The whole town is peeling and fading like those suites of rooms that once-rich families will barricade away in the backs of their mansions when it gets too expensive to keep the maintenance up and it’s easier to just nail the doors shut and forget about the dying treasures on the other side—this is Venice. Greasy streams of Adriatic backwash nudge up against the long-suffering foundations of these buildings, testing the endurance of this fourteenth-century science fair experiment—Hey, what if we built a city that sits in water all the time?
Venice is spooky under its grainy November skies. The city creaks and sways like a fishing pier. Despite Linda’s initial confidence that we can govern this town, we get lost every day, and most especially at night, taking wrong turns toward dark corners that dead-end dangerously and directly into canal water. One foggy night, we pass an old building that seems to actually be groaning in pain. “Not to worry,” chirps Linda. “That’s just Satan’s hungry maw.” I teach her my favorite Italian word—attraversiamo (“let’s cross over”)—and we backtrack nervously out of there.
The beautiful young Venetian woman who owns the restaurant near where we are staying is miserable with her fate. She hates Venice. She swears that everyone who lives in Venice regards it as a tomb. She’d fallen in love once with a Sardinian artist, who’d promised her another world of light and sun, but had left her, instead, with three children and no choice but to return to Venice and run the family restaurant. She is my age but looks even older than I do, and I can’t imagine the kind of man who could do that to a woman so attractive. (“He was powerful,” she says, “and I died of love in his shadow.”) Venice is conservative. The woman has had some affairs here, maybe even with some married men, but it always ends in sorrow. The neighbors talk about her. People stop speaking when she walks into the room. Her mother begs her to wear a wedding ring just for appearances—saying, Darling, this is not Rome, where you can live as scandalously as you like. Every morning when Linda and I come for breakfast and ask our sorrowful young/old Venetian proprietress about the weather report for the day, she cocks the fingers of her right hand like a gun, puts it to her temple, and says, “More rain.”
Yet I don’t get depressed here. I can cope with, and even somehow enjoy, the sinking melancholy of Venice, just for a few days. Somewhere in me I am able to recognize that this is not my melancholy; this is the city’s own indigenous melancholy, and I am healthy enough these days to be able to feel the difference between me and it. This is a sign, I cannot help but think, of healing, of the coagulation of my self. There were a few years there, lost in borderless despair, when I used to experience all the world’s sadness as my own. Everything sad leaked through me and left damp traces behind.
Anyhow, it’s hard to be depressed with Linda babbling beside me, trying to get me to buy a giant purple fur hat, and asking of the lousy dinner we ate one night, “Are these called Mrs. Paul’s Veal Sticks?” She is a firefly, this Linda. In Venice in the Middle Ages there was once a profession for a man called a codega—a fellow you hired to walk in front of you at night with a lit lantern, showing you the way, scaring off thieves and demons, bringing you confidence and protection through the dark streets. This is Linda—my temporary, special-order, travel-sized Venetian codega.
33
I step off the train a few days later to a Rome full of hot, sunny, eternal disorder, where—immediately upon walking out into the street—I can hear the soccer-stadium-like cheers of a nearby manifestazione, another labor demonstration. What they are striking about this time, my taxi driver cannot tell me, mainly because, it seems, he doesn’t care. “ ’Sti cazzi,” he says about the strikers. (Literal translation: “These balls,” or, as we might say: “I don’t give a shit.”) It’s nice to be back. After the staid sobriety of Venice, it’s nice to be back where I can see a man in a leopard-skin jacket walking past a pair of teenagers making out right in the middle of the street. The city is so awake and alive, so dolled-up and sexy in the sunshine.
