In these eight masterly stories, Lorrie Moore, in a perfect blend of craft and bewitched spirit, explores the passage of time, and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.
In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible hilarity and darkness—the perils of divorce and what can follow in its wake … In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest at a fund-raising dinner in Georgetown … In “The Juniper Tree,” a teacher, visited by the ghost of her recently deceased friend, is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion … And in “Wings,” we watch the unraveling of two once-hopeful musicians who neither held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead ends and the workings of regret …
Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of Lorrie Moore–land.
QUESTIONS FOR DISCUSSION
1. What is the metaphor of the title? How do the epigraphs help to set it up?
2. The stories share several themes, among them aging and the passage of time, parents and children, divorce and separation. What would you say is the primary theme of the collection?
3. Several of the story titles have multiple meanings. How does Moore’s wordplay keep the reader guessing?
4. The dialogue in Moore’s stories is often funny. Would you call the stories themselves humorous?
5. Real-life current events cast shadows over several of the stories. How does Moore use them to shape a deeper meaning?
6. In “Debarking,” when Zora tells Ira, “Every family is a family of alligators,” (this page), how does this foreshadow what’s to come?
7. Ira reads a poem in Bekka’s journal: “Time moving. / Time standing still. / What is the difference? / Time standing still is the difference” (this page). He has no idea what it means, but he knows that it’s awesome. What do you think the poem means?
8. Why do you think Moore titled the story following “Debarking” “The Juniper Tree”?
9. This second story has a dreamlike quality. Do you think Moore expects the reader to accept it as realistic?
10. In “Paper Losses,” Kit asserts: “A woman had to choose her own particular unhappiness carefully. That was the only happiness in life: to choose the best unhappiness” (this page). What do you think of this notion?
11. What point is Moore making in “Foes”?
12. What is the metaphor of the “rat king” sequence (this page) in “Wings”?
13. In “Subject to Search,” Tom says that cruelty comes naturally to everyone (this page). Do you agree? Does that assertion prove true in Moore’s stories?
14. “Thank You for Having Me” draws a clear connection between weddings and funerals, marriage and death. What connections have you seen in your own experience?
15. On this page, Moore writes, “Maria was a narrative girl and the story had to be spellbinding or she lost interest in the main character, who was sometimes herself and sometimes not.” Which other characters in the collection could be described in this way?
16. Which of Moore’s characters would you most like to meet again?
SUGGESTED READING
Dear Life by Alice Munro; Tenth of December by George Saunders; Some Fun by Antonya Nelson; The New Yorker Stories by Ann Beattie; Because They Wanted to by Mary Gaitskill; The Best American Short Stories 2013, edited by Elizabeth Strout.
Also by Lorrie Moore
A Gate at the Stairs
Birds of America
Who Will Run the Frog Hospital?
Like Life
Anagrams
Self-Help
Lorrie Moore, Bark: Stories
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