Beside him, calmly expectant, sat the lady he wanted for his wife—the one and only lady who would do, who could fill the position as he needed it filled. A fortnight ago, he’d been staring at the fire in the library at the Abbey, impatient for her to appear—and she had. She’d marched into his house, reclaimed him, and nothing had been the same since—nothing had gone quite as he’d planned.
Last night, in the ballroom, without a word she’d stepped in and eased his way, acted precisely as he’d needed her to, been what he’d needed her to be. For the first time since returning to England, he’d been able to relax in a crowd. Later still, after forcing him to accede to her view of how things should be…he hadn’t been in any mood for gentle loving—she not only hadn’t cared, she’d taken wanton delight in encouraging him to be as demanding as he’d wished, so she could match him and meet him, drive him wild, and in her own inimitable way soothe his soul.
She’d proved she was the only lady for him—then blithely extrapolated his need for her to encompass his entire life, and made his agreement to her constant presence by his side a condition of their future union.
He’d got precisely what he’d wanted, but not as he’d expected. Looking back, looking forward, he strongly suspected that would be the story of their lives.
It was midafternoon when the carriage swept into the graveled drive of Amberly Grange. Dalziel and Amberly had been half an hour ahead of them in Amberly’s carriage.
They were welcomed as expected guests. Shown into the drawing room, they found Amberly awaiting them. He looked tired, but his gaze was shrewd. He greeted Penny, shook hands with Charles, then waved them to chairs. “Let’s have tea, then we can commence.”
The first step proved easy enough; his butler and housekeeper hadn’t hired anyone in recent weeks. All the staff in the large house had been there for years.
Charles went out to the stables to convey the news to Dalziel, who’d spent the hour since they’d arrived dozing in the carriage. Charles returned to the house alone; when darkness fell, Dalziel joined them.
Over dinner, they put the final touches to their plan.
The next morning, after breakfast, Penny and Charles went for a short ride. On returning, they joined Amberly on the terrace for morning tea. Afterward, all three went for a stroll in the gardens, keeping to the wide lawns circling the house. When the luncheon gong rang, they repaired to the dining parlor; later, Penny and Amberly strolled about the conservatory while Charles read the news sheets on the terrace outside. In the late afternoon, the marquess retreated to the pianoforte in the music room. Penny and Charles saw him launched on a sonata, then, arm in arm, they left the room, strolled along the terrace, then descended to the lawns.
After a lengthy stroll, never out of sight or hearing of the music room and the delicate airs wafting forth on the breeze, they returned and, shortly after, all three withdrew to their rooms to dress for dinner.
Dinner, and the evening spent in the drawing room, followed the predictable pattern, then they retired to their bed-chambers, to their beds, and slept.
The next day, they repeated the performance. Exactly. The program was precisely what one might expect of a nobleman of Amberly’s age being attended by a female relative and watched over by someone like Charles.
All believable, and all very regular. They adhered to their schedule like clockwork. Dalziel was never visible to any outside the house. They’d agreed their best route was to exploit Fothergill’s arrogance and overconfidence, so they set the stage for him, and waited for him to make his entrance.
They’d accepted it might take a week and had resigned themselves to playing their roles for at least that long.
On the afternoon of the first day, while sorting through music sheets with the marquess, Penny overheard a muted discussion between Charles and Dalziel. It was clearly a continuing argument between them. In typical fashion, neither said what they meant outright, but the crux revolved about who would deliver the coup de grâce once they had Fothergill trapped between them.
Charles had a strong case; ruthlessly, with a few quiet phrases, Dalziel demolished it. Penny gave no indication she heard his words, nor felt their glances as they rested on her. Charles wavered; Dalziel subtly pushed, and he gave in. The final act in the drama would fall to Dalziel.
Days passed, and they religiously played their parts, their assigned roles. Amberly, accepting that he could do no more than that, cocooned himself in the regimen; through the hours they spent together strolling the conservatory and lawns, Penny learned more of him, leaving her with a degree of respect and burgeoning affection for the, as Nicholas had correctly termed him, incorrigible old man.
For herself, she was conscious of a heightened awareness, of her senses being alert, alive, and always awake in a way they never had been before. Waiting, watching, ready. Confident that she, Amberly, and his staff were safe under Charles and Dalziel’s protection, she found the tension more exciting than frightening.
That alertness, however, made the changes in Charles and Dalziel very apparent. The tension that invested them was of a different caliber, possessed a far more steely, battle-ready quality. And day by day, hour by hour, that tension escalated, subtle notch by notch.
By the third day, Amberly’s staff were walking very carefully around them. Neither had raised their voices, neither had done anything to frighten anyone; the staff were reacting to the portent of barely leashed danger that emanated from them.
Every night, when Charles joined her in her room and her bed, she opened her arms to him and met that dangerous tension. Welcomed it, not for one instant turned aside from it, but challenged it with her own confidence, channeled it into the wildness of passion.
