‘Lie still—I thought you were fast asleep.’
And Angela answered: ‘No, I’m not asleep, dearest, I’ve been thinking. There are some things I ought to tell you. You’ve never asked me about my past life—why haven’t you, Stephen?’
‘Because,’ said Stephen, ‘I knew that some day you’d tell me.’
Then Angela began at the very beginning. She described a Colonial home in Virginia. A grave, grey house, with a columned entrance, and a garden that looked down on deep, running water, and that water had rather a beautiful name—it was called the Potomac River. Up the side of the house grew magnolia blossoms, and many old trees gave their shade to its garden. In summer the fire-flies lit lamps on those trees, shifting lamps that moved swiftly among the branches. And the hot summer darkness was splashed with lightning, and the hot summer air was heavy with sweetness.
She described her mother who had died when Angela was twelve—a pathetic, inadequate creature; the descendant of women who had owned many slaves to minister to their most trivial requirements: ‘She could hardly put on her own stockings and shoes,’ smiled Angela, as she pictured that mother.
She described her father, George Benjamin Maxwell—a charming, but quite incorrigible spendthrift. She said: ‘He lived in past glories, Stephen. Because he was a Maxwell—a Maxwell of Virginia—he wouldn’t admit that the Civil War had deprived us all of the right to spend money. God knows, there was little enough of it left—the War practically ruined the old Southern gentry! My grandma could remember those days quite well; she scraped lint from her sheets for our wounded soldiers. If Grandma had lived, my life might have been different—but she died a couple of months after Mother.’
She described the eventual cataclysm, when the home had been sold up with everything in it, and she and her father had set out for New York—she just seventeen and he broken and ailing—to rebuild his dissipated fortune. And because she was now painting a picture of real life, untinged by imagination, her words lived, and her voice grew intensely bitter.
‘Hell—it was hell! We went under so quickly. There were days when I hadn’t enough to eat. Oh, Stephen, the filth, the unspeakable squalor—the heat and the cold and the hunger and the squalor. God, how I hate that great hideous city! It’s a monster, it crushes you down, it devours—even now I couldn’t go back to New York without feeling a kind of unreasoning terror. Stephen, that damnable city broke my nerve. Father got calmly out of it all by dying one day—and that was so like him! He’d had about enough, so he just lay down and died; but I couldn’t do that because I was young—and I didn’t want to die, either. I hadn’t the least idea what I could do, but I knew that I was supposed to be pretty and that good-looking girls had a chance on the stage, so I started out to look for a job. My God! Shall I ever forget it!’
And now she described the long, angular streets, miles and miles of streets; miles and miles of faces all strange and unfriendly—faces like masks. Then the intimate faces of would-be employers, too intimate when they peered into her own—faces that had suddenly thrown off their masks.
‘Stephen, are you listening? I put up a fight, I swear it! I swear I put up a fight—I was only nineteen when I got my first job—nineteen’s not so awfully old, is it, Stephen?’
Stephen said: ‘Go on,’ and her voice sounded husky.
‘Oh, my dear—it’s so dreadfully hard to tell you. The pay was rotten, not enough to live on—I used to think that they did it on purpose, lots of the girls used to think that way too—they never gave us quite enough to live on. You see, I hadn’t a vestige of talent, I could only dress up and try to look pretty. I never got a real speaking part, I just danced, not well, but I’d got a good figure.’ She paused and tried to look up through the gloom, but Stephen’s face was hidden in shadow. ‘Well then, darling—Stephen, I want to feel your arms, hold me closer—well then, I—there was a man who wanted me—not as you want me, Stephen, to protect and care for me; God, no, not that way! And I was so poor and so tired and so frightened; why sometimes my shoes would let in the slush because they were old and I hadn’t the money to buy myself new ones—try to think of that, darling. And I’d cry when I washed my hands in the winter because they’d be bleeding from broken chilblains. Well, I couldn’t stay the course any longer, that’s all.…’
The little gilt clock on the desk ticked loudly. Tick, tick! Tick, tick! An astonishing voice to come from so small and fragile a body. Somewhere out in the garden a dog barked—Tony, chasing imaginary rabbits through the darkness.
‘Stephen!’
‘Yes, my dear?’
‘Have you understood me?’
‘Yes—oh, yes, I’ve understood you. Go on.’
