And the children, watching with happy delight, soon understood his method. Each object that he touched emitted a tiny light. In her mind he touched the jumble of wandering images as well. On waking she would find both one and the other better assorted. Some of the lost things her memory ever groped for she would find more readily. She would see the starlight on them.
'See,' said their leader softly, as the long thin figure of the Lamplighter shot away into the night, 'she sleeps so lightly because she is so old—fastened so delicately to the brain and heart. The fastenings are worn and loose now. Already she is partly out!'
'That's why she's so muddled in the daytime,' explained Jimbo, for his sister's benefit.
'Exaccurately, I knew it already!' was the reply, turning a somersault like a wheel of twirling meteors close to the old lady's nose.
'Carefully, now!' said their leader. 'And hurry up! There's not much we can do here, and there's heaps to do elsewhere. We must remember Mother and Daddy—before the Interfering Sun is up, you know.'
They flashed about the attic chamber, tipping everything with light, from the bundle of clothes that strewed the floor to the confused interior of the black basket-trunk where she kept her money and papers. There were no shelves in this attic chamber; no room for cupboards either; it was the cheapest room in the house. And the old woman in the bed sometimes opened her eyes and peered curiously, expectantly, about her. Even in her sleep she looked for things. Almost, they felt, she seemed aware of their presence near her, she knew that they were there; she smiled.
A moment later they were in mid-air on their way to the Citadelle, singing as they went:—
He keeps that only
For the old and lonely,
Who sleep so little that they need the best.
The rest—
The common stuff—
Is good enough
For Fraulein, or for baby, or for mother,
Or any other
Who likes a bit of dust,
And yet can do without it—
If they must...
Already something of the Dawn's faint magic painting lay upon the world. Roofs shone with dew. The woods were singing, and the flowers were awake. Birds piped and whistled shrilly from the orchards. They heard the Mer Dasson murmuring along her rocky bed. The rampart of the Alps stood out more clearly against the sky.
'We must be very quick,' Cousin Henry flashed across to them, 'quicker than an express train.'
'That's impossible,' cried Jimbo, who already felt the call of waking into his daily world. 'Hark! There's whistling already....'
The next second, in a twinkling, he was gone. He had left them. His body had been waked up by the birds that sang and whistled so loudly in the plane tree outside his window. Monkey and her guide raced on alone into the very room where he now sat up and rubbed his eyes in the Citadelle. He was telling his mother that he had just been 'dreaming extraordinary.' But Mother, sleeping like a fossil monster in the Tertiary strata, heard him not.
'He often goes like that,' whispered Monkey in a tone of proud superiority. 'He's only a little boy really, you see.'
But the sight they then witnessed was not what they expected.
For Mademoiselle Lemaire herself was working over Mother like an engine, and Mother was still sleeping like the dead. The radiance that emanated from the night-body of this suffering woman, compared to their own, was as sunlight is to candle-light. Its soft glory was indescribable, its purity quite unearthly, and the patterns that it wove lovely beyond all telling. Here they surprised her in the act, busy with her ceaseless activities for others, working for the world by thinking beauty. While her pain-racked body lay asleep in the bed it had not left for thirty years, nor would ever leave again this side of death, she found her real life in loving sympathy for the pain of others everywhere. For thought is prayer, and prayer is the only true effective action that leaves no detail incomplete. She thought light and glory into others. Was it any wonder that she drew a special, brilliant supply from the Starlight Cavern, when she had so much to give? For giving-out involved drawing-in to fill the emptied spaces. Her pure and endless sources of supply were all explained.
'I've been working on her for years,' she said gently, looking round at their approach, 'for her life is so thickly overlaid with care, and the care she never quite knows how to interpret. We were friends, you see, in childhood.... You'd better hurry on to the carpenter's house. You'll find Jinny there doing something for her father.' She did not cease her working while she said it, this practical mind so familiar with the methods of useful thinking, this loving heart so versed in prayer while her broken body, deemed useless by the world, lay in the bed that was its earthly prison-house. 'He can give me all the help I need,' she added.