I remember something that my friend Maria’s husband, Giulio, said to me once. We were sitting in an outdoor café, having our conversation practice, and he asked me what I thought of Rome. I told him I really loved the place, of course, but somehow knew it was not my city, not where I’d end up living for the rest of my life. There was something about Rome that didn’t belong to me, and I couldn’t quite figure out what it was. Just as we were talking, a helpful visual aid walked by. It was the quintessential Roman woman—a fantastically maintained, jewelry-sodden forty-something dame wearing four-inch heels, a tight skirt with a slit as long as your arm, and those sunglasses that look like race cars (and probably cost as much). She was walking her little fancy dog on a gem-studded leash, and the fur collar on her tight jacket looked as if it had been made out of the pelt of her former little fancy dog. She was exuding an unbelievably glamorous air of: “You will look at me, but I will refuse to look at you.” It was hard to imagine she had ever, even for ten minutes of her life, not worn mascara. This woman was in every way the opposite of me, who dresses in a style my sister refers to as “Stevie Nicks Goes to Yoga Class in Her Pajamas.”
I pointed that woman out to Giulio, and I said, “See, Giulio—that is a Roman woman. Rome cannot be her city and my city, too. Only one of us really belongs here. And I think we both know which one.”
Giulio said, “Maybe you and Rome just have different words.”
“What do you mean?”
He said, “Don’t you know that the secret to understanding a city and its people is to learn—what is the word of the street?”
Then he went on to explain, in a mixture of English, Italian and hand gestures, that every city has a single word that defines it, that identifies most people who live there. If you could read people’s thoughts as they were passing you on the streets of any given place, you would discover that most of them are thinking the same thought. Whatever that majority thought might be—that is the word of the city. And if your personal word does not match the word of the city, then you don’t really belong there.
“What’s Rome’s word?” I asked.
“SEX,” he announced.
“But isn’t that a stereotype about Rome?”
“No.”
“But surely there are some people in Rome thinking about other things than sex?”
Giulio insisted: “No. All of them, all day, all they are thinking about is SEX.”
“Even over at the Vatican?”
“That’s different. The Vatican isn’t part of Rome. They have a different word over there. Their word is POWER.”
“You’d think it would be FAITH.”
“It’s POWER,” he repeated. “Trust me. But the word in Rome—it’s SEX.”
Now if you are to believe Giulio, that little word—SEX—cobbles the streets beneath your feet in Rome, runs through the fountains here, fills the air like traffic noise. Thinking about it, dressing for it, seeking it, considering it, refusing it, making a sport and game out of it—that’s all anybody is doing. Which would make a bit of sense as to why, for all its gorgeousness, Rome doesn’t quite feel like my hometown. Not at this moment in my life. Because SEX isn’t my word right now. It has been at other times of my life, but it isn’t right now. Therefore, Rome’s word, as it spins through the streets, just bumps up against me and tumbles off, leaving no impact. I’m not participating in the word, so I’m not fully living here. It’s a kooky theory, impossible to prove, but I sort of like it.
Giulio asked, “What’s the word in New York City?”
I thought about this for a moment, then decided. “It’s a verb, of course. I think it’s ACHIEVE.”
(Which is subtly but significantly different from the word in Los Angeles, I believe, which is also a verb: SUCCEED. Later, I will share this whole theory with my Swedish friend Sofie, and she will offer her opinion that the word on the streets of Stockholm is CONFORM, which depresses both of us.)
I asked Giulio, “What’s the word in Naples?” He kno
ws the south of Italy well.
“FIGHT,” he decides. “What was the word in your family when you were growing up?”
That one was difficult. I was trying to think of a single word that somehow combines both FRUGAL and IRREVERENT. But Giulio was already on to the next and most obvious question: “What’s your word?”
Now that, I definitely could not answer.
