Lynley watched Cuff settle his lanky frame into one of the over-stuffed chairs in the panelled library. He couldn’t remember having heard about Cuff during his own time at Oxford, but as the man was some twenty years Lynley’s senior, this fact could hardly constitute an indication of Cuff’s failure to distinguish himself as an undergraduate.
He seemed to wear confidence with the same ease with which he wore his fawn trousers and navy jacket. It was clear that while he was deeply—perhaps even personally—concerned about the murder of one of the junior members of the college, he did not look upon Elena Weaver’s death as a statement about his competence as college head.
“I’m relieved that the Vice Chancellor agreed to Scotland Yard’s coordinating the investigation,” Cuff said, setting his sherry on the gateleg table. “Having Miranda Webberly at St. Stephen’s helped. It was easy enough to give the Vice Chancellor her father’s name.”
“According to Webberly, there was some concern about the way a case was handled by the local CID last Easter term.”
Cuff rested his head against his index and forefinger. He wore no rings. His hair was thick and ash grey. “It was a clear-cut suicide. But someone from the police station leaked to the local press that it looked to him like a hushed-up murder. You know the sort of thing, an allegation that the University’s protecting one of its own. It developed into a small but nasty situation fanned by the local press. I’d like to avoid that happening again. The Vice Chancellor agrees.”
“But I understand the girl wasn’t killed on University property, so it stands to reason that someone from the city may have committed the crime. If that’s the case, you’re heading into a nasty situation of another sort no matter what anyone wants from New Scotland Yard.”
“Yes. Believe me, I know.”
“So the Yard’s involvement—”
Cuff stopped Lynley with the abrupt words: “Elena was killed on Robinson Crusoe’s Island. Are you familiar with it? A short distance from Mill Lane and the University Centre. It’s long been a gathering place for young people, somewhere they go to drink and smoke.”
“Members of the colleges? That seems a bit odd.”
“Quite. No. Members of college don’t need the island. They can drink and smoke in their common rooms. The graduates can go to the University Centre. Anyone who wants to get up to anything else can do as much in his own bed-sit. We’ve a certain number of rules, naturally, but I can’t say they’re enforced with any regularity. And the days of the proctors patrolling are gone.”
“Then I gather the island’s mostly used by the city.”
“The south end, yes. The north end’s used to repair rivercraft in the winter.”
“College boats?”
“Some.”
“So students and locals might have occasion to bump into one another there.”
Cuff didn’t disagree. “An unpleasant run-in between a member of a college and someone from the city? A few choice epithets, the word townee hurled like an execration, and a killing as revenge?”
“Was Elena Weaver likely to have had that sort of run-in?”
“You’re thinking of an altercation that led up to a lying-in-wait.”
“It’s a possibility, I should think.”
Cuff looked over the top of his glass to an antique globe standing in one of the library’s bay windows. The light from the room created the globe’s duplicate—slightly contorted—on the imperfect pane. “To be frank, that doesn’t sound at all like Elena. And even if that weren’t the case, if we’re talking about a killer who knew her and waited for her, I doubt it was someone from the city. As far as I know, she had no city relationship close enough to lead to murder.”
“An arbitrary killing then?”
“The night porter indicates she left the college grounds round a quarter past six. She was by herself. It would certainly be convenient to reach the conclusion that a young girl out running was victimised by a killer she didn’t know. Unfortunately, I tend to think that’s not the case.”
“Then you believe it was someone who knew her? A member of one of the colleges?”
Cuff offered Lynley a cigarette from a rosewood case on the table. When Lynley demurred, he lit one himself, looked away for a moment and said, “That seems more likely.”
“Have you any ideas?”
Cuff blinked. “None at all.”
Lynley noted the determined tone behind the words and led Cuff back to their original topic. “You mentioned that Elena had potential.”
“A telling statement, isn’t it?”
“It does tend to suggest failure rather than success. What can you tell me about her?”
“She was in Part IB of the English tripos. I believe her coursework concentrated on the history of literature this year, but the senior tutor would be able to tell you exactly, if you need to know. He’s been involved with Elena’s adjustment here in Cambridge from her first term last year.”
Lynley raised an eyebrow. He knew the purpose of the senior tutor. It was far more personal than academic. So the fact that he had been involved with Elena Weaver suggested adjustment problems that went beyond a confused undergraduate’s learning to cope with the mysteries of the University’s system of education.
“There were troubles?”
Cuff took a moment to tap the ash from his cigarette into a porcelain ashtray before saying, “More so than most. She was an intelligent girl and a highly skilled writer, but quite soon into Michaelmas term last year she began missing supervisions, which sent the first red flag up.”
“And the other red flags?”
“She stopped attending lectures. She went to at least three supervisions drunk. She was out all night—the senior tutor could tell you how many times, if you feel it’s important—without signing out with the porter.”
“I take it that you wouldn’t have considered sending her down because of her father. Is he the reason why she was admitted to St. Stephen’s in the first place?”
“Only partially. He’s a distinguished academic, and we’d naturally give his daughter serious consideration. But beyond that, as I said she was a clever girl. Her A-levels were good. Her entrance papers were solid. Her interview was—all things considered—more than adequate. And she certainly had good reason to find the life at Cambridge overwhelming at first.”