On the third night, when he collapsed in the bed beside her, he reached out and drew her into his arms, cradled her against him, gently smoothing back her tangled hair. “Do you still want to be with me, even now—even through this?”
She shifted to look into his face, into his darkly shadowed eyes. “Yes—even now. Especially now.” Freeing a hand, she brushed back a black lock from his forehead, drinking in the hard planes of his face. “I need to be here, with you. I need to know all of you—even this. There’s no reason to hide any part of what you are, not from me. There’s nothing, no part of you, I won’t love.”
He studied her face as their hearts slowed, then he tightened his arms about her, murmured against her hair, “I’m not sure I deserve you.”
He was too tense, too brittle at present for this; she drew back to smile at him. “I’ll remember you said that when next you complain about my wild Selborne streak.”
He smiled back, accepting her easing of the moment; he settled his arm over her waist, she snuggled her head on his shoulder, and they slept.
The following day they were returning from their afternoon stroll about the lawns while the marquess spent his customary hour at the pianoforte, when Penny noticed a gardener kneeling before the flower beds a few yards from the steps leading up to the terrace.
Why her senses focused on him she had no idea; she was used to seeing staff constantly about—there was nothing about him to alarm her. He was weeding the beds, an understandable enough enterprise.
As she and Charles approached, idly discussing the Abbey and the missive that had arrived from London that morning, matters about the estate Charles needed to decide, she watched the gardener pull three weeds and toss them into the trug beside him. He had streaky, fairish brown hair and wore the usual drab clothes the gardeners favored; he also wore a battered hat jammed down to shade his face and a tattered woolen scarf loose about his neck.
She and Charles reached the steps, passing the man; as they climbed to the terrace, she suddenly knew—was absolutely certain—but didn’t know why. She didn’t dare look back; forcing her mind to retread the last minutes, she reviewed all she’d seen.
Charles noticed her absorption. He looked at her, caught her eyes, a question in his.
The
y reached the music room and stepped over the threshold; she exhaled and sank her fingers into his arm. “He’s here.” Across the room, she met Dalziel’s eyes as he rose from a chair against the wall. “He’s the gardener weeding the beds by the steps.”
“You’re sure?” Charles kept his voice low.
She nodded. “He doesn’t look the same—he’s dyed his hair—but his hands—no gardener has hands like that.”
Charles looked at Dalziel, who nodded. “Your move.”
Charles returned his nod, looked at Penny, lifted her hand to his lips. “Remember your part.”
“I will.” She squeezed his hand and let him go.
Turning, she watched as he strode back onto the terrace. She followed as far as the open French doors and reported for Dalziel and Amberly in the room behind her. “Fothergill’s gathered his things and is walking off across the lawns toward the back of the house. Charles has just reached the lawn.”
“Here—you! Wait!”
Charles’s voice reached them. Penny watched as Fothergill glanced back, realized Charles wasn’t far behind. He dropped his tools and ran.
“He’s off. Charles is following.”
Inwardly, she started to pray. They’d assumed Fothergill wouldn’t try to face Charles, but would lead him well away from the house. The grounds were extensive, with large areas devoted to gardens and stands of trees and shrubs—lots of places to hide and lose a pursuer.
If they’d assumed wrong, Charles would face Fothergill alone. Waiting, not knowing, not doing, was harder than she’d thought, but she’d accepted they had to script their play that way to leave Fothergill believing he was still in control.
So she waited and watched, and prayed.
Charles raced after Fothergill, keeping him in sight, simultaneously keeping mental track of their progress through the grounds. As they’d guessed, Fothergill was leading him away from the house; he didn’t stick to the gardens, but plunged into a wooded stretch. Charles saw him leaping down a winding path; following, he forged up the rise beyond, followed the path over the crest—and saw no one ahead of him.
Bushes closed in a little way along; Fothergill might have made their shelter in time. Charles felt certain he hadn’t. There was a minor path to the left that would lead back to the house; catching his breath, he plunged on, keeping to the major path heading away from the house. He didn’t glance back; senses on a knife-edge, he strained to hear any movement behind him—anything to suggest Fothergill was intent on becoming his pursuer and killing him.
He heard nothing. Not a rustle, not a snap. Beyond the thick bushes he moved off the path, halted and listened.
Nothing near. Closing his eyes, he concentrated, senses searching.
Faint, at some distance, he detected a large animal moving stealthily back toward the house.
Fothergill had swallowed the bait.
Lips curving in a cold smile, Charles turned and headed across the grounds; he needed to get into position for his next appearance in their play.
Once Charles had disappeared, Penny quit the doorway and went to sit beside Amberly at the pianoforte. As agreed, the marquess continued to tinkle out a melody—the lure to draw Fothergill back, to assure him his target was still there.
Dalziel had summoned reinforcements; two burly footmen and the butler, a stalwart individual, stood by the wall nearby, ready to provide additional protection if needed. By the window, Dalziel kept a silent watch over the lawns, waiting to see if Fothergill would behave as they’d predicted.
