Page 63 of Careless in Red


  Bea said, “Carry on.”

  He headed in the direction of the kissing gate. He did not wait there to see if they were accompanying him. He was, apparently, perfectly certain that they would follow.

  Ben Kerne said to Bea, “What’s going on? Why’ve you asked me…? Who is that, Inspector?”

  “You’ve not met Mr. Reeth before this?”

  “That’s Jago Reeth? Santo spoke about him. The old surfer working for Madlyn’s dad. Santo quite liked him. I’d no idea. No. I’ve not met him.”

  “I doubt he’s actually a surfer although he talks the talk. He doesn’t look familiar to you?”

  “Should he?”

  “As Jonathan Parsons, perhaps.”

  Ben Kerne’s lip parted, but he said nothing. He watched Reeth trudging towards the kissing gate. “Where’s he going?” he asked.

  “Where he’s willing to talk. To us and to you.” Bea put her hand on Kerne’s arm. “But you’ve no need to listen. You’ve no need to follow him. His condition to speak to us was to have you present and I realise this is half mad and the other half dangerous. But he’s got us—that’s the cops and not you—by the short and curlies and the only way we’re going to get a word from him is to play it his way for now.”

  “On the phone, you didn’t say Parsons.”

  “I didn’t want you driving here like a madman. And I don’t want you like a madman now. We already have one on our hands, I believe, and two would be overwhelming. Mr. Kerne, I can’t tell you how far out on a limb we are with this entire approach so I won’t even go into it. Are you able to listen to what he has to say? More, are you willing?”

  “Did he…?” Kerne seemed to search for a way to put it that wouldn’t make what he had to say into a fact he might have to accept. “Did he kill Santo?”

  “That’s what we’re going to talk to him about. Are you able?”

  He nodded. He shoved his hands into the pockets of his windcheater and indicated with a tilt of his head that he was ready. They set out towards the kissing gate.

  On the other side of this gate, a field provided grazing for cows, and the way towards the sea edged along a barbed-wire fence. The path they walked on was muddy and uneven, marked deeply by ruts made from a tractor’s wheels. At the far end of the field lay another field, fenced off from the first by more barbed wire and accessed through yet another kissing gate. Ultimately, they walked perhaps half a mile or more and their destination was the South-West Coast Path, which crossed the second field high above the sea.

  The wind was fierce here, coming onshore in continuous gusts. On these, the seabirds rose and fell. Kittiwakes called. Herring gulls replied. A lone green cormorant shot up from the cliff side as up ahead Jago Reeth approached the edge. The bird dove down, rose, and began to circle. Looking for prey, Bea thought, in the turbulent water.

  They headed south on the coastal path, but within some twenty yards, a break in the gorse that stood between the path and perdition indicated a set of steep stone stairs. This, Bea saw, was their destination. Jago Reeth disappeared down them.

  She said to her companions, “Hang on, then,” and she went to see where the stone steps led. She was reckoning they were a means to get to the beach, which lay some two hundred feet below the cliff top, and she intended to tell Jago Reeth that she had no intention of putting her life, Havers’s life, and Ben Kerne’s life at risk by following him down some perilous route to the water. But she found the steps went down only as far as fifteen of them could descend, and they terminated in another path, this one narrow and heavily grown on each side with gorse and sedge. It, too, headed south but for no great distance. Its conclusion was an ancient hut built partially into the face of the cliff that backed it. Jago Reeth, she saw, had just reached the hut’s doorway and swung it open. He saw her on the steps but made no further gesture. Their eyes met briefly before he ducked inside the old structure.

  She returned to the top of the cliff. She spoke above the sound of the wind, the sea, and the gulls. “He’s just below, in the hut. He might well have something stowed inside, so I’m going in first. You can wait on the path, but don’t come near till I give you the word.”

  She went down the steps and along the path, the gorse brushing against the legs of her trousers. She reached the hut and found that Jago had indeed prepared for this moment. Not with weapons, however. Either he or someone else had earlier supplied the hut with a spirit stove, a jug of water, and a small box of supplies. The man was, incredibly, brewing tea.

