Were you sorry about it? The old lady's house I mean.
Sorry I got caught.
Suttree nodded and tilted his beer. It occurred to him that other than the melon caper he'd never heard the city rat tell anything but naked truth.
In the long windy days of fail Harrogate joined the blacks to fish for carp at the point, smiling and incompetent. A pale arm among darker waving from the shore to Suttree as he set forth in the cool mornings.
Suttree busy caulking up the batboards of his shanty with old newsprint. The cooler days have brought a wistful mood upon him. The smell of coalsmoke in the air at night. Old times, dead years. For him such memories are bitter ones.
Trippin Through The Dew has a muskrat coat bought in a junk-shop on Central Avenue which he has dyed purple.
Mother She has come from upcountry with sacks and jars of the season's herbs. Her little yard lies deep with sere brown locust pods. In the trees small victims struggle, toad or shrewlet among the thorns where they have been impaled and the shrike who put them there trills from a nearby lightwire and it has begun to rain again.
And from his fleerglass window the shut-in watches for idle travelers on the path below, gripping the worn oak arms of his wheelchair, wishing all on to a worse hell yet.
The ragman hurried home with dark hard at his heels. When he reached the end of the bridge the lights went up behind him and he turned to look back for a moment before he ducked past the railing and down the red clay path to his home. Crouched before his fire he could see the stars come out in the darkening river. He kneaded his bony hands and watched the shapes flame took among the sticks of wood as if some portent might be read there. He smacked his gums and spat and gestured with his hands. He'd stood off a family of trashpickers in the alley that morning. There under the deepwalled shadows where the windows were barred and iron firestairs hung in chains overhead. Setting the dark brick corridor full of voices, aged but spoken with authority. Run them off like rats. And out of there you. And dont come back. Suttree rose from the rock where he'd been sitting and shook the stiffness from one knee. The old man looked up at him. From under the whites of his eyeballs peeked a rim of the red flame that raged in his head. You come back and find me dead, he began. Find me layin here dead, you just thow some coaloil on me and set me alight. You hear?
Suttree looked off toward the river and the lights and then he looked at the ragman again. You'll outlive me, he said.
No I wont neither. Will ye do it?
Suttree wiped his mouth.
I'll pay ye.
Pay me?
What will ye take? I'll give ye a dollar.
Good God, I dont want a dollar.
What would you have to have?
You wouldnt burn. He gestured with his hands. You wouldnt burn up with just coaloil thrown on you. It'd just make a big stink.
I'll get some by god gasoline then. I'll get five gallon and have it settin here at all times.
They'd send out the firetrucks when they saw that.
I dont give a good shit what they send. Will ye?
All right.
You wont take no dollar?
No.
I hold ye to your word now.
Whatever's right, said Suttree.
I aint no infidel. Dont pay no mind to what they say.
No.
I always figured they was a God.
Yes.
I just never did like him.
As he was going up Gay Street J-Bone stepped from a door and took his arm. Hey Bud, he said.
How you doin?
I was just started down to see you. Come in and have a cup of coffee.
They sat at the counter at Helm's. J-Bone kept tapping his spoon. When the coffee was set before them he turned to Suttree. Your old man called me, he said. He wanted you to call home.
People in hell want ice water.
Hell Bud, it might be something important.
Suttree tested the cup rim against his lower lip and blew. Like what? he said.
Well. Something in the family. You know. I think you ought to call.
He put the cup down. All right, he said. What was it?
Why dont you call him.
Why dont you tell me.
Will you not call?
No.
J-Bone was looking at the spoon in his hand. He blew on it and shook his head, the distort image of him upside down in the spoon's bowl misting away and returning. Weil, he said.
Who's dead, Jim?
He didnt look up. Your little boy, he said.
Suttree set his cup down and looked out the window. There was a small pool of spilled cream on the marble countertop at his elbow and flies were crouched about it lapping like cats. He got up and went out.
