Bonasera cried out in his anguish and his fear, “America has been good to me. I wanted to be a good citizen. I wanted my child to be American.”
The Don clapped his hands together with decisive approval. “Well spoken. Very fine. Then you have nothing to complain about. The judge has ruled. America has ruled. Bring your daughter flowers and a box of candy when you go visit her in the hospital. That will comfort her. Be content. After all, this is not a serious affair, the boys were young, high-spirited, and one of them is the son of a powerful politician. No, my dear Amerigo, you have always been honest. I must admit, though you spurned my friendship, that I would trust the given word of Amerigo Bonasera more than I would any other man’s. So give me your word that you will put aside this madness. It is not American. Forgive. Forget. Life is full of misfortunes.”
The cruel and contemptuous irony with which all this was said, the controlled anger of the Don, reduced the poor undertaker to a quivering jelly but he spoke up bravely again. “I ask you for justice.”
Don Corleone said curtly, “The court gave you justice.”
Bonasera shook his head stubbornly. “No. They gave the youths justice. They did not give me justice.”
The Don acknowledged this fine distinction with an approving nod, then asked, “What is your justice?”
“An eye for an eye,” Bonasera said.
“You asked for more,” the Don said. “Your daughter is alive.”
Bonasera said reluctantly, “Let them suffer as she suffers.” The Don waited for him to speak further. Bonasera screwed up the last of his courage and said, “How much shall I pay you?” It was a despairing wail.
Don Corleone turned his back. It was a dismissal. Bonasera did not budge.
Finally, sighing, a good-hearted man who cannot remain angry with an erring friend, Don Corleone turned back to the undertaker, who was now as pale as one of his corpses. Don Corleone was gentle, patient. “Why do you fear to give your first allegiance to me?” he said. “You go to the law courts and wait for months. You spend money on lawyers who know full well you are to be made a fool of. You accept judgment from a judge who sells himself like the worst whore in the streets. Years gone by, when you needed money, you went to the banks and paid ruinous interest, waited hat in hand like a beggar while they sniffed around, poked their noses up your very asshole to make sure you could pay them back.” The Don paused, his voice became sterner.
“But if you had come to me, my purse would have been yours. If you had come to me for justice those scum who ruined your daughter would be weeping bitter tears this day. If by some misfortune an honest man like yourself made enemies they would become my enemies”—the Don raised his arm, finger pointing at Bonasera—“and then, believe me, they would fear you.”
Bonasera bowed his head and murmured in a strangled voice, “Be my friend. I accept.”
Don Corleone put his hand on the man’s shoulder. “Good,” he said, “you shall have your justice. Some day, and that day may never come, I will call upon you to do me a service in return. Until that day, consider this justice a gift from my wife, your daughter’s godmother.”
When the door closed behind the grateful undertaker, Don Corleone turned to Hagen and said, “Give this affair to Clemenza and tell him to be sure to use reliable people, people who will not be carried away by the smell of blood. After all, we’re not murderers, no matter what that corpse valet dreams up in his foolish head.” He noted that his firstborn, masculine son was gazing through the window at the garden party. It was hopeless, Don Corleone thought. If he refused to be instructed, Santino could never run the family business, could never become a Don. He would have to find somebody else. And soon. After all, he was not immortal.
From the garden, startling all three men, there came a happy roaring shout. Sonny Corleone pressed close to the window. What he saw made him move quickly toward the door, a delighted smile on his face. “It’s Johnny, he came to the wedding, what did I tell you?” Hagen moved to the window. “It’s really your godson,” he said to Don Corleone. “Shall I bring him here?”
“No,” the Don said. “Let the people enjoy him. Let him come to me when he is ready.” He smiled at Hagen. “You see? He is a good godson.”
Hagen felt a twinge of jealousy. He said dryly, “It’s been two years. He’s probably in trouble again and wants you to help.”
“And who should he come to if not his Godfather?” asked Don Corleone.
THE FIRST ONE to see Johnny Fontane enter the garden was Connie Corleone. She forgot her bridal dignity and screamed, “Johneee.” Then she ran into his arms. He hugged her tight and kissed her on the mouth, kept his arm around her as others came up to greet him. They were all his old friends, people he had grown up with on the West Side. Then Connie was dragging him to her new husband. Johnny saw with amusement that the blond young man looked a little sour at no longer being the star of the day. He turned on all his charm, shaking the groom’s hand, toasting him with a glass of wine.
A familiar voice called from the bandstand, “How about giving us a song, Johnny?” He looked up and saw Nino Valenti smiling down at him. Johnny Fontane jumped up on the bandstand and threw his arms around Nino. They had been inseparable, singing together, going out with girls together, until Johnny had started to become famous and sing on the radio. When he had gone to Hollywood to make movies Johnny had phoned Nino a couple of times just to talk and had promised to get him a club singing date. But he had never done so. Seeing Nino now, his cheerful, mocking, drunken grin, all the affection returned.