  The hut was fashioned from the driftwood of wrecked ships, of which there had been countless numbers over the centuries. It was a small affair, with a bench that ran round three sides and an uneven stone floor. As long as it had been in this place, people had carved their initials into its walls, so they had the appearance now of a wooden Rosetta stone, this one immediately comprehensible and speaking both of lovers and of people whose internal insignificance made them seek an outward expression—any outward expression—that would give their existence meaning.

  Bea told Reeth to step away from the spirit stove, which he did willingly enough. She checked it and the rest of his supplies, of which there were few enough: plastic cups, sugar, tea, powdered milk in sachets, one spoon for shared stirring. She was surprised the old man hadn’t thought of crumpets.

  She ducked back out of the door and motioned Havers and Ben Kerne to join her. Once all four of them were inside the hut, there was barely room to move, but Jago Reeth still managed to make the tea, and he pressed a cup upon each of them, like the hostess of an Edwardian house party. Then he doused the flame on the stove and set the stove itself on the stones beneath the bench, perhaps as a way of reassuring them that he had no intention of using it as a weapon. At this, Bea decided to pat him down again for good measure. Having put the spirit stove in the hut in advance of their arrival, there was no telling what else he’d stowed in the place. But he was weaponless, as before.

  With the hut’s double door shut and fastened, the sound of the wind and the gulls’ crying was muted. The atmosphere was close, and the four adults took up nearly every inch of the space. Bea said, “You’ve got us here, Mr. Reeth, at your pleasure. What is it you’d like to tell us?”

  Jago Reeth held his tea in both hands. He nodded and spoke not to Bea but to Ben Kerne, and his tone was kind. “Losing a son. You’ve got my deepest sympathy. It’s the worst grief a man can know.”

  “Losing any child’s a blow.” Ben Kerne sounded wary. It appeared to Bea that he was trying to read Jago Reeth. As was she. The air seemed to crackle with anticipation.

  Next to Bea, Sergeant Havers took out her notebook. Bea expected Reeth to tell her to put it away, but instead the old man nodded and said, “I’ve no objection,” and to Kerne, “Have you?” When Ben shook his head, Jago added, “If you’ve come wired, Inspector, that’s fine as well. There are always things wanting documentation in a situation like this.”

  Bea wanted to say what she’d earlier thought: He’d considered all the angles. But she was waiting to see, hear, or intuit the one angle he hadn’t yet considered. It had to be here somewhere, and she needed to be ready to deal with it when it raised its scaly head above the muck for a breath of air.

  She said, “Do go on.”

  “But there’s something worse about losing a son,” Jago Reeth said to Ben Kerne. “Unlike a daughter, a son carries the name. He’s the link between the past and the future. And it’s more, even, than just the name at the end of the day. He carries the reason for it all. For this…” He gave a look around the hut, as if the tiny building somehow contained the world and the billions of lifetimes present in the world.

  “I’m not sure I make that sort of distinction,” Ben said. “Any loss…of a child…of any child…” He didn’t go on. He cleared his throat mightily.

  Jago Reeth looked pleased. “Losing a son to murder is a horror, though, isn’t it? The fact of murder is almost as bad as knowing who killed him and not being able
to lift a finger to bring the bloody sod to justice.”

  Kerne said nothing. Nor did Bea or Barbara Havers. Bea and Kerne held their tea undrunk in their hands, and Ben Kerne set his carefully on the floor. Next to her, Bea felt Havers stir.

  “That part’s bad,” Jago said. “As is the not knowing.”

  “Not knowing what, exactly, Mr. Reeth?” Bea asked.

  “The whys and the wherefores about it. And the hows. Bloke can spend the rest of his life tossing and turning, wondering and cursing and wishing…You know what I mean, I expect. Or if not now, you will, eh? It’s hell on earth and there’s no escaping. I feel for you, mate. For what you’re going through now and for what’s to come.”

  “Thank you,” Ben Kerne said quietly. Bea had to admire him for his control. She could see how white the tops of his knuckles were.

