know--and the old man left them alone and was more and more by himself.
He took to sitting down by the bridge, humped, staring out to sea, with a queer brooding look on him. He seemed strange, and lonely. I didn't like it. I don't know what his thoughts were, but I'm sure they were evil. It suddenly seemed a very long time since he and the missus and the whole family had gone fishing, a happy, contented party. Now everything had changed for him. He was thrust out in the cold, and the missus and Boy stayed together.
I felt sorry for him, but I felt frightened too. Because I felt it could not go on like this indefinitely; something would happen.
One day I went down to the beach for driftwood--it had been blowing in the night--and when I glanced towards the lake I saw that Boy wasn't with his mother. He was back where I had seen him that first day, on the edge of the marsh. He was as big as his father. If he'd known how to use his strength he'd have been a match for him any day, but he hadn't the brains. There he was, back on the marsh, a great big frightened foolish fellow, and there was the old man, outside his home, staring down towards his son with murder in his eyes.
I said to myself, "He's going to kill him." But I didn't know how or when or where, whether by night, when they were sleeping, or by day, when they were fishing. The mother was useless, she would not prevent it. It was no use appealing to the mother. If only Boy would use one little grain of sense, and go...
I watched and waited until nightfall. Nothing happened.
It rained in the night. It was gray, and cold, and dim. December was everywhere, trees all bare and bleak. I couldn't get down to the lake until late afternoon, and then the skies had cleared and the sun was shining in that watery way it does in winter, a burst of it, just before setting below the sea.
I saw the old man, and the missus too. They were close together, by the old shack, and they saw me coming for they looked towards me. Boy wasn't there. He wasn't on the marsh, either. Nor by the side of the lake.
I crossed the bridge and went along the right bank of the lake, and I had my spyglass with me, but I couldn't see Boy. Yet all the time I was aware of the old man watching me.
Then I saw him. I scrambled down the bank, and crossed the marsh, and went to the thing I saw lying there, behind the reeds.
He was dead. There was a great gash on his body. Dried blood on his back. But he had lain there all night. His body was sodden with the rain.
Maybe you'll think I'm a fool, but I began to cry, like an idiot, and I shouted across to the old man, "You murderer, you bloody Goddamned murderer." He did not answer. He did not move. He stood there, outside his shack with the missus, watching me.
You'll want to know what I did. I went back and got a spade, and I dug a grave for Boy, in the reeds behind the marsh, and I said one of my own prayers for him, being uncertain of his religion. When I had finished I looked across the lake to the old man.
And do you know what I saw?
I saw him lower his great head, and bend towards her and embrace her. And she lifted her head to him and embraced him too. It was both a requiem and a benediction. An atonement, and a giving of praise. In their strange way they knew they had done evil, but now it was over, because I had buried Boy and he was gone. They were free to be together again, and there was no longer a third to divide them.
They came out into the middle of the lake, and suddenly I saw the old man stretch his neck and beat his wings, and he took off from the water, full of power, and she followed him. I watched the two swans fly out to sea right into the face of the setting sun, and I tell you it was one of the most beautiful sights I ever saw in my life: the two swans flying there, alone, in winter.
About the Author
Daphne du Maurier (1907-1989) was born in London, the daughter of the actor Sir Gerald du Maurier and granddaughter of the author and artist George du Maurier. Her first novel, The Loving Spirit, was published in 1931, but it would be her fifth novel, Rebecca, that made her one of the most popular authors of her day. Besides novels, du Maurier wrote plays, biographies, and several collections of short fiction. Many of her works were made into films, including Rebecca, Jamaica Inn, My Cousin Rachel, "Don't Look Now," and "The Birds." She lived most of her life in Cornwall, and was made a Dame of the British Empire in 1969.
Books by Daphne du Maurier
Novels
The Loving Spirit
I'll Never Be Young Again
Julius
Jamaica Inn
Rebecca
Frenchman's Creek
Hungry Hill
The King's General
The Parasites
My Cousin Rachel
Mary Anne
The Scapegoat
Castle Dor
The GlassBlowers
The Flight of the Falcon
The House on the Strand
Rule Britannia
Short Stories
The Birds and Other Stories
The Breaking Point: Stories
Don't Look Now and Other Stories
Nonfiction
Gerald: A Portrait
The du Mauriers
The Infernal World of Branwell Bronte
Golden Lads: A Study of Anthony Bacon, Francis, and Their Friends
The Winding Stair: Francis Bacon, His Rise and Fall
Myself When Young
The Rebecca Notebook and Other Memories
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Contents
Cover
Title Page
Welcome
Foreword
The Birds
Monte Verita
The Apple Tree
The Little Photographer
Kiss Me Again, Stranger
The Old Man
About the Author
Books by Daphne du Maurier
Newsletters
Copyright
Copyright
The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
Copyright (c) 1952 by The Estate of Daphne du Maurier Foreword copyright (c) 2004 by David Thomson Cover design by Susan Zucker
Cover image by Trevillion
Cover copyright (c) 2013 by Hachette Book Group, Inc.
All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author's intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at
[email protected] Thank you for your support of the author's rights.
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ISBN 978-0-316-25360-4
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Daphne Du Maurier, The Birds and Other St
ories
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