Nino began strumming on the mandolin. Johnny Fontane put his hand on Nino’s shoulder. “This is for the bride,” he said, and stamping his foot, chanted the words to an obscene Sicilian love song. As he sang, Nino made suggestive motions with his body. The bride blushed proudly, the throng of guests roared its approval. Before the song ended they were all stamping with their feet and roaring out the sly, double-meaning tag line that finished each stanza. At the end they would not stop applauding until Johnny cleared his throat to sing another song.
They were all proud of him. He was of them and he had become a famous singer, a movie star who slept with the most desired women in the world. And yet he had shown proper respect for his Godfather by traveling three thousand miles to attend this wedding. He still loved old friends like Nino Valenti. Many of the people there had seen Johnny and Nino singing together when they were just boys, when no one dreamed that Johnny Fontane would grow up to hold the hearts of fifty million women in his hands.
Johnny Fontane reached down and lifted the bride up onto the bandstand so that Connie stood between him and Nino. Both men crouched down, facing each other, Nino plucking the mandolin for a few harsh chords. It was an old routine of theirs, a mock battle and wooing, using their voices like swords, each shouting a chorus in turn. With the most delicate courtesy, Johnny let Nino’s voice overwhelm his own, let Nino take the bride from his arm, let Nino swing into the last victorious stanza while his own voice died away. The whole wedding party broke into shouts of applause, the three of them embraced each other at the end. The guests begged for another song.
Only Don Corleone, standing in the corner entrance of the house, sensed something amiss. Cheerily, with bluff good humor, careful not to give offense to his guests, he called out, “My godson has come three thousand miles to do us honor and no one thinks to wet his throat?” At once a dozen full wineglasses were thrust at Johnny Fontane. He took a sip from all and rushed to embrace his Godfather. As he did so he whispered something into the older man’s ear. Don Corleone led him into the house.
Tom Hagen held out his hand when Johnny came into the room. Johnny shook it and said, “How are you, Tom?” But without his usual charm that consisted of a genuine warmth for people. Hagen was a little hurt by this coolness but shrugged it off. It was one of the penalties for being the Don’s hatchet man.
Johnny Fontane said to the Don, “When I got the wedding invitation I said to myself, ?
??My Godfather isn’t mad at me anymore.’ I called you five times after my divorce and Tom always told me you were out or busy so I knew you were sore.”
Don Corleone was filling glasses from the yellow bottle of Strega. “That’s all forgotten. Now. Can I do something for you still? You’re not too famous, too rich, that I can’t help you?”
Johnny gulped down the yellow fiery liquid and held out his glass to be refilled. He tried to sound jaunty. “I’m not rich, Godfather. I’m going down. You were right. I should never have left my wife and kids for that tramp I married. I don’t blame you for getting sore at me.”
The Don shrugged. “I worried about you, you’re my godson, that’s all.”
Johnny paced up and down the room. “I was crazy about that bitch. The biggest star in Hollywood. She looks like an angel. And you know what she does after a picture? If the makeup man does a good job on her face, she lets him bang her. If the cameraman made her look extra good, she brings him into her dressing room and gives him a screw. Anybody. She uses her body like I use the loose change in my pocket for a tip. A whore made for the devil.”
Don Corleone curtly broke in. “How is your family?”
Johnny sighed. “I took care of them. After the divorce I gave Ginny and the kids more than the courts said I should. I go see them once a week. I miss them. Sometimes I think I’m going crazy.” He took another drink. “Now my second wife laughs at me. She can’t understand my being jealous. She calls me an old-fashioned guinea, she makes fun of my singing. Before I left I gave her a nice beating but not in the face because she was making a picture. I gave her cramps, I punched her on the arms and legs like a kid and she kept laughing at me.” He lit a cigarette. “So, Godfather, right now, life doesn’t seem worth living.”
Don Corleone said simply, “These are troubles I can’t help you with.” He paused, then asked, “What’s the matter with your voice?”
All the assured charm, the self-mockery, disappeared from Johnny Fontane’s face. He said almost brokenly, “Godfather, I can’t sing anymore, something happened to my throat, the doctors don’t know what.” Hagen and the Don looked at him with surprise, Johnny had always been so tough. Fontane went on. “My two pictures made a lot of money. I was a big star. Now they throw me out. The head of the studio always hated my guts and now he’s paying me off.”
Don Corleone stood before his godson and asked grimly, “Why doesn’t this man like you?”
“I used to sing those songs for the liberal organizations, you know, all that stuff you never liked me to do. Well, Jack Woltz didn’t like it either. He called me a Communist, but he couldn’t make it stick. Then I snatched a girl he had saved for himself. It was strictly a one-night stand and she came after me. What the hell could I do? Then my whore second wife throws me out. And Ginny and the kids won’t take me back unless I come crawling on my hands and knees, and I can’t sing anymore. Godfather, what the hell can I do?”