  “I knew your boy Santo. Lovely lad. Bit full of himself, like all boys are when they’re that age, eh, but lovely. And since this tragedy happened to him—”

  “Since he was murdered,” Bea corrected Jago Reeth.

  “Murder,” Reeth said, “is a tragedy, Inspector. No matter what kind of game of scent-and-chase you lot might think it is. It’s a tragedy, and when it happens, the only peace available is in knowing the truth of what happened and having others know it as well. If,” he added with a brief smile, “you know what I mean. And as I knew Santo, I’ve thought and thought about what happened to the lad. And I’ve decided that if an old broken-down bloke like myself can give you any peace, Mr. Kerne, that’s what I owe you.”

  “You don’t owe me—”

  “We all owe each other,” Jago cut in. “It’s forgetting that that leads us to tragedies.” He paused as if to let this sink in. He drained his tea and put the cup next to him on the bench. “So what I want to do is tell you how I reckon this happened to your boy. Because I’ve thought about it, see, as I’m sure you have and sure the cops here have as well. Who would’ve done this to such a fine lad, I been asking myself for days. How’d they manage it? And why?”

  “None of that brings Santo back, does it?” Ben Kerne asked steadily.

  “’Course not. But the knowing…the final understanding of it all: I wager there’s peace in that and that’s what I’ve got to offer you. Peace. So here’s what I reckon was—”

  “No. I don’t think so, Mr. Reeth.” Bea had a sudden glimmer what Reeth intended, and in that glimmer she saw where this could lead.

  But Ben Kerne said, “Let him go on, please. I want to hear him out, Inspector.”

  “This will allow him to—”

  “Please let him continue.”

  Reeth waited affably for Bea to concur. She nodded sharply, but she wasn’t happy. To irregular and mad she had to add provocative.

  “So here’s what I reckon,” Jago said. “Someone has a score to settle and this someone sets out to settle that score on the life of your lad. What sort of score, you wonder, right? Could be anything, couldn’t it. New score, old score. It doesn’t matter. But a form of accounting’s waiting out there, and Santo’s life’s the means of settling it. So this killer—could be a man, could be a woman, doesn’t much matter, does it, because the point is the lad and the lad’s death, see, which is what cops like these two always forget—this killer gets to know your lad because knowing him’s going to provide access. And knowing the lad leads to the means as well because your boy’s an openhearted sort and he talks. About this and that, but as things turn out, he talks a lot about his dad, same as most boys do. He says his dad’s riding him hard for lots of reasons but mostly because he wants women and surfing and not settling down, and who can blame him as he’s only eighteen. His dad, on the other hand, has his own wants for the boy, which makes the boy roil and talk and roil some more. Which makes him look for…What d’you call it? A substitute dad…?”

  “A surrogate dad.” Ben’s voice was heavier now.

  “That would be the word. Or perhaps a surrogate mum, of course. Or a surrogate…what? Priest, confessor, priestess, whatever? At any rate, this person—man or woman, young or old—sees a door of trust opening and he—or she, of course—walks right through it. If you know what I mean.”

  He was keeping his options open, Bea concluded. He was, as he had said himself, no bloody fool, and the advantage he had in this moment was the years he’d had to think about the approach he wanted to use when the time came for it.

  “So this person…let’s call him or her the Confessor for want of a better term…this Confessor makes cups of tea and cups of chocolate and more cups of tea and more cups of chocolate and offers biscuits, but more important offers a place for Santo to do whatever and to be whoever. And the Confessor waits. And soon enough reckons that means are available to settle whatever score needs settling. The boy’s had yet another blowup with his dad. It’s an argument that goes nowhere like always and this time the lad’s taken all of his climbing equipment from where he’s kept it in the past—right alongside Dad’s—and he’s stowed it in the boot of his car. What does he intend? It’s that classic thing: I’ll show him, I will. I’ll show him what sort of bloke I am. He thinks I’m nothing but a lout but I’ll show him. And what better way to do it than with his own sport, which I’ll do better than he’s ever managed. So that puts his equipment within the grasp of the Confessor and the Confessor sees what we’ll call the Way.”