And still, after a few weeks of thinking about it, I can’t answer it any better now. I know some words that it definitely isn’t. It’s not MARRIAGE, that’s evident. It’s not FAMILY (though this was the word of the town I’d lived in for a few years with my husband, and since I did not fit with that word, this was a big cause of my suffering). It’s not DEPRESSION anymore, thank heavens. I’m not concerned that I share Stockholm’s word of CONFORM. But I don’t feel that I’m entirely inhabiting New York City’s ACHIEVE anymore, either, though that had indeed been my word all throughout my twenties. My word might be SEEK. (Then again, let’s be honest—it might just as easily be HIDE.) Over the last months in Italy, my word has largely been PLEASURE, but that word doesn’t match every single part of me, or I wouldn’t be so eager to get myself to India. My word might be DEVOTION, though this makes me sound like more of a goody-goody than I am and doesn’t take into account how much wine I’ve been drinking.
I don’t know the answer, and I suppose that’s what this year of journeying is about. Finding my word. But one thing I can say with all assurance—it ain’t SEX.
Or so I claim, anyhow. You tell me, then, why today my feet led me almost of their own accord to a discreet boutique off the Via Condotti, where—under the expert tutelage of the silky young Italian shop girl—I spent a few dreamy hours (and a transcontinental airline ticket’s worth of money) buying enough lingerie to keep a sultan’s consort outfitted for 1,001 nights. I bought bras of every shape and formation. I bought filmy, flimsy camisoles and sassy bits of panty in every color of the Easter basket, and slips that came in creamy satins and hush-now-baby silks, and handmade little bits of string and things and basically just one velvety, lacy, crazy valentine after another.
I have never owned things like this in my life. So why now? As I was walking out of the store, hauling my cache of tissue-wrapped naughties under my arm, I suddenly thought of the anguished demand I’d heard a Roman soccer fan yell the other night at the Lazio game, when Lazio’s star player Albertini at a critical moment had passed the ball right into the middle of nowhere, for no reason whatsoever, totally blowing the play.
“Per chi???” the fan had shouted in near-madness. “Per chi???”
For WHOM??? For whom are you passing this ball, Albertini? Nobody’s there!
Out on the street after my delirious hours of lingerie shopping, I remembered this line and repeated it to myself in a whisper: “Per chi?”
For whom, Liz? For whom all this decadent sexiness? Nobody’s there. I had only a few weeks left in Italy and absolutely no intention of knocking boots with anyone. Or did I? Had I finally been affected by the word on the streets in Rome? Was this some final effort to become Italian? Was this a gift to myself, or was it a gift for some as yet not even imagined lover? Was this an attempt to start healing my libido after the sexual self-confidence disaster of my last relationship?
I asked myself, “You gonna bring all this stuff to India?”
34
Luca Spaghetti’s birthday falls this year on America’s Thanksgiving Day, so he wants to do a turkey for his birthday party. He’s never eaten a big, fat, roasted American Thanksgiving turkey, though he’s seen them in pictures. He thinks it should be easy to replicate such a feast (especially with the help of me, a real American). He says we can use the kitchen of his friends Mario and Simona, who have a nice big house in the mountains outside Rome, and who always host Luca’s birthday parties.
So here was Luca’s plan for the festivities—he would pick me up at around seven o’clock at night, after he’d finished work, and then we would drive north out of Rome for an hour or so to his friends’ house (where we would meet the other attendees of the birthday party) and we’d drink some wine and all get to know each other, and then, probably around 9:00 PM, we would commence to roasting a twenty-pound turkey . . .
I had to do some explaining to Luca about how much time it takes to roast a twenty-pound turkey. I told him his birthday feast would probably be ready to eat, at that rate, around dawn the next day. He was destroyed. “But what if we bought a very small turkey? A just-born turkey?”
I said, “Luca—let’s make it easy and have pizza, like every other good dysfunctional American family does on Thanksgiving.”
But he’s still sad about it. Though there’s a general sadness around Rome right now, anyway. The weather has turned cold. The sanitation workers and the train employees and the national airline all went on strike on the same day. A study has just been released saying that 36 percent of Italian children have an allergy to the gluten needed to make pasta, pizza and bread, so there goes Italian culture. Even worse, I recently saw an article with the shocking headline: “Insoddisfatte 6 Donne su 10!” Meaning that six out of ten Italian women are sexually unsatisfied. Moreover, 35 percent of Italian men are reporting difficulty maintaining un’erezione, leaving researchers feeling very perplessi indeed, and making me wonder if SEX should be allowed to be Rome’s special word anymore, after all.
