As with all condemned men, Isherwood’s world shrank. He attended the odd auction, showed the odd painting, and tried in vain to distract himself by flirting with his latest young receptionist. But most of his time was devoted to planning his own professional funeral. He rehearsed the speech he would give to the hated David Cavendish, art adviser to the vastly rich, and even produced a rough draft of a mea culpa he would eventually have to send to the National Gallery of Art in Washington. Images of flight and exile also filled his thoughts. Perhaps a little villa in the hills of Provence or a shack on the beach in Costa Rica. And the gallery? In his worst moments, Isherwood imagined having to drop it in Oliver Dimbleby’s lap. Oliver had always coveted the gallery. Now, thanks to Portrait of a Young Woman, oil on canvas, 104 by 86 centimeters, Oliver could have it at no cost other than cleaning up Julian’s mess.
It was complete twaddle, of course. Isherwood was not about to spend the rest of his life in exile. Nor would he ever allow his beloved gallery to fall into the grubby hands of Oliver Dimbleby. If Isherwood had to face a public firing squad, he would do it without a blindfold and with his chin held high. For once in his life, he would be courageous. Just like his old father. And just like Gabriel Allon.
Coincidentally, these were the very images occupying Isherwood’s thoughts when he spotted a solitary figure coming across the damp paving stones of Mason’s Yard, coat collar turned up against the late-autumn chill, eyes on the prowl. The man was in his early thirties, built like an armored fighting vehicle, and dressed in a dark suit. For an instant, Isherwood feared the man was some sort of heavy-fisted debt collector. But a few seconds later, he realized he had seen the man before. He worked in the security section of a certain embassy located in South Kensington—an embassy that, regrettably, was forced to employ many others like him.
A moment later, Isherwood heard the drowsy voice of his receptionist announcing there was a Mr. Radcliff to see him. It seemed Mr. Radcliff, a nom de plume if ever there was one, had a few minutes to kill between appointments and was wondering whether he might have a peek at the gallery’s inventory. Isherwood normally turned away such drop-ins. But on that morning, for all the obvious reasons, he made an exception.
He greeted the man circumspectly and led him to the privacy of the upper exhibition room. Just as Isherwood suspected, Mr. Radcliff’s tour was brief. He frowned at a Luini, clucked his tongue at a Bordone, and appeared puzzled by a luminous landscape by Claude. “I think I like it,” he said, handing Isherwood an envelope. “I’ll be in touch.” Then he lowered his voice to a whisper and added, “Make sure you follow the instructions carefully.”
Isherwood saw the young man to the door, then, in the privacy of his washroom, unsealed the envelope. Inside was a brief note. Isherwood read it once, then a second time, just to be sure. Leaning against the basin to steady himself, he was overcome by an immense wave of relief. Though Gabriel had not found the painting, his investigation had produced a critical piece of information. Isherwood’s original search of the painting’s provenance had failed to reveal it had been stolen during the Second World War. Therefore the rightful owner of the painting was not the mysterious unnamed client of David Cavendish but an elderly woman in Amsterdam. For Julian Isherwood, the discovery meant that the cloud of financial ruin had been lifted. Typically, matters involving looted art might be litigated for years. But Isherwood knew from experience that no decent court in the world would ever force him to compensate a man for a painting that was not rightly his. The Rembrandt was still missing and might never be found. But, simply put, Isherwood was now off the hook.
His relief, however, was soon followed by a pang of deep guilt. Guilt over the tragedy of the Herzfeld family, a story Isherwood understood all too well. Guilt over the fate of Christopher Liddell, who had sacrificed his life trying to protect the Rembrandt. And guilt, too, over the present circumstances of one Gabriel Allon. It seemed Gabriel’s quest to recover the painting had earned him a powerful new enemy. And once more it seemed he had fallen under the spell of Ari Shamron. Or perhaps, thought Isherwood, it was the other way around.