“So when the flags came up…?”
“The senior tutor, her supervisors, and I met to develop a plan of action. It was simple enough. Other than attending to her studies, putting in appearances at lectures, and turning in signed chits that indicated she’d been to her supervisions, we insisted she have more contact with her father so that he could monitor her progress as well. She began spending her weekends with him.” He looked faintly embarrassed as he continued. “Her father suggested that it might be additionally helpful if we allowed her to keep a pet in her room, a mouse actually, in the hope it would develop her sense of responsibility and no doubt get her back to the college at night. Apparently she had quite a fondness for animals. And we brought in a young man from Queens’—a chap called Gareth Randolph—to act as an undergraduate guardian and, more importantly, to get Elena involved in an appropriate society. Her father didn’t approve of that last item, I’m afraid. He’d been dead set against it from the very first.”
“Because of the boy?”
“Because of the society itself. DeaStu. Gareth Randolph’s its president. And he’s one of the more high-profile handicapped students in the University.”
Lynley frowned. “It sounds as if Anthony Weaver was concerned that his daughter might become romantically linked with a handicapped boy.” Here was potential for trouble indeed.
“I’ve no doubt of that,” Cuff said. “But as far as I was concerned, becoming involved with Gareth Randolph would have been the best thing for her.”
“Why?”
“For the obvious reason. Elena was handicapped as well.” When Lynley said nothing, Cuff looked perplexed. “Sur
ely you know. You would have been told.”
“Told? No.”
Terence Cuff leaned forward. “I’m terribly sorry. I thought you’d been given the information. Elena Weaver was deaf.”
DeaStu, Terence Cuff explained, was the informal name given to the Cambridge University Deaf Students Union, a group that met weekly in a small, vacant conference room in the basement of Peterhouse Library at the bottom of Little St. Mary’s Lane. On the surface, they were a support group for the not insignificant number of deaf students who attended the University. Beyond that, they were committed to the idea of deafness being a culture in itself, rather than a handicap.
“They’re a group with a great deal of pride,” Cuff explained. “They’ve been instrumental in promoting tremendous self-esteem among the deaf students. No shame in signing rather than speaking. No dishonour in being unable to read lips.”
“Yet you say that Anthony Weaver wanted his daughter to stay away from them. If she herself was deaf, that hardly makes sense.”
Cuff got up from his chair and went to the fireplace, where he lit the coals that formed a small mound in a metal basket. The room was growing cold, and while the action was reasonable, it also bore the appearance of temporising. Once the fire was lit, Cuff remained standing near it. He sank his hands into his trouser pockets and studied the tops of his shoes.
“Elena read lips,” Cuff explained. “She spoke fairly well. Her parents—her mother especially—had devoted themselves to enabling her to function as a normal woman in a normal world. They wanted her to appear for all intents and purposes as a woman who could hear. To them, DeaStu represented a step backwards.”
“But Elena signed, didn’t she?”
“Yes. But she’d only begun that as a teenager when her secondary school called in Social Services after failing to convince her mother of the need to enroll Elena in a special programme to learn the language. Even then, she wasn’t allowed to sign at home. And as far as I know, neither of her parents ever signed with her.”
“Byzantine,” Lynley mused.
“To our way of thinking. But they wanted the girl to have a good chance to make her way in the hearing world. We might disagree with the way they went about it, but the final result was that she ended up with lip-reading, speech, and ultimately signing. In effect, she had it all.”
“Those are the things she could do,” Lynley agreed. “But I wonder where she felt she belonged.”
The mound of coals shifted slightly as the fire took them. Cuff rearranged them deftly with a poker. “No doubt you can see why we were willing to make allowances for Elena. She was caught between two worlds. And as you yourself have pointed out, she wasn’t brought up to fit completely into either.”
“It’s such an odd decision for an educated person to make. What’s Weaver like?”
“A brilliant historian. A fine mind. A man of deep, committed professional integrity.”
Lynley didn’t miss the oblique nature of the answer. “I understand he’s in line for some sort of advancement as well.”
“The Penford Chair? Yes. He’s been short-listed for it.”
“What is it, exactly?”
“The University’s main chair in the area of history.”
“An offer of prestige?”
“More. An offer to do exactly what he wants for the rest of his career. Lecture when and if he wants, write when and if he wants, take on graduate students when and if he wants. Complete academic freedom along with national recognition, the highest possible honours, and the esteem of his fellows. If he’s selected, it shall be the finest moment of his career.”
“And would his daughter’s spotty record here at the University have impeded his chances of being selected?”
Cuff shrugged off both question and implication, saying, “I haven’t been a member of the search committee, Inspector. They’ve been reviewing potential candidates since last December. I can’t tell you exactly what they’re looking into.”
“But might Weaver have thought the committee would judge him in an ill light because of her problems?”
Cuff replaced the poker and ran his thumb over its dull, brass head. “I’ve always felt it’s wise to stay clear of the interior lives and beliefs of the senior fellows,” he replied. “I’m afraid I can’t be of any help to you in this direction of enquiry.”