‘Well then, after a while he turned round and left me, and I just had to drag along as I had done, and I sort of crocked up—couldn’t sleep at night, couldn’t smile and look happy when I went on to dance—that was how Ralph found me—he saw me dance and came round to the back, the way some men do. I remember thinking that Ralph didn’t look like that sort of man; he looked—well, just like Ralph, not a bit like that sort of man. Then he started sending me flowers; never presents or anything like that, just flowers with his card. And we had lunch together a good few times, and he talked about that other man who’d left me. He said he’d like to go out with a horse-whip—imagine Ralph trying to horse-whip a man! They knew each other quite well, I discovered; you see, they were both in the hardware business. Ralph was out after some big contract for his firm, that was why he happened to be in New York—and one day he asked me to marry him, Stephen. I suppose he was really in love with me then, anyhow I thought it was wonderful of him—I thought he was very broad-minded and noble. Good God! He’s had his pound of flesh since; it gave him the hold over me that he wanted. We were married before we sailed for Europe. I wasn’t in love, but what could I do? I’d nowhere to turn and my health was crocking; lots of our girls ended up in the hospital wards—I didn’t want to end up that way. Well, so you see why I’ve got to be careful how I act; he’s terribly and awfully suspicious. He thinks that because I took a lover when I was literally down and out, I’m likely to do the same thing now. He doesn’t trust me, it’s natural enough, but sometimes he throws it all up in my face, and when he does that, my God, how I hate him! But oh, Stephen, I could never go through it all again—I haven’t got an ounce of fight left in me. That’s why, although Ralph’s no cinch as a husband, I’d be scared to death if he really turned nasty. He knows that, I think, so he’s not afraid to bully—he’s bullied me many a time over you—but of course you’re a woman so he couldn’t divorce me—I expect that’s really what makes him so angry. All the same, when you asked me to leave him for you, I hadn’t the courage to face that either. I couldn’t have faced the public scandal that Ralph would have made; he’d have hounded us down to the ends of the earth, he’d have branded us, Stephen. I know him, he’s revengeful, he’d stop at nothing, that weak sort of man is often that way. It’s as though what Ralph lacks in virility, he tries to make up for by being revengeful. My dear, I couldn’t go under again—I couldn’t be one of those apologetic people who must always exist just under the surface, only coming up for a moment, like fish—I’ve been through that particular hell. I want life, and yet I’m always afraid. Every time that Ralph looks at me I feel frightened, because he knows that I hate him most when he tries to make love—’ She broke off abruptly.
And now she was crying a little to herself, letting the tears trickle down unheeded. One of them splashed on to Stephen’s coat sleeve and lay there, a small, dark blot on the cloth, while the patient arms never faltered.
‘Stephen, say something—say you don’t hate me!’
A log crashed, sending up a bright spurt of flame, and Stephen stared down into Angela’s face. It was marred by weeping; it looked almost ugly, splotched and reddened as it was by her weeping. And because of that pitiful, blemished face, with the pitiful weakness that lay behind it, the unworthiness even, Stephe
n loved her so deeply at that moment, that she found no adequate words.
‘Say something—speak to me, Stephen!’
Then Stephen gently released her arm, and she found the little white box in her pocket: ‘Look, Angela, I got you this for your birthday—Ralph can’t bully you about it, it’s a birthday present.’
‘Stephen—my dear!’
‘Yes—I want you to wear it always, so that you’ll remember how much I love you. I think you forgot that just now when you talked about hating—Angela, give me your hand, the hand that used to bleed in the winter.’
So the pearl that was pure as her mother’s diamonds were pure, Stephen slipped on to Angela’s finger. Then she sat very still, while Angela gazed at the pearl wide-eyed, because of its beauty. Presently she lifted her wondering face, and now her lips were quite close to Stephen’s, but Stephen kissed her instead on the forehead. ‘You must rest,’ she said, ‘you’re simply worn out. Can’t you sleep if I keep you safe in my arms?’
For at moments, such is the blindness and folly yet withal the redeeming glory of love.
CHAPTER TWENTY-FOUR
1
RALPH said very little about the ring. What could he say? A present given to his wife by the daughter of a neighbour—an unusually costly present of course—still, after all, what could he say? He took refuge in sulky silence. But Stephen would see him staring at the pearl, which Angela wore on her right-hand third finger, and his weak little eyes would look redder than usual, perhaps with anger—one could never quite tell from his eyes whether he was tearful or angry.
And because of those eyes with their constant menace, Stephen must play her conciliatory rôle; and this she must do in spite of his rudeness, for now he was openly rude and hostile. And he bullied. It was almost as though he took pleasure in bullying his wife when Stephen was present; her presence seemed to arouse in the man everything that was ill-bred, petty and cruel. He would make thinly-veiled allusions to the past, glancing sideways at Stephen the while he did so; and one day when she flushed to the roots of her hair with rage to see Angela humble and fearful, he laughed loudly: ‘I’m just a plain tradesman, you know; if you don’t like my ways, then you’d better not come here.’ Catching Angela’s eye, Stephen tried to laugh too.
A soul-sickening business. She would feel degraded; she would feel herself gradually losing all sense of pride, of common decency even, so that when she returned in the evening to Morton she would not want to look the old house in the eye. She would not want to face those pictures of Gordons that hung in its hall, and must turn away, lest they by their very silence rebuke this descendant of theirs who was so unworthy. Yet sometimes it seemed to her that she loved more intensely because she had lost so much—there was nothing left now but Angela Crossby.
2
WATCHING this deadly decay that threatened all that was fine in her erstwhile pupil, Puddle must sometimes groan loudly in spirit; she must even argue with God about it. Yes, she must actually argue with God like Job; and remembering his words in afflction, she must speak those words on behalf of Stephen: ‘Thine hands have made me and fashioned me together round about; yet Thou dost destroy me.’ For now in addition to everything else, she had learnt of the advent of Roger Antrim. Not that Stephen had confided in her, far from it, but gossip has a way of travelling quickly. Roger spent most of his leisure at The Grange. She had heard that he was always going over from Worcester. So now Puddle, who had not been much given to prayer in the past, must argue with God, like Job. And perhaps, since God probably listens to the heart rather than to the lips, He forgave her.