Isherwood read the note a final time, then as instructed touched it to the open flame of a match. In an instant, the paper vanished in a burst of fire that left no trace of ash. Isherwood returned to his office, hands shaking, and gingerly sat at his desk. You might have warned me about the flash paper, petal, he thought. Nearly stopped my bloody heart.
PART THREE
AUTHENTICATION
42
KING SAUL BOULEVARD, TEL AVIV
The operation began in earnest when Gabriel and Chiara arrived at Room 456C. A subterranean chamber located three levels beneath the lobby of King Saul Boulevard, it had once been a dumping ground for obsolete computers and worn-out furniture, often used by the night staff for romantic trysts. Now it was known throughout the Office only as Gabriel’s Lair.
A strip of bluish fluorescent light shone from beneath the closed door, and from the opposite side came the expectant murmur of voices. Gabriel smiled at Chiara, then punched the code into the pad and led her inside. For a few seconds, none of the nine people sprawled around the dilapidated worktables seemed to notice their presence. Then a single face turned, and there arose a loud cheer. When the cacophony finally subsided, Gabriel and Chiara made their way slowly around the room, greeting each member of the fabled team.
There was Yossi Gavish, a tweedy, Oxford-educated analyst from Research, and Yaakov Rossman, a pockmarked former officer from Shabak’s Arab Affairs Department who was now running agents into Syria. There was Dina Sarid, a terrorism specialist from History who seemed to carry the grief of her work wherever she went, and Rimona Stern, a former military intelligence officer who happened to be Shamron’s niece by marriage and was now assigned to the Office’s special Iran task force. There were Mordecai and Oded, a pair of all-purpose fieldhands, and two computer sleuths from Technical of whom it was said no database or server in the world was safe. And there was Eli Lavon, who had flown in from Amsterdam the previous evening after turning over the Lena Herzfeld watch to a local security team.
Within the corridors and conference rooms of King Saul Boulevard, these men and women were known by the code name Barak—the Hebrew word for lightning—because of their ability to gather and strike quickly. They had operated together, often under conditions of immense stress, on secret battlefields from Moscow to the Caribbean. But one member of the team was not present. Gabriel looked at Yossi and asked, “Where’s Mikhail?”
“He was on a leave of absence.”
“Where is he now?”
“Standing right behind you,” said a voice at Gabriel’s back.
Gabriel turned around. Propped against the jamb was a lanky figure with eyes the color of glacial ice and a fine-boned, bloodless face. Born in Moscow to a pair of dissident scientists, Mikhail Abramov had come to Israel as a teenager within weeks of the Soviet Union’s collapse. Once described by Shamron as “Gabriel without a conscience,” Mikhail had joined the Office after serving in the Sayeret Matkal special forces, where he had assassinated several of the top terrorist masterminds of Hamas and Palestinian Islamic Jihad. But he would forever be linked to Gabriel and Chiara by the terrifying hours they had spent together in the hands of Ivan Kharkov in a birch forest outside Moscow.
“I thought you were supposed to be in Cornwall,” Mikhail said.
“I got a little stir-crazy.”
“So I hear.”
“Are you up for this?”
Mikhail shrugged. “No problem.”
Mikhail took his usual seat in the back left corner while Gabriel surveyed the four walls. They were papered over with surveillance photos, street maps, and watch reports—all corresponding to the eleven names Gabriel had written on the chalk-board the previous summer. Eleven names of eleven former KGB agents, all of whom had been killed by Gabriel and Mikhail. Now Gabriel wiped the names from the board with the same ease he had wiped the Russians from the fa
ce of the earth and in their place adhered an enlarged photograph of Martin Landesmann. Then he settled atop a metal stool and told his team a story.
It was a story of greed, dispossession, and death spanning more than half a century and stretching from Amsterdam to Zurich to Buenos Aires and back to the graceful shores of Lake Geneva. It featured a long-hidden portrait by Rembrandt, a twice-stolen fortune in looted Holocaust assets, and a man known to all the world as Saint Martin who was anything but. Like a painting, said Gabriel, Saint Martin was merely a clever illusion. Beneath the shimmering varnish and immaculate brushwork of his surface were base layers of shadows and lies. And perhaps there was an entire hidden work waiting to be brought to the surface. They were going to attack Saint Martin by focusing on his lies. Where there was one, Gabriel said, there would be others. They were like loose threads at the edge of an otherwise undamaged canvas. Pull on the right one, Gabriel promised, and Saint Martin’s world would fall to pieces.