She pointed, and they saw the figure of the Sweep standing in the corner of the room among a pile of brimming sacks. His dirty face was beaming. They heard him singing quietly to himself under his breath, while his feet and sooty hands marked time with a gesture of quaintest dancing:—
Such a tremendously busy Sweep,
Catching the world when it's all asleep,
And tossing the blacks on the Rubbish Heap
Over the edge of the world!
'Come,' whispered Cousin Henry, catching at Monkey's hair, 'we can do something, but we can't do that. She needs no help from us!'
They sped across to the carpenter's house among the vineyards.
'What a splendour!' gasped the child as they went. 'My starlight seems quite dim beside hers.'
'She's an old hand at the game,' he replied, noticing the tinge of disappointment in her thought. 'With practice, you know—'
'And Mummy must be pretty tough,' she interrupted with a laugh, her elastic nature recovering instantly.
'—with practice, I was going to say, your atmosphere will get whiter too until it simply shines. That's why the saints have halos.'
But Monkey did not hear this last remark, she was already in her father's bedroom, helping Jinny.
Here there were no complications, no need for assistance from a Sweep, or Gardener, or Lamplighter. It was a case for pulling, pure and simple. Daddy was wumbled, nothing more. Body, mind, and heart were all up-jumbled. In making up the verse about the starlight he had merely told the truth—about himself. The poem was instinctive and inspirational confession. His atmosphere, as he lay there, gently snoring in his beauty sleep, was clear and sweet and bright, no darkness in it of grey or ugliness; but its pattern was a muddle, or rather there were several patterns that scrambled among each other for supremacy. Lovely patterns hovered just outside him, but none of them got really in. And the result was chaos. Daddy was not clear-headed; there was no concentration. Something of the perplexed confusion that afflicted his elder daughter in the daytime mixed up the patterns inextricably. There was no main pathway through his inner world.
And the picture proved it. It explained why Jinny pulled in vain. His night-body came out easily as far as the head, then stuck hopelessly. He looked like a knotted skein of coloured wools. Upon the paper where he had been making notes before going to sleep—for personal atmosphere is communicated to all its owner touches—lay the same confusion. Scraps of muddle, odds and ends of different patterns, hovered in thick blots of colour over the paragraphs and sentences. His own uncertainty was thus imparted to what he wrote, and his stories brought no conviction to his readers. He was too much the Dreamer, or too much the Thinker, which of the two was not quite clear. Harmony was lacking.
'That's probably what I'M like, too,' thought his friend, but so softly that the children did not hear it. That Scheme of his passed vaguely through his mind.
Then he cried louder—a definite thought:—
'There's no good tugging like that, my dears. Let him slip in again. You'll only make him restless, and give him distorted dreams.'
'I've tugged like this every night for months,' said Jinny, 'but the moment I let go he flies back like elastic.'
r /> 'Of course. We must first untie the knots and weave the patterns into one. Let go!'
Daddy's night-body flashed back like a sword into its sheath. They stood and watched him. He turned a little in his sleep, while above him the lines twined and wriggled like phosphorus on moving water, yet never shaped themselves into anything complete. They saw suggestions of pure beauty in them here and there that yet never joined together into a single outline; it was like watching the foam against a steamer's sides in moonlight—just failing of coherent form.
'They want combing out,' declared Jane Anne with a brilliant touch of truth. 'A rake would be best.'
'Assorting, sifting, separating,' added Cousinenry, 'but it's not easy.' He thought deeply for a moment. 'Suppose you two attend to the other things,' he said presently, 'while I take charge of the combing- out.'
They knew at once his meaning; it was begun as soon as thought, only they could never have thought of it alone; none but a leader with real sympathy in his heart could have discovered the way.
Like Fairies, lit internally with shining lanterns, they flew about their business. Monkey picked up his pencils and dipped their points into her store of starlight, while Jinny drew the cork out of his ink- pot and blew in soft-shiny radiance of her own. They soaked his books in it, and smoothed his paper out with their fingers of clean gold. His note-books, chair, and slippers, his smoking-coat and pipes and tobacco-tins, his sponge, his tooth-brush and his soap—everything from dressing-gown to dictionary, they spread thickly with their starlight, and continued until the various objects had drunk in enough to make them shine alone.