Don Corleone’s face had become cold without a hint of sympathy. He said contemptuously, “You can start by acting like a man.” Suddenly anger contorted his face. He shouted, “LIKE A MAN!” He reached over the desk and grabbed Johnny Fontane by the hair of his head in a gesture that was savagely affectionate. “By Christ in heaven, is it possible that you spent so much time in my presence and turned out no better than this? A Hollywood finocchio who weeps and begs for pity? Who cries out like a woman—‘What shall I do? Oh, what shall I do?’ ”
The mimicry of the Don was so extraordinary, so unexpected, that Hagen and Johnny were startled into laughter. Don Corleone was pleased. For a moment he reflected on how much he loved this godson. How would his own three sons have reacted to such a tongue-lashing? Santino would have sulked and behaved badly for weeks afterward. Fredo would have been cowed. Michael would have given him a cold smile and gone out of the house, not to be seen for months. But Johnny, ah, what a fine chap he was, smiling now, gathering strength, knowing already the true purpose of his Godfather.
Don Corleone went on. “You took the woman of your boss, a man more powerful than yourself, then you complain he won’t help you. What nonsense. You left your family, your children without a father, to marry a whore and you weep because they don’t welcome you back with open arms. The whore, you don’t hit her in the face because she is making a picture, then you are amazed because she laughs at you. You lived like a fool and you have come to a fool’s end.”
Don Corleone paused to ask in a patient voice, “Are you willing to take my advice this time?”
Johnny Fontane shrugged. “I can’t marry Ginny again, not the way she wants. I have to gamble, I have to drink, I have to go out with the boys. Beautiful broads run after me and I never could resist them. Then I used to feel like a heel when I went back to Ginny. Christ, I can’t go through all that crap again.”
It was rare that Don Corleone showed exasperation. “I didn’t tell you to get married again. Do what you want. It’s good you wish to be a father to your children. A man who is not a father to his children can never be a real man. But then, you must make their mother accept you. Who says you can’t see them every day? Who says you can’t live in the same house? Who says you can’t live your life exactly as you want to live it?”
Johnny Fontane laughed. “Godfather, not all women are like the old Italian wives. Ginny won’t stand for it.”
Now the Don was mocking. “Because you acted like a finocchio. You gave her more than the court said. You didn’t hit the other in the face because she was making a picture. You let women dictate your actions and they are not competent in this world, though certainly they will be saints in heaven while we men burn in hell. And then I’ve watched you all these years.” The Don’s voice became earnest. “You’ve been a fine godson, you’ve given me all the respect. But what of your other old friends? One year you run around with this person, the next year with another person. That Italian boy who was so funny in the movies, he had some bad luck and you never saw him again because you were more famous. And how about your old, old comrade that you went to school with, who was your partner singing? Nino. He drinks too much out of disappointment but he never complains. He works hard driving the gravel truck and sings weekends for a few dollars. He never says anything against you. You couldn’t help him a bit? Why not? He sings well.”
Johnny Fontane said with patient weariness, “Godfather, he just hasn’t got enough talent. He’s OK, but he’s not big time.”
Don Corleone lidded his eyes almost closed and then said, “And you, godson, you now, you just don’t have talent enough. Shall I get you a job on the gravel truck with Nino?” When Johnny didn’t answer, the Don went on. “Friendship is everything. Friendship is more than talent. It is more than government. It is almost the equal of family. Never forget that. If you had built up a wall of friendships you wouldn’t have to ask me to help. Now tell me, why can’t you sing? You sang well in the garden. As well as Nino.”
Hagen and Johnny smiled at this delicate thrust. It was Johnny’s turn to be patronizingly patient. “My voice is weak. I sing one or two songs and then I can’t sing again for hours or days. I can’t make it through the rehearsals or the retakes. My voice is weak, it’s got some sort of sickness.”
“So you have woman trouble. Your voice is sick. Now tell me the trouble you’re having with this Hollywood pezzonovante who won’t let you work.” The Don was getting down to business.
“He’s bigger than one of your pezzonovanti,” Johnny said. “He owns the studio. He advises the President on movie propaganda for the war. Just a month ago he bought the movie rights to the biggest novel of the year. A best seller. And the main character is a guy just like me. I wouldn’t even have to act, just be myself. I wouldn’t even have to sing. I might even win the Academy Award. Everybody knows it’s perfect for me and I’d be big again. As an actor. But that bastard Jack Woltz is paying me off, he won’t give it to me. I offered to do it for nothing, for a minimum price and he still says no. He sent the word tha
t if I come and kiss his ass in the studio commissary , maybe he’ll think about it.”
Don Corleone dismissed this emotional nonsense with a wave of his hand. Among reasonable men problems of business could always be solved. He patted his godson on the shoulder. “You’re discouraged. Nobody cares about you, so you think. And you’ve lost a lot of weight. You drink a lot, eh? You don’t sleep and you take pills?” He shook his head disapprovingly.