3
STUPID with misery and growing more inept every day, Stephen found herself no match for Roger. He was calm, self-assured, insolent and triumphant, and his love of tormenting had not waned with his manhood. Roger was no fool; he put two and two together and his masculine instinct deeply resented this creature who might challenge his right of possession. Moreover, that masculine instinct was outraged. He would stare at Stephen as though she were a horse whom he strongly suspected of congenital unsoundness, and then he would let his eyes rest on Angela’s face. They would be the eyes of a lover, possessive, demanding, insistent eyes—if Ralph did not happen to be present. And into Angela’s eyes there would come an expression that Stephen had seen many times. A mist would slowly cloud over their blueness; they would dim, as though they were hiding something. Then Stephen would be seized with a violent trembling, so that she could not stand any more but must sit with her hands clasped tightly together, lest those trembling hands betray her to Roger. But Roger would have seen already, and would smile his slow, understanding, masterful smile.
Sometimes he and Stephen would look at each other covertly, and their youthful faces would be marred by a very abominable thing; the instinctive repulsion of two human bodies, the one for the other, which neither could help—not now that those bodies were stirred by a woman. Then into this vortex of secret emotion would come Ralph. He would stare from Stephen to Roger and then at his wife, and his eyes would be red—one never knew whether from tears or from anger. They would form a grotesque triangle for a moment, those three who must share a common desire. But after a little the two male creatures who hated each other, would be shamefully united in the bond of their deeper hatred of Stephen; and divining this, she in her turn would hate.
4
IT COULD not go on without some sort of convulsion, and that Christmas was a time of recriminations. Angela’s infatuation was growing, and she did not always hide this from Stephen. Letters would arrive in Roger’s handwriting, and Stephen, half crazy with jealousy by now, would demand to see them. She would be refused, and a scene would ensue.
‘That man’s your lover! Have I gone starving only for this—that you should give yourself to Roger Antrim? Show me that letter!’
‘How dare you suggest that Roger’s my lover! But if he were it’s no business of yours.’
‘Will you show me that letter?’
‘I will not.’
‘It’s from Roger.’
‘You’re intolerable. You can think what you please.’
‘What am I to think?’ Then because of her longing, ‘Angela, for God’s sake don’t treat me like this—I can’t bear it. When you loved me it was easier to bear—I endured it for your sake, but now—listen, listen.…’ Stark naked confession dragged from lips that grew white the while they confessed: ‘Angela, listen.…’
And now the terrible nerves of the invert, those nerves that are always lying in wait, gripped Stephen. They ran like live wires through her body, causing a constant and ruthless torment, so that the sudden closing of a door or the barking of Tony would fall like a blow on her shrinking flesh. At night in her bed she must cover her ears from the ticking of the clock, which would sound like thunder in the darkness.
Angela had taken to going up to London on some pretext or another—she must see her dentist; she must fit a new dress.
‘Well then, let me come with you.’
‘Good heavens, why? I’m only going to the dentist!’
‘All right, I’ll come too.’
‘You’ll do nothing of the kind.’ Then Stephen would know why Angela was going.
All that day she would be haunted by insufferable pictures. Whatever she did, wherever she went, she would see them together, Angela and Roger.… She would think: ‘I’m going mad! I can see them as clearly as though they were here before me in the room.’ And then she would cover her eyes with her hands, but this would only strengthen the pictures.
Like some earth-bound spirit she would haunt The Grange on the pretext of taking Tony for a walk. And there, as likely as not, would be Ralph wandering about in his bare rose garden. He would glance up and see her perhaps, and then-most profound shame of all—they would both look guilty, for each would know the loneliness of the other, and that loneliness would draw them together for the moment; they would be almost friends in their hearts.
‘Angela’s gone u
p to London, Stephen.’
‘Yes, I know. She’s gone up to fit her new dress.’
Their eyes would drop. Then Ralph might say sharply: ‘If you’re after the dog, he’s in the kitchen,’ and turning his back, he might make a pretence of examining his standard rose-trees.
Calling Tony, Stephen would walk into Upton, then along the mist-swept bank of the river. She would stand very still staring down at the water, but the impulse would pass, and whistling the dog, she would turn and go hurrying back to Upton.
Then one afternoon Roger came with his car to take Angela for a drive through the hills. The New Year was slipping into the spring, and the air smelt of sap and much diligent growing. A warm February had succeeded the winter. Many birds would be astir on those hills where lovers might sit unashamed—where Stephen had sat holding Angela clasped in her arms, while she eagerly took and gave kisses. And remembering these things Stephen turned and left them; unable just then to endure any longer. Going home, she made her way to the lakes, and there she quite suddenly started weeping. Her whole body seemed to dissolve itself in weeping; and she flung herself down on the kind earth of Morton, shedding tears as of blood. There was no one to witness those tears except the white swan called Peter.