He was everything I wasn’t. Rich (his father had made a fortune from plastics shortly after the war and had left the factory to his only son), coarsely handsome in a swarthy fashion, big-muscled, confident, attractive to women. He prided himself on taking what he wanted. Elsie must have been one of his easiest pickings.
Why, I still wonder, did he want to marry her? I thought at the time that he couldn’t resist depriving a pathetic, underprivileged, unattractive husband of a prize which neither looks nor talent had qualified him to deserve. I’ve noticed that about the rich and successful. They can’t bear to see the undeserving prosper. I thought that half the satisfaction for him was in taking her away from me. That was partly why I knew that I had to kill him. But now I’m not so sure. I may have done him an injustice. It may have been both simpler and more complicated than that. She was, you see—she still is—so very beautiful.
I understand her better now. She was capable of kindness, good humour, generosity even, provided she was getting what she wanted. At the time we married, and perhaps eighteen months afterwards, she wanted me. Neither her egoism nor her curiosity had been able to resist such a flattering, overwhelming love. But, for her, marriage wasn’t permanency. It was the first and necessary step towards the kind of life she dreamt of and meant to have. She was kind to me, in bed and out, while I was what she wanted. But when she wanted someone else, then my need of her, my jealousy, my bitterness, she saw as a cruel and wilful denial of her basic right—the right to have what she wanted. After all, I’d had her for nearly three years. It was two years more than I had any right to expect. She thought so. Her darling Rodney thought so. When my acquaintances at the library learnt of the divorce I could see in their eyes that they thought so too. And she couldn’t see what I was so bitter about. Rodney was perfectly happy to be the guilty party; they weren’t, she pointed out caustically, expecting me to behave like a gentleman. I wouldn’t have to pay for the divorce. Rodney would see to that. I wasn’t being asked to provide her with alimony. Rodney had more than enough. At one point she came close to bribing me with Rodney’s money to let her go without fuss. And yet—was it really as simple as that? She had loved me, or at least needed me, for a time. Had she perhaps seen in me the father that she had lost at five years old?
During the divorce, through which I was, as it were, gently processed by highly paid legal experts as if I were an embarrassing but expendable nuisance to be got rid of with decent speed, I was only able to keep sane by the knowledge that I was going to kill Collingford. I knew that I couldn’t go on living in a world where he breathed the same air. My mind fed voraciously on the thought of his death, savoured it, began systematically and with dreadful pleasure to plan it.
A successful murder depends on knowing your victim, his character, his daily routine, his weaknesses, those unalterable and betraying habits which make up the core of personality. I knew quite a lot about Rodney Collingford. I knew facts which Elsie had let fall in her first weeks with the firm, typing-pool gossip. I knew the fuller and rather more intimate facts which she had disclosed in those early days of her enchantment with him, when neither prudence nor kindness had been able to conceal her obsessive preoccupation with her new boss. I should have been warned then. I knew, none better, the need to talk about the absent lover.
What did I know about him? I knew the facts that were common knowledge, of course. That he was wealthy, aged thirty, a notable amateur golfer; that he lived in an ostentatious mock Georgian house on the banks of the Thames looked after by overpaid but non-resident staff; that he owned a cabin cruiser; that he was just over six feet tall; that he was a good businessman but reputedly close-fisted; that he was methodical in his habits. I knew a miscellaneous and unrelated set of facts about him, some of which would be useful, some important, some of which I couldn’t use. I knew—and this was rather surprising—that he was good with his hands and liked making things in metal and wood. He had built an expensively equipped and large workroom on the grounds of his house and spent every Thursday evening working there alone. He was a man addicted to routine. This creativity, however mundane and trivial, I found intriguing, but I didn’t let myself dwell on it. I was interested in him only so far as his personality and habits were relevant to his death. I never thought of him as a human being. He had no existence for me apart from my hate. He was Rodney Collingford, my victim.