It was dark when the train left the station. He tried to sleep, his head rolling about on the musty headrest. There was no longer a club car or dining car. No service anymore. An old black came through with his zinc sandwichtray and drink cooler. He passed down the corridor of the semidarkened car crying his wares softly and disappeared through the door at the far end. A racket of wheels from the roadway and a slip of cool air. The sleepers slept. The sad and dimly lit back side of a town went down the windows. Fencerails, weedlots, barren autumn fields sliding blackly off under the stars. They went across the flatland toward the Cumberlands, the old car rocking down the rails and the polewires sewing tirelessly the night beyond the cold windowglass.
He woke in various small mountain towns through the early hours of the morning, old people with baskets laboring up the aisle, black families with sleepy children clumping past, whispering, the rusty coaches wheezing and steaming and then the slow accumulate creaking and grating of iron as they pulled out again. It had grown cold in the night but he was numb with other weathers. An equinox in the heart, ill change, unluck. Suttree held his face in his hands. Child of darkness and familiar of small dooms. He himself used to wake in terror to find whole congregations of the uninvited attending his bed, protean figures slouched among the room's dark corners in all multiplicity of shapes, gibbons and gargoyles, arachnoids of outrageous size, a batshaped creature hung by some cunning in a high corner from whence clicked and winked like bone chimes its incandescent teeth.
In the cold autumn dawn that crept the fields he woke and watched the passing countryside through the glass. Light rain or mist, small beads of water racing on the pane. They crossed a creek by an old trestle, black creosoted timbers flicking past. On the gray water two boys in a skiff, motionless, watching the faces pass like a filmstrip above them. One raised a hand, a solemn gesture. In the distance smoking millstacks arranged upon a gray and barren plain. Somewhere beyond them the cold rain falling in a new dug grave.
The train lurched and rumbled. Went pounding down a long levee with marsh and swampland smoking in the bluish light, a white egret onelegged and livid in the water quartered to a darker antipode and rigid as a plaster lawnbird. Stark woods beyond, a few leaves falling. Suttree wiped his eyes with his shoulders and rose and went down the aisle past the stale and empty seats.
He stood between cars, the upper half of the door latched back and the cool morning wind blowing in. Leaning with his elbows propped, the car rocking and swaying as they came into the yards. Staccato lights tracking in the gray frieze out there. In an upper window a man in his undershirt with his braces hanging. Across the narrow space he and Suttree looked at each other for just a moment before he was snapped away. The gray steel trusses of a bridge went past, went past, went past. In the sidelong morning light he saw the shadowed half-shapes of auto shells crouched in dying ivy down a long and barren gut.
In the station Suttree stood bending to deal with a small man in a cage. Polished blue suit, a lapel badge. Ten oclock, the man said.
He nodded. There's no other transportation out there I dont guess.
The little man was stamping long rolls of ticket. He pouched his lower lip and shook his head.
Thanks.
&nbs
p; Less you wanted to take a cab. Costs right smart.
Thanks, Suttree said.
He found a Krystal near the bus station and had scrambled eggs and toast and he looked through the newspaper but could see no news for him. At ten oclock he boarded the bus and leaned back and closed his eyes. Remorse lodged in his gorge like a great salt cinder.
What will she say?
What will her mother say?
Her father.
Suttree got up and swung down toward the door but the bus had already started. He hung by one hand swaying. All night he'd tried to see the child's face in his mind but he could not. All he could remember was the tiny hand in his as they went to the carnival fair and a fleeting image of elf's eyes wonderstruck at the wide world in its wheeling. Where a ferriswheel swung in the night and painted girls were dancing and skyrockets went aloft and broke to shed a harlequin light above the fairgrounds and the upturned faces.
They watched him from the porch, gathered there like a sitting for some old sepia tintype, the mother's hand on the seated patriarch's shoulder. Watched him coming up the walk with his empty hands and burntlooking eyes. Suttree's abandoned wife.