In more serious bad news, nineteen Italian soldiers have recently been killed in The Americans’ War (as it is called here) in Iraq—the largest number of military deaths in Italy since World War II. The Romans were shocked by these deaths and the city closed down the day the boys were buried. The wide majority of Italians want nothing to do with George Bush’s war. The involvement was the decision of Silvio Berlusconi, Italy’s prime minister (more commonly referred to around these parts as l’idiota). This intellect-free, soccer-club-owning businessman, with his oily film of corruption and sleaze, who regularly embarrasses his fellow citizens by making lewd gestures in the European parliament, who has mastered the art of speaking l’aria fritta (“fried air”), who expertly manipulates the media (not difficult when you own it), and who generally behaves not at all like a proper world leader but rather like a Waterbury mayor (that’s an inside joke for Connecticut residents only—sorry), has now engaged the Italians in a war they see as none of their business whatsoever.
“They died for freedom,” Berlusconi said at the funeral of the nineteen Italian soldiers, but most Romans have a different opinion: They died for George Bush’s personal vendetta. In this political climate, one might think it would be difficult to be a visiting American. Indeed, when I came to Italy, I expected to encounter a certain amount of resentment, but have received instead empathy from most Italians. In any reference to George Bush, people only nod to Berlusconi, saying, “We understand how it is—we have one, too.”
We’ve been there.
It is odd, then, that Luca would want to use this birthday to celebrate an American Thanksgiving, given these circumstances, but I do like the idea of it. Thanksgiving is a nice holiday, something an American can freely be proud of, our one national festival that has remained relatively uncommodified. It’s a day of grace and thanks and community and—yes—pleasure. It might be what we all need right now.
My friend Deborah has come to Rome from Philadelphia for the weekend, to celebrate the holiday with me. Deborah’s an internationally respected psychologist, a writer and a feminist theorist, but I still think of her as my favorite regular customer, back from the days when I was a diner waitress in Philly and she would come in for lunch and drink Diet Coke with no ice and say clever things to me over the counter. She really classed up that joint. We’ve been friends now for over fifteen years. Sofie will be coming to Luca’s party, too. Sofie and I have been friends for about fifteen weeks. Everybody is always welcome on Thanksgiving. Especially when it also happens to be Luca Spaghetti’s birthday.
We drive out of tired, stressed-out Rome late in the
evening, up into the mountains. Luca loves American music, so we’re blasting the Eagles and singing “Take it . . . to the limit . . . one more time!!!!!!” which adds an oddly Californian sound track to our drive through olive groves and ancient aqueducts. We arrive at the house of Luca’s old friends Mario and Simona, parents of the twin twelve-year-old girls Giulia and Sara. Paolo—a friend of Luca’s whom I’d met before at soccer games—is there, too, along with his girlfriend. Of course, Luca’s own girlfriend, Giuliana, is there, as well, having driven up earlier in the evening. It’s an exquisite house, hidden away in a grove of olive and clementine and lemon trees. The fireplace is lit. The olive oil is homemade.
No time to roast a twenty-pound turkey, obviously, but Luca sautés up some lovely cuts of turkey breast and I preside over a whirlwind group effort to make a Thanksgiving stuffing, as best as I can remember the recipe, made from the crumbs of some high-end Italian bread, with necessary cultural substitutions (dates instead of apricots; fennel instead of celery). Somehow it comes out great. Luca had been worried about how the conversation would proceed tonight, given that half the guests can’t speak English and the other half can’t speak Italian (and only Sofie can speak Swedish), but it seems to be one of those miracle evenings where everyone can understand each other perfectly, or at least your neighbor can help translate when the odd word gets lost.