First, I decided on the weapon. A gun would have been the most certain, I supposed, but I didn’t know how to get one and was only too well aware that I wouldn’t know how to load or use it if I did. Besides, I was reading a number of books about murder at the time and I realised that guns, however cunningly obtained, were easy to trace. And there was another thing. A gun was too impersonal, too remote. I wanted to make physical contact at the moment of death. I wanted to get close enough to see that final look of incredulity and horror as he recognised, simultaneously, me and his death. I wanted to drive a knife into his throat.
I bought it two days after the divorce. I was in no hurry to kill Collingford. I knew that I must take my time, must be patient, if I were to act in safety. One day, perhaps when we were old, I might tell Elsie. But I didn’t intend to be found out. This was to be the perfect murder. And that meant taking my time. He would be allowed to live for a full year. But I knew that the earlier I bought the knife the more difficult it would be, twelve months later, to trace the purchase. I didn’t buy it locally. I went one Saturday morning by train and bus to a north-east suburb and found a busy ironmongers and general store just off the High Street. There was a variety of knives on display. The blade of the one I selected was about six inches long and was made of strong steel screwed into a plain wooden handle. I think it was probably meant for cutting lino. In the shop its razor-sharp edge was protected by a thick cardboard sheath. It felt good and right in my hand. I stood in a small queue at the pay desk and the cashier didn’t even glance up as he took my notes and pushed the change towards me.
But the most satisfying part of my planning was the second stage. I wanted Collingford to suffer. I wanted him to know that he was going to die. It wasn’t enough that he should realise it in a last second before I drove in the knife or in that final second before he ceased to know anything forever. Two seconds of agony, however horrible, weren’t an adequate return for what he had done to me. I wanted him to know that he was a condemned man, to know it with increasing certainty, to wonder every morning whether this might be his last day. What if this knowledge did make him cautious, put him on his guard? In this country, he couldn’t go armed. He couldn’t carry on his business with a hired protector always at his side. He couldn’t bribe the police to watch him every moment of the day. Besides, he wouldn’t want to be thought a coward. I guessed that he would carry on, outwardly normal, as if the threats were unreal or derisory, something to laugh about with his drinking cronies. He was the sort to laugh at danger. But he would never be sure. And, by the end, his nerve and confidence would be broken. Elsie wouldn’t know him for the man she had married.
I would have liked to have telephoned him, but that, I knew, was impracticable. Calls could be traced; he might refuse to talk to me; I wasn’t confident that I could disguise my voice. So the sentence of death would have to be sent by post. Obviously, I couldn’t write the notes or the envelopes myself. My studies in murder had shown me how difficult it was to disguise handwriting, and the method of cutting out and sticking together letters from a newspaper seemed messy, very time consuming and difficult to manage wearing gloves. I knew, too, that it would be fatal to use my own small portable typewriter or one of the machines at the library. The forensic experts could identify a machine.
And then I hit on my plan. I began to spend my Saturdays and occasional half-days journeying round London and visiting shops where they sold secondhand typewriters. I expect you know the kind of shop; a variety of machines of different ages, some practically obsolete, others hardly used, arranged on tables where the prospective purchaser ma
y try them out. There were new machines too, and the proprietor was usually employed in demonstrating their merits or discussing hire-purchase terms. The customers wandered desultorily around, inspecting the machines, stopping occasionally to type out an exploratory passage. There were little pads of rough paper stacked ready for use. I didn’t, of course, use the scrap paper provided. I came supplied with my own writing materials, a well-known brand sold in every stationer and on every railway bookstall. I bought a small supply of paper and envelopes once every two months and never from the same shop. Always, when handling them, I wore a thin pair of gloves, slipping them on as soon as my typing was complete. If someone were near, I would tap out the usual drivel about the sharp brown fox or all good men coming to the aid of the party. But if I were quite alone I would type something very different.