She came down the steps slowly, madonna bereaved, so grief-stunned and wooden pieta of perpetual dawn, the birds were hushed in the presence of this gravity and the derelict that she had taken for the son of light himself was consumed in shame like a torch. She touched him as a blind person might. Deep in the floor of her welling eyes dead leaves scudding. Please go away, she said.
When is the funeral?
Three oclock. Please Buddy.
I wont ...
Dont say anything please I cant bear it.
By now the mother had come from the porch. She was dressed in black and closed upon them soundless as a plague, her bitter twisted face looming, axemark for a mouth and eyes crazed with hatred. She tried to speak but only a half strangled scream came out. The girl was thrown aside and this demented harridan was at him clawing, kicking, gurgling with rage.
The girl tried to pull her away. Mother, she wailed, Mother ...
The old lady had gotten Suttree's finger in her mouth and was gnawing on it like a famished ghoul. He seized her by the throat. The three of them went to the ground. Suttree could feel something thudding at the base of his skull. The old man had come from the porch and was hitting him with his shoe. He tried to get to his feet. The girl was screaming. Stop it you all! Oh God, stop it!
Get the police, Leon, screamed the old lady. I'll hold him.
Suttree staggered erect in the midst of this sorry spectacle groaning like a bear. The old man had fallen back. The girl was pulling at the old lady but she was hanging onto his leg with a maniac's strength and gibbering the while. You ghastly bitch, he said, and fetched her a kick in the side of the head which stretched her out. With this the girl fell upon him in much the same manner. He flung her back and tottered away a few steps to get his breath. The old man was coming from the house loading a shotgun as he ran. Suttree vaulted through the hedge. He crossed a lawn and went through another hedge and down a small lane past some chickens in a foulsmelling pen, the birds flaring and squawking, Suttree crossing through another yard and coming out alongside a house where a man in a lawnchair looked up from the nothing he was contemplating and smiled curiously. Suttree nodded to him and went on down the drive into the road. He looked back but no one was coming. He walked on out to the highway and squatted by the side of the road to rest and when a car came down the pike he rose to flag it with his thumb.
In a few minutes another car came along and this one stopped. Suttree climbed in and said hello. The man looked at him once or twice with alarm. Suttree looked down at himself. The front of his shirt was ripped open and his left hand was covered with blood. He zipped up his jacket and they rode on in silence.
A small town in the flatlands. He had been here once but remembered it little. A fresh breeze was herding leaves along the walkways and little shopsigns swung and creaked in the smoky air. He pointed toward the curb and the man pulled over to let him out. Much obliged. The man nodding. Suttree could see him looking over the seat for bloodstains as he pulled away.
He went to the poolhall and washed up and looked at his hand. Four bright slashes on his jaw. He plucked small bits of harrowed flesh from the edges of the wounds and daubed at them with a wet paper towel. The face in the mirror that watched was gray and the eyes sunken. He put on his jacket and went to the front counter and asked to use the telephone. The man nodded toward it. There was a directory hanging from a chain. He opened to the back and found two listings under Funeral Parlors, dialed the first and spoke with a soft-voiced girl.
Are you people in charge of the Suttree funeral?
Yessir. That's at three oclock this afternoon.
Suttree didnt hear. The words Suttree funeral had caused him to let the receiver fall away from his ear.
Hello, said the girl.
Yes, said Suttree. Where is the burial to be?
At McAmon Cemetery.
Where is that?
The girl didnt answer for a moment. Then she said: The cortege will be going directly to the cemetery after the services. If you cared to join, or if you ...
Thank you, Suttree said, but if you could just give me directions.
He walked about in the town. Peaceful and sunny in the mid Americas on an autumn day. The dread in his heart was a thing he'd not felt since he feared his father in the aftermath of some child's transgression.