Only after he finished speaking did Cuff look up from the handle of the poker. And once again in their interview, Lynley clearly read the other man’s reluctance to part with information.
“You’ll be wanting to see where we’ve put you, no doubt,” Cuff said politely. “Let me ring the porter.”
It was shortly after seven when Lynley rang the bell at Anthony Weaver’s home off Adams Road. With an expensive-looking metallic blue Citroën parked in its drive, the house was not a great distance from St. Stephen’s College, so he had walked, crossing the river on the modern concrete and iron crescent of Garret Hostel Bridge and passing beneath the horse chestnut trees that littered Burrell’s Walk with enormous yellow leaves sodden with the fog. The occasional bicycle rider passed him, muffled against the cold in knit hat, scarf, and gloves, but otherwise the path that connected Queen’s Road with Grange Road was largely deserted. Lampposts provided sporadic illumination. Holly, fir, and box hedgerows—broken up by intermittent fencing that ran the gamut from wood to brick to iron—served as boundaries for the walk. Beyond them stood the russet mass of the University Library, into which shadowy figures scurried for last minutes of work prior to its closing.
The houses in Adams Road were all set behind hedges. Trees surrounded them, leafless silver birches that stood like pencil sketches against the fog, poplars whose bark displayed every variation of the colour grey, alders not yet offering their leaves to the coming winter. It was quiet here. Only the gurgle of water pouring into an outdoor drain broke into the stillness. The night air was tinged with the friendly fragrance of wood-smoke, but at the Weaver house the only scent outdoors came from the dampening wool of Lynley’s own overcoat.
It was largely no different inside.
The door was opened by a tall, blonde woman with a face of chiselled, refined composure. She looked far too young to be Elena’s mother, and she didn’t appear particularly struck by grief. Lynley thought, as he looked at her, that he’d never seen anyone with such perfect posture. Every limb, bone, and muscle seemed locked into position, as if an unseen hand had arranged her stance at the door just moments before he knocked upon it.
“Yes.” She said it as a statement, not a question. No part of her face moved other than her lips.
He produced his warrant card, introduced himself, and asked to see the dead girl’s parents.
At this the woman stepped back from the door. She said only, “I’ll fetch Anthony,” and left him standing on the bronze and peach Oriental carpet of a parquet-floored entrance hall. To his left a door opened into a sitting room. To his right a glass-enclosed morning room held a wicker table that was set with linen and china for breakfast.
Lynley took off his overcoat, laid it over the polished handrail of the stairway, and went into the sitting room. He paused, feeling unaccountably put off by what he saw. Like the hall, the sitting room was floored in parquet, and like the hall the parquet was covered with an Oriental carpet. On it sat grey leather furniture—a sofa, two chairs, and a chaise longue—and tables with pedestals of peach-veined marble and tops of glass. The watercolours on the walls had obviously been chosen, mounted, and framed to match the room’s colour scheme, and they hung precisely centred over the sofa: the first, a bowl of apricots on a windowsill behind which shone a sky of robin’s egg blue and the second, a slim grey vase of salmon-coloured oriental poppies with three blooms fallen to the ivory surface upon which the vase stood. Both of them were signed with the single word Weaver. Either husband, wife, or daughter had an interest in art. A slender glass tea table against one wall held an arrangement of silk tulips. Next to this was a single copy of Elle a
nd a photograph in a silver frame. Other than these last two objects and the watercolours, there was nothing in the room to indicate that anyone actually lived in it. Lynley wondered what the rest of the house was like, and walked to the tea table to look at the photograph. It was a wedding portrait, perhaps ten years old, judging from the length of Weaver’s hair. And the bride—looking solemn and celestial and surprisingly young—was the woman who had just answered the door.
“Inspector?” Lynley turned from his perusal of the picture as the dead girl’s father came into the room. He walked quite slowly. “Elena’s mother is asleep upstairs. Shall I wake her for you?”
“She’s taken a pill, darling.” Weaver’s wife had come to the doorway where she hesitated, one hand touching the silver lily pinned to the lapel of her jacket.
“I’ve no need to see her at the moment if she’s asleep,” Lynley said.
“The shock,” Weaver said and added unnecessarily, “She’s just come up from London this afternoon.”
“Shall I make coffee?” Weaver’s wife asked. She’d ventured no further into the room.
“Nothing for me,” Lynley said.
“Nor for me. Thank you, Justine. Darling.” Weaver smiled at her briefly—the effort it cost him rode directly on the surface of the behaviour itself—and he held out a hand to indicate that she was to join them. She entered the sitting room. Weaver went to the fireplace where he lit a gas fire beneath an artful arrangement of artificial coals. “Please sit down, Inspector.”
As Weaver himself chose one of the two leather chairs and his wife took the other, Lynley observed the man who had lost his daughter that day and saw in him the subtleties that illustrate the manner in which men are permitted to face before strangers the worst of their grief. Behind his thick wire-rimmed spectacles, his brown eyes were blood-shot, with crescents of red lining their lower lids. His hands—rather small for a man of his height—trembled when he gestured, and his lips, which were partially obscured by a dark, clipped moustache, quivered as he waited for Lynley to speak.