“This is the first comunication, Collingford. You’ll be getting them regularly from now on. They’re just to let you know that I’m going to kill you.”
“You can’t escape me, Collingford. Don’t bother to inform the police. They can’t help you.”
“I’m getting nearer, Collingford. Have you made your will?”
“Not long now, Collingford. What does it feel like to be under sentence of death?”
The warnings weren’t particularly elegant. As a librarian, I could think of a number of apt quotations which would have added a touch of individuality or style, perhaps even of sardonic humour, to the bald sentence of death. But I dared not risk originality. The notes had to be ordinary, the kind of threat which anyone of his enemies, a worker, a competitor, a cuckolded husband, might have sent.
Sometimes I had a lucky day. The shop would be large, well supplied, nearly empty. I would be able to move from typewriter to typewriter and leave with perhaps a dozen or so notes and addressed envelopes ready to send. I always carried a folded newspaper in which I could conceal my writing pad and envelopes and into which I could quickly slip my little stock of typed messages.
It was quite a job to keep myself supplied with notes and I discovered interesting parts of London and fascinating shops. I particularly enjoyed this part of my plan. I wanted Collingford to get two notes a week, one posted on Sunday and one on Thursday. I wanted him to come to dread Friday and Monday mornings when the familiar typed envelope would drop on his mat. I wanted him to believe the threat was real. And why should he not believe it? How could the force of my hate and resolution not transmit itself through paper and typescript to his gradually comprehending brain?
I wanted to keep an eye on my victim. It shouldn’t have been difficult; we lived in the same town. But our lives were worlds apart. He was a hard and sociable drinker. I never went inside a public house, and would have been particularly ill at ease in the kind of public house he frequented. But, from time to time, I would see him in the town. Usually he would be parking his Jaguar, and I would watch his quick, almost furtive look to left and right before he turned to lock the door. Was it my imagination that he seemed older, that some of the confidence had drained out of him?
Once, when walking by the river on a Sunday in early spring, I saw him manoeuvring his boat through Teddington Lock. Ilsa—she had, I knew, changed her name after her marriage—was with him. She was wearing a white trouser suit; her flowing hair was bound by a red scarf. There was a party. I could see two more men and a couple of girls and hear high female squeals of laughter. I turned quickly and slouched away as if I were the guilty one. But not before I had seen Collingford’s face. This time I couldn’t be mistaken. It wasn’t, surely, the tedious job of getting his boat unscratched through the lock that made him appear so grey and strained.
The third phase of my planning meant moving house. I wasn’t sorry to go. The bungalow, feminine, chintzy, smelling of fresh paint and the new shoddy furniture which she had chosen, was Elsie’s home not mine. Her scent still lingered in cupboards and on pillows. In these inappropriate surroundings I had known greater happiness than I was ever to know again. But now I paced restlessly from room to empty room, fretting to be gone.
It took me four months to find the house I wanted. It had to be on or very near to the river within two or three miles upstream of Collingford’s house. It had to be small and reasonably cheap. Money wasn’t too much of a difficulty. It was a time of rising house prices and the modern bungalow sold at three hundred pounds more than I had paid for it. I could get another mortgage without difficulty if I didn’t ask for too much, but I thought it likely that, for what I wanted, I should have to pay cash.
The house agents perfectly understood that a man on his own found a three-bedroom bungalow too large for him and, even if they thought me rather vague about my new requirements and irritatingly imprecise about the reasons for rejecting their offerings, they still sent me orders to view. And then, suddenly on an afternoon in April, I found exactly what I was looking for. It actually stood on the river, separated from it by only a narrow towpath. It was a one-bedroom, shack-like wooden bungalow with a tiled roof, set in a small neglected plot of sodden grass and overgrown flower beds. There had once been a wooden landing stage but now the two remaining planks, festooned with weeds and tags of rotted rope, were half-submerged beneath the slime of the river. The paint on the small veranda had long ago flaked away. The wallpaper of twined roses in the sitting room was blotched and faded. The previous owner had left two old cane chairs and a ramshackle table. The kitchen was pokey and ill-equipped. Everywhere there hung a damp miasma of depression and decay. In summer, when the neighbouring shacks and bungalows were occupied by holidaymakers and weekenders, it would, no doubt, be cheerful enough. But in October, when I planned to kill Collingford, it would be as deserted and isolated as a disused morgue. I bought it and paid cash. I was even able to knock two hundred pounds off the asking price.
