‘Living,’ said Midgley.

  ‘He’s at peace anyway,’ said Aunty Kitty.

  They went out and got his clothes. As they were walking out a young man was on the phone. ‘It’s a boy!’ he was saying. ‘A boy! Yes. Just think. I’m a father.’

  They stood in the car park.

  ‘I suppose while we’re here,’ said Joyce, ‘we could go up home and make a start on going through his things.’

  ALSO BY ALAN BENNETT

  FRICTION

  The Clothes They Stood Up In

  PLAYS

  Plays One (Forty Years On, Getting On, Habeas Corpus, Enjoy)

  Plays Two (Kafka’s Dick, the Insurance Man, The Old Country, An Englishman Abroad, A Question of Attribution)

  Office Suite

  The Wind in the Willows

  The Madness of King George III

  The Lady in the Van

  TELEVISION PLAYS

  The Writer in Dialogue

  Objects of Affection (BBC)

  Talking Heads (BBC)

  SCREENPLAYS

  A Private Function

  Prick Up Your Ears

  The Madness of King George

  AUTOBIOGRAPHIES

  The Lady in the Van

  Writing Home

  AFTERWORD

  Father! Father! Burning Bright was the original title of a BBC television film I wrote in 1982 but which was subsequently entitled Intensive Care. The main part, Midgley, had been hard to cast, though when I was writing the script I thought it was a role I might play myself until, that is, I got to the scene where Midgley goes to bed with Valery, the slatternly nurse. That, I thought, effectively ruled me out as I didn’t fancy having to take my clothes off under the bored appraisal of an entire film crew.

  Not that it would have been the first time. Back in 1966 I was acting in a BBC TV comedy series I had written which included a weekly spot, ‘Life and Times in NWI’, in one episode of which I was supposedly in bed with a neighbour’s wife. The scene was due to be shot in the studio immediately after a tea break, and rather than brave the scrutiny of the TV crew, I thought that during the break I might sneak on to the set and be already in bed when the crew returned. So I tiptoed into the studio in my underpants, failing to notice that a lighting rig had been positioned behind the bedroom door. When I opened it there was an almighty crash, the lights came down and everybody rushed into the studio to find me sprawled in my underpants among the wreckage and subject to a far more searching and hostile scrutiny than would otherwise have been the case. No more bedroom scenes for me, I thought.

  However, the role of Midgley proved hard to cast and after a lot of to-ing and fro-ing, including what was virtually an audition, I found myself playing the part. Like some other leading roles that I have written, it verged on the anonymous, all the fun and jokes put into the mouths of the supporting characters while Midgley, whom the play is supposed to be about, never managed to be much more than morose.

  It was in the hope of finding more to the character than this that I decided, before the shooting started, to write the story up in prose. When I’d finished I showed it to the director in the hope that it might help him to appreciate what the screenplay was about. He received it politely enough and in due course gave me it back, I suspect without having read it, directors tending to form their own ideas about a text, one script from the author hard enough to cope with without wanting two.

  So I put it away in a drawer in 1982 where it has remained ever since. I’ve dusted it off and published it now, I suppose, as part of an effort to slim down my Nachlass and generally tidy up.

  THE LAYING ON OF HANDS. Copyright © 2002, 2000, 1999, 1998 by Forlake Ltd. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address Picador, 175 Fifth Avenue, New York, N.Y. 10010.

  www.picadorusa.com

  Picador® is a U.S. registered trademark and is used by St. Martin’s Press under license from Pan Books Limited.

  eISBN 9781429901024

  First eBook Edition : February 2011

  For information on Picador Reading Group Guides, as well as ordering, please

  contact the Trade Marketing department at St. Martin’s Press.

  Phone: 1-800-221-7945 extension 763

  Fax:212-677-7456

  E-mail: [email protected]

  “The Laying On of Hands” was first published in Great Britain by Profile Books, under the title The Laying On of Hands.

  “Miss Fozzard Finds Her Feet” was first published in Great Britain by BBC as part of Talking Heads 2.

  “Father! Father! Burning Bright” was first published in Great Britain by Profile Books, under the title Father! Father! Burning Bright.

  Library of Congress Cataloging-in-Publication Data

  Bennett, Alan.

  The laying on of hands : stories / Alan Bennett

  p. cm.

  Contents: The laying on of hands—Miss Fozzard finds her feet—Father! Father! Burning bright.

  ISBN 0-312-29051-9 (hc)

  ISBN 0-312-42225-3 (pbk)

  1. Great Britain—Social life and customs—20th century—Fiction. I. Title.

  PR6052.F5 L39 2002

  823'914—dc21

 


 

  Alan Bennett, The Laying on of Hands: Stories

 


 

 
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