“He’s coming.”
The words were uninflected, curiously dead. Amberly dragged in a labored breath and kept his fingers moving unfalteringly over the keys; Penny briefly touched his shoulder reassuring, supporting. She looked at Dalziel. He gave no sign of being aware of anything or anyone beyond the man he was watching. Tension thrummed through him; he was a powerful, lethal animal, leashed but knowing the leash was about to be released. Poised to act.
Without sound or warning, he moved, walking to the doorway and stepping out onto the terrace.
Penny left her seat and equally silently followed; halting in the doorway, she saw Fothergill coming quickly up the steps, scanning the lawns behind him—back in the direction he’d led Charles.
Relief flooded her; Charles was still out there—Fothergill hadn’t attacked him.
Detecting no pursuit, Fothergill stepped onto the terrace, lips lifting coldly as he turned to the music room—and came face-to-face with Dalziel.
Three yards separated them.
Fothergill’s mouth opened; incomprehension filled his face. Then his eyes met Dalziel’s.
Fothergill whirled, flung himself down the steps and fled across the lawn. Toward the maze. Dalziel paused for an instant, then went after him.
Penny watched the pair race away, then Fothergill ducked through the arched gap in the high green hedges; a few seconds later, Dalziel followed.
Turning indoors to reassure the marquess, Penny wondered if Fothergill had yet realized that he was no longer running to his plan, but theirs.
At the center of the maze, Charles stood at the end of the long narrow pool farthest from the house, and waited. The maze was a symmetrical one in which it was possible to enter from one side and exit from the other. He could hear Fothergill approaching; his lips curved, not humorously. He’d predicted that in the absence of Fothergill’s favorite escape route—a shrubbery—he would instead use the maze, and he had. Whoever he was, Fothergill would shortly reach the end of his road; he and Dalziel intended to make sure of it. Cornering a man on an open lawn wasn’t easy; capturing him in a room of green twenty feet by eight feet was a great deal more certain. The yew hedges were high and densely grown; the only routes out of the rectangular court were the gap in the hedge at Charles’s back, and the other gap Fothergill was fast approaching, Dalziel on his heels.
Fothergill burst into the court—and skidded to a halt. Wide-eyed, he stared at Charles, then his gaze fell to the throwing knife Charles held in his hands.
Turning the knife lightly end over end, Charles demanded in rapid-fire French who had sent him.
Off-balance, his gaze locked on the knife, Fothergill swallowed and replied, confirming it was elements of the French bureaucracy attempting to conceal past follies.
“Attempting to cover their arses so that no one would know how gullible they’d been—how they’d been taken in, not once but countless times over the years by an English lord…is that right?”
White-lipped, Fothergill nodded.
Charles watched him like a hawk, ready to use the knife. Fothergill hadn’t yet reached for his own knife, but his fingers were flexing, tensing.
Behind him, Dalziel glided soundlessly from the shadows of the opening.
Straightening the knife in his hands, Charles waited until Fothergill glanced up; he caught his eye. “What’s your real name?”
Fothergill frowned, then answered, “Jules Fothergill.” He hesitated, then asked, “Why do you want to know?”
Charles felt all animation drain from his face. “So we know what name to put on your gravestone.”
It was done quickly, neatly, with barely a sound. Fothergill heard nothing, suspected nothing, not until the dagger passed between his ribs; Dalziel was that quiet, that efficient. That effective. Realization flashed through Fothergill’s eyes as he stared at Charles, astonished that retribution had caught up with him, then all life leached away, his eyes glazed, and his body crumpled at Dalziel’s feet.
Jaw set, Charles rounded the long pool and joined Dalziel; they stood looking down at the body. “That was a faster, cleaner death than he deserved.”
After a moment, Dalziel murmured, “Think of it more as the type of death we deserve to deal in. No need for us to descend to his level.”
Charles drew breath, nodded. “There is that.”
Dalziel stepped back, absently lifting his dagger, taking out a cloth to clean it. “I’ll take care of this.” With hi
s head, he indicated Fothergill’s body. “I’d appreciate it if you kept Lady Penelope and Amberly at bay.”
Charles grunted. He lingered a moment longer, looking down at the crumpled form, then he looked at Dalziel. “He isn’t the one you seek, is he?”
Dalziel looked up, met his eyes, his dark gaze cold, saber-sharp and incisive. After a moment, he shook his head. “No. But he was, in his fashion, efficient—he was dangerous, and he was young. I’m grateful we had the chance to remove him—who knows what the future holds?”
Charles murmured an agreement, then turned away, and walked out of the central court, back toward the house.
He was halfway across the lawn when Penny came out of the music room. She paused on the terrace, her gaze racing over him, then, somewhat to his surprise, she picked up her skirts, rushed down the steps, and flew across the lawn to him.