My life that summer was almost happy. I did my job at the library adequately. I lived alone in the shack, looking after myself as I had before my marriage. I spent my evenings watching television. The images flickered in front of my eyes almost unregarded, a monochrome background to my bloody and obsessive thoughts.
I practised with the knife until it was as familiar in my hand as an eating utensil. Collingford was taller than me by six inches. The thrust then would have to be upward. It made a difference to the way I held the knife and I experimented to find the most comfortable and effective grip. I hung a bolster on a hook in the bedroom door and lunged at a marked spot for hours at a time. Of course, I didn’t actually insert the knife; nothing must dull the sharpness of its blade. Once a week, a special treat, I sharpened it to an even keener edge.
Two days after moving into the bungalow I bought a dark-blue untrimmed tracksuit and a pair of light running shoes. Throughout the summer I spent an occasional evening running on the towpath. The people who owned the neighbouring chalets—when they were there, which was infrequently—got used to the sound of my television through the closed curtains and the sight of my figure jogging past their windows. I kept apart from them and from everyone, and summer passed into autumn. The shutters were put up on all the chalets except mine. The towpath became mushy with fallen leaves. Dusk fell early, and the summer sights and sounds died on the river. And it was October.
He was due to die on Thursday, October 17th, the anniversary of the final decree of divorce. It had to be a Thursday, the evening which he spent by custom alone in his workshop, but it was a particularly happy augury that the anniversary should fall on this day. I knew that he would be there. Every Thursday for nearly a year I had padded along the two and a half miles of the footpath in the evening dusk and had stood briefly watching the squares of light from his windows and the dark bulk of the house behind.
It was a warm evening. There had been a light drizzle for most of the day but, by dusk, the skies had cleared. There was a thin white sliver of moon and it cast a trembling ribbon of light across the river. I left the library at my usual time, said my usual goodnights. I knew that I had been my normal self during the day, sol
itary, occasionally a little sarcastic, conscientious, betraying no hint of the inner tumult.
I wasn’t hungry when I got home but I made myself eat an omelette and drink two cups of coffee. I put on my swimming trunks and hung around my neck a plastic toilet bag containing the knife. Over the trunks I put on my track suit, slipping a pair of thin rubber gloves into the pocket. Then, at about quarter past seven, I left the shack and began my customary gentle trot along the towpath.
When I got to the chosen spot opposite to Collingford’s house I could see at once that all was well. The house was in darkness but there were the expected lighted windows of his workshop. I saw that the cabin cruiser was moored against the boathouse. I stood very still and listened. There was no sound. Even the light breeze had died and the yellowing leaves on the riverside elms hung motionless. The towpath was completely deserted. I slipped into the shadow of the hedge where the trees grew thickest and found the place I had already selected. I put on the rubber gloves, slipped out of the tracksuit, and left it folded around my running shoes in the shadow of the hedge. Then, still watching carefully to left and right, I made my way to the river.
I knew just where I must enter and leave the water. I had selected a place where the bank curved gently, where the water was shallow and the bottom was firm and comparatively free of mud. The water struck very cold, but I expected that. Every night during that autumn I had bathed in cold water to accustom my body to the shock. I swam across the river with my methodical but quiet breaststroke, hardly disturbing the dark surface of the water. I tried to keep out of the path of moonlight but, from time to time, I swam into its silver gleam and saw my red-gloved hands parting in front of me as if they were already stained with blood.