43
KING SAUL BOULEVARD, TEL AVIV
They divided his life in half, which Martin, had he known of their efforts, would surely have found appropriate. Dina, Rimona, Mordecai, and Chiara were given responsibility for his highly guarded personal life and his philanthropic work while the rest of the team took on the Herculean task of deconstructing his far-flung financial empire. Their goal was to find evidence that Saint Martin knew his astonishing wealth had been built upon a great crime. Eli Lavon, a battle-scarred veteran of many such investigations, privately despaired of their chances for success. The case against Landesmann, while compelling to a layman, was based largely on the fading memories of a few participants. Without original documentation from Bank Landesmann or an admission of guilt from Saint Martin himself, any allegations of wrongdoing might ultimately be impossible to prove. But as Gabriel reminded Lavon time and time again, he was not necessarily looking for legal proof, only a hammer that he might use to beat down the doors of Saint Martin’s citadel.
Gabriel’s first priority, however, was to break open the doors of Uzi Navot’s executive suite. Within hours of the team’s formation, Navot had issued a collegial directive to all department heads instructing them to cooperate fully with its work. But the written directive was soon followed by a verbal one that had the effect of sending all requests for intelligence or resources to Navot’s sparkling desk, where invariably they languished before receiving his necessary signature. Navot’s personal demeanor only reinforced the notion of indifference. Those who witnessed his encounters with Gabriel described them as tense and abbreviated. And during his daily planning meetings, Navot referred to the investigation of Martin Landesmann only as “Gabriel’s project.” He even refused to assign the venture a proper code name. The message, while carefully encrypted, was clear to all those who heard it. The Landesmann case was a tin can Navot intended to kick down the road. As for Gabriel, yes, he was a legend, but he was yesterday’s man. And anyone foolish enough to hitch his wagon to him would at some point feel Uzi’s wrath.
But as the work of the team quietly progressed, the siege slowly lifted. Gabriel’s requests began clearing Navot’s desk in a more timely fashion, and the two men were soon conferring in person on a regular basis. They were even spotted together in the executive dining room sharing a dietetic lunch of steamed chicken and wilted greens. Those fortunate few who were able to gain admittance to Gabriel’s subterranean realm described the mood as one of palpable excitement. Those who labored there under Gabriel’s unrelenting pressure might have described the atmosphere in another manner, but, as always, they kept their own counsel. Gabriel made few demands of his team other than loyalty and hard work, and they rewarded him with absolute discretion. They regarded themselves as a family—a boisterous, quarrelsome, and sometimes dysfunctional family—and outsiders were never privy to family secrets.
The true nature of their project was known only to Navot and a handful of his most senior aides, though even a glance inside the team’s cramped lair would have left very little to the imagination. Stretching the entire length of one wall was a complex diagram of Saint Martin’s global business empire. At the top were the companies directly owned or controlled by Global Vision Investments of Geneva. Below that was a directory of firms owned by known subsidiaries of GVI, and farther down lay a substrata of enterprises held by corporate shells and offshore fronts.
The diagram proved Alfonso Ramirez’s contention that, for all Saint Martin’s corporate piety, he was remorseless in pursuit of profit. There was a textile mill in Thailand that had been cited repeatedly for using slave labor, a chemical complex in Vietnam that had destroyed a nearby river, and a cargo vessel recycling center in Bangladesh that was regarded as one of the most fouled parcels of land on the planet. GVI also controlled a Brazilian agribusiness that was destroying several hundred acres of the Amazon rain forest on a daily basis, an African mining company that was turning a corner of Chad into a dust bowl, and a Korean offshore-drilling firm that had caused the worst environmental disaster in the history of the Sea of Japan. Even Yaakov, who had seen mankind at its worst, was stunned by the vast chasm between Landesmann’s words and his deeds. “The word that leaps to mind is compartmentalized,” said Yaakov. “Our Saint Martin makes Ari Shamron look one-dimensional.”