  At this, Ben Kerne lowered his head. Bea said, “Mr. Kerne, I think this is—”

  He said, “No.” He raised his head with effort. “More,” he said to Jago Reeth.

  “The Confessor waits for an opportunity, which presents itself soon enough because the lad’s open and easy with his belongings, one of which is his car. This is nothing at all to get into as it’s never locked and a quick manoeuver opens the boot and there it all is. Selection is the key. Perhaps a chock stone or a carabiner. Or a sling. Even the harness will do. All four, perhaps? No, that likely would be—if you’ll pardon the expression—overkill. If it’s a sling, there’s not a problem in the world as it’s nylon or whatever and easily cut by shears, a sharp knife, a razor, whatever. If it’s something else, things are a bit trickier, as everything else save the rope—and rope seems too bloody obvious a choice, not to mention too noticeable—is metal and a cutting device is going to be necessary. How to find one? Purchase one? No. That would be traceable. Borrow one? Again, someone’s going to recall the borrowing, yes? Use one without the knowledge of the owner? That seems more possible and decidedly more sensible, but where to find one? Friend, associate, acquaintance, employer? Someone whose movements are intimately known because they’ve been watched just as intimately? Any of those, yes? So the Confessor chooses the moment and the deed is done. One cut does it and afterwards no sign is left behind because, as we’ve said, the Confessor’s no fool and he knows—or she knows, because as we’ve seen, she is as possible as he when it comes to this—that it’s crucial there be no evidence afterwards. And the beauty of it all is that the equipment’s been marked with tape by the lad—or even by his father, perhaps—so that it can be distinguished from everyone else’s. Because this is what climbers do, you see. They mark their equipment because so often they climb together. It’s safer that way, climbing together, you see. And this tells the Confessor that there’s little to no chance that anyone other than the lad will use this sling, this carabiner, this harness…whatever it was that was damaged because, of course, I myself don’t know. But I’ve thought about it, and here’s what I’ve come up with. The one thing the Confessor has to take care with is the tape used to identify the equipment. If he—or she, of course—buys more tape, there’s a chance the new tape won’t match exactly or can be traced back. God knows how, but there’s that possibility, so the thing is to keep that tape usable. The Confessor manages this and it’s quite a project because that tape is tough, like electrical tape. He—or she, of course, like I said—rewraps it just so and maybe it’s not quite as tight as it once was but at least it’s the same and will the
lad even notice? Unlikely, and even if he does, what he’s likely to do is smooth it down, apply more tape on top, something like that. So once the deed is done and the equipment’s replaced, all that’s left is waiting. And once what happens, happens—and it is a tragedy, no one doubts that—there’s nothing really that can’t be explained away.”

  “There’s always something, Mr. Reeth,” Bea said.

  Jago looked at her in a kindly way. “Fingerprints on the boot of the car? In the interior? On the keys to the car? Inside the boot? The Confessor and the boy spent hours together, perhaps they even worked together at…let’s say it was at his dad’s business. They each rode in the other’s car, they were mates, they were pals, they were surrogate father and surrogate son, they were surrogate mother and surrogate son, they were surrogate brothers, they were lovers, they were…anything. It doesn’t matter, you see, because it all can be explained away. Hair inside the boot of the car? The Confessor’s? Someone else’s? Same thing, really. The Confessor planted someone else’s or even his own or her own because it can be a woman, we’ve already seen that. What about fibres? Clothing fibres…perhaps on the tape that marked the equipment. Wouldn’t that be lovely? But the Confessor helped wrap that equipment or he or she touched that equipment because…why? Because the boot was used for other things as well—a surfing kit, perhaps?—and things would get moved round here and there and in and out. What about access to the equipment? Everyone had that. Every single person in the poor lad’s life. What about motive? Well, nearly everyone, it seems, had that as well. So at the end of the day, there is no answer. There is only speculation but no case to present. Which the killer probably considers the beauty of the crime but which you and I know, Mr. Kerne, is any crime’s biggest horror: that the killer simply walks away. Everyone knows who did it. Everyone admits it. Everyone shakes a head and says, What a tragedy. What a useless, senseless, maddening—”