He ate a sandwich in the drugstore and in the afternoon he started out toward the cemetery. Along a little country road where leaves lay in yellow windrows through the woods or tumbled over the dark macadam. It was an hour's walk and few cars passed.
Two stonework columns marked the entrance, the chain down and heaped in the grass. He went down the little gravel road among the stones until he saw on a hill a green canopy. Two men were sitting in the grass eating their lunch. Suttree nodded to them as he passed. Beneath the canopy were folding chairs in rows, a green canvas mound with flowers arranged.
He could not bring himself to ask if this were the place where his dead son was going and he walked on. If there were other burials in preparation he would see them.
In an older part of the cemetery he saw some people strolling. Elderly gent with a cane, his wife on his arm. They did not see him. They went on among the tilted stones and rough grass, the wind coming from the woods cold in the sunlight. A stone angel in her weathered marble robes, the downcast eyes. The old people's voices drift across the lonely space, murmurous above these places of the dead. The lichens on the crumbling stones like a strange green light. The voices fade. Beyond the gentle clash of weeds. He sees them stoop to read some quaint inscription and he pauses by an old vault that a tree has half dismantled with its growing. Inside there is nothing. No bones, no dust. How surely are the dead beyond death. Death is what the living carry with them. A state of dread, like some uncanny foretaste of a bitter memory. But the dead do not remember and nothingness is not a curse. Far from it.
He sat in the dappled light among the stones. A bird sang. Some leaves were falling. He sat with his hands palm up on the grass beside him like a stricken puppet and he thought no thoughts at all.
In midafternoon an old Packard hearse came wending through the woods leading a few cars and circled the canopy on the hill and parked on the far side. The cars came quietly to rest and people in black emerged. Steel doors dropped shut softly one by one. The mourners moved graveward. Four pallbearers lifted the small coffin from the funeral car and carried it to the tent. Suttree came up over the hill in time to see it go. Some flowers fell. He walked up the hill above the gravesite and stood numbly. The little bier with its floral offerings had come to rest on a pair of straps across the mouth of the grave. A preacher stood at the ready. The light in this little glade where they stood seemed suffused with immense clarity and the figures appeared to burn. Suttree stood by a tree but no one noticed him. The preacher had
begun. Suttree heard no word of what he said until his own name was spoken. Then everything became quite clear. He turned and laid his head against the tree, choked with a sorrow he had never known.
When all the words were done a few stepped forth and placed a flower and the straps began to lower, the casket and child sinking into the grave. A group of strangers commending Suttree's son to earth. The mother cried out and sank to the ground and was lifted up and helped away wailing. Stabat Mater Dolorosa. Remember her hair in the morning before it was pinned, black, rampant, savage with loveliness. As if she slept in perpetual storm. Suttree went to his knees in the grass, his hands cupped over his ears.
Someone touched his shoulder. When he looked up there was no one there. The last of the motorcade was moving down the little drive toward the gate and save the two sextons crouched in the hillside grass like jackals he was alone. He rose and went down to the grave.
There among flowers and the perfume of the departed ladies and the faint iron smell of the earth to stand looking down into a full size six foot grave with this small box resting in the bottom of it. Pale manchild were there last agonies? Were you in terror, did you know? Could you feel the claw that claimed you? And who is this fool kneeling over your bones, choked with bitterness? And what could a child know of the darkness of God's plan? Or how flesh is so frail it is hardly more than a dream.
When he looked up the gravediggers were watching him from the side of the hill. He called to them but they did not answer. Thinking him mad with grief perhaps. Perhaps he addressed his God.
You two. Hey.
They looked at each other and after a time rose slowly and came shambling down across the green like ordinaries in a teutonic drama. Suttree was sitting in one of the folding chairs. He gestured loosely at the grave. Can you fill this in now?
They looked at each other and then one of them folded his arms and looked down. Orville's comin with the tractor, he said.
We was just supposed to fold these here chairs and stack em, the other said. They got to come out and take the tent down.