Then they attacked the walls and floor and ceiling, sheets and bed- clothes. They filled the tin-bath full to the very brim, painted as well the windows, door-handles, and the wicker chair in which they knew he dozed after dejeuner. But with the pencils, pens, and ink-pots they took most trouble, doing them very thoroughly indeed. And his enormous mountain-boots received generous treatment too, for in these he went for his long lonely walks when he thought out his stories among the woods and valleys, coming home with joy upon his face—'I got a splendid idea to-day—a magnificent story—if only I can get it on to paper before it's gone...!' They understood his difficulty now: the 'idea' was wumbled before he could fashion it. He could not get the pattern through complete.
And his older friend, working among the disjointed patterns, saw his trouble clearly too. It was not that he lacked this sympathy that starlight brings, but that he applied it without discernment. The receiving instrument was out of order, some parts moving faster than others. Reason and imagination were not exaccurately adjusted. He gathered plenty in, but no clear stream issued forth again; there was confusion in delivery. The rays were twisted, the golden lines caught into knots and tangles. Yet, ever just outside him, waiting to be taken in, hovered these patterns of loveliness that might bring joy to thousands. They floated in beauty round the edges of his atmosphere, but the moment they sank in to reach his mind, there began the distortion that tore their exquisite proportions and made designs mere disarrangement. Inspiration, without steady thought to fashion it, was of no value.
He worked with infinite pains to disentangle the mass of complicated lines, and one knot after another yielded and slipped off into rivulets of gold, all pouring inwards to reach heart and brain. It was exhilarating, yet disappointing labour. New knots formed themselves so easily, yet in the end much surely had been accomplished. Channels had been cleared; repetition would at length establish habit.
But the line of light along the eastern horizon had been swiftly growing broader meanwhile. It was brightening into delicate crimson. Already the room was clearer, and the radiance of their bodies fading into a paler glory. Jane Anne grew clumsier, tumbling over things, and butting against her more agile sister. Her thoughts became more muddled. She said things from time to time that showed it—hints that waking was not far away.
'Daddy's a wumbled Laplander, you know, after all. Hurry up!' The foolish daylight speech came closer.
'Give his ink-pot one more blow,' cried Monkey. Her body always slept at least an hour longer than the others. She had more time for work.
Jane Anne bumped into the washhand-stand. She no longer saw quite clearly.
'I'm a plenipotentiary, that's what I am. I'm afraid of nothing. But the porridge has to be made. I must get back....'
She vanished like a flash, just as her brother had vanished half an hour before.
'We'll go on with it to-morrow night,' signalled Cousin Henry to his last remaining helper. 'Meet me here, remember, when...the moon...is high enough to...cast...a...shadow....'
The opening and shutting of a door sounded through his sleep. He turned over heavily. Surely it was not time to get up yet. That could not be hot water coming! He had only just fallen asleep. He plunged back again into slumber.
But Monkey had disappeared.
'What a spanking dream I've had...!' Her eyes opened, and she saw her school-books on the chair beside the bed. Mother was gently shaking her out of sleep. 'Six o'clock, darling. The bath is ready, and Jinny's nearly got the porridge done. It's a lovely morning!'
'Oh, Mummy, I—'
But Mummy lifted her bodily out of bed, kissed her sleepy eyes awake, and half carried her over to the bath. 'You can tell me all about that later,' she said with practical decision; 'when the cold water's cleared your head. You're always fuzzy when you wake.'
Another day had begun. The sun was blazing high above the Blumlisalp. The birds sang in chorus. Dew shone still on the fields, but the men were already busy in the vineyards.
And presently Cousin Henry woke too and stared lazily about his room. He looked at his watch.
'By Jove,' he murmured. 'How one does sleep in this place! And what a dream to be sure—I who never dream!'
He remembered nothing more. From the moment he closed his eyes, eight hours before, until this second, all was a delicious blank. He felt refreshed and wondrously light-hearted, at peace with all the world. There was music in his head. He began to whistle as he lay among the blankets for half an hour longer. And later, while he breakfasted alone downstairs, he remembered that he ought to write to Minks. He owed Minks a letter. And before going out into the woods he wrote it. 'I'm staying on a bit,' he mentioned at the end. 'I find so much to do here, and it's such a rest. Meanwhile I can leave everything safely in your hands. But as soon as I get a leisure moment I'll send you the promised draft of my Scheme for Disabled, etc., etc.'
But the Scheme got no further somehow. New objections, for one thing, kept cropping up in his mind. It would take so long to build the place, and find the site, satisfy County Councils, and all the rest. The Disabled, moreover, were everywhere; it was invidious to select one group and leave the others out. Help the world, yes—but what was 'the world'? There were so many worlds. He touched a new one every day and every hour. Which needed his help most? Bourcelles was quite as important, quite as big and hungry as any of the others. 'That old Vicar knew a thing or two,' he reflected later in the forest, while he gathered a bunch of hepaticas and anemones to take to Mlle. Lemaire. 'There are "neighbours" everywhere, the world's simply chock full of 'em. But what a pity that we die just when we're getting fit and ready to begin. Perhaps we go on afterwards, though. I wonder...!'
Chapter XVII
*
The stars ran loose about the sky,
Wasting their beauty recklessly,
Singing and dancing,
Shooting and prancing,
Until the Pole Star took command,
Changing each wild, disordered band
Into a lamp to guide the land—
A constellation.
And so, about my mind and yours,
Thought dances, shoots, and wastes its powers,
Coming and going,
Aimlessly flowing,
Until the Pole Star of the Will
Captains them wisely, strong, and still,
Some dream for othe
rs to fulfil
With consecration.
Selected Poems, Montmorency Minke.
There was a certain air of unreality somewhere in the life at Bourcelles that ministered to fantasy. Rogers had felt it steal over him from the beginning. It was like watching a children's play in which the scenes were laid alternately in the Den, the Pension, and the Forest. Side by side with the grim stern facts of existence ran the coloured spell of fairy make-believe. It was the way they mingled, perhaps, that ministered to this spirit of fantasy.
There were several heroines for instance—Tante Jeanne, Mademoiselle Lemaire, and Mother; each played her role quite admirably. There were the worthy sterling men who did their duty dumbly, regardless of consequences—Daddy, the Postmaster, and the picturesque old clergyman with failing powers. There was the dark, uncertain male character, who might be villain, yet who might prove extra hero—the strutting postman of baronial ancestry; there was the role of quaint pathetic humour Miss Waghorn so excellently filled, and there were the honest rough-and-tumble comedians—half mischievous, half malicious—the retired governesses. Behind them all, brought on chiefly in scenes of dusk and moonlight, were the Forest Elves who, led by Puck, were responsible for the temporary confusion that threatened disaster, yet was bound to have a happy ending—the children. It was all a children's play set in the lovely scenery of mountain, forest, lake, and old-world garden.
Numerous other characters also flitted in and out. There was the cat, the bird, the donkey as in pantomime; goblin caves and haunted valleys and talking flowers; and the queer shadowy folk who came to the Pension in the summer months, then vanished into space again. Links with the outside world were by no means lacking. As in the theatre, one caught now and again the rumble of street traffic and the roar of everyday concerns. But these fell in by chance during quiet intervals, and served to heighten contrast only.
And so many of the principal roles were almost obviously assumed, interchangeable almost; any day the players might drop their wigs, rub off the paint, and appear otherwise, as they were in private life. The Widow Jequier's husband, for instance, had been a pasteur who had gone later into the business of a wine-merchant. She herself was not really the keeper of a Pension for Jeune Filles, but had drifted into it owing to her husband's disastrous descent from pulpit into cellar— understudy for some one who had forgotten to come on. The Postmaster, too, had originally been a photographer, whose funereal aspect had sealed his failure in that line. His customers could never smile and look pleasant. The postman, again, was a baron in disguise—in private life he had a castle and retainers; and even Gygi, the gendarme, was a make-believe official who behind the scenes was a vigneron and farmer in a very humble way. Daddy, too, seemed sometimes but a tinsel author dressed up for the occasion, and absurdly busy over books that no one ever saw on railway bookstalls. While Mademoiselle Lemaire was not in fact and verity a suffering, patient, bed-ridden lady, but a princess who escaped from her disguise at night into glory and great beneficent splendour.