A little after one that afternoon, Remy had followed Peter along the Jamaica Way and into the lot of the Sunbeam Motor Lodge. The man had parked his Ford Taurus in front of one of the rooms, and simply sat with the motor running. Remy had pulled past him and idled on the other side of the parking area, against a fence that separated the motor lodge from an overgrown vacant lot littered with the rusting remains of cars and household appliances. Someone had tossed a bag of garbage over the fence, where it had burst like an overripe piece of fruit, spilling its contents.
The cries of birds pulled Remy’s attention away from Mountgomery to the trash-strewn lot. He watched as the hungry scavengers swooped down onto the discarded refuse, picking through the rotting scraps, and then climbing back into the air, navigating the sky with graceful ease.
For a sad instant, he remembered what it was like: the sound and the feel of mighty wings pounding the air. Flying was one of the only things he truly missed about his old life.
He turned his attention back to Mountgomery, just in time to see another car pull up alongside the editor’s. Time to earn my two-fifty plus expenses, he thought, watching as Peter’s secretary emerged from the vehicle. Then he picked up his camera from the passenger’s seat and began snapping pictures.
The woman stood stiffly beside the driver’s side of her boss’s car, looking nervously about as she waited to be acknowledged, finally reaching out to rap with a knuckle upon the window. The man got out of the car, but the couple said nothing to each other. Mountgomery was dressed in his usual work attire—dark suit, white shirt, and striped tie. He was forty-six years of age but looked older. In a light raincoat over a pretty floral-print dress, the woman appeared to be at least ten years his junior.
The editor carried a blue gym bag that he switched from right hand to left as he locked his car. The two stared at each other briefly, something seeming to pass silently between them, then together walked to room number 35. The secretary searched through her purse as they stood before the door, eventually producing a key attached to a dark green plastic triangle. Remy guessed that she had rented the room earlier, and took four more pictures, an odd feeling settling in the pit of his stomach. The strange sensation grew stronger as the couple entered the room and shut the door behind them.
This was the part of the job Remy disliked most. He would have been perfectly satisfied, as would his client, he was sure, to learn that the husband was completely faithful. Everyone would have been happy; Remy could pay his rent, and Janice Mountgomery could sleep better knowing that her husband was still true to the sacred vows of marriage. Nine out of ten times, though, that wasn’t the case.
Suspecting he’d be a while, the detective turned off his car and shifted in his seat. He reached for a copy of the Boston Globe on the passenger’s seat beside him, and had just plucked a pen from his inside coat pocket to begin the crossword puzzle, when he heard the first gunshot.
He was out of the car and halfway across the lot before he even thought about what he was doing. His hearing was good—unnaturally so—and he knew exactly where the sound had come from. He reached the door to room 35, pounding on it with his fist, shouting for Mountgomery to open up. Remy prayed that he was mistaken, that maybe the sound was a car backfire from the busy Jamaica Way, or that some kids in the neighborhood were playing with fireworks left over from the Fourth of July. But deep down he knew otherwise.
A second shot rang out as he brought his heel up and kicked open the door, splintering the frame with the force of the blow. The door swung wide and he entered, keeping his head low, and for the umpteenth time since choosing his profession, questioned his decision not to carry a weapon.
The room was dark and cool, the shades drawn. An air conditioner rattled noisily in the far corner beneath the window; smoke and the smell of spent ammunition hung thick in the air. Mountgomery stood naked beside the double bed, illuminated by the daylight flooding in through the open door. Shielding his eyes from the sudden brightness, the man turned, shaken by the intrusion.
The body of the woman, also nude, lay on the bed atop a dark, checkered bedspread, what appeared to be a Bible clutched in one of her hands. She had been shot once in the forehead and again in the chest. Mountgomery wavered on his bare feet, the gun shaking in his hand at his side. He stared at Remy in the doorway and slowly raised the weapon.
“Don’t do anything stupid,” Remy cautioned, his hands held out in front of him. “I’m unarmed.”
He felt a surge of adrenaline flood through his body as he watched the man squint down the barrel of the pistol. This is what it’s like to be truly alive, he thought. In the old days, before his renouncement, Remy had never known the thrill of fear; there was no reason to. But now, moments such as this made what he had given up seem almost insignificant.
The man jabbed the gun at Remy and screamed, “Shut the door!” Slowly, Remy did as he was told, never taking his eyes from the gunman.
“It’s not what you think,” Mountgomery began. “Not what you think at all.” He brought the weapon up and scratched at his temple offhandedly with the muzzle. “Who . . . who are you?” the editor stammered, his features twisting in confusion as he thrust the gun toward Remy again. “What are you doing here?” His voice was frantic, teetering on the edge of hysteria.
Hands still raised, Remy cautiously stepped farther into the room. As a general rule, he didn’t like to lie when he had a gun pointed at him. “I’m a private investigator, Mr. Mountgomery,” he said in a soft, calm voice. “Your wife hired me. I’m not going to try anything, okay? Just put the gun down and we’ll talk. Maybe we can figure a way out of this mess. What do you think?”
Mountgomery blinked as if trying to focus. He stumbled slightly to the left, the gun still aimed at Remy. “A way out of this mess,” he repeated, with a giggle. “Nobody’s getting out of this one.”
He glanced at his companion on the bed and began to sob, his voice trembling with emotion. “Did you hear that, Carol? The bitch hired a detective to follow me.”