If Landesmann were troubled by the contradictions in his business affairs, it was not visible on the face he showed in public. For on the opposite wall of Room 456C there emerged a portrait of a righteous, enlightened man who had achieved much in life and was eager to give much in return. There was Martin the philanthropist, and Martin the mystic of corporate responsibility. Martin who gave medicine to the sick, Martin who brought water to the thirsty, and Martin who built shelter for the homeless, sometimes with his own hands. Martin at the side of prime ministers and presidents, and Martin cavorting in the company of famous actors and musicians. Martin discussing sustainable agriculture with the Prince of Wales, and Martin fretting about the threat of global warming with a former senator from America. There was Martin with his photogenic family: Monique, his beautiful French-born wife, and Alexander and Charlotte, their teenage children. Finally, there was Martin making his annual pilgrimage to the World Economic Forum at Davos, the one time each year when the oracle spoke for attribution. Were it not for Davos, Saint Martin’s legion of devoted followers might have been forgiven for assuming that its prophet had taken a vow of silence.
It would not have been possible to assemble so complete a picture of Martin in so short a period of time if not for the help of someone who had never even set foot in Room 456C. His name was Rafael Bloch, and his contribution was the treasure trove of files gathered during his long and ultimately fatal investigation into Martin Landesmann. Bloch had left behind many pieces of the puzzle. But it was Eli Lavon who unearthed the true prize, and Rimona Stern who helped decode it.
Buried in an unlabeled tan folder were several pages of hand-written notes concerning Keppler Werk GmbH, a small metallurgy firm based in the former East German city of Magdeburg. Apparently, Landesmann had secretly purchased the company in 2002, then poured millions into transforming the once-dilapidated facility into a modern technological showpiece. It seemed that Keppler’s assembly lines now manufactured some of the finest industrial-grade valves in Europe—valves it shipped to customers around the world. It was a list of those customers that raised alarm bells, for Keppler’s distribution chain corresponded rather nicely to a global smuggling route well known to Office analysts. The network began in the industrial belt of Western Europe, snaked its way across the lands of the former Soviet Union, then looped through the shipping lanes of the Pacific Rim before finally reaching its terminus at the Islamic Republic of Iran.
It was this discovery, made on the fourth day of the team’s effort, that prompted Gabriel to announce that they had just discovered Martin’s loose thread. Uzi Navot immediately christened the operation Masterpiece and headed to Kaplan Street in Jerusalem. The prime minister wanted details, and Nav
ot finally had a critical one to share. Gabriel’s project was no longer simply about a missing Rembrandt portrait and a pile of looted Holocaust assets. Martin Landesmann was in bed with the Iranians. And only God knew who else.
THE NEXT EVENING, Martin Landesmann became the target of active, if distant, Office surveillance. The setting for this milestone was Montreal; the occasion was a charity gala at a downtown hotel for a cause Saint Martin supposedly held dear. The watchers took several photos of Landesmann as he arrived for the party—accompanied by Jonas Brunner, his personal security chief—and snapped several more as he departed in the same manner. When next they saw him he was stepping off his private business jet at Geneva International Airport and into the back of an armored Mercedes Maybach 62S limousine, which delivered him directly to Villa Elma, his palatial estate on the shores of Lake Geneva. Martin, they would soon discover, spent almost no time at GVI’s headquarters on the Quai de Mont-Blanc. Villa Elma was his base of operations, the true nerve center of his vast empire, and the repository of Martin’s many secrets.
As the surveillance operation settled into place, it began to produce a steady stream of intelligence, most of it useless. The watchers took many pretty pictures of Martin and recorded the occasional snatch of long-range audio, but their efforts produced nothing resembling an actionable piece of information. Martin conducted conversations they could not hear with men they could not identify. It was, said Gabriel, like listening to a melody without words.