Mountgomery reached out to the dead woman. But when she didn’t respond, he let his arm flop dejectedly to his side. He looked back at Remy. “Carol was the only one who understood. She listened. She believed me.” Tears of genuine emotion ran down his face. “I wish we’d had more time together,” he said wistfully.
“The bitch at home thought I was crazy. Well, we’ll see how crazy I am when it all turns to shit.” The sadness was turning to anger again. “This is so much harder than I imagined,” he said, his face twisted in pain.
He lowered the gun slightly, and Remy started to move. Instantly, Mountgomery reacted, the weapon suddenly inches from the detective’s face. Obviously, madness had done little to slow his reflexes.
“It started when they opened up my head,” Mountgomery began. “The dreams. At first I thought they were just that, bad dreams, but then I realized they were much more.”
The editor pressed the gun against Remy’s cheek. “I was dreaming about the end of the world, you see. Every night it became clearer—the dreams—more horrible. I don’t want to die like that,” he said, shaking his head, eyes glassy. “And I don’t want the people I love to die like that, either.” The man leaned closer to Remy. He smelled of aftershave and a sickly sour sweat. “Are you a religious man?”
If he had not been so caught up in the seriousness of the situation, Remy Chandler would have laughed. “I have certain—beliefs. Yes. What do you believe in, Peter?”
Mountgomery swallowed hard. “I believe we’re all going to die horribly. Carol, that was her name.” He jerked his head toward the dead woman on the bed. “Carol Weir. She wanted to be brave, to face the end with me. But she was too good to die that way.”
He smiled forlornly and tightened his grip on the gun. “I would have divorced my wife and married her, but it seemed kind of pointless when we looked at the big picture. This was the nicest thing
I could do for her. She thanked me before I . . .”
Mountgomery’s face went wild with the realization of what he had done, and he jammed the barrel of the gun into Remy’s forehead. The muzzle felt warm.
“Would you prefer to die now, or wait until it all goes to Hell?” the editor asked him.
“I’m not ready to make that decision.”
Remy suddenly jerked his head to one side, grabbing the man’s wrist, pushing the gun away from his face. Mountgomery pulled the trigger. A bullet roared from the weapon to bury itself in the worn shag carpet under them.
The two men struggled for the weapon, Mountgomery screaming like a wild animal. But he was stronger than Remy had imagined, and quickly regained control of the pistol, forcing the detective back.
Again, the editor raised his arm and aimed the weapon.
“Don’t you point that thing at me,” Remy snarled, glaring at the madman. “If you want to die, then die. If you want to take the coward’s way out, do it. But don’t you dare try to take me with you.”
Mountgomery seemed taken aback by the detective’s fierce words. He squinted, tilting his head from left to right, as if seeing the man before him for the first time. “Look at you,” he said suddenly, with an odd smile and a small chuckle. “I didn’t even notice until now.” He dropped the weapon to his side.
It was Remy’s turn to be confused. He glanced briefly behind him to be sure no one else had entered the room.
“Are you here for her—for Carol?” Mountgomery continued. “She deserves to be in Heaven. She is—was a good person—a very good person.”
“What are you talking about, Peter?” Remy asked. “Why would I be here for Carol? Your wife hired me to—”
Mountgomery guffawed, the strange barking sound cutting Remy off midsentence. “There’s no need to pretend with me,” he said smiling. “I can see what you are.”
A finger of ice ran down Remy’s spine.
With a look of resigned calm, Mountgomery raised the gun and pressed the muzzle beneath the flesh of his chin. “I never imagined I’d be this close to one,” he said, finger tensing on the trigger. “Angels are even more beautiful than they say.”
Remy lunged, but Mountgomery proved faster again. The editor pulled the trigger and the bullet punched through the flesh and bone of his chin and up into his brain, exiting through the top of his head in a spray of crimson. He fell back stiffly onto the bed—atop his true love, twitching wildly as the life drained out of him, and then rolling off the bed to land on the floor. His eyes, wide in death, gazed with frozen fascination at the wing-shaped pattern created by his blood and brains on the ceiling above.
Remy studied the gruesome example of man’s fragile mortality before him, Mountgomery’s final words reverberating through his mind.
I never imagined I’d be this close to one.
He caught his reflection in a mirror over the room’s single dresser and stared hard at himself, searching for cracks in the façade. Is it possible? he wondered. Had Peter Mountgomery somehow seen through Remy’s mask of humanity?
Angels are even more beautiful than they say.
Remy looked away from his own image and back to the victims of violence. How could a case so simple turn into something so ugly? he asked himself, moving toward the broken door, followed by the words of a man who could see angels and had dreamt of the end of the world.
He stepped quickly into the afternoon sun and almost collided with the Hispanic cleaning woman and her cart of linens. She looked at him and then craned her neck to see around him and into the room. Remy caught the first signs of panic growing in her eyes and reached back for the knob, pulling the door closed. In flawless Spanish he told her not to go into the room, that death had visited those within, and it was not for her to see. The woman nodded slowly, her eyes never leaving his as she pushed her cart quickly away.
ABOUT THE AUTHOR
Thomas E. Sniegoski is a full-time writer of young adult novels, urban fantasy, and comics. His works include the Demonists series, the New York Times bestselling Fallen series, the Remy Chandler novels, the graphic novel The Raven’s Child, as well as contributions to famous comics such as Batman, Buffy the Vampire Slayer, and B.P.R.D.
CONNECT ONLINE
sniegoski.com
facebook.com/thomas.sniegoski
twitter.com/tomsniegoski
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Thomas E. Sniegoski